Littérature scientifique sur le sujet « Etnomusicologia storica »
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Articles de revues sur le sujet "Etnomusicologia storica"
Lortat-Jacob, Bernard, Maurizio Agamennone et Gino L. Di Mitri. « L'eredità di Diego Carpitella, Etnomusicologia, antropologia e ricerca storica nel Salento e nell'area mediterranea ». Cahiers de musiques traditionnelles 18 (2005) : 292. http://dx.doi.org/10.2307/40240568.
Texte intégralThèses sur le sujet "Etnomusicologia storica"
Cimardi, Linda <1983>. « Conservare la cultura, creare una storia. Tradizione e genere nella musica di villaggio dei Banyoro e dei Batooro dell’Uganda ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/6028/1/Tesi_Linda_Cimardi.pdf.
Texte intégralThis dissertation is structured around the idea of tradition and the conceptualization of gender in the village music of the Banyoro and Batooro of western Uganda. The thesis is composed of three main parts. In the first one, the historical transformations in gender relations since the pre-colonial period up to the present are presented and village music is introduced through comparison with royal and religion music. The second section is devoted to vocal and dance repertoires, on the basis of the documentation realized with elders: stylistic characteristics of these musics are considered and an analysis is carried out, aiming to show the ideas about gender in these repertoires. The last part of this work considers the transformations occurred in Ugandan music landscape during the last century, depending on several factors: various extern musics influences, the teaching of traditional music in schools, and the institution of school festival and cultural groups. On the whole, we observe a general re-functionalization of traditional music and gender ideas, which are referring to the past but hold value in particular for the recovery of local culture in the present, with special reference to contemporary Uganda multicultural society and to Government politics for women emancipation.
Cimardi, Linda <1983>. « Conservare la cultura, creare una storia. Tradizione e genere nella musica di villaggio dei Banyoro e dei Batooro dell’Uganda ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/6028/.
Texte intégralThis dissertation is structured around the idea of tradition and the conceptualization of gender in the village music of the Banyoro and Batooro of western Uganda. The thesis is composed of three main parts. In the first one, the historical transformations in gender relations since the pre-colonial period up to the present are presented and village music is introduced through comparison with royal and religion music. The second section is devoted to vocal and dance repertoires, on the basis of the documentation realized with elders: stylistic characteristics of these musics are considered and an analysis is carried out, aiming to show the ideas about gender in these repertoires. The last part of this work considers the transformations occurred in Ugandan music landscape during the last century, depending on several factors: various extern musics influences, the teaching of traditional music in schools, and the institution of school festival and cultural groups. On the whole, we observe a general re-functionalization of traditional music and gender ideas, which are referring to the past but hold value in particular for the recovery of local culture in the present, with special reference to contemporary Uganda multicultural society and to Government politics for women emancipation.
DATTILO, DELIA. « “EVERYBODY IS WELCOME”. Un'analisi etnomusicologica del sacred harp singing e un percorso storico nel movimento del Sacred Harp in pratiche locali e scenari transnazionali ». Doctoral thesis, Università degli Studi di Cagliari, 2022. http://hdl.handle.net/11584/328752.
Texte intégralZarifeh, Noelle. « Le chant de la suhlapa assyro-chaldéenne. Enregistrement, transcription et analyse des intonations de tradition orale ». Doctoral thesis, Università degli studi di Padova, 2018. http://hdl.handle.net/11577/3422810.
Texte intégralCe mémoire a pour propos l'analyse des pièces du répertoire des offices liturgiques de la tradition assyro-chaldéenne, dans la perspective d'en dégager la systématique modale. En préalable à cette analyse, une approche historique et liturgique est proposée. Une transcription musicale des "šūh̩lāpe", selon l'interprétation de Monseigneur ’Afrām B(e)di est ensuite effectuée en trois étapes : étique, émique codée et une partition modélisée codée. Les séquences transcrites sont assujetties à une analyse acoustique permettant d'en décrire la structure intervallique. Les contours mélodiques dégagés de l'analyse modélisatrice permettent de décrire la systématique modale propre à chaque mélodie type. En fin de parcours, une esquisse synthétique de la typologie modale du répertoire étudié est proposée. Elle met en exergue l'assujettissement de ces mélodies aux normes communes des traditions du Proche et Moyen-Orient, notamment la prééminence du genre zalzalien (divisant la quarte juste en deux secondes neutres et une seconde majeure) et l'organisation de la topographie modale en tétracordes.
ZIMEI, FRANCESCO. « I «cantici» del Perdono : laude e 'soni' nella devozione aquilana a San Pietro Celestino ». Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2009. http://hdl.handle.net/2108/757.
Texte intégralOn the occasion of his papal coronation, held in Aquila on August 29th 1294 in the basilica of Santa Maria di Collemaggio, Celestine V linked to that place a yearly plenary indulgence - still now in force with the name of 'Perdonanza' - establishing the direct historical and spiritual anticipation of the first Jubilee. With propitiatory purposes, in the text of the bull he prescribed that all the believers should celebrate that day with «hymns and canticles». This precept produced in Aquila, during the next centuries, two different musical traditions, both orally handed down: the laude, mainly connected to the activities of lay confraternities and mendicant orders and here examined also in relation with the outstanding merchant and cultural flows crossing Aquila during the late Middle Ages; the 'soni', that were instrumental pieces performed, at request of the municipality, along the main streets of the town in the eight days before the feast. Despite the lack of primary sources, analysing and comparing such phenomena was possible to dig up interesting excerpts of the original repertory, realizing also a significant relationship between the traditions.
MINGA, MIKAELA. « KËNGË KORÇARE : SONG-MAKING AND MUSICAL CULTURE IN THE CITY OF KORÇË DURING THE TWENTIETH CENTURY ». Doctoral thesis, Università degli Studi di Milano, 2013. http://hdl.handle.net/2434/235675.
Texte intégralMalatesta, C. « EARLY MUSIC NEL NOVECENTO ITALIANO ». Doctoral thesis, Università degli Studi di Milano, 2018. http://hdl.handle.net/2434/543226.
Texte intégralSarno, Giulia. « Trent'anni di ricerca musicale a Firenze : storie e progetti intorno all'archivio di Tempo Reale ». Doctoral thesis, 2022. http://hdl.handle.net/2158/1266101.
Texte intégralGIOVANNINI, ORTENSIA. « “One Nation, but one culture ? This is a question”. Espressioni musicali e costruzione identitaria degli armeni della diaspora ». Doctoral thesis, 2017. http://hdl.handle.net/11573/941757.
Texte intégralLivres sur le sujet "Etnomusicologia storica"
Donatella, Restani, dir. Etnomusicologia storica del mondo antico : Per Roberto Leydi. Ravenna : Longo, 2006.
Trouver le texte intégralMaurizio, Agamennone, et Di Mitri Gino L, dir. L' eredità di Diego Carpitella : Etnomusicologia, antropologia e ricerca storica nel Salento e nell'area mediterranea : atti del Convegno, Galatina, 21-23 giugno 2002. Nardò (Lecce) : BESA, 2003.
Trouver le texte intégralLe sorgenti della musica. Torino : Boringhieri, 1991.
Trouver le texte intégralL' eredità di Diego Carpitella : Etnomusicologia, antropologia e ricerca storica nel Salento e nell'area mediterranea : atti del convegno, Galatina, 21, 22 e 23 giugno 2002. Nardò (LE) : BESA, 2003.
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