Thèses sur le sujet « Fake history »
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1
Jolly, Martyn. « Fake photographs making truths in photography / ». Click here for electronic access to document : http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.
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Jolly, Martyn. « Fake photographs : making truths in photography ». Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4046.
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Linnell, Caroline. « Fake it til you make it ? : En studie i alternativa fyllnadsmaterial för mindre fanerskador ». Thesis, Linköpings universitet, Malmstens Linköpings universitet, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-159914.
Texte intégralRésumé :
Arbetet handlar om en studie i alternativa fyllnadsmaterial för mindre fanerskador. Syftet är att tydliggöra och vidga konservatorns palett av alternativa fyllnadsmaterial och skapa riktlinjer för lagning av mindre fanerskador med hjälp av dessa material. Parallellt med min undersökande del diskuteras även andra frågor såsom vilka värden möbler bär på samt vikten av att skapa ett nätverk med informationsutbyte för vidareutveckling av metoder och material inom möbelkonservering. I arbetet redogör jag för generella skillnader mellan möbelkonservering och möbelrestaurering. Undersökningen baserar sig på en analys av svar från mitt frågeformulär där svarspersonernas erfarenheter och praktiska undersökningar delvis har legat till grund för urvalet av material jag valt att gå vidare med i mina undersökningar. I dessa undersökningar testade jag olika fyllnadsmaterial på provplattor fanerade med björk och valnöt. I arbetet redogör jag för traditionella fyllnadsmaterial och i slutsatsen redogör jag för de material som jag anser kan utvecklas till att bli lämpliga komplement till de traditionella fyllnadsmaterialen, till exempel Aquazol 500 och Arbocel.This is a study of alternative filling materials for smaller damages in veneer. The aim is to document and expand the palette of filling materials for furniture conservators and to create guidelines for the conservation and restoration of smaller damages in veneer. Parallel to this study I discuss other issues, such as the different values that can be found in an object. The importance of networking and the giving and sharing of information which is essential for the development of new techniques and materials. The difference between furniture conservation and furniture restoration is presented briefly. My tests are based on an analysis of the answers from my questionnaire where the respondents experience and practical skills serve as a partial base for the choice of materials that I have chosen to examine. My tests were executed on both birch and walnut veneer. I describe the pros and cons of traditional filling materials and in the conclusion, I present the filling materials that I believe can be a good complement to the traditional filling materials, such as Aquazol 500 and Arbocel.
4
Herman, Tess P. « Investigating Potential Strategies Used by Climate Change Contrarians to Gain Legitimacy in Two Prominent U.S. and Two Prominent U.K. Newspapers from 1988 to 2006 ». Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1617893211661352.
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Feshami, Kevan A. « “That Blood is Real Because I Just Can’t Fake It” : Conceptualizing, Contextualizing, Marketing, and Delivering Gore in Herschell Gordon Lewis’s Blood Feast ». Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1276887492.
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Hernández, Guerrero Daniel. « Rethinking Source Criticism -Towards the development of an analytical model for evaluation of sources in times of massinformation and fake news ». Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-91339.
Texte intégralRésumé :
This thesis discusses source criticism from a critical perspective which encompasses its challenges, demands and possibilities for teaching practice. The questions guiding the core of this research are the following:1) What differentiates people’s activities in the process of evaluating sources? 2) What characterizes an effective practice in critical evaluation of sources? 3) Which criteria, factors and strategies might be important to consider in order to have a successful source critical methodology that promotes the improvement of critical thinking when analysing information and news?The studied materials include data from one survey and 54 semi-structured interviews. The interviews, analysed by using a methodology based on Grounded Theory, led to the development of a concept, critical source criticism (CSC), which define a broad perspective for the analysis of sources, and a related theoretical model (the CSC-model) aimed to be used for didactical purposes. The outcomes from this research suggest that different forms and levels of knowledge in history and social studies (in theory and practice), have a critical impact on the way we interact with information. The results also suggest that the combinations of theories and methodologies, alongside an emphasis on pluralism and multiperspectivity, can turn source criticism into an effective practice to achieve several educational goals. Subsequently, these results, are considered in the development of the proposed model in this thesis. The CSC-model developed in this study could be suitable for the analysis of information such as news, in planning of source-critical based teaching and in source critical discussions. I argue that this methodological structure, can be applied to facilitate the development of critical thinking, as well as other skills and abilities essential for democratic participation. This thesis Includes summaries in Swedish and Spanish as appendices".
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Brushett, Kevin Thomas. « Blots on the face of the city, the politics of slum housing and urban renewal in Toronto, 1940-1970 ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ63408.pdf.
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Bonino, Pauline. « La France face à la Convention européenne des droits de l'Homme (1949-1981) ». Thesis, Cergy-Pontoise, 2016. http://www.theses.fr/2016CERG0826/document.
Texte intégralRésumé :
Notre recherche a pour objectif d'expliquer pourquoi la France, qui pourtant est un des pays à l'origine de la Convention européenne des droits de l'Homme, met vingt-cinq ans à ratifier cette Convention, et même trente ans avant d'autoriser le droit de recours individuel. Pour ce faire, nous avons dû prendre en compte de nombreux facteurs.Tout d'abord, l'évolution politique interne à la France. En effet, sous la Quatrième République, la question des colonies puis la question de la liberté de l'enseignement vont bloquer le processus de ratification. Puis, à partir de 1956 et du début de la guerre d'Algérie, la question de la ratification est bloquée. Aux débuts de la Cinquième République, la vision gaulliste de la justice et de l'Europe retardent de nouveau la ratification, malgré des mobilisations de parlementaires et de certains juristes. Finalement, au début des années 1970, la situation se débloque, Pompidou se montre plus européen et s'allie avec les centristes, c'est à la faveur d'un accord politique et après une mobilisation de nombreux acteurs menée par René Cassin, la Convention est ratifiée en 1974, mais avec des réserves et sans le droit de recours individuel. Il faudra attendre l'arrivée de Mitterrand au pouvoir pour que soit autorisé ce droit de recours. Tout au long de cette période, différents acteurs se sont mobilisés en faveur de la ratification de la CEDH.Au-delà des accords politiques, la ratification peut s'expliquer par tout une série de facteurs contextuels qui vont dans son sens et qui sont dans la continuité de l'avant Seconde Guerre mondiale. Tout d'abord, sur le plan interne, le contrôle de constitutionnalité est progressivement accepté par les juristes et les responsables politiques, ce contrôle marque la remise en cause du légicentrisme français, remise en cause nécessaire pour accepter la CEDH. Parallèlement, s'installe progressivement un droit européen, mis en place par la CJCE, l'acceptation de ce droit par les institutions politiques et judiciaires françaises et l'intérêt porté par la CJCE aux droits de l'Homme dans les années 1970, leur permettent de se familiariser avec l'idée qu'un droit externe, protecteur des libertés publiques, peut avoir une influence sur le droit français. La mise en place de la Commission puis de la Cour EDH et le développement de leur jurisprudence, qui est respectueuse des intérêts des Etats, va permettre de faciliter l'acceptation de ces institution. Enfin, la question droits de l'Homme, qui a été quelque peu mise de côté après 1950, revient en force à partir de la fin des années 1960 et devient à cette époque un concept, une idée omniprésente dans les médias et les discours politiques. Tous ces facteurs montrent une évolution de l'air du temps et des idées dominantes. Leur évolution est parallèle à l'acceptation de la CEDH, certes, ce ne sont pas des facteurs directs, mais ils marquent l'implantation dans la société des idées sous-jacentes dans la Convention EDHOur research aim to explain why it took twenty-five years to France to ratify the ECHR, even though France was one of the ECHR founding countries. We even had to wait until 1981, to see the individual petitions authorized in France. There are several factors to take into account.First, domestic politics are important. Under the Fourth Republic, colonial issues and then freedom of education are preventing France to ratify the Convention. Then, there are the Algerian war which completely block any possibility of ratification. After 1958, de Gaulle is the Président and his vision of justice and Europe are not compatible with the ECHR, therefore, the ratification is once more postpone, even though jurists and politicians are mobilized. Finally, at the beginning of the 1970s, Pompidou is more open to European ideas and he needs to make an alliance with the centrists. After a long mobilisation, led by René Cassin, the ECHR is ratify in 1974, with reserves and without individual right to petition. We have to wait until 1981, and François Mitterrand to see this right recognized. During this period, we have to emphasize the role of various actors who mobilized in favor of the ratification.In parallel to these political evolutions, the background changed between 1950 and 1970, and led to an easier acceptance of the ideas at the heart of the ECHR. First of all, judicial review is more and more accepted in France by both jurists and politicians. This review questioned the french legicentrism and make the acceptance of a conventional control easier. During the same period, a European Law is created by the European court of justice, which led to a better familiarity (not yet acceptance) with the possibility of having internal law influenced by an external one.The work of the European Commission of Human Rights and the European Court, is also instrumental into the acceptation of the ECHR. Their jurisprudence, in this period, takes into account the reluctance of the Member-States to see an external body judge their law, therefore, the ECHR doesn't seem to be menacing. Finally, we see the rise of Human Rights during this period, starting in the 1960s. Human Rights became in the 1970s a central issue in domestic and foreign affairs, medias and public society took an interest in their defense. It became central in politics. All these factors show an evolution of the mainstream ideas which led to an easier acceptation of the ECHR, even though there are not directly linked
9
Regina, Christophe. « Femmes, violence(s) et sociéte face au tribunal de la sénéchaussée de Marseille (1750-1789) ». Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3022.
Texte intégralRésumé :
Les femmes sont-elles violentes ? Simple question qui appelle a priori une réponse évidente mais qui dans les faits semble avoir quelques difficultés à retrouver une réponse. Vision biaisée, regards troublés, les lectures du rapport des femmes à la violence tendent à réduire, à minimiser ou à réfuter l'exercice quotidien d'une violence féminine renvoyée à l'exceptionnel et à l'anormalité. Les femmes seraient par définition moins violentes que les hommes. Mais quels sont les fondements de pareil postulat ? Afin d'y réfléchir ont été investies dans le cadre de cette thèse les archives du tribunal de la sénéchaussée de Marseille afin de questionner les formes, les occasions et les expériences de la violence ordinaire auxquelles les femmes étaient confrontées. Se défaisant de l'idée d'un phénomène jugé mineur et ponctuel, les sources exploitées ont permis d'appréhender l'ordinaire des violences marseillaises, resituant aux sexes la part respective qui leur revient en la matière et permettant de nuancer l'idée d'une faible participation féminine aux actes violents ainsi qu'une réflexion sur les formes et manifestations des violences. Les femmes tout à tour actrices et victimes de ces usages tiennent une place fondamentale au sein de la société des voisins qu'elles envahissent, modèlent et contrôlent en partie. La litigiosité féminine a constitué l'angle d'approche retenu pur considérer au travers du regard judiciaire et de ses imperfections, le quotidien ordinaire d'une ville importante d'Ancien Régime : Marseille. La violence est processeur d'une dynamique sociale à laquelle les femmes prennent activement part, qu'elle la subissent ou qu'elles l'exercentAre Women violent? The answer to this simple question would seem a priori obvious, but in fact it is difficult to offer a convincing explanation. Statistics and data on female violence tend to reduce, minimize or disprove the idea that female violence might take place on a daily basis, suggesting rather that it is the exception, or at the very least an abnormal occurrence. Apparently, women are inherently less violent than men. But what is the basis for such a premise? In order to answer this question, we have studied the records of the Seneschal of Marseilles' court. These judicial archives allow us to understand the forms, opportunities and experience of everyday violence that women faced. Setting aside the idea that this was a minor and irregular phenomenon, these sources provide evidence of violence in the everyday life of Marseilles' inhabitants and attribute to each sex their proper place in this behavior, while enabling a nuanced analysis of the idea that women were less inclined to violence and providing insight into the forms and manifestations of such violence. Women, both actresses and victims of these practices, were key players within the society in their ability to enter, shape and partially control their neighbourhood. By studying cases presented to the courts by women, it is possible to adopt the judge's perspective, with its insight and imperfections, of daily life of a major city under the Old Regime: Marseilles. Violence was a social dynamic process in which women were actively involved, whether as victims or aggressors. By comparing analytical tools and approaches of sources, it is possible to study both the working and the elite classes
10
Cartonnet, Jean-François. « Veuve Clicquot , une grande maison de Champagne face à la conjoncture, management et gestion financière, 1900-1939 ». Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040187.
Texte intégralRésumé :
La pérennité de la maison Veuve Clicquot parmi les grands noms du champagne depuis plus de deux siècles n’est pas l’effet du hasard. Elle est le fruit de la résilience d’une entreprise familiale dotée d’une vision inscrite dans la durée, d’un dynamisme entrepreneurial doublé de prudence patrimoniale, attachée à des rapports sociaux de type paternaliste avec son personnel. Entreprise mondialisée depuis son origine, elle a su très tôt combiner le capital, le marché, l’outil de production, le travail, et conserver sa cohérence. De 1900 à 1939 ses conditions de fonctionnement sont profondément modifiées. Si la Belle Epoque offre un environnement de stabilité, bien qu’entamé par la crise du phylloxéra, l’après-guerre se caractérise par les dommages de guerre, les convulsions des prix et des changes, la crise de 1929, les grèves de 1936 et 1937. Cependant l’entreprise parvient à perpétuer sa stratégie d’expansion en harmonie avec le marché haut de gamme du champagne de qualité. La Maison fait face avec succès aux aléas de la conjoncture, et offre une leçon de modernité. Elle adapte ses prix à l’instabilité monétaire, encadre et dynamise son réseau d’agents distributeurs. Elle pratique une politique agressive d’achats de raisins et de vins faits pour faire face à la demande, développe et modernise ses capacités de production. Une politique sociale généreuse fidélise employés et ouvriers. La succession des générations s’organise dans le consensus familial. Une forte profitabilité nourrit l’autofinancement, conforté par les prêts consentis par les associés, et assure à la famille dividendes, intérêts et gains potentiels en capital. Une structure financière saine et équilibrée assure la pérennité de l’entreprise, même aux pires momentsThe permanence of Veuve Clicquot among the most illustrious names of champagne firms for more than two centuries is not a mere accident. It is the outcome of resilience for a family enterprise with a long term vision, business dynamism coupled with precautionary investment, eager to maintain social relationships of a paternalistic kind with its workers.As a global company since its origin, it could early combine capital, market, production tool, labour, and preserve coherence. From 1900 to 1939, its working conditions are deeply altered. While the Belle Epoque period offered a stable environment, although altered by the phylloxera crisis, the post war years are characterized by war damages, convulsions of prices and exchange rates, the 1929 depression, the 1936 and 1937 strikes. However the firm succeeds in perpetuating its growth strategy in conjunction with the top-of-the-range market of high quality champagne.The firm successfully copes with ups and downs of the economic cycle, and teaches a lesson of modernity. It adjusts its selling prices to monetary instability, drives and stimulates its resellers network. It pursues an aggressive buying policy for grapes and wine, in order to meet demand, develops and modernizes its production capacity. A generous social policy retains workers and staff. The succession of generations fosters family consensus. A high profitability fuels self-financing, consolidated through shareholders loans, while providing the family with dividends, interest and potential capital gains. A sound and balanced financial structure secures the future of the company, even at the worst moments
11
Jaumain, Serge. « Les petits commerçants belges face à la modernité (1880-1914) ». Doctoral thesis, Universite Libre de Bruxelles, 1991. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/213069.
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Fernandez, Jose Luis. « Kant’s Proleptic Philosophy of History : The World Well-Hoped ». Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/543456.
Texte intégralRésumé :
PhilosophyPh.D.
The aim of this dissertation is to examine and helpfully elucidate Kant’s proleptic philosophy of history by pursuing lines of thought across both his critical and historical body of work. A key motivation for this goal stems from noticing certain repetitive explications of Kant’s philosophy across, among other subjects, history, biology, religion, teleology, culture, and education, which, as precise and careful in their detail, all seem to converge on key Kantian ideas of teleology and morality. Rather than concentrating on any one aspect of Kant’s proleptic philosophy, I set out to (i) investigate seemingly untenable problems with his characterization of reason in history, (ii) to counter what I take as a misreading, if not misattributions, of Kant’s proleptic, and not prophetic, thoughts on historical progress, (iii) to offer an original reflection on Kant’s use of a famous stoic phrase in two of his political essays, and (iv) to an attempt a close exegesis toward tying notions of teleology and hope with that of need. The approach that I take in these chapters is both problem centered and exegetical, and while I attempt to answer concerns in the secondary literature pertaining to Kant’s proleptic philosophy of history, I also stay close to the primary texts by providing references and citations to key claims and passages which reinforce Kant’s forceful portrait of the poietic power of human reason to create a world hospitable to its rational ends.
Temple University--Theses
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Beydoun, Ahlam. « La souveraineté du Liban face à l'épreuve ». Doctoral thesis, Universite Libre de Bruxelles, 1990. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/213094.
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Cartonnet, Jean-François. « Veuve Clicquot , une grande maison de Champagne face à la conjoncture, management et gestion financière, 1900-1939 ». Electronic Thesis or Diss., Paris 4, 2014. http://www.theses.fr/2014PA040187.
Texte intégralRésumé :
La pérennité de la maison Veuve Clicquot parmi les grands noms du champagne depuis plus de deux siècles n’est pas l’effet du hasard. Elle est le fruit de la résilience d’une entreprise familiale dotée d’une vision inscrite dans la durée, d’un dynamisme entrepreneurial doublé de prudence patrimoniale, attachée à des rapports sociaux de type paternaliste avec son personnel. Entreprise mondialisée depuis son origine, elle a su très tôt combiner le capital, le marché, l’outil de production, le travail, et conserver sa cohérence. De 1900 à 1939 ses conditions de fonctionnement sont profondément modifiées. Si la Belle Epoque offre un environnement de stabilité, bien qu’entamé par la crise du phylloxéra, l’après-guerre se caractérise par les dommages de guerre, les convulsions des prix et des changes, la crise de 1929, les grèves de 1936 et 1937. Cependant l’entreprise parvient à perpétuer sa stratégie d’expansion en harmonie avec le marché haut de gamme du champagne de qualité. La Maison fait face avec succès aux aléas de la conjoncture, et offre une leçon de modernité. Elle adapte ses prix à l’instabilité monétaire, encadre et dynamise son réseau d’agents distributeurs. Elle pratique une politique agressive d’achats de raisins et de vins faits pour faire face à la demande, développe et modernise ses capacités de production. Une politique sociale généreuse fidélise employés et ouvriers. La succession des générations s’organise dans le consensus familial. Une forte profitabilité nourrit l’autofinancement, conforté par les prêts consentis par les associés, et assure à la famille dividendes, intérêts et gains potentiels en capital. Une structure financière saine et équilibrée assure la pérennité de l’entreprise, même aux pires momentsThe permanence of Veuve Clicquot among the most illustrious names of champagne firms for more than two centuries is not a mere accident. It is the outcome of resilience for a family enterprise with a long term vision, business dynamism coupled with precautionary investment, eager to maintain social relationships of a paternalistic kind with its workers.As a global company since its origin, it could early combine capital, market, production tool, labour, and preserve coherence. From 1900 to 1939, its working conditions are deeply altered. While the Belle Epoque period offered a stable environment, although altered by the phylloxera crisis, the post war years are characterized by war damages, convulsions of prices and exchange rates, the 1929 depression, the 1936 and 1937 strikes. However the firm succeeds in perpetuating its growth strategy in conjunction with the top-of-the-range market of high quality champagne.The firm successfully copes with ups and downs of the economic cycle, and teaches a lesson of modernity. It adjusts its selling prices to monetary instability, drives and stimulates its resellers network. It pursues an aggressive buying policy for grapes and wine, in order to meet demand, develops and modernizes its production capacity. A generous social policy retains workers and staff. The succession of generations fosters family consensus. A high profitability fuels self-financing, consolidated through shareholders loans, while providing the family with dividends, interest and potential capital gains. A sound and balanced financial structure secures the future of the company, even at the worst moments
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Brosseau, Cédric. « Le Canada face à l'Empire : La crise navale de 1910 ». Thesis, University of Ottawa (Canada), 2010. http://hdl.handle.net/10393/28639.
Texte intégralRésumé :
La société canadienne s'enflamme en 1910 à la suite de l'introduction, par le premier ministre Sir Wilfrid Laurier, d'un projet de loi voulant l'organisation d'un service naval canadien. Que ce soit à la Chambre des communes, en assemblées populaires, en famille ou dans les médias, la défense maritime du Canada retient dorénavant l'attention des Canadiens.
Présente au Canada sporadiquement depuis la Confédération, cette question, devenue fondamentale suite à l'émergence de nouvelles puissances militaires remettant en cause la domination de l'Empire britannique, force le Dominion à agir. Après des années de tentatives évitées ou avortées, la question se pause directement : autonomie nationale ou participation impériale?
Le débat qui en découle, la crise navale de 1910, divise profondément la société canadienne. Limitée trop souvent à un antagonisme entre Canadiens français et Canadiens anglais par l'historiographie, cette crise traverse aisément les frontières ethniques traditionnelles du pays. En effet, elle résulte principalement d'un affrontement entre autonomistes et impérialistes, chacun avançant un programme spécifique quant à l'avenir souhaité du Dominion.
Grandement intéressée par la question, la population s' active et intervient au sien du débat via diverses organisations populaires, en écrivant à ses représentants politiques et en participant à des assemblées publiques. Les médias sont eux aussi captivés, les journaux du pays abordant abondamment le sujet pendant la crise. Ainsi, cette dernière s'avère une véritable crise nationale, les tendances autonomistes et impérialistes s'étalant sur l'ensemble du territoire tout en divisant presque également le peuple canadien.
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Mork, Noralf. « The fate of innovation : a social history of creativity and curriculum control ». Thesis, University of Brighton, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491099.
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Zoldan, Yann. « Résister, transmettre et exister face à l'oppression politique ». Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20028.
Texte intégralRésumé :
Exister dans ce monde n’est pas toujours autorisé, l’oppression politique et ses paradigmes que sont le colonialisme et le fascisme, ont pour volonté de briser les individus ou de les voir disparaître. En conséquence, de nombreuses personnes doivent leur existence à des résistances. Dans les suites de la seconde guerre mondiale et d’après les cendres du nazisme, nous sommes allé à la poursuite des existences à la marge, de ce qui perdure dans la transmission après les traumas historiques. Cette recherche nous a conduit à explorer différentes thématiques : le sionisme, la Shoah, les processus de paix et partir sur différents terrains : le nord de l’Irlande, Israël, Palestine, la région autonome juive de Russie. Les réalités rencontrées sont empreintes de traumatismes historiques qui inscrivent les sujets dans une existence, celle-ci devient possible par la transmission d’une narrativité historique propre. Les identités sont constituées dans le récit que chaque sujet et sa communauté d’affiliation produisent, récit qui est celui d’une ré-existence, d’une résistance. L’individu en révolte est métissé entre son historicité subjective, l’Histoire qui l’entoure et la culture qu’il porte et par qui il est porté. Les sujets qui sont entrés en résistance veulent prendre place dans l’Histoire et transmettre, résister et devenir. Nous avons vu nos sujets dans leur quête d’idéal faire référence à un passé recomposé, celui-ci est un territoire imaginaire peuplé de héros idéalisés et d’une mystique particulière. Cette filiation imaginaire a une valeur thérapeutique, elle semble venir colmater les blessures et traumatismes historiques. Les actualités politiques au plus proche de nous illustrent les propos que nous développons dans cette thèse comme par exemple les réalisations spectaculaires d’individualités en mal d’existence. Ces actualités questionnent de nouveau nos thèmes de recherche : que dire sur le retour du fascisme, de l’antisémitisme ? Quel sens donner aux histoires silencées, aux non-dits ou mal-dits coloniaux ?To exist in this world is not always permitted. Political oppression and its paradigms: colonialism and fascism are willing to break people or to make them disappear. Consequentially, many people owe their existences to resistances. In the aftermath of the Second World War and over the ashes of Nazism this research has been in pursuit of fringe existences: what remains through transmission after historical traumas. This research drives us to explore different themes: Zionism, Shoah, peace processes. It leads us toward various research fields: In the north of Ireland, Israel, Palestine, and the Autonomous Jewish Region of Russia. Realties that we met are marked with historical traumas. Those traumas etched the existence of subjects. Existence becomes possible through the transmission of historical narratives. Identities are constituted by narratives that each subject and their community are creating. The narrative is a re-existence: a resistance. Revolted individuals are crossed between their subjective historicity, their surrounding history, the culture they carry within and the culture that they are carried by. Subjects who joined resistance want to take place in History to transmit, to resist and to become someone. It has been shown that in their quest for ideal they have to refer to a recomposed past. This past is an imagined territory inhabited by idealized heroes and a specific mystic. This imagined filiation has a therapeutic value; it seems to cure traumatic injuries and historical traumas. Political news highlights what we are developing in this thesis, as for instance the spectacular acts of individuals in lack of existence. These news raise again our research themes: What can we say about the fascist and anti-Semitic return? What sense could we give to silenced histories, to colonial unspoken or bad spoken?
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Aka, Koffi Sabine. « Les romanciers ivoiriens face à l'Histoire. 1990 - 2009. Textes et contexte ». Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA062.
Texte intégralRésumé :
Le roman postcolonial relève de l’interprétation de l’Histoire inhérente à l’écrivain d’origine africaine. En l’absence de sens acceptable pour les intéressés, la fiction interroge et met en exergue les aspects occultés de l’Histoire. L’étude s’attache à mettre en évidence des grilles de lecture autres qu’occidentales permettant de comprendre l’Histoire immédiate, thématique de plus en plus marquée chez les romanciers contemporains de Côte d’Ivoire. L’on se propose d’analyser la façon dont les romanciers ivoiriens des années quatre-vingt-dix à nos jours problématisent le thème de l’Histoire, comment ils l’intègrent à la trame narrative et pourquoi. La gestion d’une Histoire européo-centrée est un exercice délicat mais essentiel pour sortir de l’impasse. Les écrivains cherchent à doter leur peuple d’une Histoire à l’africaine ; Histoire compliquée par le colonialisme. L’étude vise à montrer comment cette évolution correspond à une urgence pour les auteurs : ceux-ci tentent en effet, à travers l’écriture romanesque, de trouver des réponses à la fragilisation des structures étatiques et de conjurer le spectre de la guerre civile amorcée par l’instrumentalisation du concept de l’Ivoirité. L’analyse porte sur les représentations mentales et culturelles, et l’on interrogera les catégories littéraires de façon à rendre compte de la façon dont elles induisent une vision de l’HistoireThe postcolonial novel is linked to the interpretation of History inherent to the african native writer. Without any acceptable understanding for the people concerned, fiction examines and brings out various occulted aspects of History. This study' s purpose is to underline some ways to interpret History other than from a western point of view, allowing the understanding of present History, a theme more and more present with contemporary Ivorian novelists. We propose to analyze the way Ivorian novelists, from the 90's until today, are treating History and how and why they integrate it into their fiction. The management of a european-centered History is a touchy but essential exercise to break the deadlock. Writers are willing to give their people an african History, complicated by colonialism. The study's goal is to show how this development is an urgency for the authors: in fact they try, through fiction, to find answers to the weakening of state structures and to ward off the specter of civil war initiated by the manipulation of the concept of "Ivoirité". The analysis focuses on the mental and cultural representations and we will go through the various literary categories, in order to summarize the way they induce a vision of History
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Khalaf, Elias Mustafa. « Identity, fame and solace in Shakespeare's English history plays excluding the second tetralogy ». Thesis, University of Liverpool, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316152.
Texte intégral
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Spicer, Charles. « 'Ambulant amateurs' : the rise and fade of the Anglo-German Fellowship ». Thesis, Institute of Historical Research (University of London), 2018. http://sas-space.sas.ac.uk/9193/.
Texte intégralRésumé :
This thesis chronicles the fortunes of the Anglo-German Fellowship, the British society founded in 1935 that advocated friendship with Hitler’s Germany up to its suspension in October 1939 following the outbreak of war. Drawing on newly discovered and previously overlooked primary sources, thematic and chronological methods are combined to explore how the Fellowship’s leaders played a bigger role in the diplomatic crises of the late 1930s than previously acknowledged. Supported by its sister organisation in Germany, the Fellowship attracted support from British royal, political, diplomatic, aristocratic, business, financial, military, sporting and intelligence elites with its membership reaching nine hundred by 1938. Funded by business and financial interests and patronised by Anglo-German royalty, it was influenced by the German high command, welcomed by elements of the British establishment and infiltrated by British, German, Russian and Jewish intelligence agents. To the extent it has been covered in the secondary literature, those assessing the Fellowship have classed it alongside the nasty, the eccentric and the irrelevant within ‘the Fellow Travellers of the Right’ tradition. This thesis challenges those stereotypes, arguing that it has been consequently misinterpreted and underestimated both by scholars and in popular culture over the last eighty years. Using primary sources to build an objective prosopography of its membership, evidence is offered that the Fellowship was more than a fringe pressure group and dining club and achieved international credibility as a lobbying body, diplomatic intermediary and intelligence-gathering tool. Having surveyed the heritage of earlier transnational friendship societies, this thesis examines the business and economic motives, on both sides of the North Sea, in founding the Fellowship, before charting how it then recruited support from across the political spectrum. Arranging landmark meetings between British politicians and the National Socialist leadership, it proved itself as a conduit for diplomatic dialogue with Germany. The central chapters probe the prosopography to highlight the Fellowship’s penetration of the British Establishment before lifting the lid of respectability to measure the extent to which it harboured pro-fascist and anti-Semitic enthusiasts for Hitler’s Germany. As the narrative moves into the final three years before war, two chapters explore how the Fellowship accessed the central political and diplomatic bodies in both countries including Downing Street, the houses of parliament, British political parties, Hitler’s Chancellery, the NSDAP, both foreign ministries and their embassies while simultaneously establishing dialogue with those opposing Hitler’s regime and challenging the wisdom of appeasement. Finally, the organisation’s legacy is examined to ask whether, by developing a different flavour of appeasement to Chamberlain’s, it offered a real alternative to war and whether this contributes to the continuing discourse surrounding inter-war appeasement.
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Hayashi, Ann Koto. « Face of the enemy, heart of a patriot : Japanese-American internment narratives / ». The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248981262.
Texte intégral
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Gilbert, Kimberly Julie. « Understanding local adaptation and effective population size in the face of complex demographic history ». Thesis, University of British Columbia, 2016. http://hdl.handle.net/2429/59519.
Texte intégralRésumé :
Evolution is driven by four major processes that create, maintain, or eliminate genetic diversity within and among populations: mutation, gene flow, genetic drift, and natural selection. My thesis examines the role of demographic history and its interactions with each of these processes in impacting the evolution of populations. Demographic history can cause various states of non-equilibria in populations creating the potential to mis-inform important evolutionary inferences. Such inferences may be key for making conservation decisions in applied biology. Chapter 2 investigates methods for estimating effective population sizes under the assumption-violating scenario of migration among populations. Effective population size is proportional to the amount of genetic drift a population experiences, yet gene flow can affect measures of drift and thus estimates of population size. Using simulated data to understand the impact of migration on estimation accuracy, I find that two existing estimation methods function best. I next present two studies on species range expansions and the roles of migration, mutation, selection, and drift on expansion dynamics. Range expansion is a common demographic history in many species and can lead to non-equilibrium genetic scenarios. The first of these studies shows the interaction of deleterious mutation accumulation and local adaptation to environmental gradients during range expansions (Chapter 3). The interplay of expansion load, mutation load, and migration load lead to different levels of local adaptation in expanding populations. Chapter 4 examines the ability of species to expand over patches of environmental optima under different genetic architecture regimes. Expansion is enhanced by certain genetic architectures, and each of these interacts with the size of patches on the landscape as well as how strongly selection varies across patches. My final study assesses the reproducibility of analyses using the common stochastic algorithm structure (Chapter 5). This research finds 30% failure of reproducibility for results from structure using published datasets and elucidates the reasons for failure of reproducibility. In sum, my thesis contributes to our understanding of how gene flow, population size, heterogeneous selection, and mutation interact to impact the genetics of populations and thus the fate of evolving biodiversity.Science, Faculty of
Graduate
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Vickberg, Maria. « In Der Fuehrer’s Face : Hur populärkultur kan nyttjas för politisk propaganda ». Thesis, Linnaeus University, School of Cultural Sciences, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-4031.
Texte intégral
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Ruaud, Olivier. « L’humour pour écrire l’Histoire : le dessinateur Forges face aux paradoxes de l’Espagne franquiste ». Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30091/document.
Texte intégralRésumé :
En 1977, deux ans après la mort du général Franco, au coeur du processus transitionnel, le dessinateur Forges publie les Historiciclos, une histoire de l'Espagne franquiste en bandes dessinées. Adoptant en apparence l'organisation d'une publication historiographique et se basant sur un corpus de la presse de l'époque rompue à la non information quand il ne s'agissait pas de désinformation, le dessinateur joue ironiquement avec les aspects officiels et officieux de l'Histoire qu'il questionne. Au-delà de la dimension historique, ce travail est également l'occasion d'explorer différents procédés, graphiques et textuels, visant à relever la gageure de la représentation humoristique d'une dictature de presque quarante ansIn 1977, two years after General Franco has died, in a transitional process Forges,a drawer, published comics in Los Historiciclos, a story of Spain under Franco’s regime. Resuming apparently the organization of historiographical publication and focusing on a lack of information or simply disinformation, the drawer ironically plays with official and non-official aspects of the history he relentlessly questions. Beyond the historical aspects he emphasises, his work is also the opportunity to explore different narrative technics, either graphic or textual so as to challenge, with humour, Spain under almots 40 years of Franco’s dictatorship
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Palace, Wendy. « Losing face : the British foreign service and the question of Tibet 1904-1922 ». Thesis, Durham University, 1995. http://etheses.dur.ac.uk/5475/.
Texte intégralRésumé :
This thesis deals with the evolution and conduct of British policy towards Tibet from the Young husband Expedition in 1904 (in itself the most extreme example of the 'forward policy' on India's frontiers in this period) to the Washington Conference of 1922 (which called for a more subtle approach to the definition and defence of essential British interests). It examines the interaction, in a complex quadrilatereal relationship, of the four branches of the British foreign service primarily involved in Tibetan policy: the Foreign Office and the India Office in London, the Viceroy and the Government of India, and the China service based in Peking. It seeks to elucidate the ways in which British policy-making sought to accommodate the interests of India with the imperatives of policy towards other major powers, notably Russia, China and Japan. Considerable emphasis Is placed upon the problems and contributions of those charged with the implementation of policy 'on the spot', and the ways in which their ability to act independently (as Younghusband had done in 1904) was eroded by the increasing control of their activities by the growing official bureaucracies in London, in a world made smaller by the extension of the rapid growth of communications. Finally, the effects of the new international climate after the First World War are evaluated in terms of their Impact upon Britain's Tibetan policy. Since this thesis is primarily about the evolution of policy making within the British foreign service, it is based largely on British primary sources, both official and private, and upon the extensive memoir literature produced by the participants. It does not purport to represent or anaylse in detail the views of the Tibetans themselves or seek to pass judgement upon the impact of great-power politics upon their aspirations, though the radical differences in their values and priorities will be apparent.
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Monteiro, Mariana Moronari. « Caracterização termofísica de bio materiais de mudança de fase por meio da metodologia T-History ». reponame:Repositório Institucional da UnB, 2018. http://repositorio.unb.br/handle/10482/32591.
Texte intégralRésumé :
Dissertação (mestrado)—Universidade de Brasília, Faculdade de Tecnologia, Departamento de Engenharia Mecânica, 2018.Submitted by Fabiana Santos (fabianacamargo@bce.unb.br) on 2018-09-03T18:20:27Z No. of bitstreams: 1 2018_MarianaMoronariMonteiro.pdf: 3966672 bytes, checksum: 915e17bd9ebae5b0b37e00ceeafb3002 (MD5)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) e Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPQ).
O armazenamento de energia térmica vem sendo considerado como uma viável solução para reduzir os problemas associados à natureza intermitente e variável dos recursos renováveis. Os materiais utilizados nos sistemas de armazenamento térmico de calor latente são denominados materiais de mudança de fase (PCM), os quais armazenam e liberam energia durante sua mudança de fase. As ceras de palma, soja e carnaúba foram estudadas neste trabalho como bio materiais de mudança de fase e suas propriedades termofísicas foram determinadas por meio da metodologia experimental T-History. Um aparato experimental foi desenvolvido para a obtenção do histórico de temperatura dos materiais analisados. A parafina eicosano, por ser um material amplamente estudado no meio cientíco e possuir suas propriedades termofísicas definidas e reportadas na literatura, também foi caracterizada neste trabalho para validar tanto o sistema de medição quanto a metodologia utilizada. O método T-History original e modificado foram aplicados para a comparação dos resultados obtidos por diferentes metodologias de análise. A influência da taxa de resfriamento sobre comportamento térmico dos materiais e sobre o valor das propriedades calculadas foi analisada por meio do uso de diferentes ambientes de resfriamento. Baseando-se nos resultados apresentados, o método T-History original foi apropriado para a caracterização termofísica do eicosano e sua aplicação gerou resultados consistentes, apresentando boa concordância com os valores reportados na literatura. Em geral, os comportamentos térmicos das ceras vegetais estudadas foram diferentes. Dentre as ceras vegetais estudadas no trabalho, a cera de carnaúba do tipo 4 apresentou o maior calor latente de fusão e as ceras de carnaúba tipo 3 e de soja apresentaram os maiores valores para condutividade térmica. Por meio dos ensaios realizados em diferentes ambientes de resfriamento, verificou-se experimentalmente que de fato o aumento da taxa de resfriamento influenciou os dados obtidos, resultando em grandes desvios e baixa precisão na determinação das propriedades termofísicas dos PCMs. Devido à escassez de dados referentes ao uso da metodologia T-History para a determinação das propriedades das ceras vegetais, foi difícil identificar qual o método de análise mais apropriado para a caracterização das ceras. No entanto, como o método modificado foi desenvolvido especificamente para analisar materiais que não apresentam sua mudança de fase em um patamar bem definido, ele se tornou mais adequado para a determinação das propriedades termofísicas das ceras vegetais estudadas este trabalho. Apesar do método modificado possuir limitações, ele apresentou grandes avanços com relação à metodologia T-History original.
Thermal energy storage has been considered as a viable solution to reduce the problems associated with the intermittent and variable nature of renewable resources. The materials used in the latent heat storage systems are called phase change materials (PCMs), which store and release energy during their phase change. The palm, soybean and carnauba waxes were studied in this work as bio phase change materials and their thermophysical properties were determined using the T-History methodology. An experimental apparatus was developed to obtain the temperature history of the analyzed materials. Eicosano paraffin, because it is a material widely studied in the scientific milieu and has its defined thermophysical properties and reported in the literature, was also characterized in this work to validate both the measurement system and the methodology used. The original and modified T-History method were applied to compare the results obtained by different analysis methodologies. The influence of the cooling rate on the thermal behavior of the materials and on the value of the calculated properties was analyzed through the use of different cooling environments. Based on the presented results, the original T-History method was appropriate for the thermophysical characterization of eicosano and its application generated consistent results, presenting good agreement with the values reported in the literature. In general, the thermal behavior of the studied vegetable waxes was different. Among the vegetable waxes studied in the study, carnauba type 4 wax presented the highest latent heat of fusion and the waxes of carnauba type 3 and soybean had the highest values for thermal conductivity. By means of the tests performed in different cooling environments, it was verified that in fact the increase in the cooling rate influenced the obtained data, resulting in large deviations and low precision in the determination of the thermophysical properties of the PCMs. Due to the lack of data regarding the use of the T-History methodology to determine the properties of vegetable waxes, it was difficult to identify the most appropriate method of analysis for the characterization of waxes. However, because the modified method was specifically developed to analyze materials that did not present their phase change at a well defined level, it became more suitable for the determination of the thermophysical properties of the vegetable wax studied in this work. Although the modified method has limitations, it has made great strides in relation to the original T-History methodology.
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Fradet, Thibault. « Vulnérabilité et perception face aux tremblements de terre en France, 1650-1850 ». Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLV135/document.
Texte intégralRésumé :
Cette thèse d’histoire vise in fine l’amélioration des méthodologies de détermination de l’aléa qui reposent sur les données macrosismiques dans le cas des séismes historiques. A cette fin, l’effort de recherche fondamentale, de même que l’analyse de la vulnérabilité des sociétés du passé face aux aléas naturels passent par la création et l’utilisation d’outils méthodologiques applicables aux séismes historiques (critique historique, lexique, cartographie). La thèse se compose de deux parties à la fois distinctes et indissociables : d’une part la vulnérabilité des populations anciennes aux tremblements de terre, d’autre part celle du bâti ancien. Mêler la mise en contexte des documents disponibles à une recherche archivistique robuste et fine permet d’intégrer le comportement des communautés touchées.Les bornes chronologiques choisies correspondent au développement de la presse et la naissance de la science moderne d’une part, l’entrée dans l’ère de la Révolution industrielle d’autre part. Ce choix est également motivé par la disponibilité restreinte et l’analyse plus complexe des documents pour la période qui précède le XVII e siècle et la naissance de la sismologie pour la seconde partie du XIX e siècle.Trois cas d’études (Bagnères-de-Bigorre, 1660 ; Manosque, 1708 ; Entre-Deux-Mers, 1759) permettent d’explorer bon nombres de pistes de recherches menant à une appréhension, analyse et interprétation desdocuments historiques par l’utilisation d’outils créés spécialement dans ce butThis thesis of history is ultimately the improvement of the methodologies of hazard based on macroseismic data in the case ofhistorical earthquakes. To this end, the effort of basic research, as well as the analysis of the vulnerability of societies of the past to natural hazards involves the creation and the use of methodological tools applicable to historical earthquakes (historical criticism, lexicon, and mapping). The thesis consists into two parts at once distinct and indivisible: firstly the old vulnerability to earthquakes, secondly the vulnerability of ancient buildings.Mixing the context of the available documents with a robust and thin archival research allows integrating the behavior of affected ommunities.Selected time-series terminals correspond to the development of the press and the birth of modern science a hand, entering the era of the Industrial Revolution on the other. This choice is also motivated by the limited availability and more complex analysis of the documents for the period preceding the 17th century and the birth of Seismology for the second part of the 19th century.Three case studies (Bigorre, 1660; Manosque, 1708; Entre-Deux-Mers, 1759) allow exploring many leads of research leading to a better apprehension, analysis and interpretation of historical documents by theuse of tools specifically created for this purpose
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Kubler, Corinne. « La face cachée des Rougon-Macquart d'Emile Zola ». Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA019/document.
Texte intégralRésumé :
Selon nous, la face cachée des Rougon-Macquart réside dans l’articulation de deux histoires : l’une légitime, affichée, déclarée - l’histoire naturelle et sociale d’une famille sous le Second Empire - l’autre cachée, illégitime, non déclarée - l’histoire culturelle et intellectuelle également sous le Second Empire. Cette histoire a culturelle a pu être mise en place car elle repose sur les deux aspects développés par cet auteur : l’aspect social en découpant la société en cinq mondes et l’aspect naturel ou héréditaire (la reproduction). En effet, avec cette histoire culturelle, nous retrouvons ce même découpage en cinq mondes : le monde des arts et des lettres, le monde des sciences, le monde des sciences humaines, le monde de l’information et de la communication et un monde à part (la mythologie et la religion). Cette histoire culturelle a également été envisagée sous l’angle de la reproduction textuelle et non plus sexuelle avec la mise en place d’une véritable machinerie à reproduire les textes-sources (ou textes insérés). La bande-reproductrice ou la bande-annonce qui définit le type de texte ; l’annonce (ou le texte reproduit). Le roman expérimental résiderait davantage dans la mise en place de cette autre histoire qui, de manière souterraine, a permis à Zola de réfléchir sur les différentes méthodes de composition et d’écriture qu’impliquent cette reproduction textuelle comme l’acte de reproduire. Si nous avons défini ces cinq mondes culturels , nous nous sommes davantage attachées à étudier le monde de l’information et de la communication, et en particulier le monde journalistique. Une telle approche nécessite sa prise en compte pour redéfinir tant l’esthétique zolienne que naturalisteAccording to our view, the hidden of the Rougon-Macquart lies in expression of two histories : a legitimate one, which is stated, declared – the natural and social history of family under the Second Empire – and the other one, which is hidden, illegitimate and undeclared – the cultural and intellectual history under the Second Empire as well. The set up of this cultural history was made possible because it relies on the two aspects developpedby this autor :the social aspect by dividing society into five worlds and the natural or hereditary one (reproduction). Indeed, with this cultural history, wie find the same division :the world of Arts and literature, the world of sciences, the world of human sciences, the world of information and of communication and a world apart (mythology and religion). This cultural history was also considered from the angle of textual reproduction, and not fromthe angle of sexual reproduction with the setting up of an authenthic machinery able to reproduce the source texts (or inserted texts). This machinery includes an announcer or reproducer, the announce or reproduction verb in charge of defining the source text ; the reproductive or announcing substance which definies the sort of text ; the announce (or the reproduced text).The experimental novel would more streuously reside in the setting up of this other history which in an underlying way enabled Zola to ponder on the different compsition and writing methods wich this textual reproduction involves as the act of reproducing. If we have defined these five cultural worlds, we have even more studied the world ofinformation and of communication, and the journalistic world in particular. This sort of approach requieres to take it into account in order to redefine Zola’s and Naturalim’s aesthetics
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Black, Sydney. « The fate of the vamp : Weimar Émigré cinema in the Golden Age of Hollywood ». Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=106621.
Texte intégralRésumé :
Utilizing film and feminist theory, traditional histories of Germany and America as well as primary source material, this paper's interdisciplinary approach exposes traditional misconceptions regarding the exiled nature of the Weimar émigrés filmmakers during the Golden Age of Hollywood. Through the construct of the New Woman, or the vamp, this paper explores the emigration to America and the ways in which it affected the filmmaking which had characterized Weimar cinema, while illustrating the changing perceptions of women through the 1920s-1940s. 1930s America would prove to be a short lived period wherein the émigré community was able to craft films which departed from the typical Weimar trope of the vamp, featuring prominent and sympathetic female characters.Pendant l'âge or d'Hollywood, il y avait nombreuses cinéastes émigrés du Weimar – réalisateurs, écrivains, acteurs, techniciens – émigrés qui avaient changé leurs méthodes cinématographiques, et, du quelque part, avaient aussi changé des méthodes d'Hollywood. La littérature populaire sur le sujet de cette période est pleine des références de la caractère d'exile de ces cinéastes, mais, même si cette caractèrisation peut s'appliquer sur certaines de ces cinéastes, il est trop simplistique pour la totalité de la communauté des émigrés. L'approche intérdisciplinaire de cette thèse, en utilisant des théories féministes, des théories de filmes, des histoires traditionelles d'Allemagne et des États Unis, ainsi que des matériaux primaires, sert à exposer les histoires fausses des cinéastes émigrés du Weimar en Hollywood. En regardant la caractère de la Femme Nouvelle en cette période, on peut simultanément tracer la trajet de ces émigrés et leurs idées entre Weimar et Hollywood, ainsi qu'utiliser la cinématographie nationale de ces deux pays comme une lentille en analysant les perceptions changeant des femmes. La traitement vindictive des femmes, un élément caractéristique des filmes du Weimar, était abandonné en les États Unis en les années 1930. Cette période avait furni des opportunités pour la communauté des émigrés de s'éloigner de ces tropes, en fabriquant des films avec des caractères feminines qui étaient fortes et sympathiques.
30
Whittle, Meg. « Philanthropy in Preston : the changing face of charity in a 19th century provincial town ». Thesis, Lancaster University, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305990.
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Walker, Glenn. « The changing face of the Kawarthas : land use and environment in nineteenth century Ontario ». Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=119407.
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This dissertation examines how changes in material culture and patterns of land use recreated the landscape of Fenelon and Verulam Townships, Ontario, between 1820 and 1900. Immigrants brought new visions of the landscape, productive techniques and forms of recreation. Though they had a clear understanding of the landscape they wanted to fashion, it was largely based on experience in Britain. As settlers and Ojibwas transformed the Kawarthas, they had to adapt this foreign culture to the conditions they found. This study explores processes of planning, surveying and distributing land; the establishment and operation of farms; manufacture of timber, lumber and other forest produce; the construction of canals and railways; hunting, trapping, fishing, recreation and tourism. A generation or two after resettlement began, the nascent communities finally created an agricultural landscape, prosperous villages, large-scale forest production, improved transportation networks and infrastructure for leisure. The emerging economies, cultures, societies and ecological relationships represented ways of life that had evolved to suit the Kawartha Lakes region.Comment les changements de la culture matérielle et des modèles d'utilisation des sols ont restructuré le paysage des cantons de Fenelon et de Verulam en Ontario, entre 1820 et 1900. C'est le sujet de la présente thèse. Les immigrants ont insufflé leur vision de l'aménagement des terres, des techniques de production et des types d'activités récréatives. Certes avaient-ils une idée claire du type d'aménagement qu'ils souhaitaient implanter mais leur expérience reposait essentiellement sur le contexte britannique. Ainsi, à mesure que les colons et les Ojibwas transformaient les Kawarthas, ils ont dû adapter cette culture étrangère aux conditions locales. Cette thèse examine les processus de planification, d'arpentage et de distribution des terres; l'établissement et l'exploitation de fermes; l'exploitation forestière et l'industrie connexe; la construction de canaux et de chemins de fer; la chasse, la trappe, la pêche, les loisirs et le tourisme. Une ou deux générations après le début du remembrement territorial, les collectivités naissantes ont réussi à mettre en place un aménagement des terres agricoles, des villages prospères, une production forestière à grande échelle, des réseaux de transport améliorés et une infrastructure du loisir. Les économies, cultures, sociétés et relations écologiques émergentes représentaient des modes de vie qui ont évolué en fonction du contexte de la région de Kawartha Lakes.
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Lacis, Indra K. « Fame, Celebrity and Performance : Marina Abramović--Contemporary Art Star ». Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1396625700.
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Brock, Claire. « The feminization of fame from Rousseau to de Staël ». Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/2477/.
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This thesis seeks to address the literary, cultural and historical questions surrounding what I will suggest was the reconceptualization of fame in the second half of the eighteenth and the first two decades of the nineteenth centuries. The only previous analyses of celebrity in this period by Leo Braudy and by Frank Donoghue have claimed categorically that even though a democratization of fame occurred in this period only men had sufficient access to the fame machine and thus to the experience of the frenzy of renown. While I argue that this period witnessed the birth of modern concepts of celebrity, I will suggest that a modernization necessarily entailed a feminization of fame. Traditionally, heroic self-sacrifice had led to assured immortality, but with the rapidly expanding print culture of this period, celebrity was often instantaneous, achieved during a lifetime rather than a lifetime achievement. With the dissemination of the media, the rise of newspaper and periodicals and thus, more importantly, the increasing visibility of the celebrity as a person to be admired and emulated came the means to seduce an eager audience by manipulating one’s career or personal image. Opening with an examination of the confessional politics of Jean-Jacques Rousseau who sought and found a desiring audience for this outpouring of private sensibility and thus initiated a discourse of fame which no longer relied upon the classical stoicism apparent since Ancient Rome, I will investigate how women writers not only ‘puffed’ themselves in the press, but actively engaged in constructing distinct authorial personae in and through their writings. Far from cowering anonymously in the shades, women writers were actively seeking and achieving the limelight, attaining a level of cultural centrality previously thought by critics such as Braudy and Donoghue to be unattainable. Embracing the public and publicity itself, they took advantage of the shifting mechanics of celebrity to place their writings and, ultimately, themselves, on the rostrum, more than eager to gain literary laurels.
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Macdonald, Alexandra. « The Public Face(s) of Albinia Hobart, Countess of Buckinghamshire/"The Shop on the Corner of Wing's Lane" ». W&M ScholarWorks, 2018. https://scholarworks.wm.edu/etd/1550153788.
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The Public Face(s) of Albinia Hobart, Countess of Buckinghamshire: Vice, Theatrics, Politics, and the Press in the twenty years between 1784 and 1804, Albinia Hobart, Countess of Buckinghamshire (1738-1816), appeared in over fifty extant satirical prints. Satirized for both her excessive girth and for her transgressive pastimes, Albinia was a constant target of the press and artists alike. While her behaviour was not unique for the period, the fact that she was involved in, and consequently satirized for, so many different types of public and semi-public activities makes Albinia an exceptional case. The combination of longevity and satirical breadth present in the extant satirical imagery of Albinia offers a unique opportunity to explore major societal debates that took place in Georgian England though an examination of the visual record of a single figure. This study provides the first detailed examination of the ways in which Albinia was represented in print culture, contextualizing these works within their social and political contexts. in so doing, it, to paraphrase Linda Colley, charts the world of eighteenth-century London in a life, and a life in the world of eighteenth-century London. "The Shop on the Corner of Wing's Lane": Retail Spaces in Colonial Boston Between 1754 and 1775, retailer and merchant Samuel Abbot operated a retail space in colonial Boston. on any given day, Abbot participated in what T.H. Breen has termed the "empire of goods" that came to dominate the British Atlantic world after 1740. This study of Abbot's shop attempts to reconstruct both the physical space in which he worked and plied his trade – situating his shop in the city, neighborhood, and street wherein it was located – and begins to examine the day-to-day retail activities that took place "on the corner of Wing's lane, near the town dock." Focusing on the twenty-year period between 1754 and 1774, it illuminates the physicality of shopping and retailing in colonial Boston in the years leading up to the American Revolution to build up a picture of the materiality of Boston shops in the eighteenth century and to interpret the impact of space on polite shopping practices. Colonial Boston was a city shaped by consumption; however, consumption was also shaped by the city. It is thus important to re-place these practices within the physical spaces in which they took place, as architectural space, of both the shop itself and the city's urban space writ large, impacted practices of consumption.
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Douglas, Sarah K. « The Price of Pestilence : England’s response to the Black Death in the face of the Hundred Years War ». The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1436982201.
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Roberts, Elizabeth, et elizabethjillroberts@gmail com. « Freedom, Faction, Fame, and Blood : British 'Soldiers of Conscience' in Three European Wars ». Department of History, University of Sydney, 2007. http://hdl.handle.net/2123/2317.
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PhDThis thesis examines the participation of British ‘soldiers of conscience’ in the Greek War of Independence, the Spanish Civil War and the Russo-Finnish War. By considering both the response of the British government to the participation of its nationals in foreign conflicts, and the perceptions and experiences of the volunteers themselves, it argues for the applicability of a legitimating ‘politics of violence’ as means for understanding the historical construction of warfare.
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Pluta, Larissa. « Face Value : An Iconographic Analysis of the Corbels of Chartres Cathedral ». Master's thesis, Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/216674.
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Art HistoryM.A.
The numerous figurated corbels of Chartres Cathedral were inscribed with semiotic content. Works in this genre were formerly disregarded by researchers because of their perceived lack of meaning. Trends in modern scholarship have challenged this misconception, and recent technological innovations have facilitated the study of these objects. The category would be more appropriately termed "secondary" rather than" marginal," as the former offers a semantically unencumbered assessment of the role of these sculptures. Originally designed for the cathedral's twelfth-century western complex, the corbels were likely members of a series that encircled the entire perimeter of the building. The use of human and animal head motifs for their decoration exemplifies a pervasive historical practice in architectural sculpture. The preservation of the corbels in the Gothic reconstruction of the cathedral substantiates their significance to medieval viewers. Study of the surviving pieces is complicated by the loss of the contextual framework provided by the remainder of the series. The examination of material evidence indicates a record of artistic engagement with these works. Iconographic analysis of individual corbel images reveals both correspondences with the thematic context of the primary sculptural program and independent signification. This project is intended as a useful starting point for additional inquiry, as investigations of secondary sculpture at other sites may bring new insight to its manifestations at Chartres.
Temple University--Theses
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Fichera, Giorgio. « Caravage queer : l'histoire de l'art face aux sexualités ». Electronic Thesis or Diss., Paris, EHESS, 2023. http://www.theses.fr/2023EHES0170.
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Le topos de l’homosexualité chez Caravage et celui de l’homoérotisme associé à sa première production picturale posent des questions à l’histoire de l’art. Ce travail contribue à la critique de l’épistémologie hétéro-patriarcale encore largement naturalisée dans les études de l’image pour les époques anciennes. Pour ce faire, il a fallu un retour aux catégories historiques et anthropologiques déployées pour déterminer des sexualités non conformes, problématisant en particulier l’héritage binarisé homo-hétéro du XIXe siècle. En opposition aux spéculations biographiques et à l’application littérale de la psychanalyse, ce travail met à profit un anachronisme queer, moins normatif et plus affectif, en continuité avec une histoire de l’art faite au présent. L’analyse du corpus homoérotique caravagesque et sa mise en perspective dans une tradition figurative élargie permet de voir le travail de l’image qui défait le genre et questionne le sujet-regardant. Elle permet de montrer comment l’articulation historiographique identité-acte travaille la représentation (de peinture) plus qu’elle ne la détermine, et comment l’autonomie du visuel trouble la présence, le poids et la structuration du régime discursif – aussi bien l’ancien que celui de l’historiographie actuelleThe topos of homosexuality and homoerotism that is associated with Caravaggio’s initial paintings poses a number of questions for Art History. My research contributes to the critique of the hetero-patriarchal epistemology that remains widely naturalised in the study of images from ages past. To elaborate this critique, I have returned to historical and anthropological categories in order to determine the evolution of non-conforming sexualities, notably problematising the binary heritage “homo-hetero” of the 19th century in contemporary texts on Caravaggio. In opposition to biographical speculation and the literal application of psychoanalytic theory to Caravaggio’s life and painting, my work draws on the anachronism of queer theory, which is less normative and more affective, in line with a current elaboration of art history. The analysis of Caravaggio’s homoerotic corpus and its insertion into a wider tradition of figurative art allows us to see how the work of the image undoes categories (both that of art history and those pertaining to gender) to question the subject who is looking. It further shows how the historiographic articulation of act and identity works through the representation (in painting) more than it determines it, and how this autonomy of the visual troubles the presence, structure and weight of the discursive regime–as much in past as in contemporary historiographies
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Asti, Chiara. « C'è in gioco la libertà ! Fare public history sulla Repubblica di Montefiorino con un board game collaborativo ». Master's thesis, C. Asti, C'è in gioco la libertà ! Fare public history sulla Repubblica di Montefiorino con un board game collaborativo, Università degli Studi di Modena e Reggio Emilia, 201, 2016. http://elea.unisa.it:8080/xmlui/handle/10556/5816.
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La public history in Italia è una disciplina non ancora formalizzata, praticamente ignorata a livello accademico, anche se negli ultimi anni alcuni storici hanno iniziato a ragionare su questa materia. Sul mercato, invece, esistono varie esperienze di quella che oltreoceano è definita come public history: i vari musei d'impresa che vogliono valorizzare il proprio marchio; le iniziative degli Istituti storici con le Pubbliche amministrazioni, le associazioni e le scuole del territorio, come ad esempio i viaggi della memoria; le raccolte di fonti con la partecipazione attiva dei privati. In Italia ci sono anche esempi di aziende che lavorano dichiaratamente nel campo della public history, come “Cliomedia Officina”. La mancanza di un ragionamento teorico e di una formalizzazione accademica non hanno quindi impedito lo sviluppo e la diffusione di pratiche attive di public history. Uno dei settori di sua pertinenza è rappresentato indubbiamente dai musei. Molti musei infatti si preoccupano di coinvolgere il pubblico, modulando l'offerta a seconda dei possibili destinatari. Inoltre escono sul territorio e fanno la storia delle comunità coinvolgendole. I programmi e i siti dei musei, anche in Italia, mostrano ormai la chiara intenzione di superare un ruolo esclusivamente conservativo per concentrarsi sulle pratiche di valorizzazione e promozione culturale. Nell'attività didattica e divulgativa i musei ricorrono sempre più spesso a pratiche ludiche. Il gioco è una modalità di apprendimento attiva e partecipata, che quindi risponde perfettamente ai canoni della public history. Non solo i giocatori rappresentano un audience preferenziale per la storia, ma il gioco stesso è uno strumento ideale per fare storia “in” e “con” il pubblico.
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Scalise, Rosina. « Benedetto Croce (1866-1952), un intellectuel libéral italien face à la guerre, à la paix et au totalitarisme ». Phd thesis, Université de Strasbourg, 2012. http://tel.archives-ouvertes.fr/tel-00793223.
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L'objet de cette thèse est d'étudier d'une part la place que tient la guerre dans l'œuvre de l'historien et philosophe italien Benedetto Croce (1866-1952), à la fois lorsqu'il étudie l'Histoire, notamment celle du XIXe siècle, et lorsqu'il réagit aux événements dont il est le contemporain : guerres d'Ethiopie de 1896 et 1935, de Libye de 1911-1912 et " pacification " dans les années vingt et trente, Première Guerre mondiale, Guerre d'Espagne, Seconde Guerre mondiale. La guerre est-elle parfois légitime ? Est-elle nécessaire à la construction et à l'affermissement de l'état italien ? Ou au contraire est-elle à éviter à tout prix ? Ces questions sont complexes car la guerre n'est pas l'apanage du fascisme, mais a déjà été l'un des caractères importants du régime libéral qui a précédé le fascisme en Italie. Ce travail de recherche porte également sur la pensée et l'action de Benedetto Croce en ce qui concerne le maintien puis la réinstauration de la paix, notamment après les deux guerres mondiales, et son engagement pro-européen. L'étude s'est appuyée sur le croisement entre les œuvres de Benedetto Croce et les documents contenus dans les Archives d'état à Rome, comme les dossiers de la Police Politique fasciste qui a surveillé Croce pendant des décennies à cause de son engagement antifasciste.
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Merrington, Graham. « The fate and transport of heavy metals from historic metalliferous mine sites ». Thesis, Queen Mary, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323156.
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Keith, Kelly M. « More Than Just A Pretty Face : The Women of the SOE and the OSS During World War II ». Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1362774570.
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Bostal, Martin. « L'Histoire face à l'histoire vivante : expérimentation, médiation et représentations à travers la pratique de la reconstitution historique du Moyen Age ». Thesis, Normandie, 2020. http://www.theses.fr/2020NORMC004.
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La reconstitution historique est une activité de loisir qui consiste à re-créer et mettre en vie un environnement matériel correspondant à un contexte passé. Depuis sa naissance à la fin des années 1960, cette pratique s’est considérablement développée en Europe. Elle est aujourd’hui très présente dans le paysage touristique et culturel français, à travers des événements mêlant animations et démonstrations. L’intérêt particulier porté par les reconstituteurs au Moyen Âge s’inscrit dans le cadre du second renouveau médiéval, qui peut être défini comme une recrudescence de cette thématique dans notre quotidien. En dépit des nombreuses questions pratiques et mémorielles que suscite cette représentation du passé, la reconstitution historique a été relativement ignorée par les professionnels de l’histoire. Certains la confondent encore avec d’autres mises en vie festives du passé, d’autres la regardent comme un objet de curiosité, voire de méfiance.Cette thèse propose d’étudier la visée historiciste des reconstituteurs de la période médiévale. L’étude dresse d’abord un nécessaire état des lieux de la pratique en France et établit un cadre de définition destiné à faciliter sa compréhension. À partir de trois études de cas portant sur des corpus d’objets de reconstitution, elle interroge ensuite la dimension matérielle de cette activité à travers l’identité de l’objet et les dynamiques intervenant dans sa re-création. Elle aborde pour finir les dimensions mémorielles de cette activité à travers son objectif de médiation du savoir et sa place comme discours sur le passé.La réflexion historique et archéologique de ce travail est appuyée par une méthodologie interdisciplinaire. Les entretiens réalisés auprès de 48 reconstituteurs permettent de placer les conceptions des pratiquants au centre de l’étude pour mieux interroger cette pratique vivante et présente du Moyen ÂgeHistorical reenactment is a leisure practice which consists to re-create and bring to life a material environment related to a past situation. Since its beginning in the late 1960s, this activity has widely spread throughout Europe. Nowadays, historical reenactment plays an important part in the cultural and touristic activities in France, mixing animation and demonstration. Reenactors’ specific interest for the Middle Ages fits in with the second medieval revival, which translates as an increase of the medieval references in daily life. Despite the numerous questions about its practical and memorial aspects, this particular way to represent the past has been relatively ignored by academics. Some confuse reenactment with more festive forms of activity based on the past, others consider this practice as a subject of curiosity or distrust.This thesis proposes to study the medieval reenactors’ claim for historicity. In order to do so, it establishes a picture of the activity in France and explores its definition to help along its comprehension. It relies on three different case studies based on reconstructed artefacts used by reenactors. It then questions the material aspect of the activity through the reconstruction identity and the dynamics of re-creation. Finally, this work deals with the link between historical reenactment and memory, both as a transmission activity and as a discourse about the past.The historical and archaeological considerations of this thesis rely on an interdisciplinary methodology. The interviews conducted with 48 reenactors put their own conception at the very center of the study and allow us to question this living and present practice of the Middle Ages
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Thompson, Mary E. « The furrowed face : the depiction of the elderly in painting, England and the United States, 1870-1910 ». Thesis, Oxford Brookes University, 2017. https://radar.brookes.ac.uk/radar/items/9c6b3ee4-80f0-44dc-a0a4-70399c36f001/1/.
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Old age has always evoked diametrically opposed opinions. On the one hand, the elderly are respected, regarded as benevolent repositories of wisdom and comfort; on the other, they are considered as decrepit vestiges of life, who pointlessly linger on, wasting the world for the vibrant and useful. These views were particularly topical in the last decades of the nineteenth/first decade of the twentieth centuries, when there was increasing concern in many countries about the aged and their vulnerability. In England and Wales this resulted in the 1908 provision by the government of an old age pension. In the United States, however, provision of support from the state was introduced significantly later, in the 1930s. How, if at all, was this variation in view reflected in the painting of the elderly in the two countries? This study addresses this question by firstly considering how the elderly are portrayed in genre painting in each country. It then moves on to the world of portraits, looking in more detail at the work of individual artists, both American and English, including Thomas Eakins, John Singer Sargent and Hubert Herkomer. In England it emerged that the elderly were often shown as happy if shabby, with a more submissive attitude to fate; there was also a significant segment of painting which recorded the poverty and difficulties which may face the old. In contrast, in the United States the elderly were shown as vibrant, assertive and materially better off, with few indications of the troubles they may undergo. In both countries, however, it became clear that the elderly were regarded in a positive way by artists, who delighted in the excellent practice of artistic skills provided by the time-ravaged faces and features of the old.
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Perego, Elizabeth Marie. « Laughing in the Face of Death : Humor during the Algerian Civil War, 1991-2002 ». The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492608880090522.
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Cuevas, Hernandez Ana Josefina. « The survival of family artisans in the face of capitalist modernity : an oral history of two Mexican lineages ». Thesis, University of Essex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433545.
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Warren, Shannon M., et Shannon M. Warren. « Effortful Control Development In The Face Of Harshness and Unpredictability ». Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626382.
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Through the life history theory perspective, this paper seeks to demonstrate how early adversity shapes the development of effortful control in ways that aim to best match the individual to the proximal environment toward ultimate goals despite trade-offs related to social, academic, and later health outcomes. Investigation linking early life harshness (i.e., cues of extrinsic morbidity-mortality; Ellis et al., 2009) and unpredictability (i.e., stochastic changes in environmental conditions; Ellis et al., 2009) to the development of self-regulation could facilitate a more nuanced understanding of early environmental effects on development. The current study investigates early environmental harshness and unpredictability as unique predictors for a self-regulation construct, effortful control. It was hypothesized that early life harshness and unpredictability would uniquely and negatively predict effortful control among preschoolers. While there was no evidence that cues of unpredictability predicted effortful control, cues of harshness, specifically neighborhood harshness, did statistically significantly predict effortful control in the direction expected. This appears to be the first study to explicitly investigate effortful control development in early childhood within the harshness and unpredictability framework.
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Missemer, Antoine. « L’analyse économique face à l’épuisement des ressources naturelles, de William Stanley Jevons à Harold Hotelling (1865-1931) : Le cas des énergies fossiles ». Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO22007.
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L’épuisement des énergies fossiles est un thème d’actualité dont les prémices datent, selon l’opinion courante, des années 1970 et du premier choc pétrolier. En réalité, c’est une préoccupation plus ancienne, intimement liée à l’ère industrielle. Dans la deuxième partie du XIXème siècle, les économistes se sont penchés sur la question de l'épuisement des minerais, ‘objet non identifié’ jusqu'alors et nécessitant la mise sur pied de nouveaux outils d'analyse (effet-rebond chez Jevons, rente minière chez Marshall-Einaudi notamment). Avec le progrès des techniques et l'apparition de nouvelles énergies (pétrole, hydro-électricité), leurs craintes de déclin industriel se sont progressivement dissipées dans les années 1910 et 1920. Mais ces évolutions tenant à l’histoire des faits ne sont pas les seules à considérer. Des facteurs internes à la discipline économique, comme l'émergence du marginalisme dans les années 1870 et de la théorie de l'épargne et du capital dans les années 1890, ont aussi changé le regard des économistes sur la question de l'épuisement des ressources. Pourquoi ? Comment ? Quels enseignements peut-on en tirer pour les défis environnementaux d'aujourd'hui ? Voilà les questions qui sont traitées dans ce travail de thèseFossil fuels exhaustion is a current topic. It is often said that its first presages appeared in the 1970s with the first oil shock. Actually, this exhaustion fear is much older than that, it started with the Industrial Revolution and kept going since then. In the second part of the 19th century, some economists focused their attention on the mineral resources depletion, which was at the time an ‘unknown item’ that necessitated the creation of new concepts and new analytical tools to deal with (for example Jevons’ rebound-effect, Marshall-Einaudi’s mining rent). In the 1910s and 1920s, thanks to technical progress and the development of new energies (oil, hydro-electricity), their fears about industrial decline progressively dissipated. Yet, these factual evolutions are not the only ones to consider. Internal factors, inside economic science (marginalism in the 1870s, capital theory in the 1890s), also shaped economists’ viewpoint on resources exhaustion. Why? How? What lessons can we get from this period for our current environmental challenges? These are the questions that are studied in this thesis
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Odergren, Nicoline. « The fate of flesh : A study of the second and third century CE Christian perception of the body ». Thesis, Uppsala universitet, Antikens kultur och samhällsliv, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-415537.
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This paper studies the perception of the Christian body during the second and third centuries CE. It engages with this question with the aid of early Christian literature from this time period, additionally containing a particular focus on how the Pauline theology of the body influenced later Christian bodily conceptions. By subjecting these works to a close reading and with the aid of an intertextual theory, this thesis attempts to ascertain whether this early Christian perception of the body was fractured in nature, and whether aspects of this division – if evident – can be derived from and ascribed to a Pauline influence. This thesis argues that corporeality was a particularly complex component within the early Christian faith, the fractured nature of which could be derived from the contrasting influences of prior Graeco-Roman and Jewish theologies.Den här uppsatsen studerar den kristna uppfattningen av kroppen under 100- och 200-talet e.v.t. Den behandlar denna fråga med hjälp av tidig kristen litteratur från denna tidsperiod, och inbegriper utöver detta även ett särskilt fokus på hur den Paulinska teologin om kroppen påverkade senare kristna uppfattningar av det kroppsliga. Genom att utsätta dessa verk för en närläsning och med hjälp av en intertextuell teori så försöker den här uppsatsen därmed att avgöra om denna tidiga kristna uppfattning av kroppen var motsägelsefull i sin natur, och huruvida aspekter av denna splittring – om synlig – kan härstamma från eller tillskrivas Paulinsk influens. Den här uppsatsen argumenterar för att kroppslighet var en särskilt komplex komponent inom den tidiga kristna tron, vars splittrade natur kan härstamma från de kontrasterande influenserna av tidigare grekisk-romerska och judiska teologier.
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Kandeel, Ammar. « Edward Said face à Louis Massignon : une fascination orientaliste ». Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30031.
Texte intégralRésumé :
Cette thèse interroge les aspects d’une fascination d’Edward Said pour la pensée de l’orientaliste français Louis Massignon. Il s’agit dans un premier temps de revenir sur la réception de l’essai majeur de Said Orientalism (1978), jugé excessivement polémique, afin de souligner les difficultés des lectures à expliquer l’ambivalence des positions idéologiques de l’auteur vis-à-vis de l’orientaliste, positions qui varient entre la critique et l’éloge. Cet examen nous mettra en situation de montrer la nécessité d’une nouvelle approche, supposant la présence d’affinités de pensée entre le critique et l’orientaliste. Plutôt qu’une méthode thématique souvent suivie, et qui cherche à valider ou à s’opposer aux positions de Said, l’approche formelle de la thèse tente de lire le texte dans son ambivalence. Elle permet de voir dans l’instabilité des positions de l’auteur le reflet d’un motif central de son œuvre, à savoir la perte de son lieu palestinien, motif autour duquel il réfléchit sur Massignon et nous permet par conséquent de montrer les dimensions d’un attrait pour l’orientaliste. La comparaison des poétiques d’Orientalism et de L’Hégire d’Ismaël (1935) montrera que les deux auteurs font de la perte du lieu un événement décisif qui inaugure pourtant une Histoire du style de pensée orientaliste pour Said et de la foi abrahamique de l’Islam pour l’autreThis doctoral thesis studies the aspects of Edward Said’s fascination for Louis Massignon, a French orientalist. It focuses first on the reception of Said’s Orientalism (1978), his major essay (which has been) commonly deemed excessively polemical, in order to underline the difficulties to explain the ambivalences of the author’s ideological position – a position which combines criticism and praise. This analysis will show the necessity of (proposing) a new approach to Orientalism, an approach which assumes that Said’s thought is close to Massignon’s. Instead of using the prevailing thematical methodology, which consists in approving or refuting Said’s position, the formal approach of this thesis attempts to reveal the ambiguity of Said’s text. In the instability of the author’s position, one can thus observe the reflection of one of the main motifs of his work, namely the loss of the Palestinian place, a motif through which he analyzes Massignon’s though, and which shows therefore Said’s appeal to the orientalist’s ideas. Comparing the poetics of Orientalism and L’Hégire d’Ismaël (1935) will show that both authors make loss a determining event which still inaugurates a History of Orientalist thought for Said, and a History of Islam’s Abrahamic faith for Massignon