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Littérature scientifique sur le sujet « Feminist new materialisms »

Auteur : Grafiati

Publié le 24 janvier 2025

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Articles de revues sur le sujet "Feminist new materialisms"

Zouggari, Najate. « Hybridised materialisms : The ‘twists and turns’ of materialities in feminist theory ». Feminist Theory 20, n^o 3 (23 octobre 2018) : 269–81. http://dx.doi.org/10.1177/1464700118804447.

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This article examines the conceptualisation of materialities in feminist theory through two paradigmatic examples: (French) materialist feminism and new materialisms. What can be interpreted as an opposition between different paradigms can also be disrupted as long as we define what matters as a relation or a process rather than a substance or a lost paradise to which we should return. New materialisms indeed help to investigate aspects such as corporeality, human/non-human interaction and textures, but the role of feminist materialism is invaluable in highlighting the social structures of power relations; more than ever, it makes a decisive contribution to the understanding of domination, such as the social relations and hierarchies implied in femosecularism conceptualised in this article. Ultimately, the tool of hybridised materialisms aims to articulate the theoretical perspective of materialist feminism with that of the new materialisms – in order to avoid the binarism between materiality and culture.

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der Tuin, Iris van. « ‘New feminist materialisms’ ». Women's Studies International Forum 34, n^o 4 (juillet 2011) : 271–77. http://dx.doi.org/10.1016/j.wsif.2011.04.002.

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Revelles-Benavente, Ernst et Rogowska-Stangret. « Feminist New Materialisms : Activating Ethico-Politics Through Genealogies in Social Sciences ». Social Sciences 8, n^o 11 (23 octobre 2019) : 296. http://dx.doi.org/10.3390/socsci8110296.

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The idea to create a Special Issue journal around the topic of feminist new materialisms emerged out of the editors’ collaboration in the frames of European project New Materialism: NetworkingEuropean Scholarship on ‘How Matter Comes to Matter’[...]

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Last, Angela. « Re-reading worldliness : Hannah Arendt and the question of matter ». Environment and Planning D : Society and Space 35, n^o 1 (19 août 2016) : 72–87. http://dx.doi.org/10.1177/0263775816662471.

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Both new and historical materialisms have attracted a reputation for leading to ‘bad politics’. Historical materialisms have been accused of reducing too much to material relations and their production, whereas new materialisms have been accused of avoiding politics completely. This article reads the critique directed at materialisms against Hannah Arendt’s exceptional distrust of matter. Focusing on her concept of ‘worldliness’, it grapples with the question ‘why do we need an attention to matter in the first place?’ The attempted re-reading takes place through a feminist and postcolonial lens that draws out the contributions and failures of Arendt’s (anti)materialist framework in its banishing of matter from politics. Arendt’s focus on the prevention of dehumanisation further serves as a means to discuss materialism’s risk in negotiating the tension between deindividuation and dehumanisation.

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Landi, Dillon, et Carrie Safron. « Feminist posthumanisms, new materialisms and education ». Curriculum Studies in Health and Physical Education 11, n^o 2 (3 mai 2020) : 180–84. http://dx.doi.org/10.1080/25742981.2020.1774400.

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Peters, Christian Helge. « (Neu-)Politisierungen in feministischen New Materialisms : Elizabeth Grosz, Jane Bennett und Rosi Braidotti ». Freiburger Zeitschrift für GeschlechterStudien 24, n^o 1-2018 (3 décembre 2018) : 15–30. http://dx.doi.org/10.3224/fzg.v24i1.02.

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In Auseinandersetzung mit Materialitäten entwickeln feministische New Materialisms ein neues Verständnis politischer Praxen. Materialitäten, insbesondere Körper, werden als aktiv verstanden, mit einer eigenen agency. Im Anschluss an Gilles Deleuze werden hier drei zentrale Theoretikerinnen der feministischen New Materialisms mit ihren je unterschiedlichen (Neu-)Politisierungen von Materialitäten diskutiert: Elizabeth Grosz schließt an die Gedanken von Deleuze zur Kraft des Lebens an und politisiert sie. Die Intuition ist hier eine Erfahrung und Partizipation in den Lebensprozessen der Materialitäten. Jane Bennett greift ebenso auf Deleuzes Konzeption von vitalen und dynamischen Materialitäten zurück und entwickelt ausgehend davon eine Politik der Sorge und Verantwortung für Materialitäten. Als Letztes wird Rosi Braidottis Theorie untersucht. Ausgehend von Deleuzes Ideen zum Frau-Werden entwickelt sie eine widerständige Praxis des Feminismus und der sexuellen Differenz gegen die Ordnung der ‚Männlichkeit‘. Am Ende werden die theoretischen und politischen Konsequenzen dieser Mikropolitiken in den feministischen New Materialisms diskutiert.

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Meriläinen, Susan, Janne Tienari et Mrinalini Greedharry. « Feminist theorizing in organization studies : A way forward with Marta Calás and Linda Smircich ». Organization 30, n^o 6 (novembre 2023) : 1188–94. http://dx.doi.org/10.1177/13505084231184328.

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The founders of Organization include Marta Calás and Linda Smircich who are among the most influential feminist theorists in organization studies. We take inspiration from their work to outline ideas for feminist and other critical scholars studying organizations and organizing. We draw especially on their consistent interest in transnational feminism, engagement with feminist new materialisms, and emphasis on epistemological and ontological questions about (feminist) organization studies. We highlight key theoretical points and show how feminism(s) can remain socially, societally, and globally meaningful. Our aim is to continue to create feminist organization theorizing that, as Calás and Smircich’s scholarship does, remains critical and vigilant about who its knowers are, what kind of knowledge it produces, and what this knowledge is for.

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Cherniak, Shara, et Ashli Moore Walker. « The “New:” A Colonization of Non-Modern Scholars and Knowledges ». Hypatia 35, n^o 3 (2020) : 424–38. http://dx.doi.org/10.1017/hyp.2020.17.

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AbstractWe engage in an affirmative feminist reading of the recent, predominantly Western, philosophical movement called the new materialisms—that is, we problematize the “new” while still valuing its contributions toward justice (Todd 2016; Schaeffer 2018). We put Sara Ahmed in conversation with María Lugones and Zoe Todd in order to recognize that not only have feminist scholars engaged in conversations around the material before publications of the “new” (Ahmed 2008; Lugones 2010; Todd 2016), but we also argue that the “new” creates a coloniality of non-modern knowledges that think and live some of the so-called groundbreaking ideas of the “new.” The new materialisms, then, function systematically to deny and silence the multiple and varied ways in which the concepts it engages have a prolonged and deep scholarship of theorization in both feminisms and non-modern knowledges. The significance of this, we contend, is not merely a question of semantics as (some) authors of the “new” purport—language matters. That is, language materializes the world; it affects. In engendering this philosophy as “new,” it acts, in effect, as a colonization that reinforces harmful and violent discourses of white, neoliberal, colonial capitalism (Lugones 2010) that some feminist theories seek to dismantle.

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Schanie, Catherine, et Jessica Julian. « Defining the Rhetoric in Feminist Rhetorical New Materialisms ». Peitho : Journal of the Coalition of Feminist Scholars in the History of Rhetoric 26, n^o 3 (2024) : 87–91. http://dx.doi.org/10.37514/pei-j.2024.26.3.07.

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Poole, Megan. « Cluster Introduction : Why Teach Feminist Rhetorical New Materialisms ». Peitho : Journal of the Coalition of Feminist Scholars in the History of Rhetoric 26, n^o 3 (2024) : 72–80. http://dx.doi.org/10.37514/pei-j.2024.26.3.05.

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Thèses sur le sujet "Feminist new materialisms"

Wiker, Wikström Hannah. « Pre Face ». Thesis, Konstfack, Institutionen för Konst (K), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7775.

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A speculative inquiry into perception regimes, ‘unlearning’, entanglements and how to discuss re-production in the realm of (art) production today. A textual crossreading of how to actively admit and amplify the colonial and imperial consequences active in all levels of society, both personal and collective, and how these ideas continues to (re)produce in ways outside (and inside) of our imagination. An experimental essay negotiating the relations and symbioses between form an ideology, a try to undermine binary thought formations such as nature and culture, private and public. A proposed crossreading of theory and lived life; how to deal with the (im)possibility of imagining outside of neoliberal conditions, of colonial and capitalist frameworks?

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Taylor, Colleen. « Violent Matter : Objects, Women, and Irish Character, 1720-1830 ». Thesis, Boston College, 2020. http://hdl.handle.net/2345/bc-ir:108952.

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Thesis advisor: Elizabeth Kowaleski-Wallace
This dissertation explores what a new materialist line of thinking can offer the study of eighteenth-century Irish and British literature. It sees specific objects that were considered indicative of eighteenth-century Irish identity—coins, mantles, flax, and spinning wheels—as actively indexing and shaping the formal development of Irish character in fiction, from Jonathan Swift to Sydney Owenson. Through these objects, I trace and analyze the material origin stories of two eighteenth-century discursive phenomena: the developments of Irish national character and Irish literary character. First, in the wake of colonial domination, the unique features and uses of objects like coins bearing the Hibernian typeface, mantles, and flax helped formulate a new imperial definition of Irish national character as subdued, raced, and, crucially, feminine. Meanwhile, material processes such as impressing coins or spinning flax for linen shaped ways of conceiving an interiorized deep subjectivity in Irish fiction during the rise of the individual in late eighteenth-century ideology. Revising recent models of character depth and interiority that take English novel forms as their starting point (Deidre Lynch’s in particular), I show how Ireland’s particular material and colonial contexts demonstrate the need to refit the dominant, Anglocentric understanding of deep character and novel development. These four material objects structure Irish character’s gradual interiorization, but, unlike the English model, they highlight a politically resistant, inaccessible depth in Irish character that is shadowed by gendered, colonial violence. I show how, although ostensibly inert, insignificant, or domestic, these objects invoke Ireland’s violent history through their material realities—such as the way a coin was minted, when a mantle was worn, or how flax was prepared for spinning—which then impacts the very form of Irish characters in literary texts. My readings of these objects and their literary manifestations challenge the idea of the inviolable narrative and defend the aesthetics and complexity of Irish characters in the long eighteenth century. In the case of particular texts, I also consider how these objects’ agency challenges the ideology of Britain’s imperial paternalism. I suggest that feminized Irish objects can be feminist in their resistant materiality, shaping forms of Irish deep character that subvert the colonial gaze. Using Ireland as a case study, this dissertation demonstrates how theories of character and subjectivity must be grounded in specific political, material contexts while arguing that a deeper engagement with Irish materiality leads to a better understanding of Irish character’s gendering for feminist and postcolonial analysis
Thesis (PhD) — Boston College, 2020
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English

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Johansson, Lena. « "The Speciesism Gaze!?" : An ethical discursive analysis of animal right posters from a postcolonial, eco-critical and new materialist feminist perspective ». Thesis, Karlstads universitet, Institutionen för sociala och psykologiska studier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-55367.

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Our western society and lifestyle is to a considerable extent depended on the way we perceive and treat our co-existing non-human species. Industrial farming, vivisection, sports, circuses etcetera are just a few examples of how human use and exploit animal bodies for own gain. A phenomenon that in many ways, is perceived, as natural and normal, and therefore seldom discussed. The thesis purpose is to problematize this phenomenon by examine, what I call “The Speciesism Gaze”, through analysis of posters that promote animal rights, selected online, through the search domain Google. The theoretical framework used, are theories focusing on intersectionality, derived within postcolonial-, eco-critical and new materialist feminism. A brief introduction of animal right movements, its linking to feminism activism and theories derived within affect theory is presented as background for the analysis. As method, I use critical discourse analysis, focusing on intertextuality of the posters context. Asking what discourses emerge, challenging the anthropocentric and androcentric western dualistic hierarchy, whilst displaying mutually reinforced structures of sexism, racism and speciesism? I discuss the western historical and cultural human idea that the human species is separated from nature and animal, and where the “right” human subject standard is perceived as male, white, heterosexual and western in the Anthropocene age. I found that, this standard is displayed, played on, and questioned in the posters selected, in relation to animal materiality, grievability, killability, species necropolitics, sexism and racism. I discuss in my conclusion that oppression based on speciesism is not a power relation discussed in society today to the same extent as expressions of sexism and racism are. It is however an oppression that we all take part in every day and that affect all of us, despite species belonging. In that context, I hope the theorization and meaning of the speciesism gaze will have significance within the field of feminist theorizations and practices.

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Górska, Magdalena. « Breathing Matters : Feminist Intersectional Politics of Vulnerability ». Doctoral thesis, Linköpings universitet, Tema Genus, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-128607.

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Breathing is not a common subject in feminist studies. Breathing Matters introduces this phenomenon as a forceful potentiality for feminist intersectional theories, politics, and social and environmental justice. By analyzing the material and discursive as well as the natural and cultural enactments of breath in black lung disease, phone sex work, and anxieties and panic attacks, Breathing Matters proposes a nonuniversalizing and politicized understanding of embodiment. In this approach, human bodies are onceptualized as agential actors of intersectional politics. Magdalena Górska argues that struggles for breath and for breathable lives are matters of differential forms of political practices in which vulnerable and quotidian corpomaterial and corpo-affective actions are constitutive of politics. Set in the context of feminist poststructuralist and new materialist and postconstructionist debates, Breathing Matters offers a discussion of human embodiment and agency reconfigured in a posthumanist manner. Its interdisciplinary analytical practice demonstrates that breathing is a phenomenon that is important to study from scientific, medical, political, environmental and social perspectives.
Andning är inte ett vanligt förekommande ämne inom feministiska studier. Breathing Matters introducerar detta fenomen som har en potential för feministiska intersektionella teorier, politik, social rättvisa och klimaträttvisa. Genom analyser av materiella, diskursiva, naturliga och kulturella dimensioner av andningens formationer, i sjukdomen pneumokonios, telefonsexarbete samt ångest och panikattacker, föreslår Breathing Matters en icke-universialiserande och politiserad förståelse av förkroppsligande. Genom denna ansats konceptualiseras mänskliga kroppar som agentiella aktörer i en intersektionell politik. Magdalena Górska argumenterar att kampen för att andas och för andningsbara liv är ett angeläget ämne för differentiella former av politisk praktik. Denna sårbara och vardagliga praktik som både består av kroppsmateriella och kroppsaffektiva handlingar konstituerar politik. Placerad i en kontext av feminist poststrukturalistisk, nymaterialistisk och postkonstruktivistisk debatt erbjuder Breathing Matters en diskussion kring mänskligt förkroppsligande och agentskap som är omkonfigurerad på ett posthumanistiskt sätt. Den tvärvetenskapliga analytiska praktiken visar att andning är ett fenomen som är viktigt att studera från vetenskapliga, medicinska, politiska, miljömässiga och sociala perspektiv.

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Pihkala, S. (Suvi). « Touchable matters:reconfiguring sustainable change through participatory design, education, and everyday engagement for non-violence ». Doctoral thesis, Oulun yliopisto, 2018. http://urn.fi/urn:isbn:9789526218434.

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Abstract Sustainability is a catchword for contemporary concerns of environmental and societal vulnerability. Scholars, policymakers, designers, and educators alike find themselves knotted increasingly within fabrics of sustainability, approached as an object of concern in education and technoscientific projects. In relation, scholars drawing from posthuman and new materialist thinking have begun to re-imagine sustainability. Considering human subjectivity as part of the world in its ongoing, reiterative becoming has introduced new possibilities to rethink responsibility in and for sustainable change. This research is rooted in my engaged practices of participatory design and education on violence, violence prevention, and non-violence, which form the empirical research terrain of this study. This dissertation includes four articles that inquire into the practices in question by exploring possibilities for nurturing non-violence—and by scrutinising responsible participatory practices in design. This synopsis re-engages with the results presented in the articles mentioned and participates in calls to rethink sustainability. In order to reconsider sustainability in and for practices of sustainable change, I develop theoretical thinking based on response-ability and touch, as discussed by Karen Barad and Donna Haraway. Through a diffractive, affirmative engagement with sustainability in the engaged practices of change-making, I aim to unfold the affordances of feminist (new) materialist renegotiations of ethics and responsibility, in order to inform responsible participatory practices of change-making and, in particular, change towards non-violence. This research offers insight into the intricate ways sustainability reconfigures in and through practices of change-making in participatory design, education, and everyday engagements for non-violence. I begin by proposing a thinking and practice of response-able engagement. Then, through the idea of touchable matters, I foreground how the co-constituted conditions of ethically sustainable response become reconfigured in the designerly, the researcherly, the pedagogical, and other everyday practices, challenging for a shift to a new mode of entangled response-ability for sustainable change and towards non-violence
Tiivistelmä Kestävyys on aikaamme läpileikkaava, sosiaalisiin ja ekologisiin epäkohtiin tarttuva haaste, joka yhdistää tutkijoita ja muita toimijoita moninaisina jaetun huolen ja interventioiden kohteina myös koulutuksellisissa ja teknotieteellisissä projekteissa. Posthumanistinen ja uusmaterialistinen ajattelu on haastanut ymmärryksiä kestävyydestä asettamalla inhimillisen toimijuuden erottamattomaksi osaksi maailman jatkuvia tulemisen ja tuottumisen prosesseja. Painopiste kestävyyden, muutoksen ja niihin liittyvien vastuullisuuksien tarkastelussa on siirtynyt arkisten käytänteiden moniulotteisiin kietoutuneisuuksiin. Väitöstutkimukseni sisältää neljä artikkelia, jotka perustuvat kahteen empiiriseen kokonaisuuteen. Työni aineisto on tuotettu tutkimalla työpaikkakiusaamiseen liittyvän osallistuvan suunnittelun vastuullisia käytänteitä sekä väkivaltaa, väkivallan ehkäisemistä ja väkivallattomuutta käsittelevää akateemista koulutusta. Väitöskirjaan sisältyvissä artikkeleissa olen tarkastellut pyrkimyksiä kohti väkivallattomuutta sekä muutokseen sitoutuneita ja siihen moninaisesti kietoutuvia käytänteitä. Työni yhteenveto-osassa työstän artikkeleissa esitettyjä osallistumista, refleksiivisyyttä, välittämistä ja väkivallattomuutta käsitteleviä tuloksia diffraktiivisesti. Työstämisen teoreettis-käsitteellisenä kumppanina toimivat Karen Baradin ja Donna Harawayn kosketusta ja vastuullisuutta käsittelevät keskustelut. Yhteenvedon tavoitteena on tarkastella feministisen (uus)materialistisen ajattelun mahdollisuuksia tuottaa uutta ymmärrystä kestävyydestä osana vastuullisia osallistuvia toimintatapoja muutoksen – ja erityisesti väkivallattomuuteen pyrkivän muutoksen – jokapäiväisissä käytänteissä. Kestävän muutoksen ja väkivallattomuuden mahdollisuudet tuottuvat osallistuvan suunnittelun, koulutuksen ja arjen käytänteissä moninaisin tavoin. Vastuullisuutta tarkastellessani esitän ajatuksen ”koskettavista kudelmista”, mikä kutsuu tunnistamaan, kuinka eettisen kestävyyden ja suhteisuuden mahdollisuudet ”kanssatuottuvat” arkisissa kohtaamisissa. Samalla se haastaa rakentamaan uudenlaista, tähän eettis-ontologiseen kietoutuneisuuteen sitoutunutta vastuullisuutta jokapäiväisissä suunnittelun, tutkimuksen, koulutuksen ja arjen pyrkimyksissä kohti kestävää muutosta ja väkivallattomuutta

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Mehrabi, Tara. « Making Death Matter : A Feminist Technoscience Study of Alzheimer's Sciences in the Laboratory ». Doctoral thesis, Linköpings universitet, Tema Genus, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-132635.

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This thesis is a contribution to feminist laboratory studies and a critical engagement with the natural sciences, or more precisely research on the biochemical workings and deadly relations of Alzheimer’s disease emanating from a year of field work in a Drosophila fly lab. The natural sciences have been a point of fascination within the field of gender studies for decades. Such sciences produce knowledge on what gets to count as nature and natural, healthy or sick, normal or not, and they have done it with great societal authority and impact throughout European modernity. However, feminist technoscience scholars argue that science and knowledge is socially produced, and political too. Concepts such as nature, animal, human, body, sex, and life itself are not simply given natural realities but phenomena processed through the naturecultures of the laboratory. Situated within such theoretical and methodological approaches, this thesis wonders how scientific facts about Alzheimer’s disease are made in the lab today. What kinds of realities, bodies and ethico-political concerns are enacted? Who gets to live and who gets to die in everyday laboratory practices? Theoretically, the thesis is grounded, particularly, within Karen Barad’s agential realism and posthumanist performativity, and as such it accounts for human and nonhuman entanglements through which AD is performed in the lab in relational ways. In other words, the thesis explores how AD is enacted in the bodies of transgenic fruit flies (Drosophila melanogaster), as these flies embody the disease, live and die with it. Last but not least, the thesis explores the materialities of death, dying, embodiment and biological waste in a biochemistry lab as constitutive parts of the produced knowledge about AD.
Denna avhandling utgör ett bidrag till feministiska laboratoriestudier och är en kritisk analys av naturvetenskaperna. Närmare bestämt är det en feministisk studie av forskning om Alzheimers sjukdom, dess biokemiska verkningar och dödliga relationer utifrån ett års fältarbete som labbtekniker i ett fluglabb. Naturvetenskaperna har under decennier fascinerat genusforskare. Dessa discipliner formar kunskapen om vad som räknas som natur och naturligt, hälsa och sjukdom, normalt eller inte, och de har gjort så med stor samhällelig auktoritet genom Europeisk modernitet. Forskare inom feministiska teknovetenskapliga studier har länge hävdat att vetenskap också är social praktik med politiska implikationer. Begrepp som natur, djur, mänskligt eller kropp, kön och livet självt kan inte tas för givna utan formas också i laboratoriets naturkultur. Med utgångspunkt i sådana feministiska teknovetenskaplig teoribildningar och metodologiska utgångspunkter bearbetar denna avhandling frågor om hur vetenskapliga fakta om Alzheimers sjukdom skapas i laboratoriet idag. Vilka kroppar, verkligheter och etisk-politiska förhållningssätt aktualiseras? Vem får leva och vem får dö i vardagliga laboratoriepraktiker? Teoretiskt bygger avhandlingen framför allt på Karen Barads agentiella realism när den diskuterar sammanvävningen mellan mänskligt och icke-mänskligt, samt det som kallas posthumanistisk performativitet, i relation till Alzheimers sjukdom som den förkroppsligas i transgena fruktflugor (Drosophila melanogaster) i laboratoriet. I särskilt fokus står relationerna som skapas inom den biokemiska forskningen kring död, biologiskt avfall och kroppslighet.

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Revelles, Benavente Beatriz. « Literature, Gender and Communication in the making : Understanding Toni Morrison's Work in the Information Society ». Doctoral thesis, Universitat Oberta de Catalunya, 2014. http://hdl.handle.net/10803/306597.

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La present tesi doctoral examina una comunicació relacional com a objecte d'estudi per a la literatura. Aquesta comunicació es produeix entre autors i autores i lectors i lectores a través de les xarxes socials. Per a tals fins, utilitza una escriptora en particular, Toni Morrisson i una modalitat de xarxa social concreta, la seva pàgina oficial de Facebook. Utilitzant com a marc teòric el nou materialisme (Van der Tuin & Dolphijn, 2010) i una metodologia "difractiva" (Barad, 2007), aquesta tesi desenvolupa un concepte de comunicació literària basada en mecanismes que infereixen diferències substancials fonamentalment en dos aspectes: gènere i política.
La presente tesis doctoral examina una comunicación relacional como objeto de estudio para la literatura. Dicha comunicación se produce entre autores y autoras y lectores y lectoras a través de las redes sociales. Para tales fines, utiliza una escritora en particular, Toni Morrisson y una modalidad de red social concreta, su página oficial de Facebook. Utilizando como marco teórico el nuevo materialismo (Van der Tuin & Dolphijn, 2010) y una metodología "difractiva" (Barad, 2007), esta tesis desarrolla un concepto de comunicación literaria basada en mecanismos que infieren diferencias sustanciales fundamentalmente en dos aspectos: géenero y política. El marco teórico nuevo materialista lleva como principal premisa la ruptura de opuestos dicotómicos, tales como el binomio sexual entre hombres y mujeres. Por otra parte, la metodología difractiva se opone al "efecto espejo" en el cual las partes de la investigación (investigador o invcestigadora, metodología, instrumentos de medición y objecto de estudo, entre otros) son claramentes diferenciadas con el objeto de representar una realidad. Este punto de partida supone un cambio referencial por el cual buscamos procesos y no resultados. Así pues, en esta tesis encontramos que el objecto literario es la comunicación en sí (y no la obra o el autor o autora), y que en esta comunicación se produce una materialización de política basada en afinidades y no identidades y un concepto de género relacional situado (Haraway, 1991) racialmente. Estos conceptos teóricos se articulan empíricamente gracias al análisis de los afectos (Colman, 2008), o sentimientos, que se encarnan en las relaciones.
The present doctoral dissertation examines a relational communicacion as an object for Literary Studies. This communicacion between authors and readers is stablished through Social Networking Sites. For those means, it uses a concrete autor, Toni Morrisson and a particular Social Network, like her official Facebook page. Using New materialism (Van der Tuin & Dolphijn, 2010) as a theoretical framework and a "diffractive metodology" (Barad, 2007), this thesis develops a concept of literary communication based on mechanisms that produce differences on two main aspects: gender and politics. The new materialist framework postulates mainly breaking through opposite poles such as the sexual binary between men and women. On the other hand, the diffractive methodology is oppodef to the "mirroring effect" in wich the different elements of a research (such as researcher, methodology, apparatuses and object of study, among others) are separated from each other to represent reality. This requires a referential shift to look for processes instead of results. Therefore, in this thesis we find that the object of Literary Studies is the communication itself (not the novel or the author), and this communication materializes politics based uppon affinities and not identities and a concept of gender as relationally "situated" (Haraway, 1991) in a racial context. Theses theoretical concepts are empirically articulated thanks to the analysis of affects (Colman, 2008), or feelings, embedded in those relationships.

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May, Talitha. « Writing the Apocalypse : Pedagogy at the End of the World ». Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1520349189022125.

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Johansson, Sara. « Rytmen bor i mina steg : En rytmanalytisk studie om kropp, stad och kunskap ». Doctoral thesis, Uppsala universitet, Kulturgeografiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-204630.

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This thesis brings together a fascination with the city and a keen interest in the knowledge process. The point of departure is the bodily, sensory and emotional experience. That the author uses her own perceptions and experiences and is preoccupied with her own knowledge process means that she writes herself into an autoethnographic context. She also experiments with the writing and allows it to take on a more literary form as she writes about her own sensory impressions and feelings. The term rhythmanalysis is employed as a way of assessing, exploring, interpreting and understanding the world that embraces the embodied experience. Human beings are embodied beings, a claim we can make by referring to our own experiences as well as how we perceive, communicate and interact. The study delves into two aspects of rhythmanalysis, first as a way of describing the knowledge process as rhythm-analytical, which implies that bodily experiences are equally important as intellectual ones, and secondly as a way of talking about the city as polyrhythmic. It follows upon the latter that embodied rhythmanalysis of the city is possible. The rhythmanalysis may ultimately be seen as a project aimed at overthrowing the Cartesian dualism between body and mind. That we are embodied has a methodological consequence that is as simple as it is essential: the scholar exists in the world she studies. The researcher is not a neutral observer. She is a co-creator. She is a body, placed in time, space and history. She is situated, which means that her knowledge is also situated. Thus, the rhythmanalysis encompasses the body, the senses and feelings, and can be described with one key word: movement. It finds support in theories that acknowledge the fluid, the becoming, the situated, the performative, the relational, the dynamic, the material. It seeks methods that experiment, that focus on practices rather than discourses, that are preoccupied with a movable world rather than a static one.

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Adrian, Stine. « Nye skabelsesberetninger om æg, sæd og embryoner : Et etnografisk studie af skabelser på sædbanker og fertilitetsklinikker ». Doctoral thesis, Linköpings universitet, Filosofiska fakulteten, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-7543.

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Avhandlingen handlar om användandet av assisterad befruktning i Danmark och Sverige. Teknologierna är intressanta eftersom de skapar möjligheter för barn att födas som annars inte skulle ha blivit till. De utmanar också normerande föreställningar om sexualitet, etnicitet, normalitet, ålder, kön och släktskap. Genom att undersöka vad som sker i mötet mellan normer, patienter, personal, teknologi och könsceller på fertilitetskliniker och spermabanker, skapar avhandlingen insikt i de skapelse- och förändringsprocesser som äger rum. Analysen visar hur beslutsfattare, personal och patienter förhåller sig till teknologierna. Den genomgående princip som används för att sätta etiska gränser utgörs av försök att imitera naturen. Denna princip omförhandlas och förändras dock ständigt. Omförhandlingar kan äga rum i möten med teknologin eller genom kroppars sätt att reagera på. De äger också rum då naturaliseringsprincipen skapar absurda situationer, t.ex. sådana i vilka patienter och deras kommande barn stigmatiseras och marginaliseras. Med utgångspunkt i den empiriska analysen bidrar avhandlingen dessutom till en teoretisk förståelse av hur materialiseringsprocesser (skapelseprocesser) äger rum i mötet mellan diskurser och materiell agens. Avhandlingen är skriven med utgångspunkt i feministiska och teknovetenskapliga studier och kan läsas som ett bidrag till feministisk ny materialtetsteori och metod.
This thesis investigates the use of assisted reproduction in Denmark and Sweden. Assisted reproduction is fascinating, because it enables the creation of children who would not have been born otherwise. At the same time, it challenges existing norms concerning sexuality, ethnicity, normality, age, gender and kinship. The processes of creation and change that take place at fertility clinics and sperm banks are analyzed by exploring the encounters between norms, patients, employees, technology and gametes. The analysis shows how legislators, patients and employees relate to and manage the use of these technologies. It illustrates that the predominant principle used for setting ethical limits is the mimicking of nature. However, this principle is constantly negotiated and changed. One reason is that negotiations take place in an encounter with the agency of the technology, gametes and body. Another reason for the change of the naturalization principle is that absurd situations, such as stigmatization and marginalization of patients and their technologically conceived children, take place. The empirical analysis also contributes to a theoretical understanding of how materialization processes (creation processes) take place in the encounters between discourse and material agency. The thesis is written with a point of departure in feminist science studies, and can be read as a contribution to feminist new materialist theory and method.

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Livres sur le sujet "Feminist new materialisms"

Thorpe, Holly, Julie Brice et Marianne Clark. Feminist New Materialisms, Sport and Fitness. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56581-7.

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Bianchi, Bernardo, Emilie Filion-Donato, Marlon Miguel et Ayşe Yuva, dir. Materialism and Politics. Berlin : ICI Berlin Press, 2021. http://dx.doi.org/10.37050/ci-20.

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Is materialism still relevant to critically think politics? Throughout modernity, the concept of materialism was associated with fatalism and naturalism, when it was not simply dismissed as heresy and atheism. In the nineteenth century, materialism evolved into a central concept of progressive politics, reappearing again in the past decades through renewed Marxist and Spinoza-based approaches, New Materialism, and feminist discourses. This volume inquires these contrasting uses from theoretical and historical perspectives.

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Feminist new materialisms. MDPI, 2020. http://dx.doi.org/10.3390/books978-3-03921-809-7.

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Ringrose, Jessica, Katie Warfield et Shiva Zarabadi, dir. Feminist Posthumanisms, New Materialisms and Education. Routledge, 2020. http://dx.doi.org/10.4324/9781351186674.

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Ringrose, Jessica, Katie Warfield et Shiva Zarabadi. Feminist Posthumanisms, New Materialisms and Education. Taylor & Francis Group, 2020.

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Ringrose, Jessica, Katie Warfield et Shiva Zarabadi. Feminist Posthumanisms, New Materialisms and Education. Taylor & Francis Group, 2020.

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Ringrose, Jessica, Katie Warfield et Shiva Zarabadi. Feminist Posthumanisms, New Materialisms and Education. Taylor & Francis Group, 2020.

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Ringrose, Jessica, Katie Warfield et Shiva Zarabadi. Feminist Posthumanisms, New Materialisms and Education. Taylor & Francis Group, 2020.

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Ringrose, Jessica, Katie Warfield et Shiva Zarabadi. Feminist Posthumanisms, New Materialisms and Education. Taylor & Francis Group, 2018.

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Wingrove, Elizabeth. Materialisms. Sous la direction de Lisa Disch et Mary Hawkesworth. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.013.23.

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This chapter explores the diverse, sometimes discordant ways in which commitments to materialism have shaped feminist theoretical inquiry. Focusing on two alternative interpretive frameworks—historical materialist feminisms (HMF) and feminist new materialisms (FNM)—the chapter considers how distinct understandings of “materiality” sustain alternative accounts of agency, power, and difference. The chapter aims to highlight how these appeals to markedly different notions of a material “real” lead to markedly different interpretive grammars: one (HMF) emphasizing systematicity and the durability of structured relations, the other (FNM) emphasizing indeterminacy, flux, and the “messiness” of the world. Among the stakes identified in these interpretive differences are how physical bodies, processes of embodiment, and nature figure in feminist analyses; how the relationship between matter and representational systems is conceptualized; and whether oppression should serve as a central or secondary locus of analytic concern.

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Chapitres de livres sur le sujet "Feminist new materialisms"

Wiltshire, Hermione, et Annouchka Bayley. « In/Visible Relations : Feminist New Materialisms for (Post)Pandemic Arts Pedagogies ». Dans Diffracting New Materialisms, 409–30. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-18607-3_22.

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Thorpe, Holly, Julie Brice et Marianne Clark. « Epilogue : Feminist New Materialisms and Lively Collaborations ». Dans Feminist New Materialisms, Sport and Fitness, 209–15. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56581-7_8.

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Gough, Annette, et Hilary Whitehouse. « Challenging amnesias : re-collecting feminist new materialism/ecofeminism/climate/education ». Dans New Materialisms and Environmental Education, 179–93. London : Routledge, 2023. http://dx.doi.org/10.4324/9781003380337-12.

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Thorpe, Holly, Julie Brice et Marianne Clark. « Feminist Ethics, the Environment, and Vital Respondings ». Dans Feminist New Materialisms, Sport and Fitness, 177–207. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56581-7_7.

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Thorpe, Holly, Julie Brice et Marianne Clark. « New Materialist Methods and the Research Process ». Dans Feminist New Materialisms, Sport and Fitness, 29–59. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56581-7_2.

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Thorpe, Holly, Julie Brice et Marianne Clark. « A Lively Introduction : New Materialisms, Feminisms, and Moving Bodies ». Dans Feminist New Materialisms, Sport and Fitness, 1–27. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56581-7_1.

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Thorpe, Holly, Julie Brice et Marianne Clark. « Sporting Matter and Living with Objects of Fitness ». Dans Feminist New Materialisms, Sport and Fitness, 61–90. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56581-7_3.

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Thorpe, Holly, Julie Brice et Marianne Clark. « Digital Intimacies, Assemblages, and Fit Femininities ». Dans Feminist New Materialisms, Sport and Fitness, 91–118. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56581-7_4.

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Thorpe, Holly, Julie Brice et Marianne Clark. « The Biocultural Possibilities of Sportswomen’s Health ». Dans Feminist New Materialisms, Sport and Fitness, 119–44. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56581-7_5.

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Thorpe, Holly, Julie Brice et Marianne Clark. « Apparatus and the Boundaries of Transdisciplinary Research ». Dans Feminist New Materialisms, Sport and Fitness, 145–75. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56581-7_6.

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Actes de conférences sur le sujet "Feminist new materialisms"

Pihkala, Suvi, et Helena Karasti. « Towards Response-able PD : Putting Feminist New Materialisms to Work in the Practices of Participatory Design ». Dans PDC 2022 : Participatory Design Conference 2022. New York, NY, USA : ACM, 2022. http://dx.doi.org/10.1145/3536169.3537784.

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Hedayati, Mona. « Intelligent Sensibility : Human-Machine Symbiotic Agencies ». Dans 28th International Symposium on Electronic Art. Paris : Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-12-short-hedayati-intelligent-sensibility.

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SHORT PAPER. This paper is an effort to examine the codes of interaction between the carbon-based and the silicon-based, i.e., the human and the machine, notably the shifting agencies addressed by adopting feminist technoscientific and new materialist lenses to grapple with the techno-industrial paradigm shift that has been (dis)figuring the anthropocentric condition. The first part of the paper lays down the qualities of this emerging ecology while recognizing the importance of human accountability and situatedness. The focal point of this survey is the anthropologist Lucy Suchman’s classic Human-Machine Reconfigurations which is elaborated upon through anchor points she posits revisiting Donna Haraway and Karan Barad’s arguments. The last part engages with the implications of such a coupling for human and machine sensoria in order to envisage the qualities of a distributive sensorium that this regenerative agency can put forth while alluding to practices of situated computing.

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Zarabadi, Ladan. « Appropriation of Space – Perpetuation of Patriarchy : A Feminist Critique on Public Space Design in Iran ». Dans 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.149.

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This research uses a feminist lens to examine Iranian urban public parks designed for use by women only. The purpose of this paper is to reveal translations of patriarchal cultural values from an architectural micro scale to an urban macro scale and question the (over) contextualization of these parks’ design. Although this is a multifaceted topic that also merits ethnographic analysis, this particular paper primarily examines the physicality of the space. I draw on Henri Lefebvre’s theory of production of space, Stephen Graham’s urban militarization, and Jürgen Habermas’s and Nancy Fraser’s views of public spheres to theorize women-only parks’ existence as a hegemonic production of space. I argue that despite the Iranian government’s claim that the purpose of these women- only parks is to provide women a safe and free public space, this type of urban public space actually appropriates the design logic of courtyard houses, materializes patriarchal culture, and perpetuates patriarchal values in an urban configuration. In other words, women-only parks in Iranian cities are an embodiment of patriarchal culture in which gender segregation is used as a strategy to fulfill Islamic values and disguise patriarchal dispositions into a false sense of spatial and gender justice. This qualitative and interdisciplinary research uses a mixed method approach (alternating between formal and discursive analyses as needed) and multiple sources of data. Data collected on-site from women-only parks in Tehran (including photos and videos) serves as the primary source for this analysis. I also use reports from online news agencies and social media, as well as previously published interviews conducted by sociology scholars.

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