Littérature scientifique sur le sujet « Filmkomedier »

Since the turn of the millennium, characters identified as Muslims have become more common in Nordic film productions. While these characters are predominantly found in dramas or crime stories, they also appear in a number of comedies. This chapter explores how Islamic religious beliefs, practices and characters are presented in two Norwegian comedies. Specific focus is on how two different comedic genres – the romantic comedy and the teen comedy – shape how Islam is represented, as well as how Muslim characters and experiences of being a Muslim in a Scandinavian country today shape and challenge traditional narratives, structures and perspectives in comedy. Special attention is given to aspects of gender, ethnic humour and affect. The author argues that the films uphold certain stereotypes but also contest ideas relating to the «other» and contemporary Scandinavian identities.