Littérature scientifique sur le sujet « Giraldi, William »
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Articles de revues sur le sujet "Giraldi, William"
Bradley, Ryan. « A Conversation with Steve Almond and William Giraldi ». Missouri Review 36, no 1 (2013) : 154–72. http://dx.doi.org/10.1353/mis.2013.0012.
Texte intégralArndt, Susan. « Trans*textuality in William Shakespeare’s Othello : Italian, West African, and English Encounters ». Anglia 136, no 3 (6 septembre 2018) : 393–429. http://dx.doi.org/10.1515/ang-2018-0045.
Texte intégralKirwan, Michael. « William T. Cavanaugh and René Girard ». Political Theology 15, no 6 (novembre 2014) : 509–21. http://dx.doi.org/10.1179/1462317x14z.00000000096.
Texte intégralHassan, Ihab. « Honest Violence in William Giraldi’s Hold the Dark ». Pleiades : Literature in Context 36, no 1 (2016) : 157–58. http://dx.doi.org/10.1353/plc.2016.0089.
Texte intégralKucherova, Anna O. « René Girard. A Theatre of Envy : William Shakespeare ». Voprosy Filosofii, no 2 (2022) : 220–22. http://dx.doi.org/10.21146/0042-8744-2022-2-220-222.
Texte intégralLahaie, Scot. « Girard, René. A Theatre of Envy : William Shakespeare ». Journal of Interdisciplinary Studies 18, no 1 (2006) : 199–201. http://dx.doi.org/10.5840/jis2006181/216.
Texte intégralEgorova, L. V. « René Girard. A theater of envy : William Shakespeare ». Voprosy literatury, no 5 (11 octobre 2023) : 198–203. http://dx.doi.org/10.31425/0042-8795-2023-5-198-203.
Texte intégralFFRENCH, P. « Review. The Girard Reader. Williams, James G. (ed.) ». French Studies 53, no 1 (1 janvier 1999) : 108–9. http://dx.doi.org/10.1093/fs/53.1.108.
Texte intégralCHILTON, BRUCE. « René Girard, James Williams, and the Genesis of Violence ». Bulletin for Biblical Research 3, no 1 (1 janvier 1993) : 17–29. http://dx.doi.org/10.2307/26422176.
Texte intégralCHILTON, BRUCE. « René Girard, James Williams, and the Genesis of Violence ». Bulletin for Biblical Research 3, no 1 (1 janvier 1993) : 17–29. http://dx.doi.org/10.5325/bullbiblrese.3.1.0017.
Texte intégralThèses sur le sujet "Giraldi, William"
Belajouza, Ramla. « Deceit, desire and the compsons : a girardian reading of William Faulkner's The sound and the fury ». Master's thesis, Université Laval, 2012. http://hdl.handle.net/20.500.11794/23433.
Texte intégralClosel, Régis Augustus Bars 1985. « Diálogos Miméticos entre Sêneca e Shakespeare = As Troianas e Ricardo III ». [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270174.
Texte intégralDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-19T08:54:47Z (GMT). No. of bitstreams: 1 Closel_RegisAugustusBars_M.pdf: 2038312 bytes, checksum: 7c1b1af36416b37e4e7597571df3f57d (MD5) Previous issue date: 2011
Resumo: A presente dissertação tem por objetivo propor um diálogo entre duas obras dramáticas de grande significância, Ricardo III e As Troianas, no cânone de seus autores, respectivamente, William Shakespeare (1564 - 1616) e Lucius Annaeus Sêneca (4 a.C - 65 d.C). A premissa inicial é a relação tradicional entre ambos, que atribui ao tragediógrafo elisabetano uma influência textual, temática e estilística originária do filósofo e tragediógrafo latino. Para o estudo dessas relações, limitadas ao escopo de duas obras, o trabalho foi dividido em três partes. No primeiro capítulo é realizado um percurso sobre toda a historiografia da crítica da influência que Sêneca teria exercido sobre os dramaturgos que escreveram durante a segunda metade do século XVI, na Inglaterra. Observa-se, principalmente, como a visão e a metodologia de se tratar o tema da influência se altera, ao longo dos anos, chegando, por exemplo, a ser negada por alguns críticos durante certo tempo, além da observação do delineamento do próprio objeto. Toma-se o cuidado, durante todo o trabalho de não fazer opção a favor ou negar a presença de Sêneca para não incorrer em extremismos. No segundo capítulo, busca-se, com base nos resultados do primeiro capítulo, a leitura histórica dos elementos temáticos e estilísticos lidos como derivados de ou influenciados por Sêneca. Neste ponto o foco distancia-se do campo de discussão crítica do fenômeno para o campo de crítica histórico-literária e os objetos focados, agora, são exatamente aqueles que anteriormente foram levantados como ?"senequianos". No terceiro capítulo, conhecida a história da influência e tendo sido feita uma gama de opções e leituras sobre a época de Shakespeare, inicia-se a leitura das duas obras. Tal abordagem preambular se fez necessária para que houvesse um embasamento tanto da crítica da discussão da influência, como da leitura histórica da cultura que produziu Ricardo III. Foi feita a opção de seguir com a leitura de René Girard sobre os conceitos de Teoria Mimética e Crise de Diferenças, pois tocam em noções basilares do mundo Elisabetano, apresentando, portanto, uma atmosfera na qual os diálogos poderiam situar relações de aproximação e afastamento entre a dupla de obras escolhida. Observa-se uma leitura mítica, muito rica politicamente, ao trabalhar com a história/mito conhecidos por ambas as obras
Abstract: This dissertation aims to propose a dialogue between two dramatic works of great importance, Richard III and Trojan Women, both canonic for their authors, respectively, William Shakespeare (1564 - 1616) and Lucius Annaeus Seneca (4 BC - 65 AD). The initial premise is the traditional relationship between them, which presupposes that the Elizabethan tragedies have textual, thematic and stylistic influence of the Latin philosopher and tragedian. In order to study these relationships, restricted to the scope of the two referred plays, the dissertation was divided into three parts. The first chapter is about Seneca's influence on playwrights who wrote along the second half of the sixteenth century in England. It focuses mainly the vision and methodology used to study the issue of influence and changes of views over the years, reaching, for example, the fact that the influence was denied by some critics for some time. It also observes the outline of the object - the relation between plays - itself. Along these considerations, I was aware that I should not propose or deny the influence of Seneca in order not to incur in extremism. The second chapter, based on the results of the first chapter, seeks to read the historical interpretation of stylistic and thematic elements as derived from or influenced by Seneca. At this point, the analysis moves away from the critical discussion to approach the field of historical and literary criticism. The focused objects are exactly those that have previously been raised as "senequians", like the blank verse, the tyrant and the presence of ghosts. In the third chapter begins the interpretation of both tragedies. This preliminary approach was necessary in order to have a critical foundation for the discussion of influence, as that one produced by historical reading of Richard III. The mimetic theory of René Girard and the Crisis of Differences offered fundamental notions for the Elizabethan world, which presented interlocution between both tragedies, so that it was possible to examine approaches and distances between the two chosen plays. It was observed a very rich mythical and political relation among the plays using the known versions of history/myth
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
Hage, Ralph. « The ethics of identity / ». Montréal : Université du Québec à Montréal, 2005. http://accesbib.uqam.ca/cgi-bin/bduqam/transit.pl?&noMan=24249428.
Texte intégralPos, Sonja. « Dorbeck is alles ! thema's, motieven en compositie in enkele romans en verhalen van W.F. Hermans, bezien vanuit de theorie van René Girard over navolging, rivaliteit en zondebokmechanisme / ». [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2007. http://dare.uva.nl/document/45383.
Texte intégralMatteoni, Francesca. « Blood beliefs in early modern Europe ». Thesis, University of Hertfordshire, 2010. http://hdl.handle.net/2299/4523.
Texte intégralLivres sur le sujet "Giraldi, William"
Carolyn, Gerard, dir. Garard/Garrard/Gerard/Gerrard/Girard : Descendants of Rev. John, Elias, & William. [Dunnellon, FL] (20551 SW 102nd St., Dunnellon 34431-5958) : R. and C. Gerard, 1999.
Trouver le texte intégralDay, Walter. Twin Galaxies' Official Video Game & Pinball Book Of World Records ; Second Edition, Arcade Volume. Sous la direction de Walter Day et Mr Kelly R. Flewin. Fairfield, IA : 1st World Publishing, 2007.
Trouver le texte intégralHero's Body : A Memoir. Liveright Publishing Corporation, 2016.
Trouver le texte intégralSepúlveda, Jovanny. La Investigación en Derecho y el diálogo entre saberes. CUA - Medellin, 2018. http://dx.doi.org/10.52441/der201804.
Texte intégralJoão Cezar de Castro Rocha et Flora Thomson-DeVeaux. Shakespearean Cultures : Latin America and the Challenges of Mimesis in Non-Hegemonic Circumstances. Michigan State University Press, 2019.
Trouver le texte intégralJoão Cezar de Castro Rocha et Flora Thomson-DeVeaux. Shakespearean Cultures : Latin America and the Challenges of Mimesis in Non-Hegemonic Circumstances. Michigan State University Press, 2019.
Trouver le texte intégralDay, Walter. TWIN GALAXIES' OFFICIAL VIDEO GAME & PINBALLBOOK OF WORLD RECORDS ; Arcade Volume, Second Edition. 2e éd. 1st World Publishing, 2007.
Trouver le texte intégralChapitres de livres sur le sujet "Giraldi, William"
Wilson, Eric M. « ‘El sueno de la razon produce monstruos’ or, ‘The Dream of Reason Creates Monsters’ : Two Little Piggies Went to the Apocalypse in William Golding’s Lord of the Flies ». Dans Rene Girard, Law, Literature, and Cinema, 115–65. Singapore : Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-1156-7_2.
Texte intégralHerbert, Trevor. « Popular Nationalism : Griffith Rhys Jones (‘Caradog’) and the Welsh Choral Tradition ». Dans Music and British Culture, 1785–1914, 255–74. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167303.003.0012.
Texte intégralDe Rtjk, L. M. « William of Ware (Guillelmus Guarro) ». Dans Giraldus Odonis O.F.M. : Opera Philosophica, 607–17. BRILL, 2005. http://dx.doi.org/10.1163/9789047403975_017.
Texte intégralD'Alessio, Silvana. « European Stage Plays ». Dans Masaniello. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland : Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721455_ch15.
Texte intégralWinch, Julie. « Introduction ». Dans A Gentleman of Color, 1–3. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195086911.003.0001.
Texte intégral« Gambusia affinis (Baird & ; Girard) and Gambusia holbrooki Girard (mosquitofish) : William E. Walton, Jennifer A. Henke and Adena M. Why ». Dans A Handbook of Global Freshwater Invasive Species, 268–80. Routledge, 2012. http://dx.doi.org/10.4324/9780203127230-33.
Texte intégralRives, J. B. « The End of Animal Sacrifice ? » Dans Animal Sacrifice in the Roman Empire (31 BCE-395 CE), 336–52. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197648919.003.0011.
Texte intégral« Gane, Mike 77–80, 84, 98 Le Moyne, Gertrude 119 Gariépy, Renault 59 Lévesque, René 105–6 Garric, Daniel 5, 58, 62 Levin, Charles 2, 66 Gates, Bill 13 Lévi-Strauss, Claude 6, 19, 22–5 de Gaulle, Charles 46, 100 Lewis, Wyndham 55–6 Genosko, Gary 55, 67, 110 Libermann, Ben 84 Gheerbrand, Gilles 62 Lukács, Georg 113–15 Gibson, Steve 11 Lyotard, Jean-François 49–51, 69, 110 Giradin, Jean-Claude 81 Giscard d’Estaing, Valéry 46, 103 Gould, Glenn 10, 17 McLughan, William 53 Grant, George 70 McLuhan, Corinne 9 Grigg, Russell 54 McLuhan, Eric 9 Gritti, Jules 74–5 Mandel, Ernest 111 Grock, Adrian Wettach 36, 50 Marabini, Jean 5, 58–9 Guattari, Félix 7, 17, 48–50, 105, Marchand, Philip 15, 62 110–11 Marcotte, Gilles 58, 119 Mariet, François 61–2 Marx, Karl 24, 69, 111–16 Hall, Stuart 31 Matson, Raymer B. 104 Halley, Peter 3 Mattelart, Armand 45–6 Heath, Stephen 56 Mattelart, Michèle 45 Hjelmslev, Louis 48–50 Metz, Christian 50 Hoggart, Richard 6, 17, 31–4 Michelet, Jules 21 Holland, Eugene 55 Miller, Jonathan 28, 109 Hurtubise, Claude 5 Missika, Jean-Louis 47 Huyssen, Andreas 4, 13 Molinaro, Matie 9 Monnier-Raball, Jacques 72 Iannone, M. 13 Monroe, Marilyn 59 Ionesco, Eugène 30, 57 Morin, Edgar 41–2 Moriwaki, Hiroyuki 10 Jameson, Fredric 65, 112–14 Jarry, Alfred 55 Nadeau, Maurice 18 Namer, Gérard 44 Negri, Antonio 105 Kattan, Naïm 4–5, 18 Nixon, Richard 3 Kellner, Douglas 67, 77, 84–5, 98 de Kerckhove, Derrick 9–10, 14–15, 30–1, 35, 43, 87, 119–21 Ong, Walter J. 56 Klein, Calvin 65 Orlan 11 Knockaert, Yves 58 Kroker, Arthur 2–3, 8–9, 11–12, 22, Paglia, Camille 1 28–9, 64–70, 115 Paik, Nam June 10, 30 Kroker, Marilouise 11 Paré, Jean 5–6, 22, 92, 99–103, 105 Parker, Harley 34, 81, 118 Lacan, Jacques 7, 52–4, 56–7, 63 Pasolini, Pier Paolo 104 Languirand, Jacques 103 Passeron, Jean-Claude 17 Lanoux, Armand 58–9 Paterson, Nancy 10 Lazarsfeld, Paul 50 Pauwels, Louis 120–1 ». Dans McLuhan and Baudrillard, 145. Routledge, 2002. http://dx.doi.org/10.4324/9780203005217-15.
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