Littérature scientifique sur le sujet « Figure rosse »
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Articles de revues sur le sujet "Figure rosse"
Bundrick, Sheramy. « Vasi attici a figure rosse da Tarquinia ». Etruscan Studies 22, no 1-2 (5 novembre 2019) : 166–70. http://dx.doi.org/10.1515/etst-2019-0005.
Texte intégralNeils, Jenifer, et Gloria Ferrari. « I vasi attici a figure rosse del periodo arcaico ». American Journal of Archaeology 94, no 4 (octobre 1990) : 692. http://dx.doi.org/10.2307/505138.
Texte intégralAmbrosini, Laura. « Sui vasi plastici configurati a prua di nave (trireme) in ceramica argentata e a figure rosse ». Mélanges de l'École française de Rome. Antiquité, no 122-1 (15 septembre 2010) : 73–115. http://dx.doi.org/10.4000/mefra.336.
Texte intégralAmbrosini, Laura. « Su un elmo falisco a figure rosse da Cerveteri e sulla deposizione di elmi fittili nei corredi tombali di età ellenistica ». Mélanges de l’École française de Rome. Antiquité 118, no 1 (2006) : 251–66. http://dx.doi.org/10.3406/mefr.2006.10983.
Texte intégralSlawisch, Anja. « Francesca Curti, Alessandra Parrini (Edd.) : Iasos. Ceramica attica a figure rosse. Prefazione di Ian McPhee. Con contributi di Fede Berti, Roberta Fabiani, Bernhard Schmaltz. » Gnomon 94, no 4 (2022) : 353–57. http://dx.doi.org/10.17104/0017-1417-2022-4-353.
Texte intégralJohnston, Alan. « Art and Archaeology - (F.) Wiel-Marin Le ceramica attica a figure rosse di Adria. La famiglia Bocchi e l'archeologia. Padova : CLEUP. Pp. 648, illus. €120. 9788871785752. » Journal of Hellenic Studies 128 (novembre 2008) : 253–54. http://dx.doi.org/10.1017/s0075426900000975.
Texte intégralBuitron-Oliver, Diana. « Archaic red-figure vases from Tarquinia's cemetery - GLORIA FERRARI , I VASI ATTICI A FIGURE ROSSE DEL PERIODO ARCAICO (Materiali del Museo Archeologico Nazionale de Tarquinia XI, Archaeologica 73, Giorgio Bretschneider, Roma 1988). Pp. 196, tav. 99. ISBN 88-7689-009-2. Lit. 550.000. » Journal of Roman Archaeology 7 (1994) : 317–20. http://dx.doi.org/10.1017/s1047759400012654.
Texte intégralMaffre, Jean-Jacques. « Vases étrusques et vases attiques au Musée de Tarquinia [Archeologia 13, 16, 32 et 33, Materiali del Museo archeologico nazionale di Tarquinia, I, II, V et VI ; Giampiero Pianu, Ceramiche etrusche a figure rosse ; Lucrezia Campus, Ceramica attica a figure nere : piccoli vasi e vasi plastici ; Carlo Tronchetti, Ceramica attica a figure nere : grandi vasi : anfore, pelikai, crateri ; Elena Pierro, Ceramica « ionica » non figurata e coppe attiche a figure nere] ». Bulletin de l'Association Guillaume Budé : Lettres d'humanité 44, no 4 (1985) : 417–21. http://dx.doi.org/10.3406/bude.1985.1697.
Texte intégralDemeule, Fanie. « Rousseur fatale dans La peau blanche de Joël Champetier ». Voix Plurielles 17, no 1 (27 avril 2020) : 34–47. http://dx.doi.org/10.26522/vp.v17i1.2469.
Texte intégralRahmawati, Rahmawati, Sumartini Sumartini et Maharani Intan Andalas IRP. « EMOSI TOKOH-TOKOH SENTRAL DALAM NOVEL SUNSET BERSAMA ROSIE KARYA TERE LIYE ». Jurnal Sastra Indonesia 7, no 3 (16 avril 2019) : 229–36. http://dx.doi.org/10.15294/jsi.v7i3.29849.
Texte intégralThèses sur le sujet "Figure rosse"
Wiel-Marin, Federica. « La ceramica attica a figure rosse : la famiglia Bocchi e l'archeologia / ». Padova : Cleup, 2005. http://swbplus.bsz-bw.de/bsz251084922inh.htm.
Texte intégralScafuro, Michele. « La ceramica a figure rosse dai contesti dell'agorà di Atene. Distribuzione, forme, temi figurativi, funzioni ». Doctoral thesis, Universita degli studi di Salerno, 2011. http://hdl.handle.net/10556/206.
Texte intégralI lavori di scavo da parte della scuola Americana, condotti sia nella parte centrale dell’agora, (nella sua specifica connotazione politica urbanisticamente riconoscibile) sia nelle immediate vicinanze, portarono alla luce centinaia di contesti di diversa natura; nonostante i lavori costituiscano un esempio emblematico di archeologia urbana va ricordato che ancora oggi le edizioni dei dati mancano di quell’ approccio contestuale proprio delle nuove acquisizioni della moderna disciplina archeologica. L’edizione degli scavi, della documentazione stratigrafica rintracciata, dell’intera documentazione dei manufatti, ancora oggi risulta in gran parte parziale; ai trenta volumi dedicati all’ agora manca un’ edizione completa e spesso, tranne alcuni tentativi per settori limitati dell’ area, monumenti e manufatti hanno seguito percorsi di studio e d’interpretazione differenti, non sincronici e non comparati tra di loro. L’obiettivo del mio lavoro, pur tenendo presente i limiti della documentazione a disposizione, è stato quello di rileggere e classificare i depositi di provenienza della ceramica a figure rosse secondo le più recenti nozioni di contestualità dove il significato dei singoli elementi materiali può essere identificato solo sulla base della rete di relazioni che collegano ognuno di essi agli altri elementi dello stesso contesto; secondo questo approccio i depositi non costituiscono una somma di singoli elementi letti autonomamente secondo specificità interne alle singole classi di materiali, ma rappresentano “contenitori” di molteplici informazioni classificabili a partire dall’interrelazione di tutti gli elementi che lo costituiscono. I dati archeologici in questo modo divengono “oggettivi” e gli studi e le classificazioni tipologiche delle singole classi di materiali concorrono complessivamente all’interpretazione e costituiscono indicatori cronologici, topografici, economici, linguistici e sociali. Una volta ricostruiti gli interi depositi, ho proceduto con l’analisi dei materiali, nel caso specifico dell’analisi della ceramica, dopo un’attenta analisi qualitativa e quantitativa ho cercato di leggere la documentazione vascolare astraendo i vasi dalle loro classi ceramiche di appartenenza e di riconsiderarli per categorie funzionali, nella piena considerazione che una consapevolezza metodologica di una necessaria distinzione, al momento dell'analisi, tra fattori funzionali e fattori stilistici si è sviluppata solo a partire dagli ultimi decenni del secolo scorso. L'assunto è che un vaso viene prodotto con determinate caratteristiche (forma, impasto, trattamento delle superfici ecc.) in risposta a necessità di ordine pratico, oltre che in rapporto a norme sociali specifiche di ciascun gruppo. Le finalità di questa prima fase del lavoro sono indirizzate alla puntualizzazione delle cronologie dei contesti e ad un contributo alla riflessione sulla localizzazione delle botteghe. Partendo dalle classificazioni del Beazley, il secondo obiettivo è stato quello di individuare un sistema di relazioni tra tipologie formali, sistemi decorativi, temi e schemi figurativi in relazione alla natura dei contesti. Infine la ricerca è stata orientata ad analizzare l’aspetto della diffusione mediante l’elaborazione di carte di distribuzione e l’analisi quantitativa e qualitativa dei dati relativi alla complessiva produzione di un atelier.[a cura dell'autore]
IX n.s.
Pessoni, Laurence. « Synthèse de polystyrène greffé rose Bengale pour l’élaboration de films poreux photo-actifs structurés en nid d’abeille ». Thesis, Pau, 2013. http://www.theses.fr/2013PAUU3028/document.
Texte intégralWe evaluate structured porous polymer films as new substrates for photosensitizers of singlet oxygen, with a view to obtaining photo-active materials with high specific exchange areas. Here, honeycomb polymer films are obtained by the breath figure process, using well defined polymers synthesized by nitroxide-controlled radical polymerization (NMP), atom transfer polymerization (ATRP) and reversible addition/fragmentation transfer (RAFT). The photosensitizer, rose Bengal, is either post-grafted covalently to the polymer precursor, or pre-grafted to a monomer functional unit which is copolymerized with polystyrene. These syntheses lead to films with different rose Bengal concentrations. We determine the structure of the films and the location of the fluorescent dye by scanning electron microscopy and widefield and confocal microscopy. Efficiency of production of singlet oxygen was tested at a solid/liquid interface by monitoring the oxidation of dihydroxynaphthalene and α-terpinene, using UV-visible absorption spectroscopy. Honeycomb films are about five times more efficient than non-porous films of the same composition used in the same, as may be explained by their higher specific surface area and the preferential location of the photosensitizer at the film surface
Du, Plessis Liezl. « Sarie en Rooi Rose se keuse van voorblaaie : tendense en motiverings / Du Plessis, L ». Thesis, North-West University, 2009. http://hdl.handle.net/10394/8121.
Texte intégralThesis (M.A. (Communication Studies))--North-West University, Potchefstroom Campus, 2010
TOSCANO, VINCENZO. « LO STATO DELLA CHIESA TRA DIRITTO INTERNO E INTERNAZIONALE NELLA PRIMA METÀ DELL'OTTOCENTO. LA FIGURA E IL PENSIERO POLITICO DI PELLEGRINO ROSSI ». Doctoral thesis, Università degli Studi di Milano, 2022. http://hdl.handle.net/2434/926213.
Texte intégralThe first part of the nineteenth century was a crucial moment for the European context, which was first forced to reckon with the last consequences of the great revolutionary wave, and then - directly - with France's most unscrupulous son; that petit diable arrived from Corsica and become emperor. In these years the Papal States experienced some of the most delicate moments of their existence (suffice it to think of the direct annexation to the French Empire or the deportation of Pius VII), without having the material strength to oppose such vicissitudes. The work carried out by the European representatives in Vienna, during the famous Congress, attempts to implement a “forced” and precarious return to the past, which will prove to be incapable of withstanding the spirit of the new times. The Papal State - this was the new denomination adopted after the great meeting of 1814-1815 (as if to eliminate the aura of sacredness destined to become increasingly uncomfortable in the following decades) - was faced with the urgent need to reorganise its institutional apparatus, aware that it could not definitively cancel the parenthesis of the years that had just passed. In a century that will see the disappearance of the temporal dominion of the popes, it was only one of the challenges with which the State of central Italy was called to confront. In fact, these events took place in a constantly evolving international scenario, where even the great powers were often called upon to deal with unexpected events, but were always attentive to the dynamics of balance and the balancing of interests at stake. For a reality that is not only a state entity, but also the centre of the Catholic world and the seat of the successor of Peter, accepting to change its “nature” is not easy. Allowing lay people access to the upper echelons of the bureaucracy, setting up “truly” representative bodies, or thinking of promulgating a fundamental charter, has been a recurring mirage for years. Although the need to modernise the internal administration of the State is echoed on many fronts, on the administrative, economic and, above all, judicial fronts, the line of intransigence and immobility seems to triumph almost always. It is true that action is sometimes taken, but more out of complacency than real conviction, having to take account of internal and external pressures. Pressure that sometimes comes from increasingly widespread discontent, sometimes from the interference of the large European states. The aim of this research work was therefore to analyse the main (especially legal) events - internal and external - that involved the Church State in the first half of the nineteenth century. A path developed along multiple lines, starting from the background of the great historical events of recent years, and intertwined with the vicissitudes of some great protagonists: popes, secretaries of state, heads of government, monarchs. A look not only at the domestic front, but also at the international one. Understanding how Rome tries to manage its foreign relations in a supranational context that in recent decades has seen the emergence of new states (e.g. Belgium), significant changes (e.g. France in 1830, with the beginning of the Orleanist monarchy, or the independence achieved by the countries of South America), or strong dynastic disputes (e.g. the Iberian Peninsula), is important to understand how it must also deal with governments that, depending on the case, take on markedly conservative characteristics or with strong liberal tendencies. Despite the Roman Curia's natural inclination, “closeness” to reactionary positions, relations with powers such as Russia or Austria don’t remain idyllic. However, the line just described was not the only one followed in the development of this research. As if wishing to proceed on two parallel tracks, we have also focused on the figure and political thought of one of the most important jurists of the first half of the century: Pellegrino Rossi. A jurist of course, although this expression is not enough to encapsulate the greatness of an “Italian son”, born and raised when united Italy did not yet exist. Much has already been said, or rather written, about this multifaceted character, and about his life spent between Italy, Switzerland, France and then back on the peninsula, working at the Roman court as a French representative, and then as a minister of His Holiness. And yet these aspects have been precisely useful in this work, looking at lesser-known but absolutely important aspects. These were, for example, the most important moments Rossi spent in Switzerland (as a member of the Geneva Representative Council and as an envoy to the Diet of Lucerne in 1832), or the major speeches he made at the Chamber of Peers in Paris between 1840 and 1844. The same can be said about the delicate events that involved the jurist during his tenure at the papal court. It was here, first as ambassador, and then as the pivot of the new government formed in September 1848, that the multifaceted Italian tried to shake the Roman State out of its torpor and pull it towards a more modern and truly constitutional order.
Claasen, Sigrid Ulrike. « The black madonna figure as a source of female empowerment in the works of four Italian-Canadian authors (Nina Ricci, Frank G. Paci, Vittorio Rossi, Marco Micone) ». Mémoire, Université de Sherbrooke, 1997. http://savoirs.usherbrooke.ca/handle/11143/2001.
Texte intégralFigura, Andrea [Verfasser], Thomas [Gutachter] Fydrich, Bernd [Gutachter] Löwe et Matthias [Gutachter] Rose. « Psychological and psychosomatic aspects of bariatric surgery for the treatment of obesity in adults / Andrea Figura ; Gutachter : Thomas Fydrich, Bernd Löwe, Matthias Rose ». Berlin : Humboldt-Universität zu Berlin, 2018. http://d-nb.info/1185495436/34.
Texte intégralRose, Hannelore [Verfasser]. « Sum figuli lusus ... - die römischen Terrakottamasken in den Nordwestprovinzen : Herkunft, Herstellung, Verbreitung, Funktion / Hannelore Rose ». 2000. http://d-nb.info/975697870/34.
Texte intégralSCOLARI, BALDASSARE. « State Martyr Representation and Performativity of Political Violence ». Doctoral thesis, 2018. http://hdl.handle.net/11393/251176.
Texte intégralLivres sur le sujet "Figure rosse"
Parrini, Alessandra. Iasos : Ceramica attica a figure rosse. Roma : Giorgio Bretschneider editore, 2020.
Trouver le texte intégralHuber, Kalinka. Le ceramiche attiche a figure rosse. Bari : Edipuglia, 1999.
Trouver le texte intégralVasi attici a figure rosse da Tarquinia. Pisa : Edizioni ETS, 2017.
Trouver le texte intégralFerrari, Gloria. I vasi attici a figure rosse del periodo arcaico. Roma : G. Bretschneider, 1988.
Trouver le texte intégralReho-Bumbalova, Maria. La ceramica attica a figure nere e rosse nella Tracia bulgara. Roma : Bretschneider, 1990.
Trouver le texte intégralBenincasa, Alfonsina, writer of supplementary textual content, dir. La ceramica apula a figure rosse da una collezione privata di Napoli. Roma : Quasar, 2017.
Trouver le texte intégralItaly. Soprintendenza per i beni archeologici del Veneto., dir. La ceramica attica a figure rosse di Adria : La famiglia Bocchi e l'archeologia. Padova : CLEUP, 2005.
Trouver le texte intégralArias, Paolo Enrico. La ceramica attica a figure nere e rosse del Corpus vasorum antiquorum : L'analisi computerizzata dei dati. Roma : Accademia nazionale dei Lincei, 1985.
Trouver le texte intégralVanoni, Lucia Cavagnaro. Vasi etruschi a figure rosse : Dagli scavi della Fondazione Lerici nella necropoli dei Monterozzi a Tarquinia. Roma : "L'Erma" di Bretschneider, 1989.
Trouver le texte intégralRiccardi, Palazzo Medici, et Cassero per la scultura italiana dell'Ottocento e del Novecento, dir. Volti dal passato : Giorgio Rossi e le sue muse. Firenze : Aska, 2013.
Trouver le texte intégralChapitres de livres sur le sujet "Figure rosse"
Vandendriessche, Eric. « W.W. Rouse Ball’s Mathematical Approach to String Figures ». Dans Studies in History and Philosophy of Science, 71–110. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-11994-6_4.
Texte intégralTepora, Tuomas. « The Image of Marshal Mannerheim, Moral Panic, and the Refashioning of the Nation in the 1990s ». Dans Palgrave Studies in the History of Experience, 349–72. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69882-9_14.
Texte intégralShahab, Palvasha. « Loss and Legibility : A Conversation with Saeeda Khatoon ». Dans Interdisciplinary Studies in Human Rights, 15–23. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73835-8_2.
Texte intégralTaylor-Pirie, Emilie. « Detecting the Diagnosis : Parasitology, Crime Fiction, and the British Medical Gaze ». Dans Empire Under the Microscope, 131–73. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_4.
Texte intégralLippolis, Enzo, et Marina Mazzei. « La ceramica apula a figure rosse : aspetti e problemi ». Dans La céramique apulienne, 11–18. Publications du Centre Jean Bérard, 2005. http://dx.doi.org/10.4000/books.pcjb.2799.
Texte intégralSilvestrelli, Francesca. « Le fasi iniziali della ceramica a figure rosse nel kerameikos di Metaponto ». Dans La céramique apulienne, 113–23. Publications du Centre Jean Bérard, 2005. http://dx.doi.org/10.4000/books.pcjb.2853.
Texte intégrald’Amicis, Amelia. « Ceramica apula a figure rosse e sovraddipinta ; rapporto di produzione e cronologia ». Dans La céramique apulienne, 163–71. Publications du Centre Jean Bérard, 2005. http://dx.doi.org/10.4000/books.pcjb.2877.
Texte intégralLandolfi, Maurizio. « Il Pittore di Filottrano e la tarda ceramica attica a figure rosse nel Piceno ». Dans La céramique attique du IVe siècle en Méditerranée occidentale, 77–91. Publications du Centre Jean Bérard, 2000. http://dx.doi.org/10.4000/books.pcjb.1942.
Texte intégralHoffmann, Andreas. « Risultati di una ricerca sistematica dei contesti tombali di Taranto contenenti ceramica apula a figure rosse ». Dans La céramique apulienne, 19–25. Publications du Centre Jean Bérard, 2005. http://dx.doi.org/10.4000/books.pcjb.2802.
Texte intégralCorrente, Marisa. « Produzione e circolazione della ceramica a figure rosse a Canosa e nel territorio : i dati delle recenti scoperte ». Dans La céramique apulienne, 59–76. Publications du Centre Jean Bérard, 2005. http://dx.doi.org/10.4000/books.pcjb.2823.
Texte intégralActes de conférences sur le sujet "Figure rosse"
Matas, Adrián, Marta Igual, Purificación García-Segovia et Javier Martínez-Monzó. « Impact of Rosehip (Rose Canina) Powder Addition and Figure Height on 3D-Printed Gluten-Free Bread ». Dans Foods 2021. Basel Switzerland : MDPI, 2022. http://dx.doi.org/10.3390/foods2021-10979.
Texte intégralL’Esperance, Drew M., Robert A. Crowell et Eric L. Chronister. « Photon Echo and Time-Resolved Fluorescence Anisotropy Measurements of Organically Doped Sol-Gel Glasses ». Dans Persistent Spectral Hole Burning : Science and Applications. Washington, D.C. : Optica Publishing Group, 1991. http://dx.doi.org/10.1364/pshb.1991.tha5.
Texte intégralGossard, Earl E., J. E. Gaynor et Robert Zamora. « Finestructure of Elevated Inversions : Implications for Optical Systems ». Dans Optical Remote Sensing. Washington, D.C. : Optica Publishing Group, 1985. http://dx.doi.org/10.1364/ors.1985.tuc5.
Texte intégralDunham, John. « Compressor Off-Design Performance Prediction Using an Endwall Model ». Dans ASME 1996 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/96-gt-062.
Texte intégralRapports d'organisations sur le sujet "Figure rosse"
Monetary Policy Report - April 2022. Banco de la República, juin 2022. http://dx.doi.org/10.32468/inf-pol-mont-eng.tr2-2022.
Texte intégralMonetary Policy Report - January 2022. Banco de la República, mars 2022. http://dx.doi.org/10.32468/inf-pol-mont-eng.tr1-2022.
Texte intégral