Littérature scientifique sur le sujet « Fauns (Roman mythology) in literature »
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Articles de revues sur le sujet "Fauns (Roman mythology) in literature"
Buchanan, Sophie. « Representing Medea on Roman Sarcophagi : Contemplating a Paradox ». Ramus 41, no 1-2 (2012) : 144–60. http://dx.doi.org/10.1017/s0048671x00000291.
Texte intégralKlauck, H.-J. « Accuser, Judge and Paraclete - On conscience in Philo of Alexandria ». Verbum et Ecclesia 20, no 1 (6 août 1999) : 107–18. http://dx.doi.org/10.4102/ve.v20i1.1169.
Texte intégralWróblewska, Violetta. « Taming Monsters… ». Literatura Ludowa 67, no 1-2 (30 juin 2023) : 185–92. http://dx.doi.org/10.12775/ll.1.2023.013.
Texte intégralFan, Jia, et Sun Yu. « The Application of Greco-Roman Mythology Learning in English Vocabulary Teaching from the Perspective of Etymology ». International Journal of Languages, Literature and Linguistics 7, no 1 (mars 2021) : 38–43. http://dx.doi.org/10.18178/ijlll.2021.7.1.284.
Texte intégralFan, Zixuan. « The Interplay among Mythology, Culture, and the English Language ». Lecture Notes in Education Psychology and Public Media 43, no 1 (14 mars 2024) : 165–71. http://dx.doi.org/10.54254/2753-7048/43/20240847.
Texte intégralVuković, Krešimir. « Rome Fellowships : The mythology of the Tiber in Roman space and literature ». Papers of the British School at Rome 86 (octobre 2018) : 347–48. http://dx.doi.org/10.1017/s0068246218000235.
Texte intégralRekutina. « MYTHOLOGY AND REALITY OF OLYMPIC AGON OF ANCIENT GREECE IN THE ROMAN ERA ». SCIENCE AND SPORT : current trends 8, no 2 (1 juin 2020) : 44–51. http://dx.doi.org/10.36028/2308-8826-2020-8-2-44-51.
Texte intégralSAĞLAM CAN, Esengül. « Mythology as a Literary Source in Ahmet Midhat Efendi's Taaffüf Novel ». Edebî Eleştiri Dergisi 6, no 2 (25 octobre 2022) : 116–25. http://dx.doi.org/10.31465/eeder.1073243.
Texte intégralBrian D. McPhee. « Walk, Don't Run : Jesus's Water Walking Is Unparalleled in Greco-Roman Mythology ». Journal of Biblical Literature 135, no 4 (2016) : 763. http://dx.doi.org/10.15699/jbl.1354.2016.3084.
Texte intégralWardle, D. « BABY STEPS FOR OCTAVIAN : 44 B.C. ? » Classical Quarterly 68, no 1 (mai 2018) : 178–91. http://dx.doi.org/10.1017/s0009838818000277.
Texte intégralThèses sur le sujet "Fauns (Roman mythology) in literature"
Riddiford, Alexander. « The reception of graeco-roman literature and mythology in the works of Michael Madhusudan Datta (1824-873), the bengali poet and playwright ». Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.530069.
Texte intégralBroze, Michèle. « Les aventures d'Horus et Seth dans le papyrus Chester Beatty I : approche stylistique d'un roman mythologique de l'époque ramesside ». Doctoral thesis, Universite Libre de Bruxelles, 1992. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212953.
Texte intégralTopan, Juliana de Souza. « O "Sitio do Picapau Amarelo da Antiguidade" : singularidades das Grecias lobatianas ». [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252452.
Texte intégralDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: As primeiras adaptações de mitos gregos em obras destinadas a crianças e jovens, escritas e publicadas no Brasil, datam do início do século XX, em que Monteiro Lobato, autor considerado como um dos fundadores de nossa literatura infanto-juvenil, teve uma importante contribuição. Com a publicação de "O Minoutauro" (1939) e "Os doze trabalhos de Hércules" (1944), Lobato apresenta uma imagem da Grécia Antiga (em especial, do século V a. C., conhecido como "século de Péricles") e da Grécia Arcaica (que ele chama de "Heróica", por ser onde localiza os grandes feitos de heróis guerreiros, como Hércules). Nessas obras, chamanos a atenção a maneira como o autor se apropria da chamada "mitologia grega" - subvertendo, muitas vezes, a versão canônica, re-inventando narrativas, adaptando-as ao público mirim e apresentando uma imagem idealizada da cultura grega antiga e arcaica. Nesse sentido, Lobato revela suas influências de autores franceses, como Ernest Renan e Anatole France, e do filósofo e historiador Will Durant, ao reforçar, em suas obras, a idéia do "milagre grego". Além disso, constrói singularmente a figura do herói Hércules, como um homem bruto em modos e inteligência, mas dotado de grande sentimentalidade. Isso nos faz refletir sobre os diversos modelos de narrativa heróica, em especial, dos heróis grego arcaico (típico da narrativa épica) e europeu moderno (típico da narrativa romanesca)
Abstract: The first adaptations of Greek myths in books for children and young readers, written and published in Brazil, are dated back to the beginning of 20th century. Monteiro Lobato, writer known as one of the founders of our literature for young people, had an important contribution to these first adaptations. By publishing O Minotauro (The Minotaur), in 1939, and Os doze trabalhos de Hércules (The twelve trials of Hercules) in 1944, Lobato portraits na image of Ancient Greece (especially of the 5th century B. C., called â?¿Age of Periclesâ??) as well as Archaic Greece (which was called "Heroic" by Lobato, for being the period in which the great acts of heroes, like Hercules, took place). In these books, the way in which the writer makes use of the so-called Greek mythology attracts our attention â?¿ sometimes subverting the canonical version, reinventing narratives, adapting them to the young public and presenting na idealized image of the ancient and archaic Greek culture. In this way, Lobato reveals his influences of French writers, like Ernest Renan and Anatole France, and the philosopher and historian Will Durant, by reinforcing in his books, the idea of the "Greek miracle". Moreover, he singularly constructs the image of the hero Hercules, as a rude man, not only in his manners, but also in his intelligence, but endowed with great sentimentality. This causes us to reflect upon the various models of heroic narratives, especially of the archaic Greek heroes (typical in epic narratives) and modern European (typical in roman narratives) ones
Mestrado
Educação, Conhecimento, Linguagem e Arte
Mestre em Educação
Hincapié, Giraldo Leonardo. « Yseut et Wîs : une lecture junguienne des personnages féminins dans Le Roman de Wîs et Râmîn et dans les romans de Tristan ». Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030114.
Texte intégralIn this work we will be comparing two feminine characters (Iseult and Vis) from several medieval stories: the romances of Tristan and the romance of Vis and Ramin. These characters will be analyzed using Jungian theory about archetypes and Collective Unconscious. Our basic premise considers that the same archetypal principle drives the two characters: The Archetypal Feminine. We know that the characters of Iseult and Vis belong to stories whose origins are mythological: Celtic origins for the heroine of Tristan romances and Persian origins for the heroine of Gorgani’s romance. Based on this, one can see how the drawing up of these two characters owes much to other mythical images of Femininity and Woman, in the cultural and mythological context of each literary work. What do we truly know and understand about the heroines of these important stories? What do we truly know and understand about their function and their role in the plot of these romances? This work holds two objectives related to these questions. One, to trace the drawing up of the characters from mythology to literature. The other, to identify the echoes of folktales and traditional literature which resonate in these stories even today. Analyzing these two characters as symbols of the same archetype, can allow us to compare the dynamic of the Archetypal Feminine into these literary works, and to identify their narrative function in the two different outcomes of the stories. Iseult and Vis would be then the crystallizations of a collective image about Woman and Femininity. They appeared in two different cultures, at the same moment of history: The Middle Ages
Romaggi-Trautmann, Magali. « La figure de Narcisse dans la littérature et la pensée médiévales ». Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2143/document.
Texte intégralGreek myths « font signe sans signifier, montrant, dérobant, toujours limpides disant le mystère transparent, le mystère de la transparence2 ». With these words, Maurice Blanchot insists on the very mystery of all myth. It is also the case for the myth of the Narcissus that has known a considerable success in the medieval time but for which it is difficult to … a stable meaning. It is the famous Augustinian poet Ovidius myth that the medieval authors inherited. They added new meanings to the already rich legend, following the footsteps of Ovidius.Narcissus is foremost a figure in love. Narcissus is the unfortunate lover who suffers such a strong passion he dies from it. What he is in love with can be ignored in the medieval versions. Even if he loved a shadow, it is the intensity of his love and the funest consequences the texts insist on. Passion drives Narcissus on the road to death : spiritual death because of Madness et physical death. Narcissus was a prime subject for fin’amor poetry. Troubadours and trouveres made of Narcissus the perfect example of the fin amant between the XIIth and XIIIth centuries. Moreover Narcissus is the deeply linked to the representation of the melancholic that came from the psycho-physiological philosophical and medical theories of love.Moral Reading were also inspired by the myth. Indeed, Narcissus becomes a sinner full of flaws Under the Christian vision of the myth. Pride is the origin of all the flaws: vanity and arrogance are direct consequences. Narcissus becomes the perfect incarnation of these sins. Depending of the point of view the condemnation may vary but the idea is still the same: Narcissus is self-important and is too pleased with himself. Finally the water from the source, one of the most important aspect of the Narcissus mythology, became the meeting point of several traditions which interlaced in the medieval work: biblical water on one side and neoplatonician conceptions of reflection and ancient myth of Narcissus. The ancient fons transforms itself into a medieval fountain and a true mirror. The mirror becomes more and more independent from the surface of water. The phantasmatical dimension of the Narcissus love for his reflection is developed
Morais, Guilherme Augusto Louzada Ferreira de. « A representação do modelo de herói clássico na personagem feminina Katniss Everdeen, de "Jogos vorazes" / ». Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/152788.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
Estudamos a série de livros “Jogos vorazes” (2010-2011) com o objetivo de demonstrar como se dá a permanência e a representação do modelo heroico da Antiguidade Clássica na Contemporaneidade por meio da análise da caracterização da personagem feminina Katniss Everdeen. Para tanto, enfocamos a personagem criada por Collins e as características que a definem como heroína, comparando-a ao modelo heroico clássico descrito por tantos autores da Grécia e Roma, como, por exemplo, Homero, Hesíodo, Vergílio, etc., e considerando também as reflexões sobre o herói tecidas por Campbell em O herói de mil faces (1997), dentre outros títulos e autores que embasam nossos estudos. Percebemos que há, na série, uma mudança na representação de arquétipos literários, a saber, herói clássico versus donzela clássica, visto que Katniss Everdeen assume o papel de herói e Peeta Mellark, tributo masculino, assume o papel de donzela, pois, em grande parte do enredo, é salvo por ela. Dessa forma, buscamos verificar o que desvia a trama em estudo dos moldes então estabelecidos pelos Clássicos, ou seja, como Collins redefine os padrões da Literatura Clássica greco-romana, nos quais o homem era guerreiro e a mulher era dona de casa. Para isso, iniciamos nossas considerações a partir de Jung (2002), porque autores como Randazzo (1996), Vogler (2006) e Meletínski (1998), dentre outros, partem das postulações do psicanalista suíço para discutirem a respeito de arquétipos encontrados na publicidade, literatura e cinema. No percurso do estudo da heroína, realizamos uma breve comparação entre Katniss, outrora escravazida pela Capital (em uma espécie de escravidão velada), que se torna heroína e símbolo de toda uma revolução, e o herói masculino de outra obra, Espártaco, escravo e gladiador da Trácia, que foi líder de uma revolução conhecida por Guerra dos Escravos, conforme se pode comprovar no romance Espártaco, de Howard Fast (1981), publicado originalmente em inglês em 1951, e no filme baseado nesta obra literária, de Stanley Kubrick (1960), com a finalidade principal de comprovar a mudança no tratamento dos arquétipos e averiguar a presença de elementos ligados à cultura romana na série escrita por Collins. Enfim, buscamos verificar de que modo o modelo de Herói Clássico, seja na figura dos heróis mitológicos, seja na personagem histórica de Espártaco, é representado na caracterização da protagonista feminina de “Jogos vorazes” e quais significados tais representações acrescentam à interpretação da série.
The present study aims at analyzing the series titled “The Hunger Games” to demonstrate, by observing the characterization of the female character Katniss Everdeen, how the representation of the heroic model from Classical Antiquity persists in Contemporary Literature. In order to do so, we have focused on the character created by Collins and the features that define her as a heroine, comparing her to the classical heroic model described by several authors in Greece and Rome, such as Homer, Hesiod, Vergil, etc., as well as to specifications about the hero character presented in “The Hero with a Thousand Faces” (1997), by Joseph Campbell, along with additional information on the topic provided by other authors. We have observed a change, in Collins’ novels, regarding the representation of literary archetypes, namely the classical Hero versus the classical Maiden, as Katniss Everdeen takes the role of the Hero and Peeta Mellark, the male tribute, plays the role of the Maiden, for throughout a large part of the plot he is saved by her. Therefore, we seeked to verify what deviates the plot in study from the patterns once established by Classical tradition, or, in other words, to observe how Collins redefines the standards of the Greco-Roman Classical Literature, in which the man was a warrior and the woman was a housewife. Our study is based on Jung (2002) because authors such as Randazzo (1996), Vogler (2006) and Meletínski (1998), among others, consider the postulates of the Swiss psychoanalyst to discuss archetypes found in advertising, literature and cinema. In the course of the study of the heroine, for the purpose of proving the change in the treatment of archetypes and ascertaining the presence of elements related to the Roman culture in the series written by Collins, we made a brief comparison between Katniss, once slaved by the Capitol (in a kind of veiled slavery), who becomes a heroine and a symbol of an entire revolution, and the male hero of another artwork, Spartacus, a slave and gladiator from Thrace who was the leader of a revolution known as the “War of the Slaves,” as it can be seen in Howard Fast’s (1981) novel Spartacus, originally published in English in 1951, and in the film based on this literary work, directed by Stanley Kubrick (1960). Finally, our study demonstrates that the Classical Hero model, whether taken from mythological heroes or from the historical character of Spartacus, plays an important role in the characterization of the female protagonist of “The Hunger Games,” adding different meanings to the interpretation of the series.
Proc. 2015/23592-6
Pukszta, Claire A. « Myrrha Now : Reimagining Classic Myth and Mary Zimmerman's Metamorphoses in the #metoo Era ». Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1374.
Texte intégralDixon, Dustin W. « Myth-making in Greek and Roman comedy ». Thesis, 2015. https://hdl.handle.net/2144/16320.
Texte intégral2017-06-30T00:00:00Z
Ukize, Servilien. « La lecture intertextuelle de L'ivrogne dans la brousse d'Amos Tutuola ». Thèse, 2009. http://hdl.handle.net/1866/7277.
Texte intégralMarchand, Déric. « Moïse Moïse ; suivi de Au nom de nous qui ne sommes pas ». Thèse, 2018. http://hdl.handle.net/1866/22002.
Texte intégralLivres sur le sujet "Fauns (Roman mythology) in literature"
France), Musée Fleury (Lodève, dir. Faune, fais-moi peur ! : Images du faune de l'Antiquité à Picasso. Cinisello Balsamo, Milano : Silvana editoriale, 2018.
Trouver le texte intégralNardo, Don. Roman mythology. Detroit : Lucent Books, 2012.
Trouver le texte intégralNardo, Don. Roman mythology. Detroit : Lucent Books, 2012.
Trouver le texte intégralAncient Roman mythology. London : Sunburst Books, 1996.
Trouver le texte intégralKamara, Peter. Ancient Roman mythology. London : Promotional Repr. Co, 1996.
Trouver le texte intégralGreek and Roman mythology. San Diego, CA : Lucent Books, 1998.
Trouver le texte intégralFiona, Sansom, dir. Roman myths. 2e éd. London : Franklin Watts, 2012.
Trouver le texte intégralRoman myths. New York : Skyview Books, 2009.
Trouver le texte intégralKathy, Elgin. Roman myths. Vero Beach, FL : Rourke Pub., 2009.
Trouver le texte intégralMasters, Anthony. Roman myths. New York : P. Bedrick Books, 1999.
Trouver le texte intégralChapitres de livres sur le sujet "Fauns (Roman mythology) in literature"
Dufal, Blaise. « Nicholas Trevet : le théologien anglais qui parlait à l’oreille des Italiens ». Dans The Dominicans and the Making of Florentine Cultural Identity (13th-14th centuries) / I domenicani e la costruzione dell'identità culturale fiorentina (XIII-XIV secolo), 87–103. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-046-7.08.
Texte intégralCameron, Alan. « Myth and Society ». Dans Greek Mythography in the Roman World, 217–52. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195171211.003.0009.
Texte intégralMichalopoulos, Andreas N. « A Phrygian Tale of Love and Revenge : Oenone Paridi (Ovid Heroides 5) ». Dans Revenge and Gender in Classical, Medieval and Renaissance Literature, 239–50. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474414098.003.0013.
Texte intégralFrancese, Christopher. « Parthenius, Erotika Pathemata ». Dans The Oxford Handbook of Greek and Roman Mythography, 282—C21.P55. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190648312.013.22.
Texte intégralHultgård, Anders. « Destruction and Renewal ». Dans The End of the World in Scandinavian Mythology, 337—C8.P462. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192867254.003.0008.
Texte intégral« U ». Dans The Oxford Companion To Irish Literature, sous la direction de Robert Welch et Bruce Stewart, 599–603. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198661580.003.0021.
Texte intégralActes de conférences sur le sujet "Fauns (Roman mythology) in literature"
Liu, Hong. « An Analysis of the Enlightenment of Greek and Roman Mythology to English Language and Literature ». Dans 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016). Paris, France : Atlantis Press, 2016. http://dx.doi.org/10.2991/ieesasm-16.2016.95.
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