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Thèses sur le sujet « Elegien »

Auteur : Grafiati
Publié le 11 mars 2023

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1

Spoth, Friedrich. "Ovids "Heroides" als Elegien /." München : C. H. Beck'sche Verlagsbuchhandlung, 1992. http://catalogue.bnf.fr/ark:/12148/cb35573121b.

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2

Riesenweber, Thomas. "Uneigentliches Sprechen und Bildermischung in den Elegien des Properz." Berlin New York de Gruyter, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2909211&prov=M&dok_var=1&dok_ext=htm.

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3

Degner, Uta. "Bilder im Wechsel der Töne Hölderlins Elegien und "Nachtgesänge"." Heidelberg Winter, 2007. http://d-nb.info/987404695/04.

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Degner, Uta. "Bilder im Wechsel der Töne : Hölderlins Elegien und "Nachtgesänge" /." Heidelberg : Winter, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3066614&prov=M&dok_var=1&dok_ext=htm.

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5

Ruhl, Maria. "Die Darstellung von Gefühlsentwicklungen in den Elegien des Properz." Göttingen : Cuvillier, 2001. http://catalog.hathitrust.org/api/volumes/oclc/49924799.html.

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6

Fuchs, Britta A. "Poetologie elegischen Sprechens das lyrische Ich und der Engel in Rilkes "Duineser Elegien"." Würzburg Königshausen & Neumann, 2008. http://d-nb.info/991845005/04.

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Fuchs, Britta A. "Poetologie elegischen Sprechens : das lyrische Ich und der Engel in Rilkes "Duineser Elegien" /." Würzburg : Königshausen & Neumann, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783826040610.

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8

Kraushaar, Katja. "Englische Elegien : Versuche der poetischen Selbstvergewisserung englischer Dichter in ihrer Auseinandersetzung mit dem Tod /." Frankfurt am Main : P. Lang, 2004. http://catalogue.bnf.fr/ark:/12148/cb39244965t.

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9

Mülke, Christoph. "Solons politische Elegien und Iamben (Fr. 1-13, 32-37 West) : Einleitung, Text, Übersetzung, Kommentar /." München : K. G. Saur, 2002. http://catalogue.bnf.fr/ark:/12148/cb39086072k.

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10

Carré, Martine. "Les "Élégies de Duino " ou la quête de la totalité." Paris 3, 1994. http://www.theses.fr/1995PA030076.

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Cette étude se propose d'approcher les "Elégies de Duino" sous l'angle de leur travail d'écriture. Elle suit d'abord la direction indiquée par le titre : celle de la plainte. Elle conclut à la désespérance d'un sujet ne connaissant de la temporalité que les aspects négatifs et vivant sur le mode de la nostalgie dans la conscience aigüe du moment qui fut pour lui décisif : celui du renversement catastrophique opéré par la "conscience dialectique" de l'homme. Forte de cette découverte, la lecture se réoriente à la lumière des contradictions de la "Quatrième Elégie". A l'acmé de la déploration, e
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11

Beroaldus, Philippus [Verfasser]. "COMMENTARII IN PROPERTIVM - PRIMVS COMMENTARIVS : Der Kommentar zum Ersten Buch der Elegien des Properz / Philippus Beroaldus." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2015. http://d-nb.info/1080459782/34.

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Beroaldo, Filippo [Verfasser]. "COMMENTARII IN PROPERTIVM - PRIMVS COMMENTARIVS : Der Kommentar zum Ersten Buch der Elegien des Properz / Philippus Beroaldus." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2015. http://nbn-resolving.de/urn:nbn:de:101:1-201512206105.

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13

Casellato, Anna. "Rilke in München: der Weg zur Abstraktion." Doctoral thesis, Università degli studi di Trento, 2022. http://hdl.handle.net/11572/349370.

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Il lavoro si propone di individuare il ruolo che Picasso ha assunto nelle scelte poetologico- estetiche del Rilke monacense. Esso chiarisce quindi il modo le opere del Picasso rosa e protocubista si sono inserite nel ragionamento rilkiano che culmina nella articolazione geometrica di quella lirica figurale tra mimesi e astrazione; in che modo l’impulso picassiano strutturi l’immaginario rilkiano nella pagina poetica e all’infuori di essa dando vita a una prassi dialogica volta alla ricostruzione del Se. Esso si propone inoltre die spiegare in che modo la dialettica picassiana della frammentazi
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14

Stürzenhofecker, Roland [Verfasser]. "COMMENTARII IN PROPERTIVM-COMMENTARIVS SECVNDVS : Der Kommentar zum Zweiten Buch der Elegien des Properz. Herausgegeben und übersetzt von Roland Stürzenhofecker / Roland Stürzenhofecker." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2019. http://d-nb.info/1199774049/34.

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15

Howard, William Scott. "Fantastic surmise : seventeenth-century English elegies, elegiac modes, and the historical imagination from Donne to Philips /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/9527.

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16

Henriksson, Andreas. "Francis Poulencs Elegie." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2079.

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17

Lattanzi, Matthew. "Elegies for Domestic Tranquility." Youngstown State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1411475519.

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18

Kern, Meghan. "The Lady Markham Elegies." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5863.

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This project studies the contemporary manuscript transmission of three poems written on the 1609 death of Lady Bridget Markham. Lady Markham was the cousin of the influential courtier and patron Lucy, Countess of Bedford and her death prompted an outpouring of verses that were collected in manuscript verse miscellanies during the period. John Donne was in the process of establishing a patronage relationship with Lady Bedford at the time and wrote a respectful elegy on her cousin’s death. Francis Beaumont also wrote, for the same occasion, what has been called the most “repellent” work of the E
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19

Hadley, Edward. "The elegies of Ted Hughes." Thesis, Durham University, 2008. http://etheses.dur.ac.uk/2903/.

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The purpose of this study is to make the case that Ted Hughes (1930-1998) is one of the pre-eminent elegists writing in English in the latter half of the twentieth century. Whilst his poetry has been widely criticised for its apparent preoccupation with violence and death, it is puzzling that the links these topics have in common with elegy have never been clearly verified. This might be because Hughes's elegies do not appear to bear the characteristics frequently associated with traditional poetic laments; however, as this study shows, closer scrutiny reveals not only many similarities, but a
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20

Brady, A. "English funerary elegies, 1620-1650." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596858.

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Though highly conventional, the funerary elegy provides poets - from the professional laureate to the functionally literate - with an opportunity to challenge political and religious leadership, patronage networks, and literary values. I reconstruct the elegy’s genealogy in classical and humanist rhetoric in Chapter 1, and associate its observance of rhetorical conventions with the conventions that govern consolation and Christian grief. I then consider how elegy participates in the symbolic and material economy of mortuary ritual, especially the heraldic funeral. The ritual context outlined i
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21

Trojanov, Marin. "Balkanska elegija /." [S.l.] : Stigmati, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016520063&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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22

Pastorello, Elisa Gianna. "Female Elegiac Characters in the Exeter Book: A critical edition, with a critical history and a variorum commentary of 'Wulf and Eadwacer', 'The Wife's Lament' and 'The Husband's Message'." Doctoral thesis, Università degli studi di Padova, 2012. http://hdl.handle.net/11577/3422128.

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Among the variety of genres and themes found in the Exeter Book – Exeter Cathedral Library MS. 3501, Exeter – Wulf and Eadwacer (fols. 100v-101r), The Wife’s Lament (fols. 115r-115v) and The Husband’s Message (fols. 123r-123v) stand out for their similarity in content and form, all of them being poetical laments dealing with the separation of lovers. What makes these texts peculiar, however, is their having women as protagonists, and, in the case of Wulf and Eadwacer and The Wife’s Lament, their being spoken by those female protagonists. Since Benjamin Thorpe’s editio princeps of the MS. in
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23

Lee-Stecum, Parshia. "Powerplay in Tibullus : reading Elegies Book One /." London ; New York ; Melbourne (Australie) : Cambridge university press, 1998. http://catalogue.bnf.fr/ark:/12148/cb370854338.

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24

Garrasi, Daria <1991&gt. "Feminine agency in two Old English elegies." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/11682.

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La presente tesi mira a investigare i modi in cui il concetto di “female agency” viene espresso all’interno della ristretta produzione poetica in inglese antico riguardante la figura femminile. Partendo dalla descrizione di come la cornice socio-politica nonché culturale dell’Inghilterra nell’era Anglo-Sassone concepiva l’idea di “female performativity”, andremo a vedere in che modo le donne erano allo stesso tempi assenti (data la loro invisibilità narrativa) e presenti (grazie alle loro voci). L’identità di genere di queste poesie dipende anche da alcuni indizi linguistici, dal momento che e
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25

Schuster, Jörg. "Poetologie der Distanz : die "klassische" deutsche Elegie /." Freiburg im Breisgau : Rombach, 2002. http://catalogue.bnf.fr/ark:/12148/cb40170124c.

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26

Prempeh, Nana. "School of the Elegiac." Chapman University Digital Commons, 2019. https://digitalcommons.chapman.edu/creative_writing_theses/17.

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The various sections of this thesis are interconnected by a sense of inescapable misery. The second section works as a bridge in that sense, connecting the misery of home and abroad. Quite fittingly, W.E.B. du Bois, who toward the end of his life acquired Ghanaian citizenship (he died and is buried in Ghana), serves as the major influence from which the connective (t)issues explored in the various sections are drawn. After the du Bois tradition of examining shared black experiences, the bridge section (II) of the thesis has his words for a title. At the heart of these poems and within the purs
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27

Thompson, Josh. "CHRISTOPHER MARLOWE'S OVID'S ELEGIES AND THE POETICS OF SUBJECTIVITY." MSSTATE, 2008. http://sun.library.msstate.edu/ETD-db/theses/available/etd-11082008-131650/.

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Christopher Marlowes narrator-lover in Ovids Elegies increasingly embodies an epitome of conventional ideology. As I study Ovids Elegies and Marlowes poetics of subjectivity, I specifically address how the narrators inability to find the truth about himself, about love, and about the value of poetry reveals his gross misconceptions of his own contrived and illusory subjectivity, particularly the way in which his ill-conceived notions misrepresent love and poetry. That is, he cannot discover from his experience a personal identity and subjectivity. Without the ability to define himself, to embo
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28

Heyworth, J. "The elegies of Sextus Propertius : Towards a critical edition." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377844.

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29

Connolly, S. "A genealogy of poetry : elegies for poets since 1939." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1444612/.

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Many of the most enduring and influential elegies are those written in memory of other poets. Elegies for poets have always served a fascinating range of both private and public functions. This thesis establishes some of the forms taken and functions served by elegies for poets since W. H. Auden's landmark elegy "In Memory of W. B. Yeats" (1939) to the present day. Such poems are Janus-faced, simultaneously casting back into the past and projecting into the future. Although often radical in form and critical in tone, twentieth-century elegies for poets are also deeply concerned with tradition,
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30

PLICHON, MAUGER BRIGITTE. "Presentation, edition, traduction et commentaire des elegies de maximianus." Paris 3, 1996. http://www.theses.fr/1997PA030019.

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Le poete elegiaque maximianus, un temps confondu avec gallus, serait bien un poete du sixieme siecle ap. J. C. , en raison de l'allusion a boece et de l'apport de la tradition manuscrite. L'etude de ce recueil de six elegies met en evidence l'existence d'une structure formelle s'organisant autour de la peinture des echecs amoureux d'un narrateur qui, au soir de sa vie, en appelle a la mort. L'edition de ce recueil, dont la tradition manuscrite est extremement complexe, repose sur un choix eclectique au sein de cette tradition, en conservant le plus possible le texte des manuscrits. Elle compor
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31

Davis, Colin. "Polyphonic Harmony in Three of Ferruccio Busoni’s Orchestral Elegies." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc794924/.

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This dissertation focuses on three of Busoni’s late orchestral works known as “orchestral elegies”: Berceuse élégiaque (Elegie no. 1, 1909), Gesang vom Reigen der Geister (Elegie no. 4, 1915), and Sarabande (Elegie no. 5, 1918-19). The study seeks to provide a better understanding of Busoni’s late style as a crucial bridge from late nineteenth-century chromaticism in the works of Liszt, Wagner, and others to the post-tonal languages of the twentieth century. At the heart of this study lies a particular concept that forms the basis of many characteristic features of Busoni’s late style, namely
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32

Feeley, Catherine. "Poeta levis?, Ovid's elegiac nequitia." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/MQ49350.pdf.

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33

Martelli, Francesca. "Readings in Ovid's elegiac postscripts." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504114.

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34

Lee-Stecum, Parshia. "Power and process : a reading of Tibullus, Elegies Book One." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362860.

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35

Purton, Jeremy Stephen. "Visualisation and description in the elegies of Propertius and Tibullus." Thesis, University of Canterbury. Classics, 2011. http://hdl.handle.net/10092/5659.

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36

HATCH, JOEL SIMMONS. "POETIC VOICES AND HELLENISTIC ANTECEDENTS IN THE ELEGIES OF PROPERTIUS." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1166540258.

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37

Lopes, Cecília Gonçalves. "Confluência genérica na Elegia Erótica de Ovídio ou a Elegia Erótica em elevação." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-03032010-133009/.

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No final do século I a.C., a Elegia Erótica Romana desafiou os gregos e as convenções poéticas apresentando um poeta-amante que cantava suas aventuras amorosas em primeira pessoa. Como se isso não bastasse, esse eu-elegíaco se dedicava à puella como se tal tarefa fosse uma militia, um seruitium amoris, e que exigia tempo integral. Galo, Propércio e Tibulo nos apresentaram suas dominas e se negaram a servir à pátria. Ovídio foi além: seguiu seus predecessores mas fez com que seus leitores aprendessem a entender o papel de cada uma das normas na construção desse gênero. Escreveu seu primeiro liv
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38

Dewa, Roberta Jean. "The Old English elegies : coherence, genre, and the semantics of syntax." Thesis, University of Nottingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364448.

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39

Tseng, Chien-Kang. "Donne's 'fresh invention planted' : originality, wit and imitation in the Elegies." Thesis, University of Newcastle Upon Tyne, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438389.

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40

Britton, Daryl (Dee). "Elegies of darkness : commemorations of the bombing of Pan Am 103." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2008. http://wwwlib.umi.com/cr/syr/main.

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41

ALVES, J. P. M. "Elegias de Tibulo: Tradução e comentário." Universidade Federal do Espírito Santo, 2014. http://repositorio.ufes.br/handle/10/3174.

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Made available in DSpace on 2016-08-29T14:11:03Z (GMT). No. of bitstreams: 1 tese_8248_João Paulo Matedi - arquivo completo.pdf: 2273624 bytes, checksum: aff5441c0e85a81a9e9a00fffc2f4da6 (MD5) Previous issue date: 2014-10-27<br>Propõe-se uma tradução literária da obra do escritor romano antigo Álbio Tibulo e um comentário-estudo que revele, simultaneamente, aspectos das elegias do poeta e um pouco do passo a passo da tradução, da engenharia de sua construção. Em um quadro assim, pressupõe-se a gênese concomitante de tradução e comentário, uma vez que um é pretexto e argumento para a existênc
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42

Bell, Gregory Stuart. "John Donne: Love and Voices in the Elegies and Songs and Sonnets." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/15326.

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This thesis argues that Donne's Elegies and Songs and Sonnets found a readership trained to appreciate his words. It draws on the work of Wolfgang Iser. Iser particularly looks at the importance of a text providing a space in which the reader can imagine possibilities that extend his or her world. It is through voices that Donne connects with his readers, and creates worlds and spaces that they can explore. As his poetic control matures, Donne increasingly lives inside the poetic worlds he creates. At first, in the Elegies, his speaker is the societal observer and participant. Through this spe
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43

Rodeman, Juliet M. "The anticipatory elegy /." free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9717163.

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Thesis (Ph. D.)--University of Missouri-Columbia, 1996.<br>"This dissertation is a combination of a critical essay and an original collection of poetry" -- P. ii. Typescript. Vita. Includes bibliographical references (leaves 42-43). Also available on the Internet.
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44

Turner, Carolyn A. "Burial light /." free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9717155.

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Thesis (Ph. D.)--University of Missouri-Columbia, 1996.<br>"This dissertation is a combination of a critical essay and an original collection of poems" -- P. [i]. Typescript. Vita. Includes bibliographical references (leaf 18). Also available on the Internet.
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45

Hôte, Hélène. "Les Elegies de Jean Doublet : édition précédée d'une étude littéraire, historique et linguistique." Rouen, 2009. http://www.theses.fr/2009ROUEL030.

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Les Elegies de Jean Doublet, poète dieppois du XVIe siècle, revêtent un double intérêt : un intérêt national dans la mesure où elles s'inscrivent dans la mouvance de la Pléiade, et un intérêt régional par la défense de la culture normande et des thèmes qui y sont associés. Cette première édition scientifique est précédée d'une étude littéraire, historique et linguistique qui propose d'approfondir trois axes majeurs du recueil : l'innovation poétique, et plus particulièrement la définition du genre élégiaque par Jean Doublet, sa contribution à l'illustration de la langue française et les recour
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46

Franklinos, Tristan Emil. "Me iuaat in gremio doctae legisse puellae : mindful reading in the elegies of Propertius." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:b4ce7524-b6a8-42f0-9a67-b42c5df0285b.

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In a critical climate that privileges the hermeneutic position of a reader of a text over the irretrievable intentions of its author, this thesis challenges the status quo by considering the elegist Propertius as his own first reader. Through an exploration of what I have called 'mindful reading' - how Propertius appears to engage intratextually with his own poetic material, recasting parts of it lexically and thematically - alongside his interaction with the works of his peers and predecessors and wider cultural discourses, we, as readers, are able to appreciate how he may have understood asp
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47

Widner, Michael. "Turn, counter-turn, stand and weep Three elegiac odes /." Ann Arbor, Mich. : ProQuest, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1434191.

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Thesis (M.A. in English)--S.M.U.<br>Title from PDF title page (viewed July 20, 2007). Source: Masters Abstracts International, Volume: 44-05, page: 2104. Adviser: Willard Spiegelman. Includes bibliographical references.
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48

Dowling, Finuala. "The elegiac form and imagery in three modernist works." Thesis, University of Cape Town, 1986. http://hdl.handle.net/11427/26073.

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49

Baker, Sherry Holbrook. "In Memoriam: Nine Elegiac Works for Horn, 1943–2004." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1267719018.

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50

Moss, Carina M. "Elegy with Epic Consequences: Elegiac Themes in Statius’ Thebaid." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592134478208502.

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