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Bibliographies thématiques / Female musician / Livres

Livres sur le sujet « Female musician »

Pour voir les autres types de publications sur ce sujet consultez le lien suivant : Female musician.

Auteur : Grafiati

Publié le 22 juin 2024

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1

Weinzierl, Rupert, et Rosa Reitsamer. Female consequences : Feminismus, Antirassismus, Popmusik. Wien : Löcker, 2006.

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2

Emerson, Isabelle Putnam. Five centuries of female singers. Westport, CT : Praeger, 2004.

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3

Goldin, Claudia Dale. Orchestrating impartiality : The impact of "blind" auditions on female musicians. [Princeton, N.J.] : Industrial Relations Section, Princeton University, 2001.

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4

Goldin, Claudia Dale. Orchestrating impartiality : The impact of "blind" auditions on female musicians. Cambridge, MA : National Bureau of Economic Research, 1997.

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5

Stieven-Taylor, Alison. Rock chicks : The hottest female rockers from the 1960s to now. 2^e éd. Dulwich Hill, N.S.W : Rockpool Publishing, 2010.

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6

Stieven-Taylor, Alison. Rock chicks : The hottest female rockers from the 1960s to now. 2^e éd. Dulwich Hill, N.S.W : Rockpool Publishing, 2010.

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7

Krafczyk, Judith, et Sibylle Thomzik. Rocksie ! : 9 Jahre female music power in NRW. Mainz : Ventil, 2000.

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8

Bishop, Carole Maison. Gender and musical performance : The female calypso singer in the Caribbean. St. Michael, Barbados : Women and Development Unit, School of Continuing Studies, UWI, 1995.

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9

Reddington, Helen. The lost women of rock music : Female musicians of the punk era. 2^e éd. London : Equinox Pub., 2012.

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10

John, Gill. Queer noises : Male and female homosexuality in twentieth century music. Minneapolis : University of Minnesota Press, 1995.

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11

Anjela, Schischmanjan, et Wünsch Michaela, dir. Female Hiphop : Realness, Roots und Rap Models. Mainz : Ventil, 2007.

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12

Aronson, Linda. Dinkum assorted : An all female, all singing, and dancing musical. Sydney : Currency Press, 1989.

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13

Gill, John. Queer noises : Male and female homosexuality in twentieth-century music. London : Cassell, 1995.

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14

C, Dunn Leslie, et Jones Nancy A, dir. Embodied voices : Representing female vocality in Western culture. Cambridge : Cambridge University Press, 1994.

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15

Mellers, Wilfrid Howard. Angels of the night : Popular female singers of our time. New York : B. Blackwell, 1986.

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16

International Congress on Women in Music. Female music rush-hour : 9th International Congress on Women in Music, 27.-30. April 1995. Wien : Wittgensteinhaus, 1995.

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17

International Congress on Women in Music (Conference) (9th 1995 Vienna, Austria). Female music rush-hour : 9th International Congress on Women in Music, 27.-30. April 1995, Wittgensteinhaus, Wien. [Kassel : Furore Verlag, 1995.

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18

Park, Frankie. Bing banged my Lula. London : Orion, 2000.

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19

Vanessa, Berry, et Chiara Grassia. I Wear Your Clothes Like Armour : A Zine About Throwing Muses. Strawberry Hills, NSW : the authors, 2010.

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20

Brooks, Riley. Taylor Swift : Her song. New York : Scholastic, 2010.

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21

Brooks, Riley. Taylor Swift : Her song. New York : Scholastic, 2010.

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22

Rhodes, Danuta de. The little white car : A novel. New York : Canongate U.S., 2004.

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23

Smith, Andrea. Friday nights at Honeybee's. New York : Dial Press, 2003.

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24

Publishing, Cadieco. Crazy Piano Girl Notebook : Blank & Lined Piano Player Journal For Every Female Pianist And Musician. Independently published, 2019.

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25

Sarah, Tribuiani. Bass Clarinet Funny Music Band Gift for Musician : Funny Leaving and Moving Away Miss You Notebook Journal for Special Best Female Friends, Colleagues and Sisters. Independently Published, 2020.

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26

Gardner, Abigail. Ageing and Contemporary Female Musicians. Taylor & Francis Group, 2019.

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27

Gardner, Abigail. Ageing and Contemporary Female Musicians. Taylor & Francis Group, 2019.

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28

Gardner, Abigail. Ageing and Contemporary Female Musicians. Taylor & Francis Group, 2021.

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29

Gardner, Abigail. Ageing and Contemporary Female Musicians. Routledge, 2019.

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30

Goldberg, Tatjana. Pioneer Female Violin Virtuosi in the Early Twentieth Century. Taylor & Francis Group, 2019.

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31

Paradies, Pietro Domenico. Le muse in gara. Sous la direction de Vanessa Tonelli. A-R Editions, 2021. http://dx.doi.org/10.31022/b225.

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Le muse in gara, a serenata composed by Pietro Domenico Paradies on a libretto by D. Giacomo De Belli, was a highlight of the Venetian musical and cultural milieu at its premiere in the Ospedale di Mendicanti on 4 April 1740. The performance, given by the Ospedale's all-female musical ensemble, enticed hundreds of esteemed nobles and foreigners, including a special guest, the future Prince-Elector of Saxony Frederick Christian. With so many prestigious audience members in attendance to hear the exceptional female musicians, the text and the context of the performance present an occasion of Venice's foreign relations being fashioned through the Ospedale and its musical performances. This edition of Le muse in gara offers a crucial glimpse of the importance of the Ospedale and its female musicians in Venice's political maneuvering, with an introduction that highlights institutional structure and performer contributions in relation to the work.

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32

Gonzales, Michelle Cruz, et Mimi Thi Nguyen. Spitboy Rule : Tales of a Xicana in a Female Punk Band. PM Press, 2016.

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33

Gonzales, Michelle Cruz, et Mimi Thi Nguyen. Spitboy Rule : Tales of a Xicana in a Female Punk Band. PM Press, 2016.

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34

Gonzales, Michelle Cruz, et Mimi Thi Nguyen. Spitboy Rule : Tales of a Xicana in a Female Punk Band. PM Press, 2016.

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35

Mahoney, C. Women's History Month : Female Athletes, Musicians and Singers. Independently Published, 2019.

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36

Gonzales, Michelle Cruz. The Spitboy rule : Tales of a Xicana in a female punk band. 2016.

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37

Ochs, Meredith. Rock-And-Roll Woman : The 50 Fiercest Female Rockers. Sterling Publishing Co., Inc., 2018.

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38

Ochs, Meredith. Rock-and-Roll Woman : The 50 Fiercest Female Rockers. Sterling, 2018.

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39

Hamer, Laura. Female Composers, Conductors, Performers : Musiciennes of Interwar France, 1919-1939. Taylor & Francis Group, 2018.

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40

Reddington, Helen. Lost Women of Rock Music : Female Musicians of the Punk Era. Taylor & Francis Group, 2016.

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41

Reddington, Helen. Lost Women of Rock Music : Female Musicians of the Punk Era. Taylor & Francis Group, 2016.

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42

Reddington, Helen. Lost Women of Rock Music : Female Musicians of the Punk Era. Taylor & Francis Group, 2016.

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43

Reddington, Helen. Lost Women of Rock Music : Female Musicians of the Punk Era. Taylor & Francis Group, 2019.

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44

Reddington, Helen. Lost Women of Rock Music : Female Musicians of the Punk Era. Taylor & Francis Group, 2016.

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45

Walker, Elsie. The Piano Teacher. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190495909.003.0006.

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This chapter focuses on The Piano Teacher as a complex, intertextual adaptation that draws from numerous sources, both directly and indirectly. The film clearly parallels and amplifies the sonic descriptions of an original novel by Elfriede Jelineke. We examine how The Piano Teacher also ironically engages with the sonic strategies of Classical Hollywood melodramas and musician-based dramas, and as it recontextualizes revered classical music in relation to the disturbing sadomasochistic desires of its female protagonist, Erika. The songs from Schubert’s Winterreise most closely match Erika’s conception of herself, and we explore how film incorporates them to sonically stress her ultimate aloneness. In addition, we place emphasis on Erika’s silences that leave her disempowered without those cathartic sonic consolations (such as empathetic non-diegetic music) that often provide a fantasy of female transcendence. The film’s feminist emphasis on such silences parallels Jelinek’s text, along with intensifying Haneke’s subversively uncomfortable, intertextually loaded creation.

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46

Broadway Presents Teens Musical Theatre Anthology Female Edition. Alfred Publishing Co., Inc., 2009.

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47

Castro, Iván A. 100 Hispanics You Should Know. Libraries Unlimited, 2006. http://dx.doi.org/10.5040/9798400605215.

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Meet 100 Hispanics from around the world and throughout history who have lived amazing lives. This guide covers well known celebrities, such as actress Rita Moreno, activist César Chavéz, and musician Pablo Casals as well as more obscure individuals, such as Ellen Ochoa (inventor and first Hispanic female astronaut), Agustin Lara (a renowned Mexican composer), and Jose Capablanca (one of the greatest chess players of all times). Many of these individuals have made significant contributions to science, literature, politics, and other fields of human endeavour. Some more notorious, but equally fascinating characters are included as well. Brief biographical sketches are accompanied by bibliographies of resources, where readers can find more information. Grades 6-12.

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48

Sunardi, Christina. Maintaining Female Power through Male Style Dance. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038952.003.0002.

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This chapter explores some of the ways female dancers, as well as the mostly male musicians who accompany them, are maintaining and making cultural space for the expression of women's magnetic female power through women's performance of male style dance. It first establishes that for centuries, women in Java have expressed and embodied a magnetic power that is connected to their femaleness and that they have done so in myriad ways, and moreover that a certain ambivalence in the Javanese imagination has surrounded these expressions of female power. The chapter argues that, by performing male style dance, female dancers and (mostly) male musicians negotiated boundaries of gender and sex visually and sonically, maintaining and making cultural space for women's expression of female power despite pressures from state and society to control and subdue it.

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49

Hal Leonard Publishing Corporation (COR). Top Female Christian Artists : Featuring 25 Contemporary Christian Hits. Word Music, 2001.

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50

Hamer, Laura. Female Composers, Conductors, Performers : Musiciennes of Interwar France, 1919-1939. Taylor & Francis Group, 2018.

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