Thèses sur le sujet « English literature Early modern, 1500-1700 History and criticism »
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Bider, Noreen Jane. « Tudor metrical psalmody and the English Reformations ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0026/NQ50115.pdf.
Texte intégralNielson, James. « Elizabethan realisms : reading prose from the end of the century ». Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74597.
Texte intégralThese works, traditionally grouped together because of the interaction of their authors at the end of the 16th century, include Robert Greene's "cony-catching" and "confessional" pamphlets, the texts of the controversy between Thomas Nashe and Gabriel Harvey, and Harvey's manuscript drafts, as well as more familiar works such as Nashe's Unfortunate Traveller.
The theoretical issue of "the real" as a textual effect has been divided up according to the three nominal categories of persons, places and things, but the thesis falls methodologically into two halves. The opening chapters aim at reintroducing the figures of Greene, Nashe and Harvey, and exploring the quasi-genres of confession, invective and rough draft as exemplary models of the textual construction of a realistic person. They also attempt an alternative form of reading which is an amalgam of cento, summary, close reading, theoretical aside, and running commentary. In the second half, microreadings of the Marprelate Tracts, the cony-catching pamphlets, and texts by Nashe are used to shed light on theoretical issues of textual "place" such as the rhetorical construction of "presence" and metaphorical "movement." Once the relationship between premodern and postmodern textuality has been sketched, the final chapter offers a critique of the unreflexive academic practice of doing "readings," and argues for a new literalism and the self-subversion of the figurative in an "extrarhetorical" reading of Nashe's Lenten Stuffe.
Hammerton, Rachel Joan. « English impressions of Venice up to the early seventeenth century : a documentary study ». Thesis, University of St Andrews, 1987. http://hdl.handle.net/10023/2792.
Texte intégralFarley, Stuart. « Copious voices in early modern English writing ». Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11904.
Texte intégralHanan, Rachel Ann 1978. « Words in the world : The place of literature in Early Modern England ». Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11156.
Texte intégral"Words in the World" details the ways that the place of rhetoric and literature in the sixteenth and seventeenth centuries changes in response to the transition from natural philosophy to Cartesian mechanism. In so doing, it also offers a constructive challenge to today's environmental literary criticism, challenging environmental literary critics' preoccupation with themes of nature and, by extension, with representational language. Reading authors from Thomas More to Philip Sidney and Ben Jonson through changes in physics, cartography, botany, and zoology, "Words in the World" argues that literature occupies an increasingly separate place from the real world. "Place" in this context refers to spatiotemporal dimensions, taxonomic affiliations, and the relationships between literature and the physical world. George Puttenham's Arte of English Poesie (1589), for instance, limits the way that rhetoric is part of the world to the ways that it can be numbered (meter, rhyme scheme, and so forth); metaphor and other tropes, however, are duplicitous. In contrast, for an earlier era of natural philosophers, tropes were the grammar of the universe. "Words in the World" culminates with Robert Burton's Anatomy of Melancholy (1621/1651), in which the product of literature's split from the physical world is literary melancholy. Turning to today's environmental literary criticism, the dissertation thus historicizes ecocriticism's nostalgic melancholy for the extratextual physical world. Indeed, Early Modern authors' inquiries into the place of literature and the relationships between that place and the physical world in terms of literary forms and structures, suggests the importance of ecoformalism to Early Modern scholarship. In particular, this dissertation argues that Early Modern authors treat literary structures as types of performative language. This dissertation revises the standard histories of Early Modern developments in rhetoric and of the literary text, and it provides new insight into the materiality of literary form.
Committee in charge: Lisa Freinkel, Chairperson, English; William Rossi, Member, English; George Rowe, Member, English; Ted Toadvine, Outside Member, Philosophy
Bellis, Joanna Ruth. « Language, literature, and the Hundred Years War, 1337-1600 ». Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609852.
Texte intégralJohnson, Toria Anne. « 'Piteous overthrows' : pity and identity in early modern English literature ». Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4197.
Texte intégralLeskinen, Saara. « Reliable knowledge of exotic marvels of nature in sixteenth-century French and English texts ». Thesis, Warburg Institute, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564418.
Texte intégralBulman, Helen Lois. « Concepts of folly in English Renaissance literature : with particular reference to Shakespeare and Jonson ». Thesis, University of St Andrews, 1991. http://hdl.handle.net/10023/3475.
Texte intégralJeffrey, Anthony Cole. « The Aesthetics of Sin : Beauty and Depravity in Early Modern English Literature ». Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062818/.
Texte intégralMay, Simon. « Marlowe and monarchy ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:84716f56-e527-4a6b-820c-d2204c87cfe2.
Texte intégralPhilo, John-Mark. « An ocean untouched and untried : translating Livy in the sixteenth century ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:72584fcd-42d6-42b6-9186-18b01b95af85.
Texte intégralAuger, Peter. « British responses to Du Bartas' Semaines, 1584-1641 ». Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:be0f89c2-c2e4-482d-ac8f-e867985ff72e.
Texte intégralCollins, Margo. « Wayward Women, Virtuous Violence : Feminine Violence in Restoration and Eighteenth-Century British Literature by Women ». Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2474/.
Texte intégralPonce, Timothy Matthew. « The Hybrid Hero in Early Modern English Literature : A Synthesis of Classical and Contemplative Heroism ». Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062882/.
Texte intégralJennings, Emily. « Prophetic rhetoric in the early Stuart period ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:13643178-0544-4b2b-9ca3-55d6c73a5d26.
Texte intégralMukherjee, Manisha. « The representation of transgressive love and marriage in English Renaissance drama / ». Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42103.
Texte intégralHirsch, Brett Daniel. « Werewolves and women with whiskers : figures of estrangement in early modern English drama and culture ». University of Western Australia. English and Cultural Studies Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0175.
Texte intégralKoenig, Gregory R. (Gregory Robert). « The Relationship of Robert Greene and Thomas Nashe, 1588-1590 : An Episode in the Development of English Prose Fiction ». Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500802/.
Texte intégralHone, Joseph. « The end of the line : literature and party politics at the accession of Queen Anne ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d847a561-130a-42f0-b78f-2463e9e65535.
Texte intégralTanner, Jane Hinkle. « Sharing the Light : Feminine Power in Tudor and Stuart Comedy ». Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278551/.
Texte intégralBates, Catherine. « Courtship and courtliness : studies in Elizabethan courtly language and literature ». Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:7d87cb87-8146-4d47-a19e-4cc9aee21467.
Texte intégralKershaw, Alison. « The poetic of the Cosmic Christ in Thomas Traherne's 'The Kingdom of God' ». University of Western Australia. School of Social and Cultural Studies, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0085.
Texte intégralHiggins, Benjamin David Robert. « We have a constant will to publish : the publishers of Shakespeare's First Folio ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:ab876515-5984-46a5-8bf0-8346165fb583.
Texte intégralRumbold, Kate Louise. « All the men and women merely players : quoting Shakespeare in the mid-eighteenth-century novel ». Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670136.
Texte intégralLeissner, Debra Holt. « The Gender of Time in the Eighteenth-century English Novel ». Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278321/.
Texte intégralJohanson, Kristine. « A rhetoric of nostalgia on the English stage, 1587-1605 ». Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1001.
Texte intégralPettegree, Jane K. « Foreign and native on the English stage, 1588-1611 : metaphor and national identity ». Thesis, St Andrews, 2009. http://hdl.handle.net/10023/786.
Texte intégralDi, Ponio Amanda Nina. « The Elizabethan Theatre of cruelty and its double ». Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/836.
Texte intégralReynolds, Paige Martin. « Reforming Ritual : Protestantism, Women, and Ritual on the Renaissance Stage ». Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5439/.
Texte intégralWong, Alexander Tsiong. « Aspects of the kiss-poem 1450-1700 : the neo-Latin basium genre and its influence on early modern British verse ». Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708782.
Texte intégralPhillips, Harriet. « Uses of the popular past in early modern England, 1510-c.1611 ». Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648360.
Texte intégralMurray, Kylie Marie. « Dream and vision in Scotland, c.1375-1500 ». Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669934.
Texte intégralGardner, Corinna. « The just figure shape, harmony and proportion in a selection of Andrew Marvell's lyrics ». Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1002273.
Texte intégralMontanari, Anna Maria. « 'A heart in Egypt' : Cleopatra on the Renaissance stage in Italy and England ». Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709112.
Texte intégralAllsopp, Niall. « Turncoat poets of the English Revolution ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:72c956c3-ec8b-4b07-ad91-a05b0e72fd39.
Texte intégralFeldman, Linda Ellen. « The good Hausvater : patriarchal elements and the depiction of women in three works by Grimmelshausen ». Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=73974.
Texte intégralHacksley, Timothy Christopher. « A critical edition of the poems of Henry Vaux (c. 1559-1587) in MS. Folger Bd with STC 22957 ». Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1704/.
Texte intégralFaull, Lionel Peter. « Robert Herrick's self-presentation in Hesperides and his Noble numbers ». Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002250.
Texte intégralBrooks, Scott A. « To move, to please, and to teach : the new poetry and the new music, and the works of Edmund Spenser and John Milton, 1579-1674 ». Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5034.
Texte intégralBlosser, Carol Dawn. « Making English eloquence : Tottel's miscellany and the English Renaissance ». Thesis, 2005. http://hdl.handle.net/2152/1825.
Texte intégral« Consummation of sexuality and religion in the love and divine poetry of John Donne ». 2006. http://library.cuhk.edu.hk/record=b5892762.
Texte intégralThesis submitted in: November 2005.
Thesis (M.Phil.)--Chinese University of Hong Kong, 2006.
Includes bibliographical references (leaves 94-96).
Abstracts in English and Chinese.
Chapter Chapter 1 --- Introduction --- p.1
Chapter Chapter 2 --- The Secular-Divine Seduction in Donne's Seductive Poems --- p.16
Chapter Chapter 3 --- The Sexual Elements in Donne's Religious Poems --- p.34
Chapter Chapter 4 --- "Death: “The Worst Enemy""" --- p.61
Conclusion --- p.91
Bibliography --- p.94
Minton, Gretchen E. « Imaginative space and the construction of community : the drama of Augustine’s two cities in the English Renaissance ». Thesis, 1999. http://hdl.handle.net/2429/10109.
Texte intégralWhitted, Brent Edward. « Legal play : the literary culture of the Inns of Court, 1572-1634 ». Thesis, 1999. http://hdl.handle.net/2429/10139.
Texte intégralKeim, Charles Andrew. « Milton’s God and the Sacred imagination ». Thesis, 2004. http://hdl.handle.net/2429/15835.
Texte intégralArts, Faculty of
English, Department of
Graduate
« Clothes make the wo/man : cross-dressing and gender on the English renaissance stage and in the late Imperial Chinese theatre ». 2004. http://library.cuhk.edu.hk/record=b6073650.
Texte intégral"August 2004."
Thesis (Ph.D.)--Chinese University of Hong Kong, 2004.
Includes bibliographical references (p. 249-268).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Mode of access: World Wide Web.
Abstracts in English and Chinese.
« The mind of John Donne : a cognitive approach to the metaphysical conceit ». 2011. http://library.cuhk.edu.hk/record=b5894598.
Texte intégralThesis (M.Phil.)--Chinese University of Hong Kong, 2011.
Includes bibliographical references (leaves i-vi).
Abstracts in English and Chinese.
INTRODUCTION --- p.2
Chapter Section One: --- The Discussion on Donne's Conceits and Donne's Passion in His Poetry --- p.3
Chapter Section Two: --- Development of Cognitive Poetics --- p.6
Chapter Section Three: --- Significance of Cognitive Poetics --- p.10
Chapter Section Four: --- Significance of this Research Project --- p.13
Chapter CHAPTER ONE: --- CONCEPTUAL METAPHOR THEORY AND BLENDING THEORY --- p.15
Chapter Section One: --- Theoretical Background of Metaphor --- p.15
Chapter Part One: --- Metaphor as Deviation --- p.16
Chapter Part Two: --- Metaphor as Ornament --- p.17
Chapter Part Three: --- Metaphor as a Way of Understanding --- p.19
Chapter Part Four: --- Metaphor and Conceit --- p.21
Chapter Section Two: --- Conceptual Metaphor Theory --- p.21
Chapter Part One: --- Conceptual Metaphor Theory --- p.21
Chapter Part Two: --- Conceptual Metaphor Theory and Emotions --- p.25
Chapter Section Three: --- Blending Theory --- p.26
Chapter Part One: --- From Conceptual Metaphor Theory to Blending Theory --- p.26
Chapter Part Two: --- Gregor as a Twitter User --- p.28
Chapter Part Three: --- Blending and Conceit --- p.33
Conclusion --- p.34
Chapter CHAPTER TWO: --- FUNCTIONS OF DONNE'S CONCEITS --- p.35
Chapter Section One: --- Conceit in Perspectives --- p.36
Chapter Part One: --- Definition and Classification of a Conceit --- p.36
Chapter Part Two: --- The Mechanism of Combining Two Heterogeneous Images --- p.38
Chapter Part Three: --- Functions of a Conceit in the Argumentation of a Poem --- p.41
Chapter Part Four: --- Comparison Between the Rhetorical Approach and the Cognitive Approach --- p.43
Chapter Section Two: --- Functions of Donne's Conceits --- p.47
Chapter Part One: --- Analysis of 'Lovers' Infiniteness' --- p.47
Chapter Part Two: --- Condensed Conceits --- p.57
Chapter Part Three: --- Expanded Conceits --- p.64
Conclusion --- p.67
Chapter CHAPTER THREE: --- THE PASSION IN DONNE'S CONCEITS --- p.68
Chapter Section One: --- The Emotional Aspect of Donne's Poems and the Cognitive Perspective --- p.69
Chapter Section Two: --- Conceptual Theory of Emotion in Detail --- p.75
Chapter Part One: --- Kovecses's Emotion Concepts and Cognitive Model of Emotions --- p.75
Chapter Part Two: --- "Intensity, Passivity and Force in Romantic Love" --- p.77
Chapter Part Three: --- Application of Kovecses's theory to Donne's poems --- p.79
Chapter Section Three: --- Donne's Expressions of Emotions --- p.81
Chapter Part One: --- Passion and Intensity of Love when Love is Fierce --- p.81
Chapter Part Two: --- Frustration and Attempts to Control One's Emotions --- p.85
Chapter Part Three: --- Secured and Satisfied Love --- p.89
Chapter Part Four: --- Conceits that Fall Outside the Stages of Emotions --- p.94
Conclusion --- p.97
CONCLUSION --- p.99
Other Issues in Donne's Poetry Concerning Emotions --- p.100
Thiel, Gudrun Else Kaethe. « Die Todesfigur : eine studie ihrer funktion in der deutschen literatur vom vierzehnten bis zum sechzehnten jahrhundert : unter besonderer beruecksichtigung des sozial - und gesellschaftskritischen aspekts ». Thesis, 1989. http://hdl.handle.net/10413/8673.
Texte intégralThesis (Ph.D.)-University of Natal, Durban, 1989.