Littérature scientifique sur le sujet « Galeazzo Alessi »
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Articles de revues sur le sujet "Galeazzo Alessi"
Gill, Rebecca M. « Conception and Construction : Galeazzo Alessi and the Use of Drawings in Sixteenth-Century Architectural Practice ». Architectural History 59 (2016) : 181–219. http://dx.doi.org/10.1017/arh.2016.6.
Texte intégralMagnani, Lauro. « ‘L'uso d' ornare i fonti’ Galeazzo Alessi and the construction of grottoes in Genoese gardens ». Journal of Garden History 5, no 2 (avril 1985) : 135–53. http://dx.doi.org/10.1080/01445170.1985.10408614.
Texte intégralRovetta, Alessandro. « Le Osservazioni sull’architettura in Lombardia di Gaetano Cattaneo (1824) : tra Jean-Baptiste Seroux d’Agincourt, Carlo Bianconi e Giuseppe Bossi ». Storia della critica d'arte : annuario della S.I.S.C.A. 1 (2020) : 229–60. http://dx.doi.org/10.48294/s2020.013.
Texte intégralRevzina, Yulia. « All’antica life style : private thermae in Italian Renaissance architecture ». Scientific and analytical journal Burganov House. The space of culture 17, no 1 (10 mars 2021) : 68–82. http://dx.doi.org/10.36340/2071-6818-2021-17-1-68-82.
Texte intégralThèses sur le sujet "Galeazzo Alessi"
Gaitán, Salinas Candela. « Principes vitruviens dans l'architecture italienne et espagnole entre les années 1540 et 1575. Deux exemples de l'architecture périphérique dans le contexte du plan impérial : Jaén et Gênes ». Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP021.
Texte intégralThis thesis project, developed under the tutorship shared by Málaga University and L’EPHE, focuses on the transformations which the architectural languages experience in Italy and Spain, particularly in Andalusia, during the second half of the sixteenth century. In comparison to Italy, the Spanish architects’ assimilation of the Vitruvian principles occurred later in time and it was based on the treatises. During the thirties decade, Diego de Sagredo’s treatise The Roman’s Measures was published, which deals with the human body proportions and the architectural orders. The translation of Sebastiano Serlio’s Quarto and Terzo Libro, by Francisco de Villalpando, happened in 1552, and subsequently two more translations of the Vitruvian treatise were written by Miguel de Urrea in 1568, though published in 1582, and Lázaro de Velasco, between 1554 and 1568. In Andalusia we may observe the process of assimilation of Antiquity principles in Andres de Vandelvira’s works, as in the Sacred Chapel of the Saviour and in the Sacristy of Jaén’s Cathedral, one of the most remarkable testimonies of the Spanish Renaissance. In the profane architecture domain, Pedro Machuca, in the Palace of King Charles the Fifth, circa 1527, had already incorporated the Vitruvian principles that he had acquired during his voyage to Rome between 1517 and 1520. The the long building process of this monument shows the manner in which the specificities of the architectural vocabulary changed in the following decades, evolving from a more honest Classicism to a more ornamental one. This project proposes a detailed analysis of the influence of artistic treatises on the evolution of architectural languages, concentrating on a classification of the most representative works in this period in Jaén and Geneva. This study will elucidate the manner in which imported models merge with local traditions. We devote especial attention to the technical craftsmanship that, in the case of Spain, is narrowly linked to the stonemasons’ skill and the building system for the later medieval cathedrals. We proceed through a detailed study of the monuments, mainly works of Vandelvira and Alessi, based on architectural and archival research. The objective is distance our conclusions from generally assumed concepts, like Mannerism, in favour of an analysis determined by testimonies. Once we identity the models that emerge from the adapted treatises, we question ourselves about the way those models are assimilated at a formal and technical level. The study of the historical context in which this adaptation develops will reveal the significance of the models, often related to political legitimizations. This parallelism between Italy and Spain shows the importance that local traditions gain in the event of these progressive transformations. On the other hand, we will evince in our reflection the persistence of the classical principles established during this period, some of which would endure for centuries. This project ensures a better understanding of Classicism between 1540 and 1575 in Spain, supported by a parallelism with Italy. Thus we may clarify the role local traditions play and the way they produce a new synthesis with the models extracted from the artistic treatises
Livres sur le sujet "Galeazzo Alessi"
1512-1572, Alessi Galeazzo, dir. Galeazzo Alessi : Trattato di fortificazione. Milano : Guerini studio, 1999.
Trouver le texte intégralAnna, Di Bene, dir. Tempo, luoghi e innovazione in Umbria con Galeazzo Alessi : Celebrazioni per il V centenario della nascita di Galeazzo Alessi : atti del convegno, Palazzo Brutti, Perugia 29 settembre 2012. San Sisto, Perugia : EFFE Fabrizio Fabbri, 2013.
Trouver le texte intégralIl restauro della cupola della cattedrale di San Lorenzo : Galeazzo Alessi a Genova. Genoa] : Sagep editori, 2018.
Trouver le texte intégralZeitler, Kurt. Galeazzo Alessis Villen Giustiniani-Cambiaso und Grimaldi-Sauli : Ein Genueser Beitrag zur Villenarchitektur im Cinquecento. München : Tuduv, 1993.
Trouver le texte intégralChapitres de livres sur le sujet "Galeazzo Alessi"
Gill, Rebecca M. « Early Experiments in Catholic Reformation Architecture : Galeazzo Alessi and the Church of Santa Maria Assunta di Carignano, Genoa ». Dans Europa Sacra, 277–99. Turnhout : Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.es-eb.5.121909.
Texte intégralPaolo Belardi. « Da Perugia a Genova e poi ancora a Perugia : sui “disegni regolatori” di Galeazzo Alessi ». Dans DIALOGHI / DIALOGUES • visioni e visualità / visions and visuality. FrancoAngeli srl, 2022. http://dx.doi.org/10.3280/oa-832-c15.
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