Livres : « Figure rosse »

1

Parrini, Alessandra. Iasos : Ceramica attica a figure rosse. Roma : Giorgio Bretschneider editore, 2020.

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Huber, Kalinka. Le ceramiche attiche a figure rosse. Bari : Edipuglia, 1999.

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Vasi attici a figure rosse da Tarquinia. Pisa : Edizioni ETS, 2017.

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Ferrari, Gloria. I vasi attici a figure rosse del periodo arcaico. Roma : G. Bretschneider, 1988.

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Reho-Bumbalova, Maria. La ceramica attica a figure nere e rosse nella Tracia bulgara. Roma : Bretschneider, 1990.

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6

Benincasa, Alfonsina, writer of supplementary textual content, dir. La ceramica apula a figure rosse da una collezione privata di Napoli. Roma : Quasar, 2017.

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Italy. Soprintendenza per i beni archeologici del Veneto., dir. La ceramica attica a figure rosse di Adria : La famiglia Bocchi e l'archeologia. Padova : CLEUP, 2005.

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8

Arias, Paolo Enrico. La ceramica attica a figure nere e rosse del Corpus vasorum antiquorum : L'analisi computerizzata dei dati. Roma : Accademia nazionale dei Lincei, 1985.

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9

Vanoni, Lucia Cavagnaro. Vasi etruschi a figure rosse : Dagli scavi della Fondazione Lerici nella necropoli dei Monterozzi a Tarquinia. Roma : "L'Erma" di Bretschneider, 1989.

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Riccardi, Palazzo Medici, et Cassero per la scultura italiana dell'Ottocento e del Novecento, dir. Volti dal passato : Giorgio Rossi e le sue muse. Firenze : Aska, 2013.

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11

Cremona rossa : Figure e vicende della sinistra nel '900 cremonese. Cremona, Italia : Cremonalibri, 2011.

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12

Scalzone, Oreste. Biennio rosso, '68-'69 : Figure e passaggi di una stagione rivoluzionaria. Milano, Italia : SugarCo, 1988.

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Scalzone, Oreste. Biennio rosso, '68-'69 : Figure e passaggi di una stagione rivoluzionaria. Milano, Italia : SugarCo, 1988.

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14

Legami, Flora Di. Pier Maria Rosso di San Secondo : La figura e l'opera. Marina di Patti : PUNGITOPO, 1988.

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Bedeschi, Lorenzo. Un' isola bianca nella rossa Padania : Momenti e figure del cattolicesimo democratico faentino. Urbino : QuattroVenti, 1993.

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Carlo, Quintavalle Arturo, Bianchino Gloria, Parma (Italy) Iniziative culturali et Università di Parma. Centro studi e archivio della comunicazione., dir. Il rosso e il nero : Figure e ideologie in Italia 1945-1980 nelle raccolte del CSAC. Milano : Electa, 1999.

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17

(Illustrator), Nina Strudwick, dir. Roses for a Friend : A treasury of stories on spiritual figures of the past. London : Ring of Grace Publications, 2002.

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Gazzei, Euro. Il rosso e l'azzurro : Le figure delle carte da giuoco toscane : Chi sono ? : i nomi, le avventure, le leggende. Poggibonsi : C. Cambi, 2001.

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Brusa, Elisabetta. 8 tesi per 150 anni. Venice : Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-384-7.

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8 tesi per 150 anni è un filo rosso che parte dalle pagine di alcuni libri-tesi, preziosamente conservati tra le mura dell’Archivio Storico di Ca’ Foscari, per trasformarsi nel corso del 2018 nel simbolico volo di alcune rondini-studenti.Mettendo insieme voci provenienti dal passato e voci e corpi della nostra contemporaneità, Fucina Arti Performative Ca’ Foscari ha celebrato, nell’anno dei festeggiamenti per i 150 anni dell’Ateneo veneziano, gli otto Dipartimenti, dedicando ad ognuno di questi una performance realizzata partendo dall’elaborazione di una tesi.Spaziando cronologicamente (la prima tesi affrontata è del 1913) tra le diverse aree di studio – Economia, Studi Linguistici e Culturali Comparati, Scienze Molecolari e Nanosistemi, Filosofia e Beni Culturali, Studi sull’Asia e sull’Africa Mediterranea, Studi Umanistici, Management e Scienze Ambientali, Informatica, Statistica – e, itinerando tra la magnificenza di sale, aule magne, cortili e auditorium cafoscarini, Fucina – con i suoi abitanti virtuali, studenti provenienti da tutti e otto i Dipartimenti, a cui si sono aggiunti studenti del Conservatorio Benedetto Marcello e dell’Accademia di Belle Arti di Venezia – è riuscita a costruire un mosaico di narrazioni intrecciando temi, ricerche, personaggi storici e figure immaginifiche, che ha condiviso con un pubblico curioso e attento.Il testo che qui presentiamo è la testimonianza di quanto realizzato ed è costituito dalla raccolta degli otto copioni, elaborati di volta in volta da uno studente-curatore.La collaborazione con i direttori dei Dipartimenti, con docenti di discipline diverse, con il personale cafoscarino coinvolto nella sfida, oltre alla partecipazione di Ca’ Foscari Alumni e di altre istituzioni veneziane, insieme all’Agenzia di Venezia di Banca Mediolanum, ha trasformato quest’esperienza in un possibile modello universitario di ricerca performativa.Se chi legge riuscirà a mettere in movimento processi immaginativi, allora per tutti coloro che hanno vissuto e condiviso questo progetto ambizioso sarà un ulteriore traguardo raggiunto.Fucina Arti Performative Ca’ Foscari nasce con il nome di Cantiere Teatro Ca’ Foscari nel 2011 come spazio fisico e mentale, teorico e pratico, aperto durante l’anno accademico agli studenti dei vari Dipartimenti desiderosi di confrontarsi con tematiche e sviluppi del mondo delle arti performative, realizzando produzioni proprie. Nel 2018 Cantiere Teatro Ca’ Foscari, diretto da Elisabetta Brusa, si trasforma in Fucina Arti Performative Ca’ Foscari.

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Ceramica a Figure Rosse Della Magna Grecia e Della Sicilia. L'Erma di Bretschneider, 2012.

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La ceramica a figure rosse della Magna Grecia e della Sicilia, I-III. Roma : "L'Erma" di Bretschneider, Roma, 2012.

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Collezione Jatta Fasc. VI. Ruvo Di Puglia. Ceramica Attica a Figure Rosse e a Figure Nere : Corpus Vasorum Antiquorum. Italia, LXXXVI. L'Erma di Bretschneider, 2022.

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23

I Frammenti Beazley Dal Persephoneion Di Locri Epizefiri. Una Ricostruzione Iconografica : Le Ceramiche Attiche a Figure Ner E a Figure Rosse. L'Erma Di Bretschneider, 2018.

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24

Prickly Roses : Stories from a Life. Passager Books, 2017.

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25

Morton, Jonathan. Rational Animals, Bestial Hypocrites. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816669.003.0004.

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In the speeches of Ami and especially of La Vielle and Faux Semblant, human beings are shown to be marked by a dangerous animality that they can mask with an artificiality, figured through images of clothing. La Vielle parodies Boethius’s Lady Philosophia to put forward a suspect ethics of desire, rethinking the idea of freedom in relation to the sexual drive. In Faux Semblant Jean de Meun draws on a tradition of antifraternalism to attack the alleged hypocrisy of friars and to suggest a broader understanding of hypocrisy as a characteristic of human social behaviour. Accordingly, Amant is shown to be a suspect figure whose word cannot be trusted and the Rose itself shares this suspicion. The text’s own strategies of mendacity are seen as both a trap for readers and an ethical test.

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Ross, Marlon B. Sissy Insurgencies. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022459.

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In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington’s practice of cleaning as an iteration of sissiness, Baldwin’s self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.

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Hecker, Sharon. Introduction. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520294486.003.0001.

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This introductory chapter discusses how nineteenth-century art, defined by the birth of the nation-state and nationalism, is teeming with transnational forms of circulation. Italian sculptor Medardo Rosso took advantage of new international networks being created by so-called “cultural mediators” (middlemen—art dealers, critics and literary figures—who regularly traveled abroad), including exhibition opportunities and art markets throughout Europe. In doing so, he presaged the nomadic, itinerant status of twentieth- and twenty-first-century sculpture. The chapter offers a methodological challenge to the grand narrative of the nineteenth century by reframing a single artist within a cultural context characterized by transnational exchange and new forms of mobility. It provides an original, transnational way to comprehend Rosso and is intended as a model for future studies of pan-European modern art.

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Morton, Jonathan. The Art itself is Nature. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816669.003.0003.

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The chapter outlines different models of nature in medieval Aristotelian and Platonic philosophy in order to show how the Rose plays them against each other to articulate its own model of the complex relationship between art and nature. For the Rose there is no getting at nature except by means of art, as suggested by the self-conscious artificiality of the figure of Nature, taken from the allegories of twelfth-century Neoplatonism. Art, a broad category that encompasses all human activity, is insufficient in describing nature’s truths and is potentially sophistic in its lies. However, questions of nature are always questions of art on whose help humans depend to understand and to represent to themselves a nature that can never be fully known. Finally, the model of reproductive nature is used to legitimate the reproduction of texts and the continuation of arts that is literary production.

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Shields, James Mark. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190664008.003.0009.

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The Conclusion examines the various theoretical and practical problems of the accommodation between Buddhism and Marxism, in particular the convergence of Japanese Buddhist ethics with philosophical and historical materialism, through an analysis of some the theoretical writings of figures discussed in the preceding chapters. This convergence is situated within the context of notable political shifts and events—namely, World War II and the devastation of Hiroshima and Nagasaki in August 1945—which weakened and muted much progressive Buddhism. Instead, a type of nonsectarian, “existential” Buddhism rose to prominence at this time. Finally, the larger issue of “dharmic materialism” is raised, in relation to traditional Buddhist ethics, Marxism, and contemporary humanism.

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Morton, Jonathan. Inconsistent Philosophy. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816669.003.0002.

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The chapter considers the philosophical implications of the Rose’s literary style, showing how it relates to the institutional context of the University of Paris in the 1270s. It examines figurative language’s potential for discussing the irrational subject of love or desire, analysing how Jean de Meun draws on the earlier poetry of Andreas Capellanus and Alain de Lille to produce a paradoxical style that plays definition against indefinition. The prologue of Bishop Etienne Tempier’s condemnation of 1277 is interpreted as an attempt to restrict philosophical utterances to definite propositions simpliciter and not allowing hypothetical statements secundum quid. The Rose signals its opposition to Tempier by reworking Andreas Capellanus’s De amore (condemned in 1277) and by parodying Tempier in the figure of Genius. The result is a mode of philosophical proceeding that is anti-authoritative even as it depends on the utterances of earlier authors.

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Rahimi, Babak, et Peyman Eshaghi, dir. Muslim Pilgrimage in the Modern World. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469651460.001.0001.

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Pilgrimage is one of the most significant ritual duties for Muslims, entailing the visitation and veneration of sites associated with the Prophet Muhammad or saintly figures. As demonstrated in this multidisciplinary volume, the lived religion of pilgrimage, defined by embodied devotional practices, is changing in an age characterized by commerce, technology, and new sociocultural and political frameworks. Traveling to and far beyond the Hajj, the most well-known Muslim pilgrimage, the volume’s contributors reveal and analyze emerging contemporary Islamic pilgrimage practices around the world, in minority- and majority-Muslim countries as well as in urban and rural settings. What was once a tiny religious attraction in a remote village, for example, may begin to draw increasing numbers of pilgrims to shrines and tombs as the result of new means of travel, thus triggering significant changes in the traditional rituals, and livelihoods, of the local people. Organized around three key themes—history and politics; embodiment, memory, and material religion; and communications—the book reveals how rituals, practices, and institutions are experienced in the context of an inexorable global capitalism. The volume contributors are Sophia Rose Arjana, Rose Aslan, Robert R. Bianchi, Omar Kasmani, Azim Malikov, Lewis Mayo, Julian Millie, Reza Masoudi Nejad, Paulo G. Pinto, Babak Rahimi, Emilio Spadola, Edith Szanto, and Brannon Wheeler.

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Morton, Jonathan. Making and Worshipping Idols. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816669.003.0007.

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This chapter offers an account of the Rose’s ethical project based around the principle of misrecognition as it relates both to the psychology of desire and to the poem’s unreliable textuality. Its ethics, which cannot be distilled into a series of definitive sentences, are understood to depend on the hermeneutic process that the deceptive poem itself demands. The shifting uses of figures idols and idolatry in the poem are used to illustrate how the poem’s productive polysemy allow concepts to be dislodged from one field, such as theology, and repurposed for another, such as psychology or satire. Considering Pauline theology, medieval optical theory, and psychology as they inform the iconic episodes of Narcissus and Pygmalion in the Rose, this chapter shows how the poem presents the mental projections of fantasy simultaneously as dangerous traps and as fundamental tools for the negotiation of desire.

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Quint, David. Milton’s Book of Numbers : Book 1 and Its Catalog. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691161914.003.0002.

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This chapter shows how book 1 of Paradise Lost metaphorically depicts the role of the devil in raising the rebel angels out of their “bottomless perdition,” an act of poetic creation analogous to the divine creation of the universe described in the invocation—“how the heavens and earth/Rose out of chaos.” The chief devils described in the catalog that occupies the center of book 1 and organizes its poetic figures and symbolic geography—Carthage, Sodom, Egypt, Babel-Babylon, Rome—are precisely those who will come to inhabit the pagan shrines that human idolatry will build next to or even inside the Jerusalem temple, profaning God's house. This catalog—whose traditional epic function is to size up military force—instead suggests the force of spiritual falsehood, and it corresponds to the defeated devils' own reluctance to pursue another direct war against God; they would rather resort to satanic fraud.

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Marovich, Robert M. “When the Fire Fell”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039102.003.0002.

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This chapter examines the sanctified churches' contribution to the development of Chicago gospel music. Female evangelist Mattie L. Thornton is considered the organizer of Chicago's first sanctified church, the Holy Nazarene Tabernacle Apostolic Church, around 1908. By 1919, about twenty Holiness churches had been established throughout the city. This chapter first considers Holiness and Pentecostal movements with sanctified denominations that played significant roles in planting the seeds of gospel music in Chicago, including the Church of God in Christ (COGIC). It then profiles two leaders in the COGIC church community whose progeny would become important figures in gospel music: Bishop William Roberts and Elder Eleazar Lenox. It also explores how gospel music and sermon recordings became a way for sanctified churches to spread their message beyond the confines of the church walls, focusing on such artists as Arizona Dranes and preachers like Rev. William Arthur White, Rev. Ford Washington McGee, Rev. D. C. Rice, and Rev. Leora Ross.

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Heinrich, Christian, dir. Krisen im Aufschwung. Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783748900337.

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The figures for company insolvencies continue to decline: 9,900 cases in the first half of 2018 compared to 10,250 cases in the same period the previous year. However, the relative significance of insolvencies is increasing. The number of employees affected by them is around 20 per cent, while the commercial losses of 17 million euros caused by them in 2015 rose to 30 million in 2017. This is because middle-sized and large firms are increasingly among the companies going bankrupt, which is resulting in growing legal complexities. At a symposium entitled ‘Krisen im Aufschwung’ (An Upswing in Crises), speakers and participants discussed company insolvency law, insolvency employment law, mass generation and compliance especially, along with industrial constitution law and the right of appeal. This anthology offers in-depth access to these and other important issues relating to insolvency law and employment law in practice, and will not only appeal to academics but also to lawyers, business consultants, insolvency administrators and judges in particular.

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Easley, Alexis. New Media and the Rise of the Popular Woman Writer, 1832-1860. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475921.001.0001.

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The idea of ‘new media’ is nothing new. Long before Twitter and Facebook, the rise of new periodical genres and formats provided opportunities for Victorian women writers and readers to participate in popular print culture as never before. This study illuminates the relationship between the rise of the popular woman writer the expansion and diversification of newspaper and periodical print media during a period of revolutionary change. It includes discussion of canonical women writers such as Felicia Hemans, Charlotte Brontë, and George Eliot, as well as lesser-known figures such as Eliza Cook, Frances Brown, Eliza Meteyard, and Rose Ellen Hendriks. In addition, it explores the networks of women writers connected with cheap family magazines such as Chambers’s Edinburgh Journal during the 1830s and ’40s. It also examines the ways women readers actively responded to a robust popular print culture by creating scrapbooks and engaging in forms of celebrity worship. The book closes with discussion of the ways Victorian women’s participation in popular print culture anticipates our own engagement with new media in the twenty-first century.

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Kundahl, George G., dir. The Bravest of the Brave. University of North Carolina Press, 2014. http://dx.doi.org/10.5149/9780807895702_kundahl.

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Born in Lincolnton, North Carolina, in 1837, Stephen Dodson Ramseur rose meteorically through the military ranks. Graduating from West Point in 1860, he joined the Confederate army as a captain, and, by the time of his death near the end of the war at the Battle of Cedar Creek, had attained the rank of major general in the Army of Northern Virginia. Ramseur excelled in every assignment and was involved as a senior officer in many of the war's most important conflicts east of the Appalachians. His letters—over 180 of which are collected and transcribed here—provide his incisive observations on these military events, and, at the same time, offer a rare insight into the personal opinions of a high-ranking Civil War officer. Correspondence by Civil War figures is often strictly professional. But in Ramseur's personal letters to his wife, Nellie, and best friend, David Schenk, this book candidly expresses beliefs about the social, military, and political issues of the day. It also shares vivid accounts of battle and daily camp life, providing colorful details on soldiering during the war.

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Figuras De La Experiencia En El Fin De Siglo/figures Of Experience In The End Of The Century : Cristina Peri Rossi, Ricardo Piglia, J. J. Saer, Silvano Santiago. Beatriz Viterbo, 2001.

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Cox, F. Brett. Roger Zelazny. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043765.001.0001.

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This book surveys the life and career of Roger Zelazny (1937-1995), an American science fiction writer who quickly rose to prominence in the 1960s with works that offered new perspectives on traditional science fiction scenarios such as planetary exploration, alien encounter, and immortality as they audaciously remixed Western mythology and Eastern religion within a brilliant, allusive prose style. Although he continued to produce innovative and often formally experimental fiction, after 1970 Zelazny increasingly focused on more commercial work, in particular the extraordinarily popular fantasy novels in the Amber series. At the time of his death, Zelazny remained a beloved figure within the field, but the critical consensus was that he had chosen commercial success over literary ambition and that his later work did not rise to the level of the breakthrough stories of the 1960s. This book argues that such a reading is an oversimplification. Whereas Zelazny’s use of mythic structures and sophisticated prose is important, so is his strikingly consistent preoccupation with questions of autonomy that evolves from early stories of the noble resistance of often violent individuals to later stories of such individuals’ existing within a larger community--all produced, from the beginning to the end of his career, within the ongoing tensions between the ambitions of the literary artist and the requirements of the commercial writer.

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Torrance, Isabelle, et Donncha O'Rourke, dir. Classics and Irish Politics, 1916-2016. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864486.001.0001.

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This collection addresses how models from ancient Greece and Rome have permeated Irish political discourse in the century since 1916. The 1916 Easter Rising, when Irish nationalists rose up against British imperial forces, was almost instantly mythologized in Irish political memory as a turning point in the nation’s history and an event that paved the way for Irish independence. Its centenary has provided a natural point for reflection on Irish politics, and this volume highlights an unexplored element in Irish political discourse, namely its frequent reference to, reliance on, and tensions with classical Greek and Roman models. Topics covered include the reception and rejection of classical culture in Ireland; the politics of Irish language engagement with Greek and Roman models; the intersection of Irish literature with scholarship in Classics and Celtic Studies; the use of classical allusion to articulate political inequalities across hierarchies of gender, sexuality, and class; meditations on the Northern Irish conflict through classical literature; and the political implications of neoclassical material culture in Irish society. As the only country colonized by Britain with a pre-existing indigenous heritage of expertise in classical languages and literature, Ireland represents a unique case in the fields of classical reception and postcolonial studies. This book opens a window on a rich and varied dialogue between significant figures in Irish cultural history and the Greek and Roman sources that have inspired them, a dialogue that is firmly rooted in Ireland’s historical past and continues to be ever-evolving.

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Thory, Claude-Antoine. Rosa Candolleana Seu Descriptio Novae Speciei Generis Rosae, Dicata Pyr. Aug. de Candolle a Cl. Ant. Thory : Addito Catalogo Inedito Rosarum Quas Andr. Dupont in Horto Suo Studiose Colebat Anno 1813 : Cum Figura Aenea Picta. Creative Media Partners, LLC, 2015.

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Kirwan, Jon. An Avant-garde Theological Generation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198819226.001.0001.

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This book offers a clearer understanding of the nouvelle théologie, an influential French reform movement that flourished during the 1930s and 1940s, championed ressourcement, or, a ‘return to the sources’, and hoped to build a certain rapprochement with modernity by appropriating the historical method, aspects of phenomenology, and social engagement. Comprised of theologians and philosophers from the Jesuit theologate Fourvière in Lyon and the Dominican house at Le Saulchoir in Belgium, they were led by such figures as Henri de Lubac, Jean Daniélou, Marie Dominique Chenu, and Yves Congar. After identifying a lacuna in the secondary literature, the book remedies certain historical deficiencies by constructing a history more sensitive to the wider intellectual, political, economic, and cultural milieu of the French interwar crisis, that establishes continuity with the Modernist crisis and the First World War. It examines the modern French avant-garde generations that shaped intellectual and political thought in France. The historical narrative examines various stages of older generational influence on the development of the nouveaux théologiens, including the influence of the Modernists as well as older generations of Jesuit and Dominican mentors. Moreover, the effects of the First World War are examined, as is their religious formation in the 1920s, the emergence of their wider generation during the crisis years of the 1930s, and their own participation in the wider intellectual thirst for revolution. It explores the 1940s, when the generation of 1930 rose to prominence and the global triumph of their thought during the 1960s.

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Tutto Sherlock Holmes : Uno studio in rosso, II segno dei Quattro, Le avventure di Sherlock Holmes, Le memorie di Sherlock Holmes, II mastino dei Baskerville, II ritorno di Sherlock Holmes, La Valle della Paura, L'ultimo saluto, II taccuino di Sherlock Holmes. Newton, 2010.

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