Littérature scientifique sur le sujet « French literature – 19th century – translations into english »
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Articles de revues sur le sujet "French literature – 19th century – translations into english"
Remchukova, Elena N., et Ekaterina M. Nedopekina. « Difficulties in translating Russian classics : Pushkin’s novel “Eugene Onegin” in English and French ». Russian Journal of Linguistics 24, no 4 (15 décembre 2020) : 945–68. http://dx.doi.org/10.22363/2687-0088-2020-24-4-945-968.
Texte intégralGrassi, Evelin. « Memorie Sadriddin Ajnī (Italian translation by Evelin Grassi) ». Oriente Moderno 93, no 1 (2013) : 212–38. http://dx.doi.org/10.1163/22138617-12340010.
Texte intégralAntonov, Nikolay K. « A review of research literature on the topic of the priesthood in the works of st. Gregory the Theologian ». Issues of Theology 3, no 2 (2021) : 177–208. http://dx.doi.org/10.21638/spbu28.2021.204.
Texte intégralEttobi, Mustapha. « Literary Translation and (or as?) Conflict between the Arab World and the West ». TranscUlturAl : A Journal of Translation and Cultural Studies 1, no 1 (18 août 2008) : 14. http://dx.doi.org/10.21992/t99d06.
Texte intégralToledano Buendia, Carmen. « Robinson Crusoe Naufraga en Tierras Españolas ». Babel. Revue internationale de la traduction / International Journal of Translation 47, no 1 (31 décembre 2001) : 35–48. http://dx.doi.org/10.1075/babel.47.1.05tol.
Texte intégralBelavina, Ekaterina M. « Desbordes-Valmore, Smirdin and Pushkin in the Face of “Industrial Literature” ». Literary Fact, no 1 (31) (2024) : 151–66. http://dx.doi.org/10.22455/2541-8297-2024-31-151-166.
Texte intégralШи, Юэ. « On the translation of the classic Chinese novel “Jin, Ping, Mei, or the Plum in the Golden Vase” in the West ». Modern Humanities Success, no 3 (29 mars 2024) : 21–27. http://dx.doi.org/10.58224/2618-7175-2024-3-21-27.
Texte intégralVariano, Angelo. « Spigolature di anglicismi : a proposito di leggings e altri (recenti) forestierismi ». Zeitschrift für romanische Philologie 134, no 2 (8 juin 2018) : 568–79. http://dx.doi.org/10.1515/zrp-2018-0035.
Texte intégralMörte Alling, Annika. « Fransk litteratur i Sverige 1830–1900 ». Tidskrift för litteraturvetenskap 40, no 3-4 (1 janvier 2010) : 179–92. http://dx.doi.org/10.54797/tfl.v40i3-4.11941.
Texte intégralHaugen, Marius Warholm. « Traduire le Voyage comme acte politique ». Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 55, no 2 (7 août 2019) : 191–213. http://dx.doi.org/10.1075/rro.17016.hau.
Texte intégralThèses sur le sujet "French literature – 19th century – translations into english"
Nakhaeï, Bentolhoda. « Critical Analysis of the Stylistic Transformations in the 19th and 20th-century English and French Translations of Omar Khayyám’s Rubáiyát : exploring the Common Quatrains in FitzGerald, Arberry, Nicolas, and Lazard ». Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA144.
Texte intégralThis thesis aims to carry out a meticulous analysis of the transformation of form and meaning in the rendition of the Rubáiyát in four significant 19th and 20th-century translations—two in English and two in French. The translators of the selected translations are Edward FitzGerald, Arthur John Arberry, Jean-Baptiste Nicolas, and Gilbert Lazard. The translations produced by these translators have offered opportunities of investigation within linguistic boundaries. In fact, one may wonder if the translators have transformed the meaning and the form of the Persian quatrains. If so, which procedures have they employed? More precisely, how are the underlying networks of signification rendered by the most significant English and French translators of the 19th and 20th centuries? Furthermore, what is the quality of the writing in the target language in each translation? On the whole, this thesis seeks to appreciate whether the translators have been successful in understanding the significance of the subtext and the elegance of the poetic form of the Rubáiyát.This dissertation provides its readers with a scientific application of the theoretical concepts of different theorists in translation studies, linguistics, and literature. The most salient theories employed in the present research are those of Antoine Berman, Henri Meschonnic, Peter Newmark, Eugene Albert Nida, Susan Bassnett, Mona Baker, Geoffrey N. Leech, I.A. Richards, Roger T. Bell, George Lakoff and Mark Johnson, Michael Hanne, and Max Black. In addition, it must be indicated that this thesis sets out to create a balance between two poles in translation studies, i.e. target-oriented and source-oriented translations.The translation of Omar Khayyám’s Rubáiyát into Germanic and Romance languages is an interesting and controversial subject to discuss. This research seeks to prove that the study of the translations of the Rubáiyát can contribute to highlighting the difficulties and the impossibilities of the rendition of certain issues from Persian into English or French
Jones, Suzanne Barbara. « French imports : English translations of Molière, 1663-1732 ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.
Texte intégralPauk, Filgueira Barbara. « Crossing the channel : socio-cultural exchanges in English and French women's writings - 1830-1900 ». University of Western Australia. School of Social and Cultural Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0083.
Texte intégralIzarra, Salomon de. « L'écriture de l'enfermement : de la narration de de l'incarcération aux perspectives et illusions d'évasion et de métamorphose ». Thesis, Tours, 2017. http://www.theses.fr/2017TOUR2020/document.
Texte intégralThe goal of this thesis is to analyze caracteristics of a metamorphosis in the prison literature, by the analysis of works by Jean Genet, Victor Hugo, Jack London and Oscar Wilde. Therefore, it consists in highlighting the different stages of this processus, of understanding its causes and consequences. We focus on the history of prison systems in California, England and France, then to the clichés, which are numerous into the prison literature. Then we look at the causes of the metamorphosis through the mischiefs of prison and the answer accordingly of the detainees. Finally, our last part concerns the unexpected aspects of the imprisonment, and the difficult return to civil life
McGeoch, Ellen. « Les Yeux de Paris : the act of looking and the visual in Baudelaire’s prose poetry ». Thesis, 2012. http://hdl.handle.net/1959.13/940828.
Texte intégralA finely-dressed man stands at the balcony of a Paris apartment, gazing at the city. Gustave Caillebotte’s 1875 painting Jeune homme à la fenêtre captures the man from behind and the viewer cannot see his face. He invites the viewer to observe him but he defiantly hides his identity. There is another figure in the scene, framed in the window and whom the dandy’s steady line of sight appears to meet. An unidentified woman stands on the empty boulevard, wearing a fashionable draped bustle skirt in a dark colour in contrast with the pale architecture. She is unaware of her audience, but through this framing and the eye sight of the man at the window, the viewer is drawn to her. Other artworks of the era show the streets of Paris writhing with activity but here all distractions are removed; the lone man gazing at the lone woman on the street is the only interaction, the only sign of life in the work. Whereas the man is safe in his anonymity, a willing and active observer, the woman becomes an exposed art object, unwillingly gazed at and evaluated not only by the man at the window, but the artist himself and the multitude of art gallery visitors who continue to gaze upon her. The painting is an urban landscape and a portrait of two strangers, a man looking and a woman being seen. One is placed on the streets and the other above them, tucked away in his own, contained piece of the city. The piece is also an artwork about the nature of selecting, containing and framing of objects essential to the artistic process, and the inherent hierarchy of the artistic gaze which searches and judges. Several of the concepts in Caillebotte’s painting can be found in Charles Baudelaire’s collection of prose poetry, Le Spleen de Paris: Petits Poèmes en prose, published posthumously in 1869. Both are defined by the act of searching and looking for art’s sake, relying on this hierarchy of the dominating voyeur and dominated object. The following thesis discussion is concerned with the visual processes and the narrator’s gaze in the work. It is of great significance that Baudelaire engaged in both poetry and art criticism; the two are intertwined and at times interchangeable. Given the focus on the visual register, as well as Baudelaire’s active role in the art world, the discussion of the visual processes and themes of the prose poetry alongside nineteenth-century fine artworks serves to establish new inter-disciplinary connections. The collection’s themes and innovations frequently overlap with those being made in fine art during the same time, and although a historical reading of the texts is not the focus, together they serve to contextualise the role of the artist and his gaze, the nature of the modern city and artistic poetic priorities at the time. Baudelaire’s own influential art criticism can be seen as a theoretical outline for his own creative pursuits. In Baudelaire’s prose poetry, the visual register, fine art and concepts of modernity intersect with the written word, and the collection can be seen as a literary incarnation of a visual act.
Livres sur le sujet "French literature – 19th century – translations into english"
Durfort, Duras Claire de. Ourika : An English translation. New York : Modern Language Association of America, 1994.
Trouver le texte intégralGaboriau, Emile. Monsieur Lecoq. Paris : Liana Levi, 1992.
Trouver le texte intégralBaudelaire, Charles. 66 translations from Charles Baudelaire's Les fleurs du mal. Peoria, Ill : Spoon River Poetry Press, 1985.
Trouver le texte intégralSheed, Wilfrid. Sixteen Short Novels. New York : E. P. Dutton, 1985.
Trouver le texte intégralWilfrid, Sheed, dir. Sixteen short novels : An anthology. New York : E.P. Dutton, 1985.
Trouver le texte intégralGrainville, Jean-Baptiste-François-Xavier Cousin de. The last man. Middletown, Conn : Wesleyan University Press, 2002.
Trouver le texte intégralBaudelaire, Charles. Les fleurs du mal. New York City : Spuyten Duyvil, 2015.
Trouver le texte intégralThe Dedalus book of French horror : The 19th century. Sawtry, Cambs : Dedalus, 1998.
Trouver le texte intégralMallardi, Rosella, et Vittoria Intonti. Cultures in Contact : Translation and Reception of I Promessi Sposi in 19th Century England. Lang AG International Academic Publishers, Peter, 2011.
Trouver le texte intégralGaboriau, Emile. MONSIEUR LECOQ-Classic Literature (Annotated). Independently Published, 2021.
Trouver le texte intégralChapitres de livres sur le sujet "French literature – 19th century – translations into english"
Eickmans, Heinz. « John Bunyans Pilgerreise von London über Amsterdam nach Hamburg : Niederländisch als Intermediärsprache für Übersetzungen aus dem Englischen in der Frühen Neuzeit ». Dans Neues von der Insel, 107–29. Berlin, Heidelberg : Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-66949-5_6.
Texte intégralPrushkovska, Iryna. « TURKISH TRANSLATIONS OF SHAKESPEARE’S WORKS : LITERARY INTEGRATION ». Dans European vector of development of the modern scientific researches. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-077-3-18.
Texte intégralTuchais, Simon. « French ». Dans Language Communities in Japan, 199–208. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198856610.003.0021.
Texte intégralGarziano, Svetlana A. « The Literary Criticism’s Heritage of D.S. Merezhkovsky in French During the Period of Emigration : Translations and Reviews ». Dans The Merezhkovskys and Europe, 339–50. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0739-7-339-350.
Texte intégralFrance, Peter, et Kenneth Haynes. « Literatures of Medieval and Modern Europe ». Dans The Oxford History Of Literary Translation In English, 211–322. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199246236.003.0006.
Texte intégralRobertson, Ritchie. « 3. Classical art and world literature ». Dans Goethe : A Very Short Introduction, 45–64. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780199689255.003.0003.
Texte intégralBonsaver, Guido. « American Literature, Opera Librettos, and Pragmatism ». Dans America in Italian Culture, 132—C4P51. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198849469.003.0005.
Texte intégralChesnokova, Tatiana G. « Fielding the Novelist as an Intermediary in the Development of English and French Drama in 1760–1780s ». Dans The Multifaceted Fielding, 221–47. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0616-1-221-247.
Texte intégralBruna, Lukas. « Fashinated by the Image of Free-Spirited Vagabond (on the Reception and Influence of M. Gorkyʼs Literature in Early 20th Century in Japan) ». Dans Maxim Gorky and World Culture : A Collection of Scientific Articles (Materials of the Gorky Readings 2018 “World Value of M. Gorky (on the 150th Anniversary of the Birth)”, 185–98. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0693-2-185-198.
Texte intégralTrofimova, Violetta S. « Dialogue Through the Ages : John Wilmot, Earl of Rochester, and Vera Kryzhanovskaya-Rochester ». Dans Femininity and Masculinity in the Modernist Culture : Russia and Abroad, 33–51. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0740-3-33-51.
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