Thèses sur le sujet « English poetry 17th century History and criticism »
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Brammall, Sheldon. « Translating the Prince of Poets : the politics of the English translations of the Aeneid, 1558-1632 ». Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283905.
Texte intégralKershaw, Alison. « The poetic of the Cosmic Christ in Thomas Traherne's 'The Kingdom of God' ». University of Western Australia. School of Social and Cultural Studies, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0085.
Texte intégralBrooks, Scott A. « To move, to please, and to teach : the new poetry and the new music, and the works of Edmund Spenser and John Milton, 1579-1674 ». Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5034.
Texte intégralHenderson, Felicity 1973. « Erudite satire in seventeenth-century England ». Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7999.
Texte intégralXu, Sufeng. « Lotus flowers rising from the dark mud : late Ming courtesans and their poetry ». Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102831.
Texte intégralChapter 1 provides an overview of the social-cultural context in which late Ming courtesans flourished. I emphasize office-holding as losing its appeal for late Ming nonconformists who sought other alternative means of self-realization. Chapter 2 examines the importance of poetry by courtesans in literati culture as demonstrated by their visible inclusion in late Ming and early Qing anthologies of women's writings. Chapter 3 examines the life and poetry of individual courtesans through three case studies. Together, these three chapters illustrate the strong identification between nonconformist literati and the courtesans they extolled at both collective and individual levels.
In Chapter 4, by focusing on the context and texts of the poetry collection of the courtesan Chen Susu and on writings about her, I illustrate the efforts by both male and female literati in the early Qing to reproduce the cultural glory of late Ming courtesans. However, despite their cooperative efforts, courtesans became inevitably marginalized in literati culture as talented women of the gentry flourished.
This dissertation as a whole explores how male literati and courtesans responded to the social and literary milieu of late Ming Jiangnan to shed light on aspects of the intersection of self and society in this floating world. This courtesan culture was a counterculture in that: (1) it was deep-rooted in male poetry societies, a cultural space that was formed in opposition to government office; (2) in valuing romantic relationship and friendship, the promoters of this culture deliberately deemphasized the most primary human relations as defined in the Confucian tradition; (3) this culture conditioned, motivated, and promoted serious relationships between literati and courtesans, which fundamentally undermined orthodox values.
Jackson, Simon John. « The literary and musical activities of the Herbert family ». Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283892.
Texte intégralEmig, Rainer. « The end of modernism in English poetry ». Thesis, University of Oxford, 1992. http://ora.ox.ac.uk/objects/uuid:c02149d4-6f3b-4368-b20e-d8e669514ccf.
Texte intégralMiyoshi, Riki. « Thomas Killigrew and Carolean stage rivalry in London, 1660-1682 ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0cf4bd8a-041c-47a9-b82f-bb38ce159dd7.
Texte intégralBoguszak, Jakub. « Actors' parts in the plays of Ben Jonson ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:7732f887-5a9d-4fc6-afce-9bc4242265f9.
Texte intégralNi, Xia Jia. « From imagism to informationism :a study of 20th century experimental poetry in English ». Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3953521.
Texte intégralMaxwell, Catherine. « Looking and perception in nineteenth century poetry ». Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:8f4ff9be-6c07-4060-b777-6a7402d024c7.
Texte intégralKwong, Jessica Mun-Ling. « Playing the whore : representations of whoredom in early modern English comedy ». Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707984.
Texte intégralMoore, Natasha Lee. « The unpoetical age : modern life and the mid-Victorian long poem ». Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610158.
Texte intégralLaverick, Jane A. « A world for the subject and a world of witnesses for the evidence : developments in geographical literature and the travel narrative in seventeenth-century England ». Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/2250.
Texte intégralHazzard, Oli. « Trying to have it both ways : John Ashbery and Anglo-American exchange ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:87f922c5-79dc-4fd5-85dd-50c4a7661015.
Texte intégralJones, Suzanne Barbara. « French imports : English translations of Molière, 1663-1732 ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.
Texte intégralBennett, Sarah. « The American contexts of Irish poetry, 1950-present ». Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669957.
Texte intégralHirsch, Brett Daniel. « Werewolves and women with whiskers : figures of estrangement in early modern English drama and culture ». University of Western Australia. English and Cultural Studies Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0175.
Texte intégralCox, Octavia. « Pope's poetic legacy, 1744-1830 ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:236ec8eb-4d21-43c6-b4eb-8c7b349447ef.
Texte intégralLouw, Denise Elizabeth Laurence. « A study of the numinous presence in Tennyson's poetry ». Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1005891.
Texte intégralHolmgren, Michele J. « Native muses and national poetry, nineteenth-century Irish-Canadian poets ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq28493.pdf.
Texte intégralLazar, Jessica. « 1603 - the wonderfull yeare : literary responses to the accession of James I ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:a0b0e575-da98-405d-81d8-8ddd0bf53924.
Texte intégralHone, Joseph. « The end of the line : literature and party politics at the accession of Queen Anne ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d847a561-130a-42f0-b78f-2463e9e65535.
Texte intégralHiggins, Benjamin David Robert. « We have a constant will to publish : the publishers of Shakespeare's First Folio ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:ab876515-5984-46a5-8bf0-8346165fb583.
Texte intégralMontanari, Anna Maria. « 'A heart in Egypt' : Cleopatra on the Renaissance stage in Italy and England ». Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709112.
Texte intégralBender, Ashley Brookner. « Personal Properties : Stage Props and Self-Expression in British Drama, 1600-1707 ». Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12081/.
Texte intégralOh, Seiwoong. « The Scholarly Trickster in Jacobean Drama : Characterology and Culture ». Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278216/.
Texte intégralReynolds, Paige Martin. « Reforming Ritual : Protestantism, Women, and Ritual on the Renaissance Stage ». Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5439/.
Texte intégralMcDermott, Lydia Eva. « Gerard Manley Hopkins's poetic art as "current language heightened" : (with reference to selected sonnets and in the light of contemporary stylistic theory) ». Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1002019.
Texte intégralTanner, Jane Hinkle. « Sharing the Light : Feminine Power in Tudor and Stuart Comedy ». Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278551/.
Texte intégralTreacy, Susan. « English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693 : A Study of Music and Culture ». Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331253/.
Texte intégralLokash, Jennifer Faith. « In sickness and in health : romantic art therapy and the return to nature ». Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82920.
Texte intégralRoth, Jenny. « Law, gender and culture : representations of the female legal subject in selected Jacobean texts ». Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14658.
Texte intégralPhillips, Malcolm. « Experiment and representation : the domestic surreal in contemporary British and American poetry ». Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14707.
Texte intégralStreete, Adrian George Thomas. « Calvinism, subjectivity and early modern drama ». Thesis, University of Stirling, 2001. http://hdl.handle.net/1893/12800.
Texte intégralGoodland, Giles. « Modernist poetry and film of the Home Front, 1939-45 ». Thesis, University of Oxford, 1992. http://ora.ox.ac.uk/objects/uuid:cbc4f071-0e64-4a07-866d-ba83359262cb.
Texte intégralMoore, Lindsay Emory. « The Laureates’ Lens : Exposing the Development of Literary History and Literary Criticism From Beneath the Dunce Cap ». Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822784/.
Texte intégralJennings, Emily. « Prophetic rhetoric in the early Stuart period ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:13643178-0544-4b2b-9ca3-55d6c73a5d26.
Texte intégralSimmonds, Clive. « Publishing Swinburne : the poet, his publishers and critics ». Thesis, University of Cambridge, 2013. http://www.repository.cam.ac.uk/handle/1810/245120.
Texte intégralChan, Tzu-Ying. « John Playford's The Division Violin : Improvisation and Variation Practice in English Violin Music of the Seventeenth Century ». Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011780/.
Texte intégralFalconer, Marc Stuart. « A study of Tennyson's Idylls of the King ». Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002280.
Texte intégralProthero, James. « The influence of Wordsworth on twentieth-century Anglo-Welsh poets ». Thesis, University of Wales Trinity Saint David, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683327.
Texte intégralAbunasser, Rima Jamil. « Corporate Christians and Terrible Turks : Economics, Aesthetics, and the Representation of Empire in the Early British Travel Narrative, 1630 - 1780 ». Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4444/.
Texte intégralBoykin, Dennis Joseph. « Wartime text and context Cyril Connolly's Horizon / ». University of Sydney, 2007. http://hdl.handle.net/2123/1959.
Texte intégralThis thesis examines the literary journal Horizon, its editor Cyril Connolly, and a selection of its editorial articles, poems, short stories and essays in the context of the Second World War, from 1939-45. Analyses of these works, their representation of wartime experience, and their artistic merit, serve as evidence of a shared and sustained literary engagement with the war. Collectively, they demonstrate Horizon’s role as one of the primary outlets for British literature and cultural discourse during the conflict. Previous assessments of the magazine as an apolitical organ with purely aesthetic concerns have led to enduring critical neglect and misappraisal. This thesis shows that, contrary to the commonly held view, Horizon consistently offered space for political debate, innovative criticism, and war-relevant content. It argues that Horizon’s wartime writing is indicative of the many varied types of literary response to a war that was all but incomprehensible for those who experienced it. These poems, stories and essays offer a distinctive and illuminating insight into the war and are proof that a viable literary culture thrived during the war years. This thesis also argues that Horizon, as a periodical, should be considered as a creative entity in and of itself, and is worthy of being studied in this light. The magazine’s constituent parts, interesting enough when considered separately, are shaped, informed, and granted new shades of meaning by their position alongside other works in Horizon. Chapters in the thesis cover editorials and editing, poetry, short stories, political essays, and critical essays respectively. Analyses of individual works are situated in the context of larger concerns in order to demonstrate the coherence of debate and discourse that characterised Horizon’s wartime run. In arguing that Horizon is a singular creative entity worthy of consideration in its own right, this thesis locates itself within the emerging field of periodical studies. Further, by arguing that the magazine demonstrates the value of Second World War literature, it articulates with other recent attempts to reassess the scope and quality of that literature. More specifically, this thesis offers the first focused and in-depth analysis of Horizon’s formative years.
Sutton, Peter David. « 'The trade of application' : political and social appropriations of Ben Jonson, 1660-1776 ». Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16547.
Texte intégralGhosh, Hrileena. « John Keats's medical notebook and the poet's career : an editorial, critical and biographical reassessment ». Thesis, University of St Andrews, 2016. http://hdl.handle.net/10023/8247.
Texte intégralJeffrey, Anthony Cole. « The Aesthetics of Sin : Beauty and Depravity in Early Modern English Literature ». Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062818/.
Texte intégralHjul, Lauren Martha. « The family in Shakespeare's plays : a study of South African revisions ». Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001832.
Texte intégralLynch, Éadaoín. « 'This may be my war after all' : the non-combatant poetry of W.H. Auden, Louis MacNeice, Dylan Thomas, and Stevie Smith ». Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16566.
Texte intégralEdelman, Charles. « The theatrical and dramatic form of the swordfight in the chronicle plays of Shakespeare ». Title page, contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phe21.pdf.
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