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Littérature scientifique sur le sujet « FICTION / LGBT / General »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2024

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Articles de revues sur le sujet "FICTION / LGBT / General"

1

Douglas Meyers, G. « Alex Sanchez’s Fiction : A Resource for All ». English Journal 98, no 4 (1 mars 2009) : 73–76. http://dx.doi.org/10.58680/ej20087029.

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Cronin, Michael G. « ‘Ransack the histories’ : Gay Men, Liberation and the Politics of Literary Style ». Review of Irish Studies in Europe 5, no 1 (25 mai 2022) : 73–88. http://dx.doi.org/10.32803/rise.v5i1.2971.

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It is now twenty years since the publication of Jamie O’Neill’s At Swim, Two Boys (2001). O’Neill’s novel was not the first Irish novel to depict same-sex passion, and not even the first Irish gay novel of the post-decriminalisation period. However, it did attain a wider and higher level of recognition among mainstream Irish, and international, readers. This may have been at least partly due to O’Neill’s decision to write a historical romance – a genre which still retains its enduring appeal for readers. By adapting this genre, O’Neill uses fiction to unearth, and imaginatively recreate, an archaeology of same-sex passions between men in revolutionary Ireland. As such, his novel speaks powerfully to a yearning to make the silences of history speak and is motivated by the belief that, as Scott Bravmann puts it in a different context, ‘lesbian and gay historical self-representation – queer fictions of the past – help construct, maintain and contest identities – queer fictions of the present.’ Revisiting O’Neill’s novel now – after two decades of remarkable social change for Ireland’s LGBT communities, and after almost a decade of national commemoration of the revolutionary period – is a timely opportunity to reflect on the relationship between history, fiction and how we imagine sexual liberation. Keywords: Gay Men in Irish Culture; Historical Fiction; Jamie O’Neill; Denis Kehoe; ANU Theatre Company
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Majerek, Rafał. « Przełamywanie milczenia. Przemiany sposobów prezentacji problematyki LGBT+ we współczesnej prozie słowackiej ». Studia Litteraria 17, no 4 (29 décembre 2022) : 291–300. http://dx.doi.org/10.4467/20843933st.22.023.17189.

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Breaking the Silence. Changes in the Ways of Presenting LGBT+ Issues in Contemporary Slovak Prose In Slovakia after the Velvet Revolution of 1989 groups previously marginalized and discriminated against in the communism era, including the LGBT+ community, began activities aimed at obtaining full civil rights and developing forms of cultural representation. Gradually, the issues of non-heteronormativity began to appear in various areas of culture. As regards prose texts, which are the basis for the reflections presented in this paper, non-heteronormativity was initially portrayed in a stigmatizing, stereotype-based manner. Since the beginning of the 21st century, the dominant approach has been to expose the problem of LGBT+ people living in the closet, hiding their identity due to the homophobia in the society; the sphere of intimacy is considered as the only one that allows a sense of security and the free expression of affection and desire. In more recent works, examples of characters who have come out of the closet and have no problems with functioning openly in the family and social contexts begin to appear. The specificity of Slovak fiction featuring the themes of non-heteronormativity lies mainly in the lack of works of a clearly emancipatory nature, the domination of stories focused on intimate relations between women, and only occasionally introducing gay or transgender themes.
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Kartika, Tyas Willy, et Maria Elfrieda C.S.T. « FEMSLASH FANFICTION AND LESBIANISM : EFFORTS TO EMPOWER AND EXPRESS ASIAN AMERICAN WOMAN SEXUALITY ». Rubikon : Journal of Transnational American Studies 8, no 2 (11 octobre 2021) : 106. http://dx.doi.org/10.22146/rubikon.v8i2.69689.

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The existence of fan fiction nowadays shows more progressive development especially in this digital era when people does not only use internet for communicating and socializing across time and space but they also show their creativity, one of them is by writing a fan fiction. By writing fan fiction in online platforms, people get the opportunity to express their interests and their identities. This opportunity is also obtained by minority groups such as LGBTQ+ where they can express their identity through fan fiction. LGBTQ+ community utilizes online platform as the tool that brings benefit for them. In this case, writing fan fiction in online platforms allows people to create the preferable representation of minority groups and empower them as the part of LGBTQ+ community. This phenomenon can be seen through a website named Asianfanfics.com which shows an increasing number of fan fictions especially the ones with lesbian related tags such as girl x girl, lesbian, and femslash. Particularly, through the femslash subgenre, people use fan fiction to question the heteronormativity. Regarding to this phenomenon, an interview was conducted by choosing three Asian American fan fiction writers from Asianfanfics.com as the interviewees. Furthermore, by using gender theory and intersectionality, this article focuses on how fan fiction becomes a safe space to express their sexual identities and how lesbian relationship is viewed by Asian families.
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Mangnus, Anna. « Broadcasting LGBTQ+ Stories in Fiction Podcasting ». Tijdschrift voor Genderstudies 26, no 3/4 (1 décembre 2023) : 335–53. http://dx.doi.org/10.5117/tvgn2023.3/4.008.mang.

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Ferreyra, Emilia. « LGBTQ+ Representation in Fictional Podcast Series ». Literatura Ludowa 66, no 2 (28 novembre 2022) : 13–27. http://dx.doi.org/10.12775/ll.2.2022.002.

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The article offers an analysis of the frequency and quality of LGBTQ+ representation in fictional podcasts. I examine how frequently and with what intent LGBTQ+ characters are included in this medium. This research aims to fill the gap in academic work on LGBTQ+ representation in podcasts. Though scholars note an increase in representation in mainstream media, LGBTQ+ media consumers, especially young people, still look to other sources for validation of their identities. Many LGBTQ+ people look to fictional podcasts as a source of quality representation, especially because podcasts are small-scale and rely on the funding, and thus the opinion, of listeners (Bottomley, 2015). In this paper, I analyze four fictional podcast series for LGBTQ+ inclusivity. I note how many LGBTQ+ characters are included and in what proportion. I assess the quality of representation in four ways: diversity, depth, and the frequency and type of stereotypical LGBTQ+ tropes. My findings show a high frequency of LGBTQ+ characters and diversity of personalities and backgrounds, opportunities for these characters to express their sexual and/or gender identities as well as LGBTQ+ trope subversions. Thus, we see that fictional podcasts, as a medium that sustains itself by listeners’ patronage, present stories that their audience can relate to. As a result, fictional podcasts create more niche stories that make connections with smaller demographics of media consumers.
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Pokrowiecki, Michał. « Antifascist Mothers and Folk Healers : Queer Reinterpretations of Polish and Regional Cultural Archetypes in Familia ». Literatura Ludowa 66, no 2 (28 novembre 2022) : 29–43. http://dx.doi.org/10.12775/ll.2.2022.003.

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The article serves as an analysis of Familia, a Polish independent fiction podcast from 2020 produced by the Teraz Poliż theatre as a response to increase of state supported homophobic propaganda in the recent years. By pointing out similarities and differences between the podcast in question and mainstream Polish audio series, as well as drawing comparisons to popular globally distributed independent audio fiction produced in English, the author aims to prove the unique position of Familia as a sole representative of a politically conscious podcast drama presenting a specifically Polish perspective on queer emancipation. The author then proceeds to analyse the narrative content of the podcast, presenting the ways in which the story plays with elements of traditional, Polish national identity, reframing them via a radical lens as potential symbolic tools for LGBTQ+ emancipation and antifascist resistance in everyday life, while at the same time warning of the limited scope of use for such tools.
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Eshtiaghi, Panteha, et Leslie Ann Sadownik. « Fact or Fiction ? Adipose-Derived Stem Cells and Platelet-Rich Plasma for the Treatment of Vulvar Lichen Sclerosus ». Journal of Lower Genital Tract Disease 23, no 1 (janvier 2019) : 65–70. http://dx.doi.org/10.1097/lgt.0000000000000440.

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Henck, Nick. « Subcommander Marcos and Detective Fiction : The Case of Mexico’s Mysterious Masked Man ». Crime Fiction Studies 3, no 2 (septembre 2022) : 194–214. http://dx.doi.org/10.3366/cfs.2022.0074.

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The paper focuses on Mexican guerrilla leader and global rebel icon Subcommander Marcos, and in particular on his acquaintance with and affinity for detective fiction. More specifically, it explores his exposure to the genre and the influence it had upon him; his references to it in his communiqués; and his relationship with the detective novelists Manuel Vázquez Montalbán from Spain and Paco Ignacio Taibo II from Mexico. This study examines numerous communiqués and oral presentations by the Subcommander that mention Conan Doyle’s Sherlock Holmes stories as well as Marcos and Taibo II’s co-authored highly-political crime novel, The Uncomfortable Dead. This novel, which represents Marcos’s longest piece of unified prose-writing and features his literary creation, the indigenous detective Elías Contreras, exhibits certain shared preoccupations on the part of Marcos, Montalbán and Taibo: namely, the detrimental impact of neoliberal globalisation, and the importance of historical memory in combatting it. Finally, the paper explores the factors that led Marcos to employ a crime novel as a major vehicle for conveying his socially inclusive, pro-indigenous, pro-ecology, pro-democracy, pro-female empowerment, pro-LGBTQ, anti-capitalist and anti-neoliberal globalisation political philosophy.
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Chung, Christina, et Flora Roussel. « « Où la licorne nous parle d’anarchies relationnelles » : la vie de licorne selon Anne Archet ». Voix Plurielles 20, no 1 (6 mai 2023) : 59–76. http://dx.doi.org/10.26522/vp.v20i1.4308.

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Par l’entremise d’un web-feuilleton, Anne Archet nous invite à repenser les interactions humaines au-delà des binarismes. Vie de licorne raconte les aventures de multiples personnages, liés les uns aux autres par le polyamour, la coparentalité, l’amitié et des pratiques sexuelles non normatives. Armée d’une palette où les couleurs de peau, les orientations sexuelles et les identités de genre des personnages s’unissent, Archet développe un processus de désinvisibilisation de minorités parfois – et même, souvent – oubliées dans l’acronyme LGBTQ+. Les anarchies relationnelles qu’elle dépeint, subvertissent l’espace virtuel pour créer une queertopie. En nous penchant sur ce processus et ces anarchies, nous analyserons la pluralité des voix qui participent d’une flexibilité des identités et des relations non binaires pour ensuite considérer les réactions face à cette pluralité. Il s’agira enfin de poser la question de la fiction et de la réalité qui déboulonnent tout cloisonnement.
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Livres sur le sujet "FICTION / LGBT / General"

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Chambers, Becky, et Marie Surgers. L'espace d'un an. Nantes : L'Atalante, 2016.

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2

EBSCOhost, dir. Little fish. Vancouver, BC, Canada : Arsenal Pulp Press, 2018.

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3

Alderman, Naomi. The Lessons. Rearsby : W F Howes, 2010.

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4

Scott, J., et Chaotic Designs Publishing. Dominant Business : An LGBT Submissive Romance. Chaotic Designs Publishing, 2020.

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Scott, J., et Chaotic Designs Publishing. Dominant Business : An LGBT Submissive Romance. Chaotic Designs Publishing, 2020.

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6

Foster, Melissa. Discovering Delilah : New Adult LGBT Romance. Diversion Publishing Corp., 2015.

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7

Collins, Camille. Death of Ryland O'Hickey : An LGBT Romance. Collins, Camille, 2022.

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8

Rogers, Allie. Little Gold : Shortlisted for the Polari Prize for LGBT+ Fiction. Legend Press, 2017.

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9

Commitment Issues. USA : Dreamspinner Press, 2011.

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translator, Ramadan Emma, dir. Not one day. Deep Vellum Publishing, 2017.

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Actes de conférences sur le sujet "FICTION / LGBT / General"

1

Humlesjö, Siska, Jenny Bergenmar et Arild Matsson. « Queerlit – a bibliography of Swedish fiction with LGBTQI topics ». Dans Huminfra Conference (HiC 2024). Linköping University Electronic Press, 2024. http://dx.doi.org/10.3384/ecp205005.

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This paper summarizes the project Queerlit: Metadata and Searchability for LGBTQ+ Literary Heritage 2020-2023 and discusses some challenges in the development of this resource. The Queerlit project consist of four parts: 1. Creating a bibliography of Swedish fiction with LGBTQI themes 2. Creating a Swedish thesaurus (QLIT), adapted from the of the linked open data thesaurus Homosaurus 3. Assigning all material in the bibliography with subject headings from QLIT. 4. A web user interface for searching the material All four parts are integrated with the Swedish union catalog, Libris, making the results of the project available for all under a CC0 license. QLIT is the first external thesaurus integrated in the linked open data framework used in the technical platform of Libris, XL. The bibliography spans from rune stones from the 7th century to recently published fiction. When applying subject headings for the material both general aspects of the work and specific LGBTQI topics are described, making this the most comprehensive retrospective indexing project of Swedish literature to date. The underlying knowledge organization is made a prominent method of interacting with the search interface, which is empirically designed around the needs of various user groups.
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