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Livres sur le sujet « Fori Imperiali »

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Auteur : Grafiati

Publié le 10 mars 2023

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1

Rocca, Eugenio La. I fori imperiali. Roma : Progetti museali editore, 1995.

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2

editor, Pomponi Massimo, Deidda Davide editor et Istituto nazionale di archeologia e storia dell'arte (Italy), dir. I Fori imperiali. Roma : Scienze e lettere, 2019.

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3

Contesti ceramici dai Fori Imperiali. Oxford, England : Archaeopress, 2013.

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4

Scavi dei Fori imperiali : Il Foro di Augusto : l'area centrale. Roma : L'Erma di Bretschneider, 2010.

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5

Rossella, Leone, Margiotta Anita, Betti Fabio, D'Amelio Angela Maria, Rome (Italy). Assessorato alle politiche culturali. et Rome (Italy). Sovraintendenza ai beni culturali., dir. Fori imperiali : Demolizione e scavi : fotografie, 1924-1940. Milano : Electa, 2007.

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6

Bruno, Toscano, Di Benedetti Patrizia et Picardi Paola, dir. La città assente : La via Alessandrina ai Fori imperiali. [La Spezia] : Agorà, 2006.

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7

Lucrezia, Ungaro, Del Moro Maria Paola, Rome (Italy). Sovraintendenza ai beni culturali. et Museo dei Fori Imperiali, dir. Il Museo dei Fori Imperiali nei Mercati di Traiano. Milano : Electa, 2007.

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8

I Fori prima dei Fori : Storia urbana dei quartieri di Roma antica cancellati per la realizzazione dei Fori Imperiali. Monte Compatri (RM) : Edizioni Espera, 2016.

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9

Roberto, Meneghini, Santangeli Valenzani Riccardo et Bianchi Elisabetta, dir. Roma, lo scavo dei fori imperiali, 1995-2000 : I contesti ceramici. Rome : École française de Rome, 2006.

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10

Riccardo, Santangeli Valenzani, et Bianchi Elisabetta, dir. I Fori imperiali : Gli scavi del comune di Roma (1991-2007). Roma : Viviani, 2007.

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11

Adriano, La Regina, dir. Guida archeologica di Roma : Foro romano, Palatino, Campidoglio e Musei capitolini, Fori imperiali, Colosseo, Domus aurea. Milano : Electa, 2004.

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12

Roberto, Meneghini, et Santangeli Valenzani Riccardo, dir. Formae Urbis Romae : Nuovi frammenti di piante marmoree dallo scavo dei Fori Imperiali. Roma : L'Erma di Bretschneider, 2006.

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13

I Fori imperiali nei disegni d'architettura del primo Cinquecento : Ricerche sull'architettura e l'urbanistica di Roma. Roma : Gangemi, 2000.

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14

Serena, Baiani, et Ghilardi Massimiliano, dir. Crypta Balbi - Fori imperiali : Archeologia urbana a Roma e interventi di restauro nell'anno del Grande Giubileo. Roma : Kappa, 2000.

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15

Massimiliano, Ghilardi, et Baiani Serena, dir. Crypta Balbi, Fori imperiali : Archeologia urbana a Roma e interventi di restauro nell'anno del grande giubileo. Roma : Kappa, 2000.

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16

I Fori imperiali e i Mercati di Traiano : Storia e descrizione dei monumenti alla luce degli studi e degli scavi recenti. Roma : Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 2009.

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17

Peter, Weiermair, et Museo dei Fori Imperiali, dir. Rudi Wach : La porta delle mani : una documentazione della mostra di sculture e disegni di Rudi Wach ai Mercati di Traiano, Museo dei Fori imperiali a Roma, estate 2014. Roma : Palombi, 2014.

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18

editor, Pignataro Francesco, Sanchirico Simona editor, Smith, Christopher John, 1965- editor et Fondazione Dià Cultura, dir. Museum.dià : Io Convegno internazionale di museologia : politiche, poetiche e proposte per una narrazione museale : atti dell'Incontro internazionale di studi : Roma, Mercati di Traiano - Museo dei Fori Imperiali, 23-24 maggio 2014. Roma : E.S.S. Editorial Service System S.r.l., 2015.

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19

Rocca, Eugenio La. The imperial fora. Rome : Progetti museali editore, 1995.

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20

Tadgell, Christopher. Imperial form : From Achaemenid Iran to Augustan Rome. London : Ellipsis, 1998.

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21

Tadgell, Christopher. Imperial form : From Achaemenid Iran to Augustan Rome. New York : Whitney Library of Design, 1998.

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22

Nicoletta, Bernacchio, La Rocca Eugenio, Ungaro Lucrezia et Meneghini Roberto, dir. I luoghi del consenso imperiale : Il Foro di Augusto, il Foro di Trajano. Roma : Progetti museali editore, 1995.

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23

Lucrezia, Ungaro, et Milella Marina, dir. I Luoghi del consenso imperiale : Il Foro di Augusto, il Foro di Traiano. Roma : Progetti Museali, 1995.

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24

Cavalcanti, Lauro. Paço Imperial. Rio de Janeiro : Paço Imperial/MinC/IPHAN, Ministério da Cultura, 2005.

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25

El "Foro Provincial" de Augusta Emerita : Un conjunto monumental de culto imperial. Madrid : Consejo Superior de Investigaciones Cientı́ficas, 2006.

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26

Crossing the seas : Americans form an empire, 1890-1899. Philadelphia : Mason Crest Publishers, 2005.

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27

D, Armour Ian, dir. Imperial Germany, 1890-1918. London : Longman, 1991.

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28

Roman imperialism and civic patronage : Form, meaning, and ideology in monumental fountain complexes. Cambridge : Cambridge University Press, 2010.

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29

Imperial Irmandade de São Vicente de Paulo. Niterói : Muiraquitã, 2007.

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30

Kuipers, Matthijs. A Metropolitan History of the Dutch Empire. NL Amsterdam : Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729918.

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This book analyses popular imperial culture in the Netherlands around the turn of the twentieth century. Despite the prominent role that the Dutch empire played in many (sometimes unexpected) aspects of civil society, and its significance in mobilising citizens to participate in causes both directly and indirectly related to the overseas colonies, most people seem to have remained indifferent towards imperial affairs. How, then, barring a few jingoist outbursts during the Aceh and Boer Wars, could the empire be simultaneously present and absent in metropolitan life? Drawing upon the works of scholars from fields as diverse as postcolonial studies and Habsburg imperialism, A Metropolitan History of the Dutch Empire argues that indifference was not an anomaly in the face of an all-permeating imperial culture, but rather the logical consequence of an imperial ideology that treated ‘the metropole’ and ‘the colony’ as entirely separate entities. The various groups and individuals who advocated for imperial or anti-imperial causes – such as missionaries, former colonials, Indonesian students, and boy scouts – had little unmediated contact with one another, and maintained their own distinctive modes of expression. They were all, however, part of what this book terms a ‘fragmented empire’, connected by a Dutch imperial ideology that was common to all of them, and whose central tenet – namely, that the colonies had no bearing on the mother country – they never questioned. What we should not do, the author concludes, is assume that the metropolitan invisibility of colonial culture rendered it powerless.

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31

1939-, Parenzan Peter, et Lammerhuber Lois 1952-, dir. Wiener Hofburg : Metamorphosen einer Kaiserresidenz = Metamorphoses of an imperial palace. Baden : Edition Lammerhuber, 2010.

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32

Penn, Alan. Targeting schools : Drill, militarism, and imperialism. London : Woburn Press, 1999.

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33

Perras, Galen Roger. Hurry up and wait : Robert Menzies, Mackenzie King, and the failed attempt to form an Imperial War Cabinet in 1941. Salford : University of Salford, European Studies Research Institute, 2004.

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34

Coccolino, Germano. Incontro con le porcellane cinesi di epoca Ch'ing : Prodotte dai laboratori imperiali e dai forni privati dal periodo K'ang Hsi all'epoca della Repubblica. Pinerolo [Italy] : Alzani, 1998.

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35

Vettese, Angela, Domenico Maria Bianchi, Josepha Kosuth, Maurizio Mochetti, Alessandra Maria Sette, Michelangelo Pistoletto, Ludovico Pratesi et Marina Abramovic. Giants : Contemporary Art in Fori Imperiali. Charta, 2002.

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36

Italy), Musei capitolini (Rome, dir. L'invenzione dei fori Imperiali : Demolizione e scavi, 1924-1940. Roma : Palombi Editori, 2008.

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37

Luca Basso Peressut, Pier Federico Caliari, Vespasiani, Lauro Salara Vecchra, Aemilia T. Divi Tulll. Piranesi Prix De Rome. Progetti per la nuova via dei Fori Imperiali. Aion, 2017.

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38

Form and instability : Eastern Europe, literature, post-imperial difference. 2016.

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39

Paço Imperial. [Rio de Janeiro, Brazil] : Sextante Artes, 1999.

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40

Duara, prasenjit. Modern Imperialism. Sous la direction de Jerry H. Bentley. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199235810.013.0022.

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The renewed interest in imperialism after the wars in Afghanistan and Iraq has re-cast a vexed problem regarding the delimitation of the scope of the term imperialism. The urge to distinguish ‘imperialism’ from ‘empire’ has surfaced as some scholars seek to dissociate the United States' actions from the term imperialism and affiliate it with the less negative, if not positive, vision of empire. In that light, this article describes empire and imperialism in history; the historiography of imperialism; principal developments in modern imperialism; and the mid-nineteenth century transformation of imperialism or ‘new imperialism’. Imperialist competition in the first half of the twentieth century was catalyzed by a particular configuration of capitalism and nationalism. The nationalist foundations of modern imperialism have made it very difficult for the imperialist nation, whether Japan in Manchukuo or the United States in Iraq, to transition to a federated polity or cooperative economic entities or even ‘empire’.

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41

Bell, Duncan. Ideologies of Empire. Sous la direction de Michael Freeden et Marc Stears. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199585977.013.0012.

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The world in which we live is largely the product of the rise, competition, and fall of empires. This chapter examines European, and principally British, ideologies of imperialism during the last two hundred years. The chapter starts by distinguishing between imperial imaginaries, ideologies, and theories, before dissecting elements of the western imperial imaginary, focusing in particular on notions of civilizational hierarchy. The rest of the article examines three ideal-typical aspects of imperial ideology: justification; governance; and resistance. Ideologies of justification provide reasons for supporting or upholding imperial activity, seeking to legitimate the creation, reproduction, or expansion of empire. Ideologies of governance articulate the modalities of imperial rule in specific contexts. Finally, ideologies of resistance reject imperial control.

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42

Kim, Jessica M. Imperial Metropolis. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469651347.001.0001.

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In this compelling narrative of capitalist development and revolutionary response, Jessica M. Kim reexamines the rise of Los Angeles from a small town to a global city against the backdrop of the U.S.-Mexico borderlands, Gilded Age economics, and American empire. It is a far-reaching transnational history, chronicling how Los Angeles boosters transformed the borderlands through urban and imperial capitalism at the end of the nineteenth century and how the Mexican Revolution redefined those same capitalist networks into the twentieth. Kim draws on archives in the United States and Mexico to argue that financial networks emerging from Los Angeles drove economic transformations in the borderlands, reshaped social relations across wide swaths of territory, and deployed racial hierarchies to advance investment projects across the border. However, the Mexican Revolution, with its implicit critique of imperialism, disrupted the networks of investment and exploitation that had structured the borderlands for sixty years, and reconfigured transnational systems of infrastructure and trade. Kim provides the first history to connect Los Angeles’s urban expansionism with more continental and global currents, and what results is a rich account of real and imagined geographies of city, race, and empire.

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43

Russell, Ben. Stone Use and the Economy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198790662.003.0008.

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This chapter concentrates on the non-imperial demand for stone in the Roman world, to provide some context for understanding the imperially orchestrated stone trade. Two related trends underpin the fashion for stone use: a widespread growth in demand for stone of all types, especially during the first three centuries AD; and targeted and disproportionately high demand for high-quality decorative stones. Imperial building projects played a major role in this process, setting the tone for much non-imperial activity; they have the highest densities of decorative stones and have consequently attracted most scholarly attention. However, in aggregate terms more stone was consumed by the non-imperial market; the bulk of this material moved only short distances to satisfy local demand. The level of demand for high-quality or uniquely patterned stone from imperial building projects, primarily at Rome, distorts the picture of small-scale, localized quarrying and the typically limited pattern of distribution that was the norm.

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44

Auerbach, Jeffrey A. Imperial Boredom. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827375.001.0001.

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Imperial Boredom offers a radical reconsideration of the British Empire during its heyday in the nineteenth century. Challenging the long-established view that the empire was about adventure and excitement, with heroic men and intrepid women settling new lands and spreading commerce and civilization around the globe, this analysis instead argues that boredom was central to the experience of empire. It looks at what it was actually like to sail to Australia, to serve as a soldier in South Africa, or to accompany a colonial official to the hill stations of India, arguing that for numerous men and women, from governors to convicts, explorers to tourists, the Victorian empire was dull and disappointing. Drawing on diaries, letters, memoirs, and travelogues, it demonstrates that all across the empire, men and women found the landscapes monotonous, the physical and psychological distance from home debilitating, the routines of everyday life wearisome, and their work unfulfilling. Ocean voyages were tedious; colonial rule was bureaucratic; warfare was infrequent; economic opportunity was limited; and indigenous people were largely invisible. The seventeenth-century empire may have been about wonder and marvel, but the Victorian empire was a far less exciting project. Combining individual stories of pain and perseverance with broader analysis, this book traces the emergence of boredom as a human emotion, while simultaneously explaining what these expressions of boredom reveal about the British Empire.

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45

Imperial Form : From Achaemenid Iran to Augustan Rome (A History of Architecture #3). Ellipsis Arts, 1999.

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46

Imperial Tapestries : Narrative Form and the Question of Spanish Habsburg Power, 1530-1647. Bucknell University Press, 2016.

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47

Softworld 2.1 : The imperial message. Columbus, Ohio : Wexner Center for the Arts, Ohio State University, 1994.

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48

Soft 2.1 : The Imperial Message. Ohio State University Press, 1994.

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49

Watanabe-O'Kelly, Helen. Projecting Imperial Power. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198802471.001.0001.

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The nineteenth century is notable for its newly proclaimed emperors, from Franz I of Austria and Napoleon I in 1804, through Agustín and Pedro, the emperors of Mexico and Brazil, in 1822, to Napoleon III in 1852, Maximilian of Mexico in 1864, Wilhelm I, German emperor, in 1871, and Victoria, empress of India in 1876. These monarchs projected an imperial aura by means of coronations and acclamations, courts, medals, and costumes, portraits and monuments, ceremonial and religion, international exhibitions and museums, festivals and pageants, architecture and town planning. They relied on ancient history for legitimacy while partially espousing modernity. The empress consorts had to find a meaningful role for themselves in a changing world. The first emperors’ successors—Pedro II of Brazil, Franz Joseph of Austria, and Wilhelm II of Germany—expanded their panoply of power, until Pedro was forced to abdicate in 1889 and the First World War brought the Austrian and German empires to an end. Britain invented an imperial myth for its Indian empire in the twentieth century, until George VI relinquished the title of emperor in 1947. The imperial cities of Berlin, Paris, Vienna, and New Delhi bear witness to these vanished empires, as does Chapultepec Castle in Mexico City and the town of Petrópolis in Brazil. How the empires came to an end and how imperial cities and statues are treated nowadays demonstrates the contested place of the emperors in national cultural memory.

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Kumar, Krishan. Imperialism. Sous la direction de George Klosko. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199238804.003.0039.

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Imperialism relates to the theory and practice of the European empires of the nineteenth and twentieth centuries. There were European empires before that, many of which had a continuous history from those earlier times well into the twentieth century. These include some of the best known: the Ottoman; Portuguese; Spanish; Austrian; Russian; Dutch; British; and French empires, all of which had their origins in the fifteenth and sixteenth centuries. Running alongside these was the even longer-lasting though sometimes ineffectual Holy Roman Empire, whose important role in keeping the imperial idea alive in the Middle Ages and beyond has unfairly been slighted owing to the popularity of Voltaire's quip that it was “neither Holy, nor Roman, nor an Empire.” For some students of empire, empire represents an ever-present possibility, because imperialism is a drive that is inherent in the very nature of human society and politics. The most influential theory of modern imperialism was penned not by a Marxist or even a socialist but by a self-professed English liberal, J. A. Hobson.

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