Articles de revues : « Figure rosse »

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Bundrick, Sheramy. « Vasi attici a figure rosse da Tarquinia ». Etruscan Studies 22, n^o 1-2 (5 novembre 2019) : 166–70. http://dx.doi.org/10.1515/etst-2019-0005.

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Neils, Jenifer, et Gloria Ferrari. « I vasi attici a figure rosse del periodo arcaico ». American Journal of Archaeology 94, n^o 4 (octobre 1990) : 692. http://dx.doi.org/10.2307/505138.

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Ambrosini, Laura. « Sui vasi plastici configurati a prua di nave (trireme) in ceramica argentata e a figure rosse ». Mélanges de l'École française de Rome. Antiquité, n^o 122-1 (15 septembre 2010) : 73–115. http://dx.doi.org/10.4000/mefra.336.

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Ambrosini, Laura. « Su un elmo falisco a figure rosse da Cerveteri e sulla deposizione di elmi fittili nei corredi tombali di età ellenistica ». Mélanges de l’École française de Rome. Antiquité 118, n^o 1 (2006) : 251–66. http://dx.doi.org/10.3406/mefr.2006.10983.

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Slawisch, Anja. « Francesca Curti, Alessandra Parrini (Edd.) : Iasos. Ceramica attica a figure rosse. Prefazione di Ian McPhee. Con contributi di Fede Berti, Roberta Fabiani, Bernhard Schmaltz. » Gnomon 94, n^o 4 (2022) : 353–57. http://dx.doi.org/10.17104/0017-1417-2022-4-353.

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Johnston, Alan. « Art and Archaeology - (F.) Wiel-Marin Le ceramica attica a figure rosse di Adria. La famiglia Bocchi e l'archeologia. Padova : CLEUP. Pp. 648, illus. €120. 9788871785752. » Journal of Hellenic Studies 128 (novembre 2008) : 253–54. http://dx.doi.org/10.1017/s0075426900000975.

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Buitron-Oliver, Diana. « Archaic red-figure vases from Tarquinia's cemetery - GLORIA FERRARI , I VASI ATTICI A FIGURE ROSSE DEL PERIODO ARCAICO (Materiali del Museo Archeologico Nazionale de Tarquinia XI, Archaeologica 73, Giorgio Bretschneider, Roma 1988). Pp. 196, tav. 99. ISBN 88-7689-009-2. Lit. 550.000. » Journal of Roman Archaeology 7 (1994) : 317–20. http://dx.doi.org/10.1017/s1047759400012654.

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Maffre, Jean-Jacques. « Vases étrusques et vases attiques au Musée de Tarquinia [Archeologia 13, 16, 32 et 33, Materiali del Museo archeologico nazionale di Tarquinia, I, II, V et VI ; Giampiero Pianu, Ceramiche etrusche a figure rosse ; Lucrezia Campus, Ceramica attica a figure nere : piccoli vasi e vasi plastici ; Carlo Tronchetti, Ceramica attica a figure nere : grandi vasi : anfore, pelikai, crateri ; Elena Pierro, Ceramica « ionica » non figurata e coppe attiche a figure nere] ». Bulletin de l'Association Guillaume Budé : Lettres d'humanité 44, n^o 4 (1985) : 417–21. http://dx.doi.org/10.3406/bude.1985.1697.

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Demeule, Fanie. « Rousseur fatale dans La peau blanche de Joël Champetier ». Voix Plurielles 17, n^o 1 (27 avril 2020) : 34–47. http://dx.doi.org/10.26522/vp.v17i1.2469.

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L’article s’intéresse à la figure de la femme fatale rousse dans le roman d’horreur québécois La peau blanche (2003) de Joël Champetier. Si les criminelles de Champetier reprennent des traits stéréotypiques liés à la rousseur genrée au féminin, tels que la sexualité perverse et la criminalité, nous observons comment ces personnages offrent aussi un potentiel féministe progressiste, entre autres parce qu’ils constituent un groupe féminin non repentant et victorieux. C’est cette tension entre persistance et subversion de la figure de la femme fatale rousse que nous proposons d’analyser chez Champetier. Mots-clés : Femme fatale ; figure rousse ; succube ; littérature populaire ; littérature de l’imaginaire ; littérature québécoise ; Joël Champetier ; La peau blanche

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Rahmawati, Rahmawati, Sumartini Sumartini et Maharani Intan Andalas IRP. « EMOSI TOKOH-TOKOH SENTRAL DALAM NOVEL SUNSET BERSAMA ROSIE KARYA TERE LIYE ». Jurnal Sastra Indonesia 7, n^o 3 (16 avril 2019) : 229–36. http://dx.doi.org/10.15294/jsi.v7i3.29849.

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Penelitian ini bertujuan untuk mendeskripsikan klasifikasi emosi, konflik psikologis, dan sikap dalam menghadapi konflik psikologis dalam novel Sunset Bersama Rosie karya Tere Liye. Pendekatan yang dilakukan dalam penelitian ini adalah pendekatan psikologi sastra yaitu telaah karya sastra yang mencerminkan proses dan aktivitas kejiwaan. Penelitian ini menggunakan metode penelitian deskriptif kualitatif. Sasaran penelitian ini adalah klasifikasi emosi tokoh tokoh sentral dalam novel Sunset Bersama Rosie karya Tere Liye. Data penelitian ini adalah penggalan teks yang menunjukkan emosi tokoh-tokoh sentral dan sumber data penelitian ini adalah novel Sunset Bersama Rosie karya Tere Liye. Teknik pengumpulan data menggunakan teknik baca dan catat. Berdasarkan hasil penelitian, ditunjukkan bahwa klasifikasi emosi yang dialami tokoh-tokoh sentral terdiri atas rasa bersalah, menghukum diri sendiri, rasa malu, kesedihan, kebencian, dan cinta. Konflik psikologis yang dialami tokoh-tokoh sentral terdiri atas approach-approach conflict, approach-avoidance conflict, dan avoidance-avoidance conflict. Sikap yang ditunjukkan tokoh-tokoh sentral dalam novel Sunset Bersama Rosie karya Tere Liye dipengaruhi konflik yang dialami. Namun, tidak semua tokoh-tokoh sentral bersikap sama terhadap konflik psikologis yang dialami. Beberapa tokoh-tokoh sentral yang dapat bersikap berkebalikan dari emosi mereka. This study aims to describe the classification of emotions, psychological conflict, and attitude in the face of psychological conflict in the novel Sunset alongside Rosie work of Tere Liye. The approach was conducted in this research is the psychology literature approach i.e. review literary works that reflect the procesess and activity of psychological abuse. This research uses descriptive qualitative research methods. The target of this research is the classification of the emotions of the character the central character in the novel Sunset alongside Rosie work of Tere Liye. This research data is extract text that shows the emotions the central figures and data source this study is novel Sunset alongside Rosie work off Tere Liye. Data collection techniques using readand write down. Based on the result of the study, pointed out that the classification of emotions experienced by central figures composed of guilt, punish yourself, shame, sorrow, hatred, and love. Psycholigical conficts that plagued central figures composed of approach-approach conflict, approach-avoidance conflict, and avoidance-avoidance conflict. The attitude shown the central figures in the novel Sunset ALONGSIDE Rosie work of Tere Liye influenced confict is experienced. Howefer, not all central figures in the same attitude toward psychological conflict. Some of the central figures who can be the opposite of their emotions.

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Xiang, Junyu. « The Evolution of the Female Image in Western Art from Aphrodite to Rosie the Riveter ». BCP Education & ; Psychology 7 (7 novembre 2022) : 360–65. http://dx.doi.org/10.54691/bcpep.v7i.2688.

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In this paper, we will discuss the worship of fertility goddesses around the world and how these practices inform female figures as they appear in Western art. Aphrodite, or Venus, is a key figure in our discussion. In this study, we will focus on her origin, figures, and characteristics. We will also investigate female images from the later time when Europe became a fully patriarchal society. These images evidenced a shift from a muscular and curvaceous body to a soft and submissive-looking one. Once the feminist movement was underway, images from the ancient Greek and Roman period were revived and reemerged in new ways. In this paper, we’ll use Rosie the Riveter as a modern example for study. As the message and intent of artists throughout history makes clear: the ancient goddess’s expression of “Heroic Femininity” is still full of life in today’s context. Venus, the goddess of love, sex, justice, and fertility, created with a body to be desired by man, has become, in a new world setting – a beacon for women’s equal rights and freedom.

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Tabarez, Ulises Moreno. « Roses for the Revolution ». International Review of Qualitative Research 4, n^o 4 (février 2011) : 361–84. http://dx.doi.org/10.1525/irqr.2011.4.4.361.

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Representations of Mexican revolutionary hero, Emiliano Zapata, migrate across the Mexico/US borders. His specters inform and reflect sexual identities migrating across these borderlands. Theoretically guided by Madison's model of performative writing and Muñoz's disidentification, this experimental project highlights and challenges the heteronormativity that pervades these migratory representations and the discursive practices that bring them to life. Through a performative writing exercise, I travel through theory and time to (re)present the figure of Zapata in an intimate love story whose backdrop is violence and war.

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Chen, Cheng, Yi Gang Wang, Hui Ming Huang, Qiong Pei Zeng et Chun Guang Yuan. « Application of Rouse Equation in Coastal Engineering ». Applied Mechanics and Materials 368-370 (août 2013) : 1625–28. http://dx.doi.org/10.4028/www.scientific.net/amm.368-370.1625.

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The method to analysis the applicability of Rouse equation in Jiangsu coastal engineering is presented in this paper. The hydrological and sediment data in northern Jiangsu coastal area in August 2006 were adopted. Figure of sediment concentration changing with the relative water depth were made and analyzed. The result shows that the vertical profile of sediment concentration is similar with that under the conditions of equilibrium sediment transport in two-dimensional constant flow (exponential distribution). It can be concluded that the Rouse equation can be applied in the northern Jiangsu coastal engineering. In addition, the Rouse number and settling velocity are calculated in this paper.

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González Presencio, Mariano. « Loos según Rossi : tradición y modernidad en Casabella-Continuità ». Ra. Revista de Arquitectura 13 (7 avril 2016) : 75. http://dx.doi.org/10.15581/014.13.4950.

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La publicación del artículo “Adolf Loos: 1870-1933” de Aldo Rossi en el número 233 de la revista Casabella supuso un auténtico punto de inflexión para la consideración crítica de Loos. Más allá de la recuperación de su figura, detrás del número monográfico dedicado al arquitecto austríaco se encontraba una operación crítica auspiciada por Ernesto Rogers, director de la revista, y el propio Rossi para propiciar una relectura de las bases y del desarrollo de la arquitectura moderna en clave racional que estableciera unas nuevas relaciones entre tradición y modernidad.

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Escudero Gómez, Luis Alfonso. « Reseña de Cities in global capitalism ». Investigaciones Geográficas, n^o 70 (19 décembre 2018) : 225. http://dx.doi.org/10.14198/ingeo2018.70.12.

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El geógrafo italiano, de origen napolitano, Ugo Rossi ha publicado una monografía sobre las ciudades en el capitalismo global en la editorial Polity Press. Tras una brillante labor investigadora, con múltiples artículos en revistas científicas de prestigio, y docente, con estancias en diferentes universidades europeas, desarrollando su labor principal en la de Turín, y estadounidenses, Rossi ha elaborado una magna obra teórica de Geografía Urbana. De hecho, una primera circunstancia que llama la atención es el exclusivo carácter teórico del libro, dado que no hay ni una sola figura o tabla ni tampoco la más mínima cartografía.

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González de Canales, Francisco. « El cuerpo y la muerte a través de algunos dibujos de Aldo Rossi y sus referencia literarias ». VLC arquitectura. Research Journal 9, n^o 1 (29 avril 2022) : 1–26. http://dx.doi.org/10.4995/vlc.2022.15735.

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En los últimos años ha surgido un renovado interés por Aldo Rossi, que ha planteado un nuevo acercamiento a su figura alternativos a los establecidos en las primeras recepciones de su obra, iniciando incursiones en los subtextos políticos, culturales y antropológicos que su trabajo ofrece. El presente artículo trata de contribuir a estas nuevas lecturas con un recorrido por la obra de Rossi que se detiene sobre un tema fundamental en los estudios de la antropología moderna: la cultura del cuerpo y de la muerte como aspecto central de las relaciones humanas más elementales. A través de una indagación sobre algunas de las referencias intelectuales de Rossi menos exploradas, especialmente la de Georges Bataille, así como de algunasparticularidades de su obra, vistas principalmente a través de algunos de sus dibujos, este trabajo trata de revelar este sustrato subyacente en el hacer del arquitecto milanés y plantea su relevancia a la hora de entender las relaciones más profundas de las que se nutre la experiencia del habitar humano.

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Apostol, Jane. « Life in the Open with Charles Frederick Holder ». Southern California Quarterly 96, n^o 2 (2014) : 206–21. http://dx.doi.org/10.1525/scq.2014.96.2.206.

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Natural scientist Charles Frederick Holder settled in Pasadena in 1885. As a prolific author, lecturer, and editor, Holder was a key promoter of the region, sport fishing, and natural science. He wrote popular children’s books as well. He is also remembered as an influential figure in education and the arts and as a founder of the Tuna Club on Santa Catalina Island and the Valley Hunt Club in Pasadena and its Tournament of Roses.

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McEwan, Cameron. « Ludwig Hilberseimer and Metropolisarchitecture : The Analogue, the Blasé Attitude, the Multitude ». Arts 7, n^o 4 (27 novembre 2018) : 92. http://dx.doi.org/10.3390/arts7040092.

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This article close-reads Modernist architect Ludwig Hilberseimer’s early architectural projects, which employed a language of uniform fenestration, repetition and geometrically reduced typical forms, as embodying Georg Simmel’s blasé attitude in analogical form, and places this reading in relation to Aldo Rossi’s concept of the analogical city and the political theorist Paolo Virno’s notion of the multitude. The first part outlines the discourse around Simmel, Hilberseimer and Rossi to note salient connections between these figures, their thought and the process of modernization. The second part discusses Simmel’s and Hilberseimer’s readings of the metropolis and interprets Hilberseimer’s formal language as embodying the blasé attitude. The third part places Hilberseimer in dialogue with Rossi and interprets Rossi’s analogical city as inhabited by another of Simmel’s figures, the stranger. The article concludes by tracing a line from Simmel’s figures of the blasé and the stranger via Hilberseimer’s metropolis architecture and Rossi’s analogical city toward the contemporary multitude, a collective linguistic subject. In doing so Hilberseimer’s and Rossi’s grammar of the metropolis can be rethought in relation to contemporary subject positions as a critical project toward an architectural theory of the multitude pushing back against the increasingly individualised city and market urbanism prevalent today.

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Moffitt, John F. « An Exemplary Humanist Hybrid : Vasari's “Fraude” with Reference to Bronzino's “Sphinx” ». Renaissance Quarterly 49, n^o 2 (1996) : 303–33. http://dx.doi.org/10.2307/2863160.

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In an article recently published in this journal, I argued that a certain, often discussed, hybrid encountered in Bronzino's wellknown painting depicting The Exposure of Luxury (ca. 1545, National Gallery, London; also known as Venus, Cupid, Folly, and Time) was actually intended to represent a “sphinx” [fig. 1]. Whatever its proper designation, this is the bizarre figure that may be espied lurking in darkness (as much metaphorical as physical), just as she/it was placed in the middle ground of the far right side of Bronzino's carefully contrived composition [fig. 2]. This darkly crouching creature was situated by the ingenious painter behind the brightly illuminated figure of a nude and joyful putto tossing roses, so making it literally hidden (occulta).

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Yetty, Yetty, et Rosemary Rosemary. « Analysis Zhang Ailing’s Novel (Red Rose And White Rose) Image Of The Characters And Story Plot ». Lingua Cultura 5, n^o 1 (31 mai 2011) : 47. http://dx.doi.org/10.21512/lc.v5i1.374.

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Zhang Ailing is a heterogeneous novel writer in China literature’s history. Almost of her life, she already wrote so many literature’s works. One of her famous novel is (Red Rose and White Rose). The story is describe the image of main figure’s character and his emotional. Writer wants use the characterization, complexity of personality and story plot these three aspect to analysis the novel’s figure looks, figure character and the story. This novel story is a complication relationship between the man and two women, red roses as her lover and white rose as her wife. About a man that in his standard life and emotional condition occur some contradiction. Writer use reference material and theory of novel writing to analysis Zhang Ailing (Red Rose and White Rose)‘s novel. The result of this analisys are the most important part in novel’s story is not only about the story plot but also the describtion of figure looks and characterization. Zhang Ailing in (Red rose and white rose) descbribtion is very spesific, the story become so interesting because of the Complementary of the figure looks, figure characterization and story plot, embraced each other, fully reflects the fictional reality of compromise and frustration.

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Honey, Maureen. « Maternal Welders : Women's Sexuality and Propaganda on the Home Front During World War II ». Prospects 22 (octobre 1997) : 479–519. http://dx.doi.org/10.1017/s036123330000020x.

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The cover of the may 29, 1943, Saturday Evening Post depicts our most famous image of Rosie the Riveter, a name that came to symbolize women's crossover into male-dominated industrial work during World War II (Figure 1). Norman Rockwell positioned his Rosie resting during her lunch break, calmly eating a bologna sandwich while stomping on a copy of Mein Kampf with author's name, Adolf Hitler, and Nazi swastika visible under the title. It was an image meant to reassure the American public that women would get the job done on America's home front and help defeat the Axis powers. It is also an image worth examining today for it captures some of the contradictions that continue to vex us concerning the war's multifaceted representations of women and work, portrayals that contained and excluded even as they widened public perceptions of what women could do. For one thing, Rockwell's Rosie is notably “unfeminine” in that her muscular arms are unadorned with jewelry, she wears a double-banded leather watch, she has on comfortable loafers to match her denim overalls, and her ruddy complexion seems the product of exertion, not makeup. Furthermore, she is indifferent to our gaze; rather her proud stare announces absorption in a more compelling subject, symbolized by the American flag that forms the backdrop for her portrait.

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O’Connor, Patrick. « A Practical Daughter : Cristina Peri Rossi Reads Felisberto Hernández ». Letras Femeninas 41, n^o 2 (1 novembre 2015) : 99–115. http://dx.doi.org/10.2307/44735033.

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Abstract Cristina Peri Rossi (1941) let herself be influenced by fellow Uruguayan Felisberto Hernández (1902-64), evoking him often in works of fiction and non-fiction in the 1980s. In a variation of Harold Bloom’s notions on the anxiety of influence, Peri Rossi is more devious than innocent in her uses of Felisberto as a literary precursor. On the one hand, her rendering of Felisberto as too innocent to engage in political activism allows her to appear politically committed without being strident; on the other, Peri Rossi can invoke Felisberto to keep the influence of her stronger literary friend Julio Cortázar (1914-84) at bay. The awkward tenderness between hapless father and practical daughter in her 1975 story "La influencia de Edgar A. Poe en la poesía de Raimundo Arias" epitomizes her complicated relationship to a writer whose work she promoted, even if not always faithfully. This relationship can then be traced through Peri Rossi’s El libro de mis primos, La nave de los locos, Fantasías eróticas, and "Fetichistas S.A.". As she examines the position of weak masculinity and strong perverse desire in her own works, Peri Rossi’s championing of Felisberto minimizes and miniaturizes him, turning him into a figure of pre-modern nostalgia for a naive Uruguay she left behind for Europe and ignoring his own ideas about the economic basis and social effects of fetishistic desire.

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Woodbridge, Linda. « Black and White and Red All Over : The Sonnet Mistress Amongst the Ndembu* ». Renaissance Quarterly 40, n^o 2 (1987) : 247–97. http://dx.doi.org/10.2307/2861708.

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Among terminally ill figures of speech, the cliché of rosy cheeks, ruby lips, and snow-white skin may be counted downright deceased. Even in medieval and Renaissance love poetry, roses in the cheeks, lips like cherries or rubies, skin like ivory, lilies, or snow were stiffly conventional: freshness of complexion prompted no freshness of metaphor. The mistress's red-and-white face was relentlessly emblazoned, “red and white” becoming a short-hand notation for feminine beauty: “With lilies white / And roses bright / Doth strive thy colour fair” (Wyatt 65); “Fair is my love … / A lily pale, with damask dye to grace her” (Passionate Pilgrim no. 7); “Thou art not fair for all thy red and white” (Campion 264). The mistress in Spenser's Amoretti has “ruddy cheekes” and “snowy browes” (no. 64); the bride in his Epithalamion is a vision in red and white—cheeks like sun-reddened apples, lips like cherries, forehead like ivory, “breast like to a bowle of creame uncrudded, / Her paps lyke lyllies budded, / Her snowie necke”; when she blushes, “the red roses flush up in her cheekes, / and the pure snow with goodly vermill [vermillion] stayne, / Like crimsin dyde” (Il. 172-7, 226-8).

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Biesbrouck, Maurits, et Theodoor Goddeeris. « Johann Bachoven von Echt (1515. – 1576.) i njegov rad na bolesti skorbuta ». Acta medico-historica Adriatica 16, n^o 2 (2018) : 203–38. http://dx.doi.org/10.31952/amha.16.2.2.

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A discussion is given of the figure of Johann Bachoven von Echt and his family, and on his work on scurvy. The disease is evaluated as a possible cause of the death of Andreas Vesalius. Echt’s relationship with Jan Wier and his connections with Vesalius and Metellus are illustrated. A historical overview of the literature on scurvy is provided highlighting the importance of the work of Echtius and Ronsse for the early knowledge of that disease. A report by Metellus on the circumstances of Vesalius’ death is added.

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Nagy, Laszlo. « Association des Oulemas : une tendance de l’islam politique algérien (Epoque d’entre les deux grandes guerres) ». Textus et Studia, n^o 3(3) (8 mai 2017) : 89–100. http://dx.doi.org/10.15633/tes.01304.

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The article presents how Algerians’ national awareness was born. At that time, the country was still a French colony (a department belonging to a metropolis). The author mentions two important figures: Abdelkader ibn Muhieddine and Ben Badis, both of them are important when the process of rousing Algerians’ Islamic and national awareness is taken into consideration. Abdelkader and Badis were ulamas; Islamic intellectuals who tried to rouse Algerians by restoring importance of their language and culture. They did not want to rouse political awareness in people, but rather identity coming from moderate Islam. Moderate Islam was supposed to be the basis of resistance against “making the country more French” and at the same time depriving dignity. The author quotes fragments of Ben Badis’ reply directed to Ferhat Abbasa (who represented Members of Parliament compliant with France). The reply is of a great value when Algerians’ national liberation movement is taken into consideration.

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László, Zoltán, et Hunor Prázsmári. « Parasitoid community and parasitism in galls of the three Western Palaearctic oligo- and unilocular Diplolepis species (Hymenoptera : Cynipidae) ». Folia Entomologica Hungarica 80 (2019) : 231–38. http://dx.doi.org/10.17112/foliaenthung.2019.80.231.

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Three Western Palaearctic Diplolepis Geoffroy, 1762 species are known to cause oligoand unilocular galls on wild roses: Diplolepis spinosissimae (Giraud, 1859), D. eglanteriae (Hartig, 1840) and D. nervosa (Curtis, 1838). Several studies have focused on the species composition of parasitoid communities developing inside these galls; however their parasitism rates are still unknown. We analysed galls collected in the eastern Carpathian Basin (Hungary and Romania). Here we report for the first time parasitism rates from these species’ galls. With 6 figures.

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Macedo, Roberto. « Paulo Silva sobre Carlos Gomes : notas sobre o ensino de contraponto nos séculos XIX e XX ». Revista Brasileira de Música 33, n^o 1 (2 août 2020) : 19–30. http://dx.doi.org/10.47146/rbm.v33i1.37017.

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Em 1936 era publicada uma edição da Revista Brasileira de Música comemorativa do centenário de nascimento de Antônio Carlos Gomes (1836-1896). Neste volume, um interessante artigo de Paulo Silva tratava dos estudos de contraponto e fuga do autor de Il guarany. Silva, professor de contraponto e fuga do então Instituto Nacional de Música, selecionou exemplos de exercícios de Gomes realizados na Itália sob a orientação de Lauro Rossi, professor e diretor do Conservatório de Milão. Em muitos desses exemplos, são apontados erros ou deslizes que Silva atribui, pelo menos em parte, às deficiências do método de ensino de Rossi. O presente trabalho busca encontrar as motivações, estéticas e ideológicas, subjacentes aos comentários presentes em seu artigo. A figura do partimento e seus desdobramentos na formação contrapontística de Gomes foram o ponto de partida para a discussão sobre o ensino do contraponto na Europa e no Brasil no século XIX e primeira metade do XX. A isso soma-se uma menção ao ambiente musical brasileiro à época em que o artigo de Silva foi publicado.

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Stevens, Calvin H., et Paul Stone. « New fusulinids from Lower Permian turbidites at Conglomerate Mesa, southeastern Inyo Mountains, east-central California ». Journal of Paleontology 83, n^o 3 (mai 2009) : 399–404. http://dx.doi.org/10.1666/08-162.1.

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Seven previously unrecognized fusulinid species from Lower Permian (Wolfcampian and Leonardian) turbidites near Conglomerate Mesa in east-central California, four of which are named as new species, are here described and figured. the four new species are Schwagerina merriami, S. wildei, Parafusulina mackevetti, and Skinnerella rossi. These fusulinid species have close affinities to similar taxa in Texas and northeastern Nevada, and they are distinct from some other faunas of slightly different age in the Conglomerate Mesa area that are dominated by endemic species and other species with Eastern Klamath Mountains affinities.

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Marzio, Anna. « IL MITO DELLA GRANDE MADRE : UNA POSSIBILITÀ DI LETTURA DI POESIA IN FORMA DI ROSA DI PASOLINI. » Revista Internacional de Culturas y Literaturas, n^o 8 (2009) : 120–42. http://dx.doi.org/10.12795/ricl.2009.i08.10.

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Per Pasolini il titolo racchiude l’essenza della poesía o raccolta. Verra qui analizzato il significato di “poesia in forma di rosa” analizando le sue poesie. Rosa come richiamo alla figura materna ma nascondere anche significati esoterici o símbolo di perfezione, talismano contro il male o símbolo alchemico. Ma l’autore probabilmente si riferisce alla rosa come símbolo di rigenerazione.

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Ronzani, Rocco. « Flauia Amala Amalafrida Theodenanda e un elogio funebre della famiglia reale ostrogota (ICUR I, 2794) ». Augustinianum 60, n^o 2 (2020) : 543–69. http://dx.doi.org/10.5840/agstm202060228.

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The note reinterprets an important epigraphic testimony of the Ostrogoth age (ICUR I, 2794), published for the first time by Giovanni Battista de Rossi in 1894. It is a polymetric funeral eulogy commissioned among the Amali royal family, perhaps dedicated by Flavia Amala Amalafrida Theodenanda to one or more relatives, unless one wishes to identify her with one of the dedicatees of the eulogy. After a presentation of supportive material and a new edition of the text, the history of the discovery of the inscription is retraced, involving leading figures of the 19th century political and ecclesiastical culture including cardinal Vincenzo Vannutelli and H. Stevenson Jr., a pupil of de Rossi. The contribution dates the artifact between the end of the 5th century and the beginning of the 6th; it studies the hypothesis of identifying Amalafrida with one of the princesses in the family circle of King Theodoric and with the Ostrogothic wife of Flavius Maximus; it illustrates a hypothesis of the intended use of the epigraph for a funeral monument in the cemetery area of the Martyrial Basilica of S. Secondino on the Praenestina.

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Linazasoro Rodríguez, José Ignacio. « VICTORIANO SAINZ GUTIÉRREZ : ALDO ROSSI Y SEVILLA. EL SIGNIFICADO DE UNOS VIAJES. » Proyecto, Progreso, Arquitectura, n^o 25 (2021) : 108–10. http://dx.doi.org/10.12795/ppa.2021.i25.08.

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Sainz Gutiérrez es un profundo conocedor de la historia urbana de la capital hispalense y, particularmente, de su desarrollo urbanístico durante la segunda mitad del pasado siglo, época en la que se produjeron los viajes de Rossi a Sevilla, que tuvieron importantes consecuencias que el libro relata. En ese sentido, constituye una crónica bien documentada sobre estos acontecimientos y su influencia en el proceso urbano de la ciudad, en lo cual resultó clave la acción de una joven generación de arquitectos, cuya influencia se hizo notar tanto en la docencia en la Escuela, entonces de reciente creación, como en las diferentes propuestas y proyectos que realizaron para Sevilla. Hasta aquí el libro podría parecer un estudio más sobre la arquitectura y la ciudad hispalense que se añade a los que ya existen, pero su contenido no se limita a esto, sino que adquiere una dimensión mucho más amplia al centrarse en el significado que el conocimiento de la capital andaluza tuvo para Rossi. De su lectura podría deducirse que, en realidad, Sevilla fue para el arquitecto milanés un espejo en el que se refleja su figura, y que, además de un nutriente indiscutible de la teoría y los proyectos rossianos, constituye todo un símbolo de su pensamiento y, sobre todo, de su poética arquitectónica.

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KARABULUT, Tuğba. « Repositioning the Representation of Femininity in H.D.'s "Garden" ». fe dergi feminist ele 14, n^o 2 (15 décembre 2022) : 90–102. http://dx.doi.org/10.46655/federgi.1176837.

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Hilda Doolittle, an American poet, playwright, and novelist known by the initials H.D., was one of the few female figures of the male-dominated early modernist era. Her early works are of crucial importance as they are associated with Imagism, the literary movement shaped by Ezra Pound as a reaction to the wordiness, indirectness, and sentimentality of Victorian and Romantic poetry. H.D. played an important role in Imagism. Ezra Pound, who suggested that Hilda Doolittle append the signature “H.D., Imagiste” to her works, introduced her as the leader of Imagism. Her first poetry collection, Sea Garden (1916), which includes twenty-seven poems, is a paragon of Imagist poetry. The poems were composed in free verse without thematic boundaries and with the use of harsh and impersonal style and diction, natural imagery, a melodious rhythm, and economical word choice. However, H.D.’s “The Garden,” an image-focused poem from this collection, goes far beyond Imagism. It is not simply a nature poem; the narrator glorifies fierce natural objects such as hard roses, rigorous winds, and thick air to represent women’s potential strength, resilience, and productivity. It also subverts the stereotypical representation of femininity and female vulnerability by displacing dominant patriarchal myths. The poem is brimming with encoded images that metaphorically reconstruct female imagery and representation. This paper investigates how “The Garden” unfolds hidden and disregarded concepts of femininity to reposition the female figure in the ideal imaginary “Garden” by saving her from the confinement of the man-made “Garden” in order to suggest a new representation of femininity, mirroring Pound’s call to “Make It New!”

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Tristezza, Nora. « El arte de Borges ». Cuadernos del Centro de Estudios de Diseño y Comunicación, n^o 27 (25 octobre 2019) : 73–86. http://dx.doi.org/10.18682/cdc.vi27.1687.

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Se trata de un recorrido de los acercamientos del escritor hacia el campo de las artes visuales. Su labor de prologuista y crítico, que alterna con la de agradecido admirador, nos permite seguir un camino donde su gusto estético se pone en evidencia a través de las palabras que dedica a la figura de varios pintores y escultores. La obra de Figari, Pettoruti, Xul Solar y la de su propia hermana, Norah, son la parte conocida de su universo plástico, sin embargo, en ese universo también están presentes maestros como Attilio Rossi, Héctor Basaldúa o Santiago Cogorno. Su prosa amena nos convoca a descubrirlos.

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Souza, André Ricardo de. « A renovação popularizadora católica ». Plural (São Paulo. Online) 9 (6 mars 2002) : 89. http://dx.doi.org/10.11606/issn.2176-8099.pcso.2002.75766.

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Na década de 1990, a Igreja Católica teve intensificada a concorrência no mercado religioso brasileiro. Isso provocou primeiro o fortalecimento da Renovação Carismática Católica (RCC) e depois a valorização da música, da dança, das "missas-espetáculo", num processo de <em>renovação popularizadora. </em>Diferente da RCC, a renovação popularizadora não é um movimento orgânico de leigos, mas uma nova forma de reação católica ao mercado religioso, centrada nos chamados padres cantores. Padre Marcelo Rossi é a figura central dessa outra renovação em curso na Igreja Católica, que também é marcada pelo uso intenso de técnicas de <em>marketing.</em>

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Houliston, Victor. « The Fabrication of the Myth of Father Parsons ». Recusant History 22, n^o 2 (octobre 1994) : 141–51. http://dx.doi.org/10.1017/s0034193200001849.

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‘Father Persons’ has long been a legendary figure of controversy. We cannot even agree on the spelling of his name. Most of his contemporaries called him Parsons, especially if they were hostile, but his correspondence and other manuscript evidence make it quite clear he preferred Persons. The variant spellings would not affect the pronunciation of his name, but ‘Parsons’ is a reminder of the rumour that he was the bastard son of a Somerset parson. Parsons or Persons, he was notorious in his day as a traitorous plotter and irrepressible controversialist, but today he is virtually ignored by literary scholars. The story is told of a meeting in 1954, on a train from Cambridge to Oxford, between C. S. Lewis and A. L. Rowse. Rowse congratulated his fellow-traveller on the recent publication of his History of English Literature in the Sixteenth Century—a work that itself was to become, for other reasons, the centre of controversy—pausing only to register some surprise at his treatment of prose: ‘You praise Cardinal Allen, who is really negligible and wrote very little, but you do not even mention Robert Parsons, the Jesuit who wrote over thirty books and was one of the most considerable prose writers of the Elizabethan period. Why?’ To this piece of donnish one-upmanship, Lewis bluffed: ‘I did not think he was important enough to be included.’ He hadn't read Persons.

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Sánchez-Blake, Elvira. « Locura y literatura : La otra mirada ». La Manzana de la Discordia 4, n^o 2 (16 mars 2016) : 15. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v4i2.1448.

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Resumen: Locura y literatura son dos temas queaparecen intrínsecamente unidos ya sea por esa fronteraliminal que existe entre el genio y la insensatez o quizápor la necesidad de poner en boca de personajes locosuna verdad peligrosa. La figura del loco se ha convertidoen un símbolo, analogía o parábola que significa unmundo en crisis y, en ocasiones, el espejo y catalizadorde la conciencia crítica de la humanidad. En este ensayose analizan dos textos de escritoras latinoamericanasque se acercan al tema de la locura desde la perspectivafemenina. En ambos textos, la locura ocupa un espaciocentral y tiene como objetivo presentar una realidaddesde una óptica diferente. Se establece así unacorrelación entre locura, mirada y literatura, como sila locura fuera el resultado de aprehender realidadesdesde una mirada alternativa para transmitir un mensajeque cuestiona o redefine una realidad. Las novelas sonLa nave de los locos, de la uruguaya Cristina Peri Rossiy Nadie me verá llorar de la mexicana Cristina RiveraGarza. En ambos casos, la figura del loco o de la locuraservirá como eje para transmitir un cuestionamiento yun desafío con respecto a la norma dictada por lasociedad.Palabras clave: locura, razón y sinrazón, mirada/espejo, novela, perspectiva femenina.Madness and Literature: The Other ViewAbstract: Madness and literature are intrinsicallyconjoined topics defined by that blurred line betweengenius and insanity. The figure of the ‘madman’ or theinsane has become staple symbol, analogy and parableto signify a world in crisis, and at times, the mirror andcatalyst of the critical consciousness of humankind. Inthis paper the concepts of madness and literature areexplored in two contemporary Latin American novelsfrom a feminine point of view. In both texts madness is atthe core and both use insanity to expose an alternateview of reality. Thus, a correlation of madness, literatureand gaze is created as if a particular connection betweensight and madness existed, or as if madness were theresult of being able to apprehend realities from analternative perspective. The two novels are La nave delos locos (1984) by Uruguayan Cristina Peri Rossi, andNadie me verá llorar (1999) by Mexican Cristina RiveraGarza. In both cases the topics of mad and madness willquestion and challenge the norms dictated by society.Key words: madness, reason and unreason, gaze/mirror, novel, feminine point of view.

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Menegotto, Roberto Rossi, et João Claudio Arendt. « “Tudo o que se ajunta espalha” : o duplo em “Conversa de bois”, de Guimarães Rosa ». Raído 12, n^o 29 (5 décembre 2018) : 67–80. http://dx.doi.org/10.30612/raido.v12i29.7705.

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Em “Conversa de bois”, oitavo conto de Sagarana, de Guimarães Rosa, percebe-se a ocorrência do fenômeno do duplo: uma instabilidade do Eu que acarreta no surgimento de uma representação corpórea com as características inversas de um personagem. O Outro de Tiãozinho surge, gradativamente, ao longo da narrativa, na figura dos bois que puxam a carroça de Agenor Soronho. O objetivo deste artigo é investigar como ocorre esse processo e analisar as etapas que culminam no duplo. O amparo bibliográfico buscado é oriundo dos Estudos Literários, com autores como Antonio Candido (1989), Jean Chevalier e Alain Gheerbrant (2017), Walnice Nogueira Galvão (2008), Ana Maria Lisboa de Mello (2000), Mônica Meyer (2008), Otto Rank (2013), David Roas (2014), Clément Rosset (1976) e Irene Gilberto Simões (1998).

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Suh, Mingyo. « Concientización y patriarcado en “Desastres íntimos” de Cristina Peri Rossi ». Journal of Arts and Humanities 6, n^o 11 (13 novembre 2017) : 20. http://dx.doi.org/10.18533/journal.v6i11.1283.

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Cristina Peri Rossi, escritora reconocida por su carácter subversivo, continuamente ha cuestionado el orden patriarcal. “Desastres íntimos” muestra un proceso en el que la protagonista se concientiza de la injusticia de la realidad y reacciona contra el sistema vigente. Aunque algunos críticos han destacado las características antipatriarcales del cuento, no se ha formulado ninguna interpretación con respecto al funcionamiento del patriarcado y el proceso de la toma de conciencia de la protagonista. En este artículo, pretendo analizar dichas dimensiones, en relación con la postura declarada por la autora y a la luz de la reflexión teórica de Bryson (1999). La caracterización de la protagonista subraya la doble condición de madre soltera y trabajadora por su voluntad, en donde la ausencia de la figura masculina en su vida convierte en indirecta e inadvertida la influencia del patriarcado. La toma de conciencia de la protagonista se podría comprender con el símbolo del ‘atasco’, que el narrador utiliza en diversos niveles para destacar el concepto del fallo inherente al sistema. La estrategia discursiva de la autora se refleja en el cambio de actitud de la protagonista, que decide seguir la estrategia de la contratación equitativa, en donde cada beneficiario pagaría lo que le correspondiera, tanto en la vida personal como en el nivel social. Se resalta, finalmente, la importancia de la acción comunal como un requisito para cambiar el sistema patriarcal arraigado en la realidad social.

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Mahmodpour, Kamran, Mohammad Nabi Shahiki Tash et Mohammad Hassan Fotros. « Assessing Market Structure in Iranian Banking Sector Based on the Multiproduct Approach ». Modern Applied Science 11, n^o 2 (25 décembre 2016) : 79. http://dx.doi.org/10.5539/mas.v11n2p79.

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This article’s first aim is to find, the primary level of poly-product in Iranian banking section that causes the layout of the market between the banks become lower and bank concentration higher. To do that we use, the instance of Omni-product banks which is one of the most common approach developed by Penza & Rosse (1987). The first strand is related to bank cost function; and the other one to earnings multiproduct approach.In evaluating this experience-based examination and defining the effects of Omni-production on market penetration, we have applied a structural model to estimate demands on deposit services with study’s result like banks presenting traditional services such as loans and ATM cards. Additionally same modern facilities like brokerage services and capital bonds are of further market power versus those with only basic services. The economies of scope degree is sized via cost saving in scale of percentage which is produced through added figures of fruitful activities in comparison with only individual yield of product. Thus, so as to empirically distinguish economies of scope in poly-product banks, no.1 level of our investigation include modeling and speculating the function of bank’s cost.

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Ray, Ankita, Nicholas D. Spencer, Akinori Kuzuya et Yoko Yamakoshi. « (Invited) DNA Kirigami with Tripod-C₆₀ Scalpel ». ECS Meeting Abstracts MA2022-01, n^o 11 (7 juillet 2022) : 814. http://dx.doi.org/10.1149/ma2022-0111814mtgabs.

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A tripod-C60 molecule was synthesized and attached onto a Au-coated AFM tip. Using the tripod skeleton of the molecule, tripod-C60 was immobilized onto the Au surface in a dispersed and stable manner, as observed by XPS and AFM imaging. Using an AFM tip functionalized with the tripod-C60, waffle-type DNA origami was scanned under visible light irradiation. Upon scanning, DNA damage was clearly observed by AFM imaging at the single molecule level. Control experiments in the absence of C60 (tripod only), in the dark, or in the presence of L-histidine or D2O confirmed that the observed DNA damage was induced by singlet oxygen (1O2) generated from C60 under photoirradiation. References: (1) Ray, A.; Passiu, C.; Nasuda, M.; Ramakrishna, S. N.; Rossi, A.; Kuzuya, A.; Spencer, N. D.; Yamakoshi, Y. ACS Nano ASAP. (2) Ray, A.; Liosi, K.; Ramakrishna, S. N.; Spencer, N. D.; Kuzuya, A.; Yamakoshi, Y. J. Phys. Chem. Lett. 2020, 11, 7819–7826. Figure 1

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Poggi, Stefano. « Antonio Banfi e le filosofie della Germania del novecento ». Trans/Form/Ação 37, n^o 3 (décembre 2014) : 201–16. http://dx.doi.org/10.1590/s0101-31732014000300015.

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Tra le figure più importanti del dibattito filosofico italiano del Novecento, Antonio Banfi ha svolto nell'Italia del secondo dopoguerra anche un ruolo politico di rilievo come senatore del PCI. La sua interpretazione del marxismo ha presentato una forte accentuazione umanistica. Tra i suoi scolari filosofi e storici della filosofia come Giulio Preti, Enzo Paci, Remo Cantoni, Paolo Rossi. Il saggio prende in esame la prima fase della riflessione filosofica di Banfi, nella quale ha una importanza decisiva la conoscenza diretta del dibattito tedesco tra le due guerre mondiali, in primo luogo della fenomenologia di Husserl e della ontologia di N. Hartmann. I Principi di una teoria della ragione - libro apparso alla fine degli anni '20 - e poi una serie di incisivi saggi degli anni '30 documentano una conoscenza approfondita e critica di un dibattito di cui mostrerà di nutrirsi in misura decisiva l'interpretazione di Banfi non solo di Hegel, ma anche di Marx.

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Ramos Monteiro, Lúcia. « Remaking a European, Post-catastrophic Atmosphere in 2000s China : Jia Zhangke’s Still Life, Iconology and Ruins ». Cinémas 25, n^o 2-3 (23 mars 2016) : 97–117. http://dx.doi.org/10.7202/1035774ar.

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Jia Zhangke’s Still Life (Sānxiá hǎorén, 2006) was shot in Fengjie, shortly before its flooding brought about by the construction of the Three Gorges Dam, the world’s largest hydropower station in terms of capacity. The film remakes the post-apocalyptic atmosphere found in European films made after the Second World War. From a web of cinephilic, intermedial and intertextual references, which inscribes Still Life in a local and global history of art and of film, this text compares the way Jia films his characters in a disappearing Fengjie with sequences from Roberto Rossellini’s Germany Year Zero (Germania anno zero, 1948) and Michelangelo Antonioni’s Red Desert (Il deserto rosso, 1964). While remaking the composition of ruins framing Edmund, in the first case, and in the second, a complex relation between background and figure in a deserted industrial landscape, Still Life creates a strange temporality, combining the imminence of a future catastrophe with the memory of past ones.

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Desmet, Klaus, Dávid Krisztián Nagy et Esteban Rossi-Hansberg. « Asia's Geographic Development ». Asian Development Review 34, n^o 2 (août 2017) : 1–24. http://dx.doi.org/10.1162/adev_a_00093.

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This paper studies the impact of spatial frictions on Asia's long-term spatial development. Using the framework provided in Desmet, Nagy, and Rossi-Hansberg ( 2016 ), we analyze the evolution of Asia's economy and the relative performance of specific regions and countries. We then perform a number of counterfactual experiments and find that a worldwide drop in transport costs of 40% increases the present discounted value of real income by 70.7% globally and 78% in Asia. These figures are much larger than those found in standard quantitative trade models because they include dynamic effects and take into account intracountry transport costs. We also perform exercises in which we upgrade Asia's road network or relax migratory restrictions between locations in Asia. These exercises emphasize the important role of spatial frictions in the development of Asia's economy.

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Nejedlý, Martin. « Reinardus en Bohême ». Reinardus / Yearbook of the International Reynard Society 31 (31 décembre 2019) : 80–114. http://dx.doi.org/10.1075/rein.00027.nej.

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Résumé L’article retrace la représentation du renard dans les sources tchèques à travers les siècles. En partant de l’image du prince perfide de la Chronique de Kosmas (début du XIIe siècle) et du traître flagorneur dans la Chronique en vieux tchèque dite de Dalimil (début du XIVe siècle), en passant par le renard rusé des fables en tchèque et par la figure du mauvais conseiller des rois dans le miroir des princes de Smil Flaška de Pardubice (XIVe siècle), cette veine de représentation négative aboutit au XVe siècle, lors de la révolution hussite, à un portrait très défavorable de la bête rousse – aussi bien dans le camp de la reforme (La querelle de Prague et de Kutná Hora, vers 1420) que dans le camp catholique (Pavel Žídek, vers 1463). L’image change peu à peu grâce à l’œuvre de Dubravius et de Konáč de Hodiškov (XVIe siècle) et avant tout grâce aux manuels de deux jésuites du siècle suivant, Melchior Hanel et Václav Jandit, présentant le sage renard enseignant les autres animaux. L’adaptation de la matière des premières branches françaises du Roman de Renart en tchèque (par l’intermédiaire de l’allemand) date de 1845. Au XXe siècle, ses avatars aboutissent à la figure du héros (ou de l’héroïne) sympathique: la petite renarde rusée, transcrite en musique par Leoš Janáček, la Compagne malicieuse renarde de Josef Lada et le cynique et rusé « renard roux » commentant l’histoire tchèque dans la série BD culte Images de l’Histoire tchèque .

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Phung, Tram Ngoc, Yue Feng, Timothée Petitjean, Catherine Henry-de-Villeneuve, Michel Rosso et François Ozanam. « Boron-Doped Methylated Amorphous Silicon for Negative Electrodes in Li-Ion Batteries ». ECS Meeting Abstracts MA2022-02, n^o 3 (9 octobre 2022) : 241. http://dx.doi.org/10.1149/ma2022-023241mtgabs.

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In spite of its outstanding capacity for alloying with lithium, silicon cannot be practically used as a negative electrode for Li-ion batteries: its large volume expansion upon lithiation leads to a poor capacity retention [1]. Promising results have been obtained by incorporating methyl groups in amorphous silicon (methylated amorphous silicon). This material exhibits an improved stability upon electrochemical cycling while keeping a capacity close to that of pure silicon [2]. However, the conductivity of methylated amorphous silicon may be a strong limitation, especially at high methyl content: for example, 10% methylated amorphous silicon is 10000 more resistive than pure amorphous silicon. Doping is a well-known method to enhance the electronic conductivity of semiconductors, even if the dopant activity is lower in amorphous semiconductors than in crystalline ones. 2% boron doping increases the conductivity of 10% methylated amorphous silicon by five orders of magnitude compared to the undoped material. Boron doped methylated silicon thin films (100nm thick) with various methyl content were cycled in the range 0.025V – 1V at C/2 rate (electrolyte: LP30 with 5%FEC). 10% methylated amorphous silicon with 2% boron doping exhibits a capacity retention of 70% after 500 cycles of full lithiation/delithiation, an improved performance as compared to the undoped material (see Figure 1a). Interestingly, boron doping allows for using higher methyl content without demanding pre-conditioning procedures for the electrochemical cycling of the material. The stability upon cycling is found to be further increased for 15% and 20% methylated electrodes, with a capacity retention exceeding 80% over 1000 cycles of full lithiation/delithiation (Figure 1b). This figure comes at the expense of a decreased total capacity (which remains 3 to 4 times larger than that of the current carbon electrodes). The SEI evolution and structural changes are currently investigated using operando ATR FTIR and ex-situ Raman spectroscopies, in order to rationalize the factors limiting the Coulombic efficiency to 99.7%. References [1] M. N. Obrovac, L. Christensen, D. B. Le and J. R. Dahn, J. Electrochem.Soc, 154, A849-A855 (2007). [2] L. Touahir, A. Cheriet, D. Alves. Dalla Corte, J.-N. Chazalviel, C. Henry-de-Villeneuve, F. Ozanam, I. Solomon, A. Keffous, N. Gabouze and M. Rosso, J. Power Sources, 240, 551-557 (2013). Figure 1

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Ellis, Joyce, John Walton et J. I. Kermode. « Gervase Rosser, Medieval Westminster 1200–1540. Oxford : Clarendon Press, 1989. xx + 425pp. 8 plates. 12 figures. 5 tables. Bibliography. £40.00. » Urban History 17 (mai 1990) : 238–39. http://dx.doi.org/10.1017/s0963926800014681.

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DIAS-SOUZA, MARCOS ROBERTO, CARLOS EDUARDO COSTA-CAMPOS et MARCELO MENIN. « The tadpole of Elachistocleis helianneae Caramaschi, 2010 (Anura : Microhylidae) ». Zootaxa 4701, n^o 6 (3 décembre 2019) : 594–600. http://dx.doi.org/10.11646/zootaxa.4701.6.10.

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The neotropical genus Elachistocleis Parker comprises 18 described species [including Elachistocleis ovalis (Schneider) which is considered a nomen dubium by Caramaschi (2010), with pending revision]. This genus is distributed in Central America and most of South America, from Panama and Trinidad to southern Paraguay, including central Argentina, Uruguay, Venezuela, Colombia, Bolivia, Guyana, Surinam, French Guiana, and Brazil (Marinho et al. 2018; Frost 2019). Currently, the tadpoles of ten species have been described and/or figured: Elachistocleis bicolor (Guérin-Méneville), E. cesarii (Miranda-Ribeiro), E. erythrogaster Kwet and Di-Bernardo, E. haroi Pereyra, Akmentins, Laufer and Vaira, E. muiraquitan Nunes-de-Almeida and Toledo, E. ovalis, E. panamensis (Dunn, Trapido and Evans), E. pearsei (Ruthven), E. surinamensis (Daudin), and Elachistocleis sp. (Kenny 1969; Williams & Gudynas 1987; Kwet & Di-Bernardo 1998; Duellman 2005; Lynch 2006; Rossa-Feres & Nomura 2006; Vera Candioti 2006; Magalhães et al. 2012; Pereyra et al. 2013).

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Jagus, Christopher E., et Susan M. Benbow. « Sleep disorders in the elderly ». Advances in Psychiatric Treatment 5, n^o 1 (janvier 1999) : 30–38. http://dx.doi.org/10.1192/apt.5.1.30.

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Sleep disorders are common among elderly people, affecting about 50% compared with about 26% of younger adults. About two-thirds of residents in long-term care have sleep disturbance (Karacan & Williams, 1983; Becker & Jamieson, 1992). This high prevalence of sleep disorders results in excessive daytime napping, fatigue, cognitive impairment, increased psychiatric morbidity and increased prescribing of hypnotics, with an associated increase in mortality (Kripke et al, 1979). Karacan & Williams (1983) quote figures varying from 26 to 100% for the prescribing of hypnotics to residents in institutional care. This has major implications. There is a risk of both accidental and deliberate overdose. There may be interactions with other drugs and a hangover effect can impair daytime functioning. Excessive sedation can make the patient difficult to rouse in an emergency. Dependence may occur and the drugs may further disrupt sleep. They also increase the likelihood of sleep apnoea.

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Meyer, Susan. « Imagining the Jews Together : Shared Figures in Edith Wharton and Henry James ». Prospects 29 (octobre 2005) : 231–49. http://dx.doi.org/10.1017/s0361233300001757.

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In October of 1904, when Edith Wharton was writing The House of Mirth and Henry James, having recently arrived in America after a twenty-two-year absence, was collecting the impressions that were to make up The American Scene, James paid a two-week visit to Wharton at the Mount, her country house in Lenox, Massachusetts. The visit consolidated their friendship and literary relationship. In the mornings, both wrote. In the afternoons, Wharton and James “motored” together, enjoying the beauty of a Western Massachusetts autumn, and they conversed deep into the evenings (Benstock, 144–45; Edel, 598). The claim that Wharton's fiction is heavily influenced by James's, frequently reiterated ever since Wharton began her career, has become a critical commonplace (Lewis, 131). But reading passages side by side from the works both writers were in the process of creating in the fall of 1904, The House of Mirth and The American Scene, yields as much evidence of Wharton's influence on James as of James's influence on Wharton, an influence established probably for the most part through their conversations. In this essay, I contend that the shared imagery in the work of the two writers — involving roses, skyscrapers, and Trinity Church, and centering on the figure of the Jew — makes most sense when the two writers are read in conjunction. Read together, the shared imagery in James and Wharton passages suggests that the two together imagined the Jew as the figure for a commercialized, industrialized, modern America, and for the impossibility of art in such an America — and that they found a mutual consolation in doing so. Wharton's later novels, two of which I consider in this essay (The Glimpses of the Moon [1922] and Hudson River Bracketed [1929]) demonstrate that her conversations about these matters with James, and their shared understanding of the Jews, remained important to her for a quarter of a century. Toward the end of her career, she attempted to forge a similar bond of shared aesthetic sensibility and mutual anti-Semitism with the younger writer F. Scott Fitzgerald, but without success.

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Alberton, Angela Maria. « Perché partire ? La scelta di indossare la camicia rossa : percorsi in area veneta (1859 - 1866) ». SOCIETÀ E STORIA, n^o 131 (mai 2011) : 68–103. http://dx.doi.org/10.3280/ss2011-001003.

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L'autrice, tramite la ricostruzione dei percorsi individuali di alcuni garibaldini veneti (specie nel periodo compreso tra il 1859 e il 1866), si propone di esaminare il complesso quadro motivazionale che sta alla base della scelta di indossare la camicia rossa. Nel seguire tali percorsi, l'esame di scritture autobiografiche quali diari, memorie e lettere consente di cogliere non solo esempi di forte interiorizzazione del discorso nazional-patriottico, ma anche casi in cui la scelta dell'impegno per la patria si collega al desiderio di fuggire dalla miseria, di migliorare le proprie condizioni di vita o di fare carriera militare; non mancano inoltre ragioni di carattere psicologicoesistenziale, come lo spirito d'avventura, l'incoscienza giovanile, l'irrequietezza, la noia, il facile entusiasmo etc., che si vanno ad affiancare ad altre piů profonde, legate a particolari situazioni familiari e alla presenza o assenza della figura paterna. Seppur esaminate separatamente, l'autrice ha cercato di evidenziare lo stretto intreccio esistente tra queste diverse motivazioni, sottolineando la complessitÀ dell'argomento e tenendo conto dei diversi orientamenti espressi a riguardo dalla storiografia risorgimentale.

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