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1

Annette, Eckert, et Berliner Frauen Kultur Initiative, dir. Fundorte : 200 Jahre Frauenleben und Frauenbewegung in Berlin : Katalog zur Ausstellung "Kein Ort nirgends?". Berlin : Orlanda Frauenverlag, 1987.

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2

Frauenplenum, Internationales, dir. Den Faden weiterspinnen : Möglichkeiten der Zusammenarbeit von Immigrantinnen, im Exil-lebenden und deutschen Frauen : Erfahrungen des Internationalen Frauenplenums Berlin (W.) 1988-1991. Berlin : Rotation, 1995.

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3

Feminist space : Exhibitions and discourses between Philadelphia and Berlin 1865-1912. Weimar : VDG, Verlag und Datenbank für Geisteswissenschaften, 2007.

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4

1943-, Haase Sigrid, et Kreische Simone 1967-, dir. Musen und Mythen : Frauen an der HdK 1992. Berlin : Hochschule der Künste Berlin, Frauenbeauftragte, 1992.

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5

Gretsch, Sarah. Myra Warhaftig - Architektin und Bauforscherin : Wissenschaftliches Symposium in Erinnerung an die Architektin und Bauforscherin Myra Wahrhaftig (1930-2008) : 17.-18. Mai 2018 in Berlin. Berlin : Universitätsverlag der TU Berlin, 2020.

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6

von, Falkenhausen Susanne, dir. Medien der Kunst : Geschlecht, Metapher, Code : Beiträge der 7. Kunsthistorikerinnen-Tagung in Berlin 2002. Marburg : Jonas, 2004.

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7

Antje, Finger, et Michael Ingeborg, dir. Genau hingesehen, nie geschwiegen, sofort widersprochen, gleich gehandelt : Dokumente aus dem Gewebe der Heuchelei 1982-1989 : Widerstand autonomer Frauen in Berlin Ost und West. Berlin : Bildungswerk für Demokratie und Umweltschutz, 1990.

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8

1943-, Lawler Edwina G., et Tice Terrence N, dir. On what gives value to life. Lewiston : E. Mellen Press, 1995.

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9

Sweetapple, Christopher, dir. The Queer Intersectional in Contemporary Germany. Gießen : Psychosozial-Verlag, 2018. http://dx.doi.org/10.30820/9783837974447.

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Anti-racist and queer politics have tentatively converged in the activist agendas, organizing strategies and political discourses of the radical left all over the world. Pejoratively dismissed as »identity politics«, the significance of this cross-pollination of theorizing and political solidarities has yet to be fully countenanced. Even less well understood, coalitions of anti-racist and queer activisms in western Europe have fashioned durable organizations and creative interventions to combat regnant anti-Muslim and anti-migrant racism within mainstream gay and lesbian culture and institutions, just as the latter consolidates and capitalizes on their uneven inclusions into national and international orders. The essays in this volume represent a small snapshot of writers working at this point of convergence between anti-racist and queer politics and scholarship from the context of Germany. Translated for the first time into English, these four writers and texts provide a compelling introduction to what the introductory essay calls »a Berlin chapter of the Queer Intersectional«, that is, an international justice movement conducted in the key of academic analysis and political speech which takes inspiration from and seeks to synthesize the fruitful concoction of anti-racist, queer, feminist and anti-capitalist traditions, movements and theories. With contributions by Judith Butler, Zülfukar Çetin, Sabine Hark, Daniel Hendrickson, Heinz-Jürgen-Voß, Salih Alexander Wolter and Koray Yılmaz-Günay
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10

Miller, Cristanne. Cultures of modernism : Marianne Moore, Mina Loy, & Else Lasker-Schüler ;gender and literary community in New York and Berlin. Ann Arbor, MI : University of Michigan Press, 2005.

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11

Cultures of modernism : Marianne Moore, Mina Loy, & Else Lasker-Schüler : gender and literary community in New York and Berlin. Ann Arbor : University of Michigan Press, 2005.

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12

Flight of the Goose : A Story of the Far North. Seattle, Washington, USA : Far Eastern Press, 2005.

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13

Smith, Briana J. Free Berlin. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/14167.001.0001.

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An alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to collective creativity and social solidarity. In pre- and post-reunification Berlin, socially engaged artists championed collective art making and creativity over individual advancement, transforming urban space and civic life in the process. During the Cold War, the city's state of exception invited artists on both sides of the Wall to detour from artistic tradition; post-Wall, art became a tool of resistance against the orthodoxy of economic growth. In Free Berlin, Briana Smith explores the everyday peculiarities, collective joys, and grassroots provocations of experimental artists in late Cold War Berlin and their legacy in today's city. These artists worked intentionally outside the art market, believing that art should be everywhere, freed from its confinement in museums and galleries. They used art as a way to imagine new forms of social and creative life. Smith introduces little-known artists including West Berlin feminist collective Black Chocolate, the artist duo paint the town red (p.t.t.r), and the Office for Unusual Events, creators of satirical urban political theater, as well as East Berlin action art and urban interventionists Erhard Monden, Kurt Buchwald, and others. Artists and artist-led urban coalitions in 1990s Berlin carried on the participatory spirit of the late Cold War, with more overt forms of protest and collaboration at the neighborhood level. The temperament lives on in twenty-first century Berlin, animating artists' resolve to work outside the market and citizens' spirited defenses of green spaces, affordable housing, and collectivist projects. With Free Berlin, Smith offers an alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to Berliners' historic embrace of care, solidarity, and cooperation.
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14

Freeland, Jane. Feminist Transformations and Domestic Violence Activism in Divided Berlin, 1968-2002. Oxford University Press, 2022.

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15

Naimark-Goldberg, Natalie. Jewish Women in Enlightenment Berlin. Liverpool University Press, 2013. http://dx.doi.org/10.3828/liverpool/9781904113539.001.0001.

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The encounter of Jews with the Enlightenment has so far been considered almost entirely from a masculine perspective. In shifting the focus to a group of educated Jewish women in Berlin, this book makes an important contribution to German-Jewish history as well as to gender studies. The study of these women's letters, literary activities, and social life reveals them as cultivated members of the European public. Their correspondence allowed them not only to demonstrate their intellectual talents but also to widen their horizons and acquire knowledge — a key concern of women seeking empowerment. The descriptions of their involvement in the public sphere, a key feature of Enlightenment culture, offer important new insights: social gatherings in their homes served the purpose of intellectual advancement, while the newly fashionable spas gave them the opportunity to expand their contacts with men as well as with other women, and with non-Jews as well as Jews, right across Europe. As avid readers and critical writers, these women reflected the secular world view that was then beginning to spread among Jews. Imbued with enlightened ideas and values and a new feminine awareness, they began to seek independence and freedom, to the extent of challenging the institution of marriage and traditional family frameworks. A final chapter discusses the relationship of the women to Judaism and to religion in general, including their attitude to conversion to Christianity — the route that so many ultimately took.
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16

Moore, Stephen D. Biblical Narrative Analysis from the New Criticism to the New Narratology. Sous la direction de Danna Nolan Fewell. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199967728.013.2.

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This chapter chronicles the emergence and consolidation of biblical narrative criticism in the 1970s and 1980s and traces its development down to the present. It details the debts of narrative criticism to Anglo-American New Criticism, on the one hand (a debt exemplified by the work of Robert Alter), and to French structural narratology, on the other hand (a debt exemplified by the work of Adele Berlin, Alan Culpepper, and others). It also describes early alternatives (exemplified by the work of Mieke Bal) to the formalist model of biblical narrative criticism. It then recounts the movement in secular narrative theory from “classical” narratology to “postclassical” narratologies that began in the late 1980s, structural narratology gradually being transformed by such discourses as poststructuralism, feminism, postcolonial studies, cultural studies, and cognitive psychology. The final section ponders the possible contours of a postclassical narrative criticism in biblical studies.
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17

Tajmel, Tanja, Klaus Starl et Susanne Spintig, dir. The Human Rights-Based Approach to STEM Education. Waxmann Verlag GmbH, 2021. http://dx.doi.org/10.31244/9783830992202.

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This volume provides the first introduction to the right to science/STEM education, with contributions from international scholars and experts from organizations, including UNESCO, and from diverse disciplines such as human rights; science education; educational studies; anti-racist and decolonizing pedagogy; feminist and gender studies in science, technology, and engineering; and management and organizational studies. The book offers a thorough grounding in the right to education and its application in the STEM fields. It provides interdisciplinary perspectives that allow for a broad understanding of the human right to science education at all intersectional levels of STEM education and in STEM careers. Based on the Berlin Declaration on the Right to Science Education, adopted at the 1st International Symposium on Human Rights and Equality in STEM Education (October 2018), this volume suits as a textbook for university courses at the undergraduate or graduate level. It will also prove extremely valuable to researchers from a range of disciplines but, in particular, those interested in human rights, education, science/STEM education, as well as practitioners, program and curriculum developers, policy makers, educators, and, of course, the interested public.
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18

Hoffmann, Arne, dir. Gleichberechtigung beginnt zu zweit. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2019. http://dx.doi.org/10.5771/9783828872776.

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Wie können Feminismus und Maskulismus zusammenwirken, um beide Geschlechter voranzubringen? Welche Chancen und Vorteile würden so entstehen? Warum stehen sich die beiden Bewegungen bislang oft als verfeindete Lager gegenüber, statt gemeinsam Synergien zu erzeugen? Und wie kann man als Frauen- oder Männerrechtler sein soziales Engagement beibehalten, ohne die immer stärker werdende Polarisierung unserer Gesellschaft noch zu fördern? Statt wie bisherige Bücher ein Plädoyer nur für die Anliegen eines Geschlechts zu führen, stoßen Feministen und Maskulisten sowie Mediatoren, Konfliktforscher und Paartherapeuten hier einen zukunftsweisenden, ganzheitlichen Ansatz an. Dabei reichen die facettenreichen Beiträge thematisch von der Berliner Regierungspolitik über Konflikte in den sozialen Medien bis zu Menschenrechtsverletzungen wie geschlechtsbezogener Gewalt. Auf dieser Grundlage entsteht konstruktive Diversität in einer Debatte, in der auch interkulturelle Blickwinkel nicht zu kurz kommen. Mit Beiträgen von Arne Hoffmann, Lucas Schoppe, Mithu Sanyal, Gerd Riedmeier, Sandra Hermann, Ingbert Jüdt, Maike Wolf, Wendy McElroy, Robin Urban, Dr. Hanna Milling, Monika Ebeling, Eilert Bartels, Professor Christina Hoff Sommers, Astrid von Friesen, Elinor Petzold, Dr. Katja Kurz und Jeannette Hagen.
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19

Cloud, Dana L., dir. The Oxford Encyclopedia of Communication and Critical Cultural Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/acref/9780190459611.001.0001.

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106 scholarly articles This is a compendium of touchstone articles by prominent communication, rhetorical, and cultural studies scholars about topics of interest to scholars and critics of popular and political culture. Articles provide authoritative surveys of concepts such as rhetorical construction of bodies, Marxist, feminist, and poststructuralist traditions, materialisms, social movements, race and anti-racist critique, whiteness, surveillance and security, visual communication, globalization, social media and digital communication/cyberculture, performance studies, the “post-human” turn, critical organizational communication, public memory, gaming, cultural industries, colonialism and postcolonialism, The Birmingham and Frankfurt Schools, commodity culture, critical health culture studies, nation and identity, public spheres, psychoanalytic theory and methods, affect theory, anti-Semitism, queer studies, critical argumentation studies, diaspora, development, intersectionality, Islamophobia, subaltern studies, spatial studies, rhetoric and cultural studies, neoliberalism, critical pedagogy, urban studies, deconstruction, audience studies, labor, war, age studies, motherhood studies, popular culture, communication in the Global South, and more. The work also surveys critical thinkers for cultural studies including Stuart Hall, Antonio Gramsci, Jesus Martin Barbero, Angela Davis, Ernesto Laclau, Raymond Williams, Giles Deleuze, Jurgen Habermas, Frantz Fanon, Chandra Mohanty, Gayatri Spivak, Michel Foucault, Louis Althusser, Juan Carlos Rodriguez, Gloria Anzaldua, Paolo Freire, Donna Haraway, Georgio Agamben, Slavoj Zizek, W.E.B. DuBois, Sara Ahmed, Paul Gilroy, Enrique Dussel, Michael Warner, Lauren Berlant, Judith Butler, Jean Baudrillard, Walter Mignolo, Edward Said, Alain Badiou, Homi Bhabha, among others. Each entry is distinguished by lists of key references and suggestions for further reading. The collection is sure to be a vital resource for faculty, graduate students, and undergraduates seeking authoritative overviews of key concepts and people in communication and critical cultural studies.
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