Littérature scientifique sur le sujet « Essay films »
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Articles de revues sur le sujet "Essay films"
Johnson, Vida T., et Graham Petrie. « Review Essay : Andrei Tarkovskii's films ». Journal of European Studies 20, no 3 (septembre 1990) : 265. http://dx.doi.org/10.1177/004724419002000304.
Texte intégralThomas, Marisa. « Classic Media Review Essay ». Queer Studies in Media & ; Popular Culture 4, no 2 (1 juin 2019) : 193–206. http://dx.doi.org/10.1386/qsmpc_00005_5.
Texte intégralLiu, Qi. « Unfair Utilization in Horrific Films : Objectifying Female Characters in Alfred Hitchcock’s The Birds ». BCP Social Sciences & ; Humanities 20 (18 octobre 2022) : 109–15. http://dx.doi.org/10.54691/bcpssh.v20i.2170.
Texte intégralFrahm, Laura A. « Architectures of Images, Avalanches of Memory : Dominik Graf’s Urban Essay Films ». New German Critique 46, no 3 (1 novembre 2019) : 181–205. http://dx.doi.org/10.1215/0094033x-7727483.
Texte intégralCiezadlo, Janina. « The Essay in Space and Time : A Conversation with Filmmaker Mark Cousins ». Afterimage 46, no 1 (1 mars 2019) : 17–24. http://dx.doi.org/10.1525/aft.2019.461003.
Texte intégralHunt, Mary Alice. « Selecting Films for Children-A Bibliographic Essay ». Collection Management 7, no 3-4 (décembre 1985) : 255–62. http://dx.doi.org/10.1300/j105v07n03_26.
Texte intégralMargulies, Ivone. « Filmes de Plástico’s Plural Realism ». Film Quarterly 74, no 2 (2020) : 39–46. http://dx.doi.org/10.1525/fq.2020.74.2.39.
Texte intégralKarim, Lanja Najmalddin. « Kurdish National Identity in the films of Yilmaz Guney and Bahmani Ghobadi ». Journal of University of Human Development 7, no 3 (18 août 2021) : 69–73. http://dx.doi.org/10.21928/juhd.v7n3y2021.pp69-73.
Texte intégralWilson, Emma. « 4 Months, 3 Weeks and 2 Days : An ““Abortion Movie””? ? » Film Quarterly 61, no 4 (2008) : 18–23. http://dx.doi.org/10.1525/fq.2008.61.4.18.
Texte intégralJones, Vanessa. « Walking alongside elders : A visual essay ». Journal of Applied Arts & ; Health 14, no 1 (1 mars 2023) : 63–72. http://dx.doi.org/10.1386/jaah_00127_3.
Texte intégralThèses sur le sujet "Essay films"
Smith, Caitlin Nicole. « Negotiating Cinematic Truths : Ethnographic and Essay Films as Parallel Forms ». Thesis, The University of Arizona, 2014. http://hdl.handle.net/10150/321959.
Texte intégralKonstantinidou, Eirini. « Mnemophrenia : a science fiction film-essay on the future of cinema and artificial memories ». Thesis, Brunel University, 2014. http://bura.brunel.ac.uk/handle/2438/7968.
Texte intégralWilliamson, Harry Alexander. « The essay, the time image and the double : a study of the films of Chris Marker ». Thesis, University of Ulster, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268596.
Texte intégralPourvali, Bamchade. « L'"Essai filmé" comme forme de la modernité cinématographique, 1953-1997 ». Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST0034.
Texte intégralIn the field of cinematic studies, modernity refers to the attempts to challenge classical modes of representations at the time of the Second World War, which take the form of a return to the documentary. This process takes two expressions: one runs through Hollywood productions, for instance the opening scene of Chaplin’s Great Dictator and the conclusion of Orson Welles’ Citizen Kane; the other is apparent in post-war Europe with Italian neorealism. In this context, film criticism defines the essay as one of the objects of modern cinema, joining ontology to language, as described in the works of Alexandre Astruc, André Bazin or Jacques Rivette. In the middle of the 1950s, modern cinema offers striking examples of these cinematographic forms with, on the one hand Alain Resnais’ Night and Fog, a film which is typical of “the French school of short films”, and on the other hand Roberto Rossellini’s Journey to Italy, which its author has described as the expression of “a refine form of neorealism”. In 1963, two French films are at once heirs to the tradition of classic American cinema and the start of a deeper reflection on the cinematographic essay, Chris Marker’s The Jetty and Jean-Luc Godard’s Contempt. By comparing the evolution of both these directors we will attempt to define the cinematographic essay as form closely linked to a certain moment in the history of cinema. Thus the essay, after producing its first major works in the 1960s will develop during the 1990s around the time of the hundredth anniversary of cinema. New stakes arise at that time to define cinematographic modernity between North and South, East and West, as cinema enters a new century
Kochbati, Hatem. « Projection numérique au cinéma : les nouvelles modalités de consommation des films art et essais (les cinémas Utopia / vidéo en poche) ». Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAG016/document.
Texte intégralThe present research sets out to study and scrutinise the key facts that illustrate the change in conditions caused by digital cultural industries and practice of the art of cinema and particularly the essay. In the era of digital projection, cinema halls are facing a true technological revolution. The latter induces a change in the consumption patterns and the access to culture The analysis of Utopia cinema halls and the video-in-pocket concept tell us a lot about this postmodern use of cultural artifacts at the age of digital economy
Essoukan, epee Hermann. « La Vision poétique du 'Monde' dans les films-essais Méditerranée de Jean-Daniel Pollet, Sans soleil de Chris Marker et Asientos de François L. Woukoache ». Electronic Thesis or Diss., Université Grenoble Alpes, 2023. http://www.theses.fr/2023GRALL024.
Texte intégralThe present study does not only examine the idea of a cinema that thinks and participates in the poetic thought, as stated by Norman McLaren as: ‟the flowing movement of the film that echoes that of the thought”, but it also argues for the idea of a poetic cinema and a poetics of cinema focused on a new aesthetic of mediation and creation that explores the poetic universe. In addition to engaging in the definition of a cinema of poetry and a poetics of cinema, this study intends to offer a deeper insight into the understanding of certain aesthetic and artistic mechanisms that poetically affect the attention of percept’acteurs (poetic attention) when they are faced with filmic effects/texts and processes that no longer rely on immersion and determining factors such as observed in popular cinemas, entertainment, storytelling, and documentary films. The attention of the percept’acteurs is rather drawn to the visual/perceptual indeterminacy, of the ‟aesthetic walk”, to sound like Jean-Marie Schaeffer and on the ‟poetics of idleness”.The essay-films Méditerranée by Jean-Daniel Pollet, Sans soleil by Chris Marker and Asientos by François L. Woukoache, make the percept’acteurs – a neologism that we use instead of spectator, since these films no longer deal with spectacle – to navigate in a timeless sphere and export them beyond the time, in order to break the relationship they maintain with classic films and to encourage a new look towards the artwork. For these filmmakers of poetry and memory, it’s about an ambivalent way to uproot and bury the word in order to defy conventions and break habits through a poetic and ‟political” vision in the broaden sense (Political-historical) of the world, a new aesthetic, a diy and artistic poaching, leading to a kind of reinvention of the language.Keywords: Essay films, Modern cinematography, a poetic cinema, aesthetic attention, poetic attention, percept’acteurs, artistic creation
Brink, Joram ten. « The essay film ». Thesis, Middlesex University, 1999. http://eprints.mdx.ac.uk/6876/.
Texte intégralHoydicz, Jennifer. « The narc files / ». Full text available online, 2006. http://www.lib.rowan.edu/find/theses.
Texte intégralOliveira, João Daniell Ferreira de. « Foi isso que ela disse : ensaísmo e estilo autoral em Jogo de Cena de Eduardo Coutinho ». Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/8069.
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This research proposes a reflection on the relationship between the documentary and the essay film in the film Jogo de Cena (2007) by Brazilian documentary filmmaker Eduardo Coutinho. It is investigated if there is a tension between the analyzed domains in the analyzed film. From this question I seek to understand how the technical and aesthetic choices that constitute Coutinho's style assume essayistic contours in the research object. In order to answer the research question, I aim to understand how Coutinho 's cinematographic style is characterized and constituted; to understand how Jogo de Cena (2007) plays in the tradition of the documentary and to understand how the essay film was constituted and how it can be identified in the cinema. Methodologically, a proposal for the analysis of documents by Francisco Elinaldo Teixeira was adopted in three moments: 1. Inventory of composition materials; 2. Inventory of compositional modes; 3. Reflection on narrative modes and camera functions. Through the analysis it is indicated how it is possible to recognize essayistic strategies in Jogo de Cena (2007) as: the voice of essay tone, the dialectic of materials, the montage between word and image, the heterogeneity of the composition materials, second reading order. Thus, it is concluded that the film studied even belonging to the documentary domain presents a strong essayistic inflexion.
Este trabalho propõe uma reflexão em torno da relação entre o documentário e o filme-ensaio no filme Jogo de Cena (2007) do documentarista brasileiro Eduardo Coutinho. Investiga-se se no filme analisado existe um tensionamento entre os domínios abordados. A partir desta questão, busca-se compreender como as escolhas técnicas e estéticas que constituem o estilo de Coutinho assumem contornos ensaísticos no objeto de pesquisa. Para responder ao problema da pesquisa temos como objetivo compreender como se caracteriza e se constituiu o estilo cinematográfico de Coutinho; compreender como Jogo de Cena se inscreve na tradição do documentário e entender como se constituiu o filme-ensaio e de que forma identificá-lo no cinema. Metodologicamente adota-se a proposta de análise de documentários de Francisco Elinaldo Teixeira que por sua vez divide-se em três momentos: 1. Inventário dos materiais de composição; 2. Inventário dos modos de composição; 3. Reflexão sobre os modos narrativos e funções da câmera. Por meio da análise realizada indica-se como reconhecer estratégias ensaísticas em Jogo de Cena (2007) tais como: a voz de tom ensaístico, a dialética de materiais, a montagem entre palavra e imagem, a heterogeneidade dos materiais de composição e a leitura de segundo grau. Desse modo, conclui-se que o filme estudado mesmo pertencendo ao domínio do documentário apresenta forte inflexão ensaística.
Mourão, Catarina. « The Wolf's Lair : dreams and fragmented memories in a first-person essay film ». Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/25710.
Texte intégralLivres sur le sujet "Essay films"
Grizzaffi, Chiara. I film attraverso i film : Dal testo "introvabile" ai video essay. Milano : Mimesis, 2017.
Trouver le texte intégralCorrigan, Timothy. The essay film : From Montaigne, after Marker. New York : Oxford University Press, 2011.
Trouver le texte intégralToufic, Jalal. Vampires : An uneasy essay on the undead in films. Sausalito, Calif : Post-Apollo Press, 2003.
Trouver le texte intégralToufic, Jalal. Vampires, an uneasy essay on the undead in film. Barrytown, N.Y : Station Hill, 1993.
Trouver le texte intégralToufic, Jalal. Vampires, an uneasy essay on the undead in film. Sausalito, Calif : Post-Apollo Press, 2003.
Trouver le texte intégralThinking images : The essay film as a dialogic form in European cinema. Oxford : Peter Lang, 2012.
Trouver le texte intégralOno, Shuntarō. Shin Gojira ron : Shodai Gojira kara "Shin Gojira" e = New essay on Gojira : Godzilla to Godzilla, resurgence. Tōkyō : Sairyūsha, 2017.
Trouver le texte intégralAlan, Cholodenko, et Australian Film Commission, dir. The Illusion of life : Essays on animation. Sydney : Power Publications in association with the Australian Film Commission, 1991.
Trouver le texte intégralVaughan, Dai. For documentary : Twelve essays. Berkeley : University of California Press, 1999.
Trouver le texte intégralDixon, Wheeler W. Film genre 2000 : New critical essays. Albany : State University of New York Press, 2000.
Trouver le texte intégralChapitres de livres sur le sujet "Essay films"
Ran, Ma. « Toward Archiveology : Regarding Nguyen Trinh Thi’s Essay Films ». Dans The (Im)possibility of Art Archives, 265–78. Singapore : Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-5898-6_16.
Texte intégralGhanoui, Saniya Lee. « From Home to School : Menstrual Education Films of the 1950s ». Dans The Palgrave Handbook of Critical Menstruation Studies, 931–43. Singapore : Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_67.
Texte intégralMisek, Richard. « ‘All I have to offer is myself’ : The Film-Maker as Narrator ». Dans Beyond the Essay Film. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland : Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463728706_ch09.
Texte intégralBrems, Brian, et Michelle E. Moore. « Introduction : Taxi Driver Forward ». Dans ReFocus : The Films of Paul Schrader, 1–14. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474462037.003.0001.
Texte intégral« Chapter 8 Pedagogical Essay Films ». Dans Rethinking Brechtian Film Theory and Cinema, 168–86. Edinburgh University Press, 2018. http://dx.doi.org/10.1515/9781474418911-012.
Texte intégralGrant, Catherine. « The Shudder of a Cinephiliac Idea ? Videographic Film Studies Practice as Material Thinking ». Dans Beyond the Essay Film. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland : Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463728706_ch10.
Texte intégralRascaroli, Laura. « Compounding the Lyric Essay Film : Towards a Theory of Poetic Counter-Narrative ». Dans Beyond the Essay Film. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland : Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463728706_ch03.
Texte intégralTorlasco, Domietta. « Film|Video|Essay ». Dans The Oxford Handbook of Film Theory, 78—C4.N51. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190873929.013.4.
Texte intégralKohoutek, Karen Joan. « “It’s strange, but it’s wonderful” : Doris Wishman’s Nude on the Moon ». Dans ReFocus : The Films of Doris Wishman, 101–18. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474482349.003.0007.
Texte intégralKrstić, Igor. « Accented Essay Films : The Politics and Poetics of the Essay Film in the Age of Migration ». Dans World Cinema and the Essay Film, 55–69. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474429245.003.0004.
Texte intégralActes de conférences sur le sujet "Essay films"
Domingo, Jerome, Cara B. Francisco, Keylie Reyes, Melvin Sison et Iluminada Vivien R. Domingo. « Context Comparison of Essay-Type Text Files ». Dans the International Conference. New York, New York, USA : ACM Press, 2017. http://dx.doi.org/10.1145/3127942.3127962.
Texte intégralMologni, João, et Francisco Teixeira. « Film noir reconfigured in the Essay-film 33, by Kiko Goifman ». Dans Congresso de Iniciação Científica UNICAMP. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/revpibic2720192428.
Texte intégralAlgan, Neşe, Harun Bal et Koray Yıldırım. « Foreign Trade and Hysteresis Effect : An Essay on Foreign Trade Flows in the Turkish Economy ». Dans International Conference on Eurasian Economies. Eurasian Economists Association, 2022. http://dx.doi.org/10.36880/c14.02634.
Texte intégralDe Oliveira Alves Takeuchi, Renan, Nicole Polityto Cremasco et Jair Urbanetz Junior. « Aterramento Funcional em Sistemas Fotovoltaicos de Filme Fino ». Dans Congresso Brasileiro de Automática - 2020. sbabra, 2020. http://dx.doi.org/10.48011/asba.v2i1.1611.
Texte intégralSantos, William Pereira, Claudia Regina de Andrade Arrais Rosa et Alcindo Antônio Ferla. « “The normal heart” : um filme para abordar a aids e o preconceito na sociedade e no cuidado em saúde ». Dans XIII Congresso da Sociedade Brasileira de DST - IX Congresso Brasileiro de AIDS - IV Congresso Latino Americano de IST/HIV/AIDS. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/dst-2177-8264-202133p097.
Texte intégralMagalhães Junior, Gilvan V., Roney L. de S. Santos et Raimundo S. Moura. « Um Método de Avaliação da Importância de Medidas para Predição da Nota de um Filme ». Dans VI Brazilian Workshop on Social Network Analysis and Mining. Sociedade Brasileira de Computação - SBC, 2017. http://dx.doi.org/10.5753/brasnam.2017.3248.
Texte intégralCristian, Leonardo, Rubenilson de Sousa et Francisco Airton Silva. « Avaliação de desempenho de uma arquitetura de vídeo sob demanda usando rede de filas fechada ». Dans Encontro Unificado de Computação do Piauí. Sociedade Brasileira de Computação, 2021. http://dx.doi.org/10.5753/enucompi.2021.17770.
Texte intégralVinogradova, Tatiana. « “DEPEND ON HEAVEN FOR FOOD” : A WELL-KNOWN PROVERB IN LITERATURE, ILLUSTRATIONS AND COMMENTS ». Dans 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.16.
Texte intégralSantos, Alexandre Dias Dos. « O STORYTELLING COMO FERRAMENTA NA PRATICA DOCENTE ». Dans II Congresso Brasileiro de Educação a Distância On-line. Revista Multidisciplinar de Educação e Meio Ambiente, 2022. http://dx.doi.org/10.51189/conbraed/39.
Texte intégralBatista, Rafael Rodrigo do Carmo, et Thiago Henrique Bragato Barros. « Indexação e gêneros cinematográficos : análise da categorização de filmes de terror em plataformas de video on demand ». Dans VI Workshop de Informação, Dados e Tecnologia - WIDAT. Instituto Brasileiro de Informação em Ciência e Tecnologia, 2023. http://dx.doi.org/10.22477/vi.widat.24.
Texte intégralRapports d'organisations sur le sujet "Essay films"
Mintii, Iryna S., Svitlana V. Shokaliuk, Tetiana A. Vakaliuk, Mykhailo M. Mintii et Vladimir N. Soloviev. Import test questions into Moodle LMS. [б. в.], septembre 2019. http://dx.doi.org/10.31812/123456789/3271.
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