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Littérature scientifique sur le sujet « Fiction subjects »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2024

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Articles de revues sur le sujet "Fiction subjects"

Isto, Raino. « How Dumb Are Big Dumb Objects ? OOO, Science Fiction, and Scale ». Open Philosophy 2, n^o 1 (30 octobre 2019) : 552–65. http://dx.doi.org/10.1515/opphil-2019-0039.

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AbstractThis article considers the potential intersections of object-oriented ontology and science fiction studies by focusing on a particular type of science-fictional artifact, the category of ‘Big Dumb Objects.’ Big Dumb Objects is a terminology used—often quite playfully—to describe things or structures that are simultaneously massive in size and enigmatic in purpose: they stretch the imagination through both the technical aspects of their construction and the obscurity of their purpose. First used to designate the subjects of several science fiction novels written in the 1970s, Big Dumb Objects (often called BDOs) have been understood in terms of science fiction’s enduring interest in the technological sublime and the transcendental. While object-oriented ontology has often turned to science fiction and weird fiction for inspiration in rethinking the possibilities inherent in things and their relations, it has not considered the implications of BDOs for a theory of the object more broadly. The goal of this article is to consider how extreme size and representations of scale in science fiction can help expand an understanding of the object along lines that are similar to those pursued by object-oriented ontology, especially Timothy Morton’s notion of hyperobjects.

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Hanson, Clare, Gerardine Meaney, Judith Still et Michael Worton. « (Un)like Subjects : Women, Theory, Fiction ». Modern Language Review 91, n^o 3 (juillet 1996) : 686. http://dx.doi.org/10.2307/3734101.

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Stelzriede, Danelle Dyckhoff. « Representing Spectral Subjects in Historical Crime Fiction ». Arizona Quarterly : A Journal of American Literature, Culture, and Theory 73, n^o 3 (2017) : 77–100. http://dx.doi.org/10.1353/arq.2017.0016.

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Kavut, İsmail Emre, et Elifnaz Olgaç. « The Technology of Fictional Space Designs in Dune Movies Investigation of Change in Time with Its Effect ». Journal of Interior Design and Academy 3, n^o 1 (19 juillet 2023) : 1–25. http://dx.doi.org/10.53463/inda.20230166.

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Cinema has been advancing continuously since its formation and intertwined with many disciplines. Technology also acts as a bridge between these disciplines, especially between science fiction cinema and architecture, the place of technology is undeniable. In this study, the change of fictional space designs over time with the effect of technology is discussed and how these developments affect cinema and fictional space designs are examined as "Dune 1984" and "Dune 2021" produced from the same novel from science fiction cinema. The interior spaces and structures in these films were determined and the subjects to be discussed were selected and turned into tables. A literature search of the subject was made, then the films were watched first, lastly interpreted by the interpreter according to the method of the research. The aim of the study is to be a source for studies on the relationship between science fiction and fictional spaces and the change of this relationship in the environment of technology.

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de Oliveira, Pedro J. S. Vieira. « Design at the Earview : Decolonizing Speculative Design through Sonic Fiction ». Design Issues 32, n^o 2 (avril 2016) : 43–52. http://dx.doi.org/10.1162/desi_a_00381.

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This article discusses how Sonic Fiction—a concept developed by cultural theorist Kodwo Eshun—can be regarded as a cogent mechanism with which to develop Speculative and Critical Design (SCD) projects, using subjects of sound, music, and listening as their driving force. Through a dissection of the base premises of sonic fictions, this article aims to expand the perspectives taken so far by SCD projects in order to encompass languages other than those informed by the usual theories, as well as to broaden the spectrum of possibilities for sound-based practices within the field. In doing so, it suggests sonic fiction as a decolonial epistemology for assessing design questions.

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D. Leavitt, Jonathan, Arseny A. Ryazanov et Nicholas J. S. Christenfeld. « Amazing but true ». Scientific Study of Literature 4, n^o 2 (31 décembre 2014) : 196–210. http://dx.doi.org/10.1075/ssol.4.2.04lea.

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People find it important to know if a story is factual, but still the most popular stories, in such forms as books and movies, are fictional. Research suggests that a story being true may add value to the reader’s experience, but other findings suggest that fiction may increase enjoyment by providing fewer disruptions to narrative comprehension. In three studies we explored the appeal of stories when they are presented as fiction or as non-fiction. Subjects read (1) story synopses, (2) vignettes from two popular websites, or (3) narratives on relationships and war. Results indicate that readers preferred stories when they were presented, externally, as non-fiction. Readers also preferred stories that seemed internally — that is, because of how they were written — like fiction. Additionally the results suggested that readers rely more heavily on factual stories to update their notions of reality. This study contributes to a body of literature on reader enjoyment in relation to truth labels made explicit or implicit in narratives as well as on the efficacy of arts-based research.

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Duyfhuizen, Bernard. « Subjects without Selves : Transitional Texts in Modern Fiction ». MFS Modern Fiction Studies 41, n^o 2 (1995) : 418–20. http://dx.doi.org/10.1353/mfs.1995.0082.

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Martín, Oscar. « Love's Subjects : The Alhambra Ceilings, Sentimental Fiction and Allegory ». Medieval Encounters 14, n^o 2-3 (2008) : 390–406. http://dx.doi.org/10.1163/157006708x366317.

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AbstractThis article analyzes the way in which allegorical and narrative motifs work in the fourteenth-century Alhambra ceilings and in fifteenth-century Castilian sentimental fiction. It argues that while the Alhambra ceilings, based on courtly allegory, convey a dignified statement concerning the potential of allegory to structure a political lesson while at the same time registering cultural assimilation and social crisis, allegory in sentimental fiction is problematized from the outset, showing that the genre's evolution renders allegory ineffective to account for love's subjectivity as it was attached to an outmoded courtly subjectivity. In this way, the painted ceilings of the Alhambra can be interpreted as a stage in the use of allegory in courtly context in the Iberian Peninsula within a larger group of works that make use of similar codes.

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Parsons, Deborah, Tamar Katz, Clare Hanson et Lucie Armitt. « Impressionist Subjects : Gender, Interiority, and Modern Fiction in England ». Modern Language Review 97, n^o 1 (janvier 2002) : 179. http://dx.doi.org/10.2307/3735638.

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Janine Tobeck. « Discretionary Subjects : Decision and Participation in William Gibson’s Fiction ». MFS Modern Fiction Studies 56, n^o 2 (2010) : 378–400. http://dx.doi.org/10.1353/mfs.0.1672.

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Thèses sur le sujet "Fiction subjects"

Ken, Stephanie Wong. « Human Subjects ». PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4023.

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Human Subjects is a collection of eight short stories that explore the role of identity, otherness, and personhood in contemporary life. Two sex workers try to buy new faces after a botched plastic surgery, a young girl struggles to find her place in a religious sweat cult, mixed race orphans commune with ghosts in a Korean orphanage, best friends embark on a road trip across America in search of a mother. Human Subjects works to tell stories about deeply felt wants and desires from perspectives at the margins, caught in a state of in between. This collection grapples with what it means to be a subject, and what it means to be subjected.

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Schwab, Gabriele. « Subjects without selves : transitional texts in modern fiction / ». Cambridge (Mass.) ; London : Harvard university press, 1994. http://catalogue.bnf.fr/ark:/12148/cb374408707.

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Kuykendall, Sue A. Morgan William Woodrow Strickland Ron L. « The subject of feminist literary practices radical pedagogical alternatives (teaching subjects/reading novels) / ». Normal, Ill. Illinois State University, 1993. http://wwwlib.umi.com/cr/ilstu/fullcit?p9411040.

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Thesis (D.A.)--Illinois State University, 1993.
Title from title page screen, viewed February 23, 2006. Dissertation Committee: William Morgan, Ronald Strickland (co-chairs), Victoria Harris, Thomas Foster, Anne Rosenthal. Includes bibliographical references (leaves 228-242) and abstract. Also available in print.

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Lundgren, Jodi. « Narrative aesthetics, multicultural politics, and (trans)national subjects : contemporary fictions of Canada / ». Thesis, Connect to this title online ; UW restricted, 2001. http://hdl.handle.net/1773/9523.

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Rebry, Natasha L. « Disintegrated subjects : Gothic fiction, mental science and the fin-de-siècle discourse of dissociation ». Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44052.

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The end of the nineteenth century witnessed a rise in popularity of Gothic fiction, which included the publication of works such as Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde (1886), George Du Maurier’s Trilby (1894), Arthur Machen’s The Great God Pan (1894) and The Three Impostors (1895), and Richard Marsh’s The Beetle (1897), featuring menacing foreign mesmerists, hypnotising villains, somnambulistic criminals and spectacular dissociations of personality. Such figures and tropes were not merely the stuff of Gothic fiction, however; from 1875 to the close of the century, cases of dual or multiple personality were reported with increasing frequency, and dissociation – a splitting off of certain mental processes from conscious awareness – was a topic widely discussed in Victorian medical, scientific, social, legal and literary circles. Cases of dissociation and studies of dissociogenic practices like mesmerism and hypnotism compelled attention as they seemed to indicate the fragmented, porous and malleable nature of the human mind and will, challenging longstanding beliefs in a unified soul or mind governing human action. Figured as plebeian, feminine, degenerative and “primitive” in a number of discourses related to mental science, dissociative phenomena offered a number of rich metaphoric possibilities for writers of Gothic fiction. This dissertation connects the rise of interest in dissociation with the rise of Gothic fiction in the fin-de-siècle, arguing that late-nineteenth-century Gothic fiction not only incorporated and responded to the theories of Victorian mental scientists on dissociation but also intelligently grappled with and actively challenged the often hegemonic and regulatory nature of such theories by demonstrating the close proximities between normal and so-called deviant psychologies. Fin-de-siècle Gothic fiction posed a fundamental challenge to predominant views on the dissociative subject by demonstrating that Englishmen were not exempt from the experience of multiplicity and psychic fragmentation, hence not as different from women, “degenerates” and “primitives” as they believed. Furthermore, Gothic texts at times even influenced the theories of mental science, providing mental scientists with a language for the expression of the distressing nature of mental disunity, thus demonstrating the circuitous nature of the relationship between mental science and Gothic fiction.

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Forshaw, Mark. « Affectless subjects, atrocious bodies : thematics and history in fictions by Burroughs, Ballard and Gibson ». Thesis, Keele University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391222.

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Hedberg, Sebastian. « Concep Art : En praktisk studie om arbetsprocessen bakom skapandet av konstformen med dystopi/postapokalyptisk science fiction som tema ». Thesis, University of Skövde, School of Humanities and Informatics, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-3437.

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Howell, Victoria. « Disordered subjects : narratives of 'becoming' in contemporary Anglo-American and French feminist theory and women's fiction ». Thesis, University of York, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387574.

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Nordby, Wernø Johanne. « Engaged encounters : fiction as art writing - a practical investigation of the borders of art criticism ». Thesis, Konstfack, Institutionen för Interdisciplinära Studier (IS), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2859.

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The thesis project Engaged Encounters has been a multi-part investigation into art criticism. Its main components are one of practice and one of theory: a fiction text – Transatlantic Journeys – which I am publishing as a small book in an edition of 200 and exhibiting at Konstfack´s Spring Show, and the present reflective essay. In the essay, I identify the central elements of the current «crisis of art criticism» and ask what impact experimental writing modes can have on the practice and its alleged crisis. I give an account of fields of contemporary writing where the text is acting with or through, rather than being about, art. I find that a common view is that the crisis, real as it might be, can serve as a possibility to re-envision art writing. The fiction text, a two-part short story, is a critical response to my one month internship at Henie Onstad Art Centre. A character is extracted from a chosen artwork of the then current exhibition and "cast" in the narrative opposite the history of the art institution. In the fiction as well as in the essay, I treat the «engaged encounter», the face to face meeting with the other. This is the aspect of art criticism I at present find to be most pertinent: criticism as an encounter between work and viewer, a reciprocal addressing analogous to the risky business of face-to-face human relations. The Norwegian word henvendelsen (approximately approach, address) is the key term used to denote this relation. The insights of the linguist Benveniste and the philosopher Levinas are important references.
WIRE, Critical Writing and Curatorial Practice

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Chia, Leigh Stephen. « The novel as panopticon : exploring surveillance ». Thesis, University of Northampton, 2012. http://nectar.northampton.ac.uk/8852/.

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Livres sur le sujet "Fiction subjects"

Miller, Meredith. Feminine Subjects in Masculine Fiction. London : Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044.

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Schwab, Gabriele. Subjects without selves : Transitional texts in modern fiction. Cambridge, Mass : Harvard University Press, 1994.

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Boldrini, Lucia. Autobiographies of others : Historical subjects and literary fiction. New York : Routledge, 2012.

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Donoghue, Emma. Touchy subjects : Stories. Toronto : Harper Perennial, 2011.

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Donoghue, Emma. Touchy subjects : Stories. Orlando : Harcourt, Inc., 2005.

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Katz, Tamar. Impressionist subjects : Gender, interiority, and modernist fiction in England. Urbana : University of Illinois Press, 2000.

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Rheims, Bettina. Chambre close : Fiction. Munich : Gina Kehayoff, 1999.

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Rheims, Bettina. Chambre close : Fiction. Munich : Gina Kehayoff, 1994.

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Mobili, Giorgio. Irritable bodies and postmodern subjects in Pynchon, Puig, Volponi. New York : P. Lang, 2008.

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Susan, Bernofsky, dir. Visitation. New York : New Directions Pub., 2010.

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Chapitres de livres sur le sujet "Fiction subjects"

Boulter, Amanda. « Subjects ». Dans Writing Fiction, 136–47. London : Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-0-230-20747-9_10.

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Miller, Meredith. « Introduction ». Dans Feminine Subjects in Masculine Fiction, 1–26. London : Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_1.

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Miller, Meredith. « Wilkie Collins and Narrative Containment ». Dans Feminine Subjects in Masculine Fiction, 27–58. London : Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_2.

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Miller, Meredith. « Anthony Trollope : Gender, Law and the Psychological ». Dans Feminine Subjects in Masculine Fiction, 59–88. London : Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_3.

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Miller, Meredith. « Density, Will and Desire : Henry James, Aesthetics and the Subjective Turn ». Dans Feminine Subjects in Masculine Fiction, 89–119. London : Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_4.

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Miller, Meredith. « Emily’s Will : George Gissing, Wage Labour and Aesthetic Desire ». Dans Feminine Subjects in Masculine Fiction, 120–47. London : Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_5.

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Miller, Meredith. « Sexuality and National Containment : E.M. Forster ». Dans Feminine Subjects in Masculine Fiction, 148–76. London : Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_6.

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Miller, Meredith. « Aim, Object and Fictional Strategy : Freud and Case Study Narrative ». Dans Feminine Subjects in Masculine Fiction, 177–201. London : Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_7.

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Miller, Meredith. « Coda : The Burial of ‘The Dead’ ». Dans Feminine Subjects in Masculine Fiction, 202–9. London : Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341044_8.

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Baccolini, Raffaella. « In-Between Subjects : C. L. Moore’s ‘No Woman Born’ ». Dans Science Fiction, Critical Frontiers, 140–53. London : Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-62832-2_10.

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Actes de conférences sur le sujet "Fiction subjects"

Birzul', Aleksei Nikolaevich, et Dmitry Aleksandrovich Pitilyak. « DEVELOPMENT OF THE LITERARY METHODS IN STRENGTH OF MATERIALS IN HIGHER SCHOOL ». Dans International Research-to-practice conference. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-107803.

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The article makes an attempt to generalize the experience of using educational, fiction and memoir literature when lecturing on the course on strength of materials. Specific methodological recommendations are given for using of fiction in certain topics of the strength of materials course. There are creative tasks offered to students and which contain literary subjects.

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Starciuc, Mariana. « Traditional theater versus documentary theater : theoretical references and conceptual boundaries ». Dans Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.15.

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The purpose of the author’s approach is to identify the characteristics of the documentary theater by referring to the traditional one. Reflecting on the concepts of theater theorists, we conclude that traditional theater is illusory, the receiver-spectator believes the fictional world produced by the theatrical performance as reality. Dramatic subjects have an integral and logical structure, with „beginning, middle and end”, the stage action succeeds in a canonical order. Unlike traditional theatre, documentary theater is anti-illusory, anti-fiction and stands out for its faithful, exact reproduction of the real, based on the investigation, research and reflection of archival documents, legislative acts, reports, court transcripts, minutes recorded at various actions, meetings, congresses, etc.; biographies; testimonies, interviews taken from the respondents-donors and transposed into an artistically unprocessed formula; cases, events that happened in an immediate reality, etc.

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Stepanenko, Evgenia A. « THE IMAGERY METAPHORS OF SPACE IN THE DUTCH WAR NON-FICTION WORKS ». Dans Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063588.

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The article explores the roles space metaphors play in the Dutch war non-fiction novels published during the period of 2010–2020. We hereby define metaphor as instrument the authors use to make up a personal view and to portray the events described, as well as to introduce and to define a war metaphor as well as to study the functions metaphors can have within a non-fiction texts. Another point of the article is a phenomenon of war metaphor seen as complex cognitive units which principal function is to underline the subjects related to the World War II. War metaphors are present in the texts explicitly (x is y) but also implicitly, as images. Among the principal war metaphors in the texts are ‘war is lack of freedom’, ‘war is a a disclosed space’, ‘war is an up-and-down movement’. These metaphors are nationally marked and are transparent for the Dutch as nation. As the notion of space is deeply rooted in the Dutch culture, we suggest that the war is also presented in the Dutch non-fiction as lack of space and distortion of common living space.

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Ribeiro Rabello, Rafaelle. « Between absence and presence : Augmented Reality as a self-fiction poetic ». Dans LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.

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This text comprises an excerpt of the Doctoral research completed in 2021, developed in the Line of Poetics and Processes of Performance in Arts (PPGARTES-UFPA), which will present a conceptual reflection about the creative process that unfolded poetically from the appropriation of an old family photo album. The album in question began to be observed as a place of overlapping time and space, triggering an internal movement of belonging by presenting itself as a place of poetic power due to the physical evidence that emerged from it. Through Augmented Reality, the empty spaces left by the time were occupied, following the tracks and telling another narrative through visual, textual, and sound layers, thus reconfiguring the album, which expanded and became a living space of memory activated by the cybrid experience. The way of facing the presence of absence and at the same time the absence of presence provoked me an inner movement of wanting more and more to belong to that space. There were countless times I approached this album and I was always worried about its gaps and emptiness in its narrative. And, by a sudden feeling of belonging to that space, I began to fill its “silence” and become part of that place. I have been calling this act the movement of self-fiction poetic. This concept is widely discussed in the book Essays on self-fiction, organized by Jovita Maria Gerheim and crossed my research, which I appropriated and used as an operative concept, thus comprising a movement that took place through the appropriation of an object, intervening in a poetic way, from which I became a character manifesting myself subjectively in the fictional narrative. Therefore, I articulated myself between the photographic language and other operational resources that mobile devices made possible, to recreate the space in mixtures with the past and the contemporary in a movement of mixing memories. The album presented itself as a space deconstructed by the action of time and subjects and through the poetic movement, I triggered a series of events, overlapping different times and spaces by inserting photographic files, video, text, and sound that activated this place as a living organism, revealing a new experience with memory. The reconfiguration process of this space was triggered exclusively by digital means. The idea of the movement of self-fiction poetic arose precisely because I brought photographic productions of my own in a mix with the photographs already present in the album. This intersection of authorship that unfolded in the presentation of another narrative, which includes me sometimes as a present character, sometimes as a hidden agent, allowed me to travel through the chain of memory and feel myself belonging to that space-time. By wanting to penetrate a past that was not mine, triggering subjective layers of information produced in the interstice of reality and fiction that photography allowed me, I was able to perceive the album beyond a memory space, but as a place of experience that opened and was available for interventions.

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Rodríguez, José-Víctor, Enrique Castro-Rodríguez, Juan-Francisco Sánchez-Pérez et José-Luis Serrano-Martínez. « UPCT-Bloopbusters : Teaching Science and Technology through Movie Scenes and related Experiments ». Dans Fourth International Conference on Higher Education Advances. Valencia : Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.7992.

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In order to change the preconceptions of youth towards science and technology subjects (which, usually, are perceived as difficult or boring), new educational methods aimed at motivating and engaging students in learning are becoming more and more necessary. In this sense, an educational project called ‘UPCT-Bloopbusters’ through which a group of professors of the Universidad Politécnica de Cartagena (UPCT), Spain, use science fiction movie scenes ─as well as experiments─ within the lecture room to teach both physics and engineering technology is hereby presented. The methodology of the project is properly described and the results of a survey carried out among the students of a course in which such methodology has been used are shown. In view of this survey, it can be concluded that the project has been more than welcome by the students while at the same time has favored the learning of a great deal of physics and technology concepts.

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MAO, YAN-JIE, et ZONG-HUA LI. « CONSTRUCTION AND ALIENATION : RESEARCH ON FEMALE IMAGES IN WEBCAST ». Dans 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35723.

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In recent years, webcasting has developed in a spurt, giving birth to a large number of camgirl communities. The interconnection of virtual fields and real spaces has made the appearance of webcast subjects a social phenomenon worthy of attention. The network media empowers people and brings new fields and opportunities for the development of female subjectivity. Camgirls based on identity and subjective expression participate in the process of constructing their own image. In the diverse and fluid cyberspace field and in the age of entertainment, the conspiracy of image capital and visual consumption has continuously created and produced a subculture in the live broadcast field, causing the construction of female images from "subjective fiction." The shift to "symbol alienation" has caused the female body to be continuously desired, materialized, symbolized, disciplined and peeped. Behind the image of the network camgirl, it conveys the changes of human society and culture, the variation of the real space and the network field, and it is worthy of our reflection and discussion.

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Horie, Ryota, et Kenta Kaneko. « Imitated Mind Uploading by Using Electroencephalography ». Dans Applied Human Factors and Ergonomics Conference. AHFE International, 2021. http://dx.doi.org/10.54941/ahfe100546.

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In recent years, technology of brain-computer interface has been developed, and the technology has potential extensibility in combination with ubiquitous environments. In science fiction, an idea that personality is copied to a computational device by scanning brain activity, called mind uploading, ghost dubbing, and so on, has been frequently represented. If the idea becomes realized in a future ubiquitous world, design of highly human-friendly interfaces is expected. In this study, as a step towards realizing the idea, we proposed a method to imitate the mind uploading by using electroencephalography (EEG). We proposed a novel method to extract and digitize an essential feature of the EEG signals by using Hilbert-Huang transform (HHT) and symbolic dynamics analysis. A sequence of symbols was obtained from each of the EEG measurement. Then, we constructed 2nd-order Markov sources from the symbol sequences. Both of the cluster analysis and identification tests by human subjects revealed that the Markov source successfully represented both personal invariants and inter individual differences in EEG signals. In sum, we concluded that the imitated mind uploading can be realized by using EEG signals.

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Olarescu, Dumitru. « The historical-biographical film : destinies and personalities ». Dans Patrimoniul cultural : cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.10.

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The history of national cinema shows that the evolution of non-fiction biographical film began with subjects dedicated to prominent personalities. These were included in the film magazine “Soviet Moldova” and in the almanac “Life in pictures”. In 1961, the first historical-biographical film “The Legendary Brigade Commander”- a eulogy to Grigore Kotovski (director A. Litvin) appeared at the “Moldova-film” studio, followed by other films dedicated to the heroes of the times: Pavel Tkacenko, Elena Sârbu, Tamara Cruciok, which were dominated by a pronounced propagandistic character. A new level of national historical-biographical film can be noticed in the late 1960s and early 1970s, when the filmmakers: Emil Loteanu (“Academician Tarasevici”), Andrei Buruiană (“Ştefan Neaga”), Vlad Druc (“Ion Creangă”) made their debut. Yet, the idea of biography especially predominates in the creation of Anatol Codru, who played a significant role in the affirmation stage of this kind of nonfiction film, bringing through his films, “Alexandru Plămădeală”, “Alexei Şciusev”, “Dimitrie Cantemir”,”Vasile Alecsandri” a new breath in the context of the films made before him. He imposed himself through a poetic-philosophical vision on the destinies and the creation of the personalities, who contributed to the spiritual prosperity of the nation.

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Kaverkina, Aleksandra. « Projecting event series on literary mastership for schoolchildren in libraries ». Dans Sixth World Professional Forum "The Book. Culture. Education. Innovations". Russian National Public Library for Science and Technology, 2021. http://dx.doi.org/10.33186/978-5-85638-236-4-2021-121-123.

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Literary mastership is a discipline aimed to teach students to write fiction and non-fiction works. This subject is getting more and more popular every year. Libraries have enough resources to organize teaching literary mastership to their patrons. The major provisions needed for this kind of library events targeted at schoolchildren, e. g. developing theoretical basis, audience analysis, outsourcing and desired final product, are discussed.

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Humlesjö, Siska, Jenny Bergenmar et Arild Matsson. « Queerlit – a bibliography of Swedish fiction with LGBTQI topics ». Dans Huminfra Conference (HiC 2024). Linköping University Electronic Press, 2024. http://dx.doi.org/10.3384/ecp205005.

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This paper summarizes the project Queerlit: Metadata and Searchability for LGBTQ+ Literary Heritage 2020-2023 and discusses some challenges in the development of this resource. The Queerlit project consist of four parts: 1. Creating a bibliography of Swedish fiction with LGBTQI themes 2. Creating a Swedish thesaurus (QLIT), adapted from the of the linked open data thesaurus Homosaurus 3. Assigning all material in the bibliography with subject headings from QLIT. 4. A web user interface for searching the material All four parts are integrated with the Swedish union catalog, Libris, making the results of the project available for all under a CC0 license. QLIT is the first external thesaurus integrated in the linked open data framework used in the technical platform of Libris, XL. The bibliography spans from rune stones from the 7th century to recently published fiction. When applying subject headings for the material both general aspects of the work and specific LGBTQI topics are described, making this the most comprehensive retrospective indexing project of Swedish literature to date. The underlying knowledge organization is made a prominent method of interacting with the search interface, which is empirically designed around the needs of various user groups.

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Rapports d'organisations sur le sujet "Fiction subjects"

STROYKOV, S., et I. NIKITINA. THE CURRENT STATE OF THE PROBLEM OF HYPERTEXT IN LINGUISTIC LITERATURE. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2022-14-2-3-50-73.

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In this paper it’s the first time the authors have reviewed linguistic literature (2008-2022) devoted to the problem of literary and electronic hypertext. The purpose of the paper is to review linguistic literature and identify the current state of the problem of literary and electronic hypertext. Materials and methods. On the basis of this purpose we reviewed 42 scientific papers published in 2008-2022 and representing the results of linguistic research of literary and electronic hypertext. For our study we used an analytical and descriptive method, which is traditional for linguistics and allows us to solve the tasks set in our paper. Results. A review of linguistic papers has shown that hypertext is a relevant subject of linguistic research. Scientists propose various definitions of this concept; consider it as a “special information and communication environment”. Many studies are devoted to literary (fiction and non-fiction) hypertext, however, a much larger number of papers are devoted to various aspects of electronic hypertext, including electronic fiction hypertext and electronic hypertext of some genres (news genres, online advertising, social network and online diary community as well as websites). We consider that it is the electronic environment where hypertext is implemented in all its functions. Practical implications. The results of the study can be used as a theoretical basis for further theoretical and practical study of various aspects of literary and electronic hypertext.

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TARAKANOVA, V., A. ROMANENKO et T. TROITSKAYA. FACTORS AND RISKS OF ENVIRONMENTAL SAFETY OF THE CITIES OF THE MOSCOW REGION. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2022-14-2-2-19-29.

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Estrada, Jorge. Ruthless Desires of Living Together in Roberto Bolaño’s 2666 : Conviviality between Potestas and Potentia. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, mars 2022. http://dx.doi.org/10.46877/estrada.2022.42.

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A desire to live together is perhaps a key idea in Roberto Bolaño’s narratives. His characters are constantly negotiating their involvement in diverse societies amid the historical catastrophes of the twentieth century, so this desire becomes highly differentiated. It undergoes perspectival shifts and creates “mirror games”, which express scepticism towards universalising forms and trigger reflections on history and modernity. In this working paper, I examine how, in 2666, the cosmopolitan desire of a self-legislating and self-authorizing individual is disassembled and superseded by a convivial framework and a relational subject that is crossed by diverse determining forces. This transition is correlated to Bolaño’s diagnosis of late capitalism, in which a matrix of domination that worked with the logic of potestas is replaced by the channelling of potentia, i.e. an apparatus for capturing a flow of lives whose features only come to light in forensic discourse and project the fictional city of Santa Teresa.

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