Littérature scientifique sur le sujet « German fiction 20th century History and criticism »
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Articles de revues sur le sujet "German fiction 20th century History and criticism"
Rudova, Oksana S. « Nikolai Gogol's text in the works of Vladimir Nabokov : the history of foundation of the issue in criticism and literary studies ». Vestnik of Kostroma State University, no 2 (2019) : 148–53. http://dx.doi.org/10.34216/1998-0817-2019-25-2-148-153.
Texte intégralLamm, Mariya A. « The development of Belarusian literature in a multicultural context ». Slavic Almanac, no 1-2 (2020) : 501–7. http://dx.doi.org/10.31168/2073-5731.2020.1-2.6.04.
Texte intégralAdamik, Verena. « Making worlds from literature : W.E.B. Du Bois’s The Quest of the Silver Fleece and Dark Princess ». Thesis Eleven 162, no 1 (février 2021) : 105–20. http://dx.doi.org/10.1177/0725513621993308.
Texte intégralLevit, Georgy S., et Uwe Hossfeld. « Biology and panpsychism : German evolutionists and a philosopher Theodor Ziehen (1862–1950) ». Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 36, no 2 (2020) : 240–53. http://dx.doi.org/10.21638/spbu17.2020.203.
Texte intégralHaker, Hille. « Towards a Decolonial Narrative Ethics ». Humanities 8, no 3 (3 juillet 2019) : 120. http://dx.doi.org/10.3390/h8030120.
Texte intégralKovács, Gábor. « THE MYTH OF THE WICKED CITY IN THE CULTURAL CRITICISM OF O. SPENGLER / NUODĖMINGO MIESTO MITAS O. SPENGLERIO KULTŪROS KRITIKOJE ». CREATIVITY STUDIES 4, no 1 (28 juin 2011) : 64–74. http://dx.doi.org/10.3846/20290187.2011.577175.
Texte intégralKinkley, Jeffrey C. « The Monster That Is History : History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London : University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.] ». China Quarterly 182 (juin 2005) : 439–41. http://dx.doi.org/10.1017/s0305741005270261.
Texte intégralValčo, Michal, Daniel Slivka, Katarina Valčova, Nina I. Kryukova, Dinara G. Vasbieva et Elmira R. Khairullina. « Samuel Štefan Osusky’s Theological-Prophetic Criticism of War and Totalitarianism ». Bogoslovni vestnik 79, no 3 (2019) : 765–85. http://dx.doi.org/10.34291/bv2019/03/valco.
Texte intégralBecker, Heike. « Writing Genocide ». Matatu 50, no 2 (13 février 2020) : 361–95. http://dx.doi.org/10.1163/18757421-05002002.
Texte intégralNosonovsky, Michael, Dan Shapira et Daria Vasyutinsky-Shapira. « Not by Firkowicz’s Fault : Daniel Chwolson’s Comic Blunders in Research of Hebrew Epigraphy of the Crimea and Caucasus, and their Impact on Jewish Studies in Russia ». Acta Orientalia Academiae Scientiarum Hungaricae 73, no 4 (17 décembre 2020) : 633–68. http://dx.doi.org/10.1556/062.2020.00033.
Texte intégralThèses sur le sujet "German fiction 20th century History and criticism"
Duggan, Lucy. « Reading the city : Prague in Czech and Czech-German narrative fiction since 1989 ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3827cf9c-fa91-4fb5-aa7e-8942de885729.
Texte intégralDueck, Cheryl E. « Rifts in time and in the self : two generations of GDR women writers and the development of the female subject (Christa Wolf, Brigitte Reimann, Helga Künigsdorf, Helga Schubert) ». Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35875.
Texte intégralThe first generation to embark on a literary career in the GDR, with great aspirations for the socialist project, is represented by Wolf and Reimann. A shift in political parameters meant that the following generation of writers, including Konigsdorf and Schubert, was faced with a pre-determined ideological structure, unsatisfactory to them. Accordingly, a diachronic investigation of the literary subject is pursued, and reveals the shift between these generations. As a result, rifts in time, in the subject, and rifts between the subject and its time are exposed.
In the 1960s, Wolf and Reimann rejected the literary female subject's role as an agent in the implementation of socialism. Crises in GDR social structures and crises of the psyche are shown to overlap and to result in divided subjects. The non-contemporaneity of Marxism begins to surface in the 1970s, and the rift in time affects the female subjects of Wolf and Reimann, which increasingly fragment Konigsdorf's and Schubert's short prose of the late 1970s reveals a rejection of the unified Marxist subject and the move toward a notion of the self informed by Freudian psychoanalysis. In the 1980s, the effects of the socio-political environment prove fatal to the individual subject in the works by both generations, and parallels are drawn to the National Socialist past. These links instigate a fundamental reevaluation of standards in language, power and cycles of history at the crossroads of life and death. The post-Wende period witnesses a shift away from problems of subjectivity in the texts of Konigsdorf and Schubert, while Wolf initially experiments with the postmodern, and most recently, surprisingly re-consolidates the female subject.
Aston, Richard Michael. « The role of the fool and the carnivalesque in post-1945 German prose fiction on the Third Reich ». Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:10b3780b-66bd-4467-849f-8648ec969c55.
Texte intégralPlouffe, Bruce. « The post-war novella in German language literature : an analysis ». Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74297.
Texte intégralAulls, Katharina. « Mutter-Tochter Beziehungen in deutschsprachigen Romanen im Jahrzehnt nach dem "Jahr der Frau" ». Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74348.
Texte intégralThe complexity and problems of mother-daughter relationships are analyzed as an outcome of female socialization within a patriarchal society. Chapter I deals with historical, economic and psychological oppression of women. The resulting internalization of the role of inferiority and dependency leads to the subsequent repression of their own daughters. Chapter II discusses new contributions in the fields of psychology and sociology to the understanding of female identity formation through relationships. Chapter III provides a two-pronged analysis of each novel by describing the individual mother-daughter relationship in comparison with the outcomes of Chapters I and II, and by addressing the narrator's process of putting the experience into a unique literary form and thus contributing to women's literature.
Themes that are unique in each novel are: the emotional stress of the adult daughter trying to redefine her relationship with her widowed mother (Ausflug mit der Mutter), the dichotomy of woman in her nurturing role as mother and in her quest for self-realization (Gestern war Heute), the difficulty of breaking the repetitive cycle of the female role of dependency (Die dreizehnte Fee). All of the following novels assess the damaged self-identity of the daughter caused by a destructive mother. While the daughters survive due to fierce resistance (Die Eisheiligen) or escape into the world of art (Die Zuchtigung) there is no hope for the daughter in Die Klavierspielerin due to her identification with the oppressor.
Weber, Undine S. « Wolfgang Koeppens auseinandersetzung mit der tradition : aspekte der intertextualität in der so genannten nachkriegs‐trilogie ». Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1020833.
Texte intégralTonkin, Kati. « Marching into history : from the early novels of Joseph Roth to Radetzkymarsch and Die Kapuzinergruft ». University of Western Australia. European Languages and Studies Discipline Group, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0085.
Texte intégralChan, Wing-chun Julia, et 陳永晉. « Towards an aesthetics of cliché : cultural recycling and contemporary fiction ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42182311.
Texte intégral阮慧娟 et Wai-kuen Jeannie Yuen. « Crisis and negotiation : a study of modern chinese fiction in the eighties ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212050.
Texte intégral胡從經 et Cong-jing Hu. « A criticism of the studies of Chinese fiction during the period 1900 to 1950 ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31234173.
Texte intégralLivres sur le sujet "German fiction 20th century History and criticism"
Stecher-Hansen, Marianne. History revisited : Fact and fiction in Thorkild Hansen's documentary works. Columbia, SC : Camden House, 1997.
Trouver le texte intégralCheesman, Tom. Novels of Turkish German settlement : Cosmopolite fictions. Rochester, N.Y : Camden House, 2007.
Trouver le texte intégralMarven, Lyn. Emerging German-language novelists of the twenty-first century. Rochester, N.Y : Camden House, 2011.
Trouver le texte intégralBrauneck, Manfred. Der deutsche Roman nach 1945. Bamberg : C.C. Buchner, 1993.
Trouver le texte intégralWeninger, Robert K. The German Joyce. Gainesville : University Press of Florida, 2012.
Trouver le texte intégralKauffeldt, Rolf. Erzähler des 20. Jahrhunderts : Eine literarhistorische und thematische Sammlung deutschsprachiger Erzählungen. Düsseldorf : Cornelsen, 1987.
Trouver le texte intégralTait, Meg. Taking sides : Stefan Heym's historical fiction. Oxford : P. Lang, 2001.
Trouver le texte intégralTerpin, Sara. Die Rezeption des italienischen Futurismus im Spiegel der deutschen expressionistischen Prosa. München : Meidenbauer, 2009.
Trouver le texte intégralArgyle, Gisela. Germany as model and monster : Allusions in English fiction, 1830s-1930s. Montreal : McGill-Queen's University Press, 2002.
Trouver le texte intégralArjouni, Jakob. More beer : A Kayankaya mystery. Harpenden, Herts : No Exit Press, 1996.
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