Thèses sur le sujet « France In motion pictures »
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Van, Liew Maria. « Democratic women : gender, national discourse and the cinema of post-Franco Spain / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820983.
Texte intégralStrauss, Angela L. « The economic impact of film tourism on small communities ». Th author, 2003. http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail=.
Texte intégral"December, 2003". "A research paper submitted in partial fulfillment of the requirements for the Master of Science Degree with major in Global Hospitality; Approved: 3 semester credits (signature) professor Lynnette Brouwer; The Graduate School, University of Wisconsin-Stout." Description based on 2005 edition printed on Aug. 2, 2007 from http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail= Bibliography p. 36-40. Also available online (viewed 2 Aug. 2007) at address: http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail=
Noble, Fiona. « Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinema ». Thesis, University of Aberdeen, 2015. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=227226.
Texte intégralEmerson, John. « The representation of the colonial past in French and Australian cinema, from 1970 to 2000 / ». Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.
Texte intégralLehin, Barbara. « Cinema and society : Thatcher's Britain and Mitterand's France ». Thesis, University of Warwick, 2003. http://wrap.warwick.ac.uk/1249/.
Texte intégralOscherwitz, Dayna Lynne. « Representing the nation cinema, literature and the struggle for national identity in contemporary France / ». Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3034944.
Texte intégralPhillips, Alastair. « City of darkness, city of light : the representation of Paris in the 1930s French films of the German émigrés ». Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/110873/.
Texte intégralTrippe, William Micah. « Where are the urban mechanics ? : the case of the French city film 1926-1930 ». Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610501.
Texte intégralWard, Glenn. « Journeys into perversion : vision, desire and economies of transgression in the films of Jess Franco ». Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6928/.
Texte intégralLanglois, Suzanne 1954. « La résistance dans le cinéma français de fiction (1944-1994) / ». Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42073.
Texte intégralWalkley, Sarah Elizabeth. « To what extent can France continue to defend the cultural exception in the digital age ? : an analysis of cultural diversity in the French film industry ». Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/80230/.
Texte intégralNorrie, Kathleen Margaret. « Family patterns in French films of the 1930s and of the Occupation ». Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/24388.
Texte intégralVaughan, Michael Hunter. « From camera to code : Godard, Resnais and the problem of representation in film theory ». Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:d8752498-1a8c-48ec-b774-b3e9f1e410ea.
Texte intégralPeters, Claire Isla MacLeod. « Le Paris de la mémoire : traces of the Holocaust and the Algerian War in the 'city of light' ». Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4714/.
Texte intégralKoch, Anna. « Characters as social beings : social performance in the French and Czechoslovak New Waves ». Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:21a0725e-0028-4ddb-9c9d-4eee40148cc3.
Texte intégralBellego, Christophe. « Three empirical essays on movie admissions in the french motion picture industry ». Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01E060.
Texte intégralAt the frontier between entertainment industries and cultural production, vital content provider of digital economy, the motion picture industry raises several interesting questions in the field of economics and marketing. This dissertation tackles three important empirical questions in the motion picture industry using different methods (panel data models, difference-in-differences, and structural econometrics) and brings a new theoretical development about the nested logit model. The first chapter deals with online consumer reviews, also known as electronic word of mouth (eWOM), and focuses on the extent to which prerelease information alters the effect of eWOM on movie sales. The second chapter studies the collateral damages of the French anti-piracy law known as Hadopi on box office performances of movies, by carefully ruling out alternative explanations of the result. The third chapter investigates on seasonality in the French movie industry. The analysis separately identifies and decomposes movie sales into the number and quality of available movies, underlying seasonal demand, weather shocks, and national sales promotion by estimating a three-level nested logit model of weekly demand accounting for congestion on movie theaters' screens. The model is used to identify optimal release periods depending on the types of movie
Viraben, Hadrien. « Le savant et le profane : documenter l'impressionnisme en France, 1900-1939 ». Thesis, Normandie, 2018. http://www.theses.fr/2018NORMR095.
Texte intégralIn 1946 the publication of John Rewald’s History of Impressionism in New York consecrated the aura of the movement’s scientific historiography, supported by documentary investment. This quality confronted laymen’s narratives, which oral tradition and some witness’s accounts’ reputations dominated. Yet, a close consideration could not agree with the assumption of an exclusive scholarly nature of the document. Since the beginning of the 20th century, varied producers, such as artists, witnesses, heirs, critics, journalists, as well as professional historians, museum curators and academics formed an impressionist documentation. It thus can be interpreted as a quest for factual truth, as much as an appropriation of a research object through its written and visual marks. The equipment of impressionist readings hence gathered are: autographs; memorabilia, movable and physical assets as souvenirs of artists; photographic and cinematographic technologies. Moreover, these documents fit into a broader visual culture which included monuments and commemorative plaques of the public sphere, or motives transformed by pictorial acts into remarkable viewpoints. A historical and critical study of such a writing of history as documentary (de)monstration allows here to look back to its execution’s social and visual contexts, the career issues in which it participated, the goals that had been assigned to it within both scholars’ and laymen’s art discourses
McMahon, Orlene Denice. « Listening to the French new wave : the film music and composers of postwar French art cinema ». Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610716.
Texte intégralBias, Rebecca H. « From golden age to silver screen French music-hall cinema from 1930-1950 / ». Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1117225437.
Texte intégralTitle from first page of PDF file. Document formatted into pages; contains vii, 216 p. Includes bibliographical references (p. 195-216). Available online via OhioLINK's ETD Center
Cazdyn, Eric M. « Problem cinema : culture, capital and form in Japan / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.
Texte intégralChan, Kim-mui Eileen. « Postmodernity and recent Hong Kong cinema / ». Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.
Texte intégralCarbonaro, Joseph. « Enabling church members to evaluate the moral content of feature films ». Theological Research Exchange Network (TREN), 1997. http://www.tren.com.
Texte intégralTam, Siu-yan Xavier. « Between penumbrae and shadow contextualizing transnational queer Chinese cinemas / ». Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.
Texte intégralWang, Qi. « Writing against oblivion personal filmmaking from the forsaken generation in post-socialist China / ». Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1619151901&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralRestoule, Jean-Paul. « How "Indians" are read the representation of aboriginality in films by native and non-native directors / ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30998.pdf.
Texte intégralCraddolph, Hayden V. « Developing a community of independent film/video producers to foster creation, marketing, and distribution of digital media ». online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?EP21256.
Texte intégralYang, Jing. « The construction of the Chinese woman in 1990s American cinema ». Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B43813185.
Texte intégralLau, Tsz-wan Christal. « Ethics in the production of Hong Kong movies ». Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39559105.
Texte intégralWilliams, Danielle E. Winn J. Emmett. « Local motion picture exhibition in Auburn, for 1894-1928 a cultural history from a communication perspective / ». Auburn, Ala., 2004. http://repo.lib.auburn.edu/EtdRoot/2004/SUMMER/Communication_and_Journalism/Thesis/willide_31_Williams.pdf.
Texte intégralSzaloky, Melinda Terezia. « Mutual images transcendental reflections on cinema and the aesthetic between Kant and Deleuze / ». Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1906570811&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralZhu, Ying. « From art to commerce : Chinese cinema in the era of reforms / ». Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
Texte intégralMing, Kee-ying Thomas. « An analysis of the filmic : a philosophical grounding for film aesthetics / ». [Hong Kong] : University of Hong Kong, 1993. http://sunzi.lib.hku.hk/hkuto/record.jsp?B15949941.
Texte intégralTiburzi, Brian M. « The fifth generation Chinese cinema's "great leap forward" / ». online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1445180.
Texte intégralGalt, Rosalind. « Redrawing the map of Europe space, history and spectacle in new European cinema / ». [S.l. : s.n.], 2002. http://books.google.com/books?id=kV9ZAAAAMAAJ.
Texte intégralGulledge, Jim. « A search for myth and metanarrative in films popular among college students an alternative model for Christian evaluation / ». Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.
Texte intégralBerrien, John P. « The portrayal of the clergy in selected American films from the 1930's to the 1970's ». Theological Research Exchange Network (TREN) Access this title online, 1989. http://www.tren.com.
Texte intégralLuce, Micah. « The cinema and the church experiential [koinonia] in audience and congregation / ». Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p051-0115.
Texte intégralSuen, Pak-kin. « Filming gay representations : male homosexuality in Hong Kong and Taiwanese cinema / ». Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23242036.
Texte intégralPotter, George Alexander. « Iphone to IMAX : the social implications of screen size ». Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/potter/PotterG1208.pdf.
Texte intégralDawson, Harold. « The commodification of tragedy a critical examination of contemporary film / ». Huntington, WV : [Marshall University Libraries], 2007. http://www.marshall.edu/etd/descript.asp?ref=786.
Texte intégralFalicov, Tamara Leah. « The contemporary Argentine film industry, 1983-1998 : state cultural policy within a global market / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9956448.
Texte intégralKunkle, Daniel James. « No brute images the need for a Reformed and transcendental approach to the movies / ». Theological Research Exchange Network (TREN), 2000. http://www.tren.com.
Texte intégralLee, Tain-dow. « Reforming film study at the level of higher education in Taiwan, the Republic of China / ». The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487265143147137.
Texte intégralSchweitzer, Dennis C. « Ton & ; traum : a critical analysis of the use of sound effects and music in contemporary narrative film / ». Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108483481.
Texte intégralLee, Christina H. P. « Beyond the pink : (post) youth iconography in cinema / ». Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050930.124547.
Texte intégralYeung, Yuk-ngan. « Gender representation in films ». Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp ?
Texte intégralTam, Siu-yan Xavier, et 譚兆仁. « Between penumbrae and shadow : contextualizingtransnational queer Chinese cinemas ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44142663.
Texte intégralAthique, Adrian Mabbott. « Non-resident cinema transnational audiences for Indian films / ». Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.
Texte intégralCrilly, Shane. « "Gods in our own world" representations of troubled and troubling masculinities in some Australian films, 1991-2001 / ». Connect to this title online, 2004. http://hdl.handle.net/2440/37939.
Texte intégralThesis (Ph.D.)--School of Humanities, 2004.
Haygood, Ashley. « The rise of controversial content in Film ». Lynchburg, Va. : Liberty University, 2007. http://digitalcommons.liberty.edu.
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