Bibliographies thématiques / Electronic Arts (Firm)

Littérature scientifique sur le sujet « Electronic Arts (Firm) »

Auteur : Grafiati
Publié le 26 juillet 2024

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Articles de revues sur le sujet "Electronic Arts (Firm)"

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Gupta, Atul, Stef Nicovich et Taylor Garrison. « Electronic Arts : gambling on the future of video games ». Emerald Emerging Markets Case Studies 6, no 2 (18 juin 2016) : 1–20. http://dx.doi.org/10.1108/eemcs-07-2015-0160.

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Subject area CSS 11: Strategy Study level/applicability Undergraduate or Graduate Capstone Course in Management or Marketing. Case overview Electronic Arts is one of the premiere video game software developers in the world. With the changing video game industry, evolving tastes and preferences, the introduction of next generation platforms and supporting various mobile platforms, Electronics Arts has important decisions to make as it charts its future. Expected learning outcomes The analysis seeks to fulfil several objectives relevant to management and marketing strategy courses, where analysis of the external environment of a firm is important. Students should be able to do the following: identify the relevant content to include in an industry analysis. Understand the key concepts of strategic analysis and how to apply them. Use the analytical tools of strategy to synthesize information from multiple sources into a comprehensive picture of an industry. Provide an overview of the dynamics and near-term future of this industry. Use industry analysis to explore emerging markets, billing options and where to target company resources. Supplementary materials Teaching notes are available for educators only. Please contact your library to gain login details or email support@emeraldinsight.com to request teaching notes.
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Arunkundram, Ravi, et Arun Sundararajan. « An economic analysis of electronic secondary markets : installed base, technology, durability and firm profitability ». Decision Support Systems 24, no 1 (novembre 1998) : 3–16. http://dx.doi.org/10.1016/s0167-9236(98)00059-1.

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Goffart, Walter. « The Name ‘Merovingian’ and the Dating of Beowulf ». Anglo-Saxon England 36 (14 novembre 2007) : 93–101. http://dx.doi.org/10.1017/s026367510700004x.

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AbstractReviving an argument of 1849, Tom Shippey has lately maintained that the dynasty name ‘Merovingian’ in Beowulf furnishes a firm criterion for attributing an early date to the poem. He contends, using an electronic database, that a deliberate damnatio memoriae caused the name ‘Merovingian’ to fade soon after the dynasty was deposed (751); its occurrence is therefore a terminus ad quem. This article shows that the Carolingians took pains to affirm continuity with their predecessors. The first Frankish dynasty was not condemned to oblivion. Its name was well known in the ninth century and occurs repeatedly in later historiography.
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Barbar, Steve. « Electronic Architecture—Solutions for archetypal coupled spaces ». Journal of the Acoustical Society of America 152, no 4 (octobre 2022) : A149. http://dx.doi.org/10.1121/10.0015850.

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We will discuss solutions for the most common coupled spaces in performing arts facilities—Balconies and Stages. While there are exceptions, seats in balcony and under balcony spaces sometimes have less than ideal listening conditions. For electronic and close miked sources, supplemental sound reinforcement can help to provide expected perception of the direct sound. However, perceived acoustical conditions do not match that of the main volume; the sense of engagement is compromised. Electronic Architecture incorporated in these spaces can dramatically improve listening uniformity. Additionally, the loudspeaker array can be used for supplemental sound reinforcement including film surround sound. Many multi-purpose performing arts venues do not have resources to procure, deploy, strike, or store an architectural stage shell system. A virtual shell is far more cost effective, requires less time and manpower to set up or strike, and requires far less storage space. In addition, it provides far greater acoustic variability—accommodating a wider range of performances.
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Rashidin, Md Salamun, Sara Javed, Lingming Chen et Wang Jian. « Assessing the Competitiveness of Chinese Multinational Enterprises Development : Evidence From Electronics Sector ». SAGE Open 10, no 1 (janvier 2020) : 215824401989821. http://dx.doi.org/10.1177/2158244019898214.

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Multinational enterprises (MNEs) are key drivers of globalization. The study investigated the performance of leading Chinese electronics MNEs, Huawei, Lenovo, and Haier, and made a comparison between Chinese electronics MNEs and American electronics MNEs along with their specifications in terms of globalization by using Asmussen’s model, Petersen’s model, Rugman’s firm-specific and country-specific advantage (FSA-CSA) matrix, and the Porter’s diamond model. Findings revealed that only Huawei is the truly global company at present; nevertheless, Lenovo and Haier are both on the right track, reaching the same status as Huawei. These firms can successfully utilize their country-specific advantages by capitalizing on China’s external partnerships and existing trade agreements. Chinese projects seem to be able to provide Chinese MNEs with the ability to maximize their opportunity to seek growth externally and enter the global market. An examination of MNE practices facilitated by American and Chinese firms imparts relevant commonalities but differences in operational practices. Small enterprises can follow the process and strategy, while policymakers will receive a suggestion to implicate an industrial-friendly policy.
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Barbar, Steve. « LF electronic Architecture—Saving cost and adding acoustic flexibility in the construction of multi-purpose performing arts facilities ». Journal of the Acoustical Society of America 152, no 4 (octobre 2022) : A149. http://dx.doi.org/10.1121/10.0015849.

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Over the course of many years, we have successfully integrated LF components into full range electronic architecture installations. These components are typically utilized when programming includes acoustic instruments such as pipe organ, or a large orchestra (or both)—or when electronic sources producing LF energy (such as effects mapping or film screening) need to be considered. However, we have also installed LF only EA systems in several concert halls in order to optimize LF performance without the high cost associated with brick and mortar construction methods. Electronic Architecture provides the added benefit of variability necessary for multi-purpose performing arts venues.
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Su, Han. « Company's investment value analysis using the examples of Activision Blizzard, Electronic Arts, and Microsoft Corporation ». Highlights in Business, Economics and Management 13 (29 mai 2023) : 285–90. http://dx.doi.org/10.54097/hbem.v13i.8870.

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Today's Internet businesses and software development firms are growing quickly and profitably in the era of the Internet economy, luring investors from a variety of industries to invest. The demand for office software and games is rising as a result of the continued popularization of computers, mobile phones, and other electronic devices. This article will examine the three investments using the process of assessing financial indicators, examine the investment value of each company, and offer investors some suggestions for further reading. Through the comparison of risk indicators such as total debt ratio, current ratio, asset turnover, profit margin, ROA, ROE and other profitability indicators, and PB ratio, PE ratio, and other market value indicators Finally, it can be concluded from the analysis of various financial indicators that MSFT-Microsoft Corporation and MSFT-Microsoft Corporation each have their own benefits and drawbacks, while EA-Electronic Arts have a low-risk profile and a high rate of return, making it the most advantageous investment among the three firms.
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Nguyen, Xuan Hung, Le Thuy Nguyen et Minh Anh Pham. « Influence of Green Supply Chain Management on Business Performance of Vietnamese Electronic Firms ». International Journal of Research and Review 10, no 2 (24 février 2023) : 753–71. http://dx.doi.org/10.52403/ijrr.20230291.

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The study’s objective is to assess the influence of green supply chain management (GSCM) on business performance of Vietnamese electronic firms by testing multivariate regression model through software SPSS. The study was completed based on survey results of 961 electronic firms and combined with interview results obtained from the directors, the deputy directors, and other positions directly involved in the supply chain management system. The results show that GSCM has a direct positive impact on business performance and has an indirect positive impact on business performance through employee job satisfaction, operational efficiency, relational efficiency. This study provides some valuable implications for electronic firms in raising their awareness and also developing their green supply chain management system. Keywords: GSCM, Green supply chain management, Business performance, Vietnamese electronic firms.
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Iranmanesh, Emad, Weiwei Li, Hang Zhou et Kai Wang. « A System-Level Approach towards a Hybrid Energy Harvesting Glove ». Sensors 21, no 16 (8 août 2021) : 5349. http://dx.doi.org/10.3390/s21165349.

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This paper presents a novel wearable hybrid harvester system as a glove that contains four distinct scavenging modules of flexible transducer film, photosensitive 3D dual-gate thin-film transistor, and a particular power management box. Each single module is formed by a piezoelectric-charge-gated TFT (PCGTFT). The reported system is capable of scavenging energy from two various free of charge energy sources (Piezoelectric plus Photoelectric). Aforesaid system unlike other state-of-the-arts overcomes several key challenges in interfacing, storage and power management. Harvested energy which is administered through power and storage management system ultimately lightens a typical light emitting diode (LED), testifies capability of such glove to power up some low-power electronic devices.
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Enticknap, Leo. « Electronic Enlightenment or the Digital Dark Age ? Anticipating Film in an Age Without Film ». Quarterly Review of Film and Video 26, no 5 (13 octobre 2009) : 415–24. http://dx.doi.org/10.1080/10509200802165267.

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Thèses sur le sujet "Electronic Arts (Firm)"

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Lin, Ying-Chia Hazel. « Culture, technology, market, and transnational circulation of cultural products : the glocalization of EA digital games in Taiwan / ». Thesis, Connect to this title online ; UW restricted, 2006. http://hdl.handle.net/1773/6204.

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Mazzoni, Antonella. « Mood Glove : enhancing mood in film music through haptic sensations for an enriched film experience ». Thesis, Queen Mary, University of London, 2018. http://qmro.qmul.ac.uk/xmlui/handle/123456789/39757.

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This research explores a new way of enhancing audience experience in film entertainment, presenting the design and implementation of a wearable prototype system that uses haptic sensations to intensify moods in lm music. The aim of this work is to enrich the musical experience of film audiences and might also have implications on the hearing-impaired, providing them with a new enhanced emotional experience while watching a movie. Although there has been previous work into music displays of a visual and haptic nature, and on the importance of music in film, there is no documented research on musical enhancement experience in film entertainment. This work focuses on the mood conveyed by film music in order to understand what role it plays in creating the film experience, and also explores the possibility of enhancing those feelings through haptic sensations. Drawing on HCI and interaction design principles, the design of a piece of haptic wearable technology is proposed and used as the tool for user studies. This research contributes to the fields of: HCI, interaction design, user experience design, multimodal interaction, creative technology, wearable technology, haptics, entertainment technology and film music. This work also provides a set of design suggestions to aid future research and designers of haptic sensations for media enhancement. Proposed guidelines are based on a number of empirical findings that describe and explain aspects of audience emotional response to haptics, providing some first evidence that there is a correlation between vibrotactile stimuli (such as frequency and intensity) and perceived feelings.
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Katko, Justin. « P03M5 ». Miami University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=miami1185550268.

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Mňahončáková, Jana. « Sociální sítě a možnosti jejich využití pro účely komerční prezentace firem ». Master's thesis, Vysoká škola ekonomická v Praze, 2008. http://www.nusl.cz/ntk/nusl-11873.

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Commercial usage of social networking is one of the most discussed topic in marketing these days. There are two general ways how to use social network -- to built communities of social networks' users and to advertise in classic display advertising. Czech companies do not place social network to their communication mix so often as foreign ones. They still have to learn how to create the most effective strategy and how to communicate with users. The most important is the activity and interaction. Only then the campaign can reach the communication goals.
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Goldson, Annie. « A claim to truth : documentary, politics, production ». Thesis, University of Auckland, 2004. http://hdl.handle.net/2292/1246.

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The following thesis examines how documentary texts, in particular those that are associated with the tradition of political documentary, negotiate their way into being. For this purpose, I use a series of documentary case studies, each one structured around a work of my own. The five documentaries I examine were made through the decade 1990-2000 and, although these works address a range of specific cultural and political issues, they were produced either out of the US or New Zealand, the two countries within which I have lived while a documentary maker. My methodological approach is two-fold. First, I place each documentary within a framework designed by Bill Nichols as a way of defining documentary. Nichols, a major presence in the field of documentary studies, looks at documentary as constructed through a matrix of factors: the interplay of possible documentary modes and styles, pressures brought to bear through the institutional context surrounding documentary production, such as funding and distribution, the expectations of the genres' audiences, and the dialogue and influences generated by a community of documentary practitioners and their films and videos. In following Nichols' model, I offer up a modal and textual analysis for each of my own works cited, and examine, through a mixture of anecdote and theory, how funders, distributors, audiences and my fellow makers shaped my documentaries. In carrying out this examination, I also highlight certain debates that raged through the decade, particularly around documentary realism and identity politics, that were to have considerable impact on my work. My second methodological approach is to situate each work within a history of "political documentary". In Chapter One of this thesis I have attempted to categorize the various formulations of the sub-genre, which have developed since the inception of film over a century ago. In the ensuing chapters I examine how each of my documentaries draws on that history. My own body of works of course was produced in a relatively short period, but even within this time the historical changes the world has undergone are immense. Documentary is ever sensitive to its context and I chart the impact of political change on the texts being scrutinized. Although the focus, my own work, may appear narrow, the thesis draws on the tradition of participant observation and seeks, by analyzing the complexities of production within a series of case Studies, to cast light on contemporary documentary practice generally.
Whole document restricted, but available by request, use the feedback form to request access.
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Windle, Amanda. « Territorial violence and design, 1950-2010 : a human-computer study of personal space and chatbot interaction ». Thesis, University of the Arts London, 2011. http://ualresearchonline.arts.ac.uk/2785/.

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Personal space is a human’s imaginary system of precaution and an important concept for exploring territoriality, but between humans and technology because machinic agencies transfer, relocate, enact and reenact territorially. Literatures of territoriality, violence and affect are uniquely brought together, with chatbots as the research object to argue that their ongoing development as artificial agents, and the ambiguity of violence they can engender, have broader ramifications for a socio-technical research programme. These literatures help to understand the interrelation of virtual and actual spatiality relevant to research involving chatrooms and internet forums, automated systems and processes, as well as human and machine agencies; because all of these spaces, methods and agencies involve the personal sphere. The thesis is an ethical tale of cruel techno-science that is performed through conceptualisations from the creative arts, constituting a PhD by practice. This thesis chronicles four chatbots, taking into account interventions made in fine art, design, fiction and film that are omitted from a history of agent technology. The thesis re-interprets Edward Hall’s work on proxemics, personal space and territoriality, using techniques of the bricoleur and rudiments (an undeveloped and speculative method of practice), to understand chatbot techniques such as the pick-up, their entrapment logics, their repetitions of hateful speech, their nonsense talk (including how they disorientate spatial metaphors), as well as how developers switch on and off their learning functionality. Semi-structured interviews and online forum postings with chatbot developers were used to expand and reflect on the rudimentary method. To urge that this project is timely is itself a statement of anxiety. Chatbots can manipulate, exceed, and exhaust a human understanding of both space and time. Violence between humans and machines in online and offline spaces is explored as an interweaving of agency and spatiality. A series of rudiments were used to probe empirical experiments such as the Prisoner’s Dilemma (Tucker, 1950). The spatial metaphors of confinement as a parable of entrapment, are revealed within that logic and that of chatbots. The ‘Obedience to Authority’ experiments (Milgram, 1961) were used to reflect on the roles played by machines which are then reflected into a discussion of chatbots and the experiments done in and around them. The agency of the experimenter was revealed in the machine as evidenced with chatbots which has ethical ramifications. The argument of personal space is widened to include the ways machinic territoriality and its violence impacts on our ways of living together both in the private spheres of our computers and homes, as well as in state-regulated conditions (Directive-3, 2003). The misanthropic aspects of chatbot design are reflected through the methodology of designing out of fear. I argue that personal spaces create misanthropic design imperatives, methods and ways of living. Furthermore, the technological agencies of personal spaces have a confining impact on the transient spaces of the non-places in a wider discussion of the lift, chatroom and car. The violent origins of the chatbot are linked to various imaginings of impending disaster through visualisations, supported by case studies in fiction to look at the resonance of how anxiety transformed into terror when considering the affects of violence.
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Offensend, Elizabeth Gillette. « Crafting a Space : A Feminist Analysis of the Relationship Between Women, Craft, Business and Technology on Etsy.com ». PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/892.

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In recent years, craft fairs, shows and markets where crafters sell their handmade goods such as pottery, jewelry, handmade clothes and needlework have grown in popularity across the United States. A common intent among individuals in this community echo political statements made by the turn of the century Arts and Crafts movement, while there are political aspects of the community that can also be seen as an extension of the third wave feminist do-it-yourself (DIY) ethic of the late 1990s. This newly enlarged community of crafters that congregates in person also has a strong online presence. Etsy.com plays a large role in this community. The introduction of websites such as Etsy.com to the communities they serve has widespread impacts. The aim of this study is to analyze how Etsy.com impacts the lives of women who use the website to earn income. Following ethnographic traditions, the researcher interviewed five community members. The focus was on thick description of the DIY community and thematization of interview narratives. To meet participant observation criteria, the researcher also volunteered at the Independent Publishing Resource Center (IPRC) in Portland, Oregon for 4 months. Additionally, the researcher conducted a textual analysis of blogs, websites, artwork, and other sources of data collected from the online hand crafting community. The study presents and discusses the themes that emerged from the data, including women's work, feminism and technology, the crafters' political statements, the crafters as owners of legitimate businesses, and Etsy.com's impact on local economy. The results paint a picture of the community (both on and offline) and how Etsy.com helps to shape this. The researcher then discusses how to assess the impacts tools such as community websites will have on the communities they serve.
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Armstrong, Keith M. « Towards an Ecosophical Praxis of New Media Space design ». Thesis, QUT, 2003. https://eprints.qut.edu.au/9073/1/PHDTHESISKMAsmall.pdf.

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This study is an investigation in and through media arts practice. It set out to develop a novel type of new media artistic praxis built upon concepts drawn from the disciplines of scientific and cultural ecology. The rationale for this research was based upon my observation as a practising new media artist that existing praxis in the new media domain appeared to operate largely without awareness of the ecological implications of those practices. The thesis begins by explaining key concepts of ecology, spanning the arts and the sciences. It then outlines the thinking of contemporary theorists who propose that the problem of ecology is a critical issue for the 21st century, suggesting that our well-documented ecological crisis is indicative of a more general crisis of human subjectivity. It then records an investigation into particular strategies for artistic praxis which might instigate an active engagement with this problem of ecology. The study employed a methodology based in action research to focus upon the development and analysis of three new artistic works, '#14', 'Public Relations' and 'transit_lounge'. These were used to explore diverse theories of ecology and to hone a series of pointers towards Ecosophical arts/new media praxis. This journey constitutes an emergent theory for new media space design. The thesis concludes with a toolkit of tactics and approaches that other arts/new media practitioners might employ to begin working on the problem of ecology.
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Jaume, Bennasar Andrés. « Las nuevas tecnologías en la administración de justicia. La validez y eficacia del documento electrónico en sede procesal ». Doctoral thesis, Universitat de les Illes Balears, 2009. http://hdl.handle.net/10803/9415.

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La tesis se encarga de analizar, por un lado, la integración y el desarrollo de las nuevas tecnologías en la Administración de Justicia; y, por otro, los parámetros que constituyen la validez y eficacia del documento electrónico.
La primera cuestión se centra en la configuración de los Sistemas de Información de la Oficina Judicial y del Ministerio Fiscal, así como de la informatización de los Registros Civiles, donde el art. 230 LOPJ es la pieza clave. Se estudian sus programas, aplicaciones, la videoconferencia, los ficheros judiciales y las redes de telecomunicaciones que poseen la cobertura de la firma electrónica reconocida, donde cobran gran relevancia los convenios de colaboración tecnológica. La digitalización de las vistas quizá sea una de las cuestiones con más trascendencia, teniendo en cuenta que el juicio es el acto que culmina el proceso. Aunque no todos los proyectos adoptados en el ámbito de la e.justicia se han desarrollado de forma integral, ni han llegado a la totalidad de los órganos judiciales. El objetivo final es lograr una Justicia más ágil y de calidad, a lo cual aspira el Plan Estratégico de Modernización de la Justicia 2009-2012 aprobado recientemente.
En referencia a la segunda perspectiva, no cabe duda que el Ordenamiento jurídico y los tribunales, en el ámbito de la justicia material, otorgan plena validez y eficacia al documento electrónico. Nuestra línea de investigación se justifica porque cada vez son más los procesos que incorporan soportes electrónicos de todo tipo, ya sea al plantearse la acción o posteriormente como medio de prueba (art. 299.2 LEC). Entre otros temas examinamos el documento informático, la problemática que rodea al fax, los sistemas de videograbación y el contrato electrónico.
La tesi s'encarrega d'analitzar, per una part, la integració i el desenvolupament de les noves tecnologies dins l´Administració de Justícia; i, per l'altra, els paràmetres que constitueixen la validesa i l'eficàcia del document electrònic.
La primera qüestió es centra en la configuració dels Sistemes d´Informació de l´Oficina Judicial i del Ministeri Fiscal, així com de la informatització dels Registres Civils, on l'art. 230 LOPJ es la peça clau. S'estudien els seus programes, aplicacions, la videoconferència, el fitxers judicials i les xarxes de telecomunicacions que tenen la cobertura de la firma electrònica reconeguda, on cobren gran rellevància els convenis de col·laboració tecnològica. La digitalització de les vistes tal vegada sigui una de les qüestions amb més transcendència, tenint amb compte que el judici es l'acte que culmina el procés. Però no tots el projectes adoptats en l'àmbit de la e.justicia s'han desenvolupat d'una manera integral ni han arribat a la totalitat dels òrgans judicials. L'objectiu final es assolir una Justícia més àgil i de qualitat, al que aspira el Pla Estratègic de Modernització de la Justícia 2009-2012 aprovat recentment.
En referència a la segona perspectiva, no hi ha dubte que l´Ordenament jurídic i els tribunals, en l'àmbit de la justícia material, donen plena validesa i eficàcia al document electrònic. La nostra línia d'investigació es justifica perquè cada vegada son més el processos que incorporen suports electrònics de tot tipus, ja sigui quant es planteja l'acció o posteriorment como a medi de prova (art. 299.2 LEC). Entre altres temes examinem el document informàtic, la problemàtica que envolta al fax, els sistemes de videogravació i el contracte electrònic.
The thesis seeks to analyse, on the one hand, the integration and development of the new technologies in the Administration of Justice; and, on the other, the parameters which constitute the validity and efficiency of the electronic document.
The first question centres on the configuration of the Information Systems of the Judicial Office and the Public Prosecutor, as well as the computerisation of the Civil Registers, where the art. 230 LOPJ it's the part key. Their programmes, applications, the Video Conferencing, the judicial registers and the telecommunication networks which are covered by the recognised electronic signatures, are studied, where the agreements on technological collaboration gain great relevance. The digitalisation of evidence might perhaps be one of the questions with most consequence, bearing in mind that the judgment is the act by which the process is culminated. Although not all the projects adopted within the compass of e.justice have developed completely nor have reached all the judicial organs. The final objective is to achieve an agile, quality Justice, to which the recently approved Strategic Plan for the Modernisation of Justice aspires.
With reference to the second perspective, there is no doubt that the juridical Ordinance and the tribunals within the compass of material justice grant full validity and efficacy to the electronic document. Our line of investigation is justified because there are more and more processes which are sustained by electronic supports of all kinds, whether it be at the establishment of the action or later, as a proof of it (art. 299.2 LEC). Amongst other things, we examine the computerised document, the problems which surround the fax, the systems for video recording and the electronic contract.
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Manley, Dean. « Visions of madness : an investigation into cinematic representations of unreason ». 2009. http://hdl.handle.net/2292/5166.

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Madness is often associated with violence, criminality, and degenerative human failure in stigmatising media reports, and these are most people’s site of information about madness. Despite (or maybe because of) reductions in stigmatising reporting, negative perceptions of madness persist, notwithstanding stringent broadcast standards and expensive public health campaigns. When regulation dominates, extreme views can move underground into less monitored areas such as film which enjoys a wider scope to explore ideas and issues concerning a culture. Agencies which have more freedom to represent madness beyond objective journalistic conventions can be more subversive. This work takes Foucault’s archaeology of madness (among other works) as its point of departure to look at cinematic representations of madness, exploring the notion that cinema reflects and reinforces the asylum discourse. It investigates cinema as a strategy of neurotic reiteration to confine madness in narrative—to close down the spectre of the Other—in cultural structures to exorcise it from the collective consciousness. Commercial imperatives drive stigmatising representations of madness, drawing on cultural loadings inherent in the asylum discourse, trading on demonising and pathologising to exacerbate drama and tension, essential elements of tragedy. Foucault’s framework is the basis for detailed analyses and close readings of a selection of cinematic representations, critiquing their role as constituent of, and constituting, the spectacle of madness. The films considered are from New Zealand and dominant (i.e. Hollywood) cinema in order to permit comparisons between representations here and overseas. This work follows my master’s thesis (1999), which used a similar methodology to examine representations of suicide in cinema in four popular films. Here, I look at the ideas that represent knowledge and authority about madness as represented in discourses associated with cinema. I look at loadings of illness, moral failure, Otherness, animality, and the mechanisms through which the asylum discourse of containment and spectacle is validated (or otherwise). This links with Fuery’s discussion of madness and cinema, and madness as a necessary aspect of spectatorship that makes cinema possible. It also connects to my current employment on a project addressing stigma and discrimination against people with experience of madness.
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Livres sur le sujet "Electronic Arts (Firm)"

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Schutz, Susan Polis. Blue Mountain : The story of Blue Mountain Arts Publishers, Bluemountain.com, and two accidental entrepreneurs living their dreams. Boulder, Colo : Blue Mountain Press, 2004.

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2

Al-Qirim, Nabeel A. Y. Enabling electronic medicine at Kiwicare : The case of video conferencing adoption for psychiatry in New Zealand. Hershey, PA : Idea Group Pub., 2000.

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Craft, John. Electronic media. Belmont, CA : Wadsworth Thomson Learning, 2001.

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Jain, Pushkar. Thin-film capacitors for packaged electronics. Norwell, MA : Kluwer Academic Publishers, 2004.

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Kluszczyński, Ryszard W. Film, wideo, multimedia : Sztuka ruchomego obrazu w erze elektronicznej. 2e éd. Kraków : Rabid, 2002.

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Gaggi, Silvio. From text to hypertext : Decentering the subject in fiction, film, the visual arts, and electronic media. Philadelphia : University of Pennsylvania Press, 1997.

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Symposium on Thin Film Transistor Technologies (4th 1998 Boston, Massachusetts). Thin film transistor technologies : Proceedings of the Fourth Symposium on Thin Film Transistor Technologies. Sous la direction de Kuo Yue, Electrochemical Society. Dielectric Science and Technology Division. et Electrochemical Society Electronics Division. Pennington, New Jersey : Electrochemical Society, 1999.

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Yukimi, Ichikawa, dir. Amorphous silicon p-i-n diodes : Their fabrication & application to thin film devices. Singapore : World Scientific, 1996.

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Sue, Thornham, dir. Feminist film theory : A reader. Edinburgh : Edinburgh University Press, 1999.

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1940-, Leopoldseder Hannes, Schöpf Christine, Stocker Gerfried et Prix Ars Electronica (2007), dir. Prix ars electronica : CyberArts 2007 : international compendium Prix Ars Electronica - computer animation/film/VFX, digital musics, hybrid art, interactive art, digital communities, (the next idea), Media.Art.Research Award, u19 - freestyle computing. Ostfildern : Hatje Cantz Pub, 2007.

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Chapitres de livres sur le sujet "Electronic Arts (Firm)"

1

Hoon, Hian Teck, et Kong Weng Ho. « Arms Length Transactions vs. Affiliates : A Study of Two Electronic Component Firms in Singapore ». Dans Global Production and Trade in East Asia, 245–48. Boston, MA : Springer US, 2001. http://dx.doi.org/10.1007/978-1-4615-1625-5_12.

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Tichi, Cecelia. « Two Cultures and the Battle by the Books ». Dans Electronic hearth, 174–90. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195079142.003.0009.

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Abstract Anyone who remembers the popular CBS television quiz program, What’s My Line?, which aired between 1950 and 1967, will grasp the irony in the first above-quoted statement. Its author, Bennett Cerf, a writer and editor for the Random House publishing firm, became a national television celebrity on that program, in which panelists prominent in the arts and show business tried guessing a contestant’s occupation. Seen weekly on television by millions, Cerf became very much involved in the world he initially dismissed for its ridiculous sounding commercial products and pugilistic nobodies.
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Magnenat-Thalmann, N. « The Making of a Film with Synthetic Actors ». Dans Electronic Art, 55–62. Elsevier, 1988. http://dx.doi.org/10.1016/b978-0-08-036978-5.50013-5.

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López-Varela Azcárate, Asun. « Literature Review on Intermedial Studies : From Analogue to Digital ». Dans The Intermediality of Contemporary Visual Arts [Working Title]. IntechOpen, 2023. http://dx.doi.org/10.5772/intechopen.112611.

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This chapter traces an overview of the evolution of the research on Intermedial Studies in the last two decades. It expands the research presented in the InTech volume Comparative Literature. Interdisciplinary Considerations, in a chapter entitled ‘Intermedial Comparative Literature: from the Sister-Arts Debate to the twentieth century Avant-gardes’. The literature review offers a description of the major interdisciplinary contributions that have shaped the field of Intermedial Studies, with areas such as media and communication studies, art history, and the visual arts, including theater, dance and performance, sequential art (comics, graphic novels), photography, radio, film studies, electronic literature, videogames and Artificial Intelligence.
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Iverson, Jennifer. « Epilogue ». Dans Electronic Inspirations, 195–200. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190868192.003.0008.

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Midcentury electronic studios drove the development of high art music, but also fed back into the cultural sphere in many ways, proving consequential in scientific, architectural, and popular music domains. The phonetics–music collaborations, for instance, were carried even further in continuing phonetic, linguistic, and cognitive research in Cologne and beyond. The integrated serial designs of the WDR composers, and especially their optimistic utopian dreams, inspired architectural plans for a rebuilt German city that would coalesce around art-making spaces. In popular music spheres such as film sound and rock music, the avant-garde music of the WDR composers, as well as new electronic synthesizers, had significant impacts. These rich cross-pollinations are due in large part to the heterogeneous, laboratory-like structure of the WDR studio, a structure that was replicated in the electronic studios that sprung up in the United States, Asia, and Latin America. In summary, the WDR studio had far-reaching consequences that were both structural and aesthetic. Cultural wounds were exposed and salved as electronic music began to make progress in reclaiming wartime spaces, ideas, and technologies. The impacts of midcentury electronic music continue to reverberate today.
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« Remediating the New Media ». Dans Advances in Media, Entertainment, and the Arts, 120–41. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3835-7.ch007.

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By applying the researching devices of media studies, art theory, film theory, philosophy, and cultural studies as a theoretical background, this chapter aims to explore the role of remediation in new media production, where the digital procedures enable smooth interaction, remixes, mashups, and hybridization. Remediation brings the dynamics into the institution of contemporary art and electronic literature by stimulating traditional and new media to refashion each other and generate novel hybrids at the intersection of several media (e.g. animated digital textuality which refashions film and video) as well as media contexts. Although the key reference of this chapter is Bolter and Grusin's theory of immediacy, hypermediacy, and remediation, the issues of post-remediation theory are addressed as well.
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Kammen, Michael. « Introduction ». Dans The Lively Arts, 3–14. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195098686.003.0001.

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Abstract In one of the very last essays that Gilbert Seldes wrote, in 1966, he made the following assertion and deliberately cast it entirely in italics: “In my own lifetime I have witnessed more changes in the modes of communication than occurred in all recorded history before.” That observation is noteworthy not only because it is true, but because Seldes’ persistent emphasis upon the constancy of change in American culture characterized his entire career as a critic and historian. As early as 1926 he called attention to “the speed in America, that uncertainty and restlessness, the incapacity to attach itself for a long time to one pleasure and refine it, or to one discipline and master it. . . . ” During the 1950s he frequently noted the vast transformation in popular culture that had occurred since he first wrote about aspects of the phenomenon in 1922–23. He acknowledged that the emergence of various electronic media had been at the heart of this transformation and expressed concern about the impact of mass-produced mediocrity via television, radio, and especially film.
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Shiner, Larry. « Toward a Total Work of Art ». Dans Art Scents, 158–77. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190089818.003.0020.

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Chapter 9 begins with the idea of the total work of art (Gesamtkunstwerk) and considers examples of odors in theater from the Renaissance to the present, arguing that the inclusion of odors in some types of theater production is appropriate. In the case of film, the chapter discusses the difficulties faced by the first serious attempts in the 1950s and the handful of recent efforts, arguing that the combination of images with sound is able to suggests odors, whereas actual odors are likely to create more puzzles than they are worth, except in the case of highly experimental “art house” films. In the case of music, the chapter focuses on Green Aria: A Scent Opera, presented at the Guggenheim in 2009, a work that combined narrative, odors, and an electronic music score and marked a decisive step toward the successful integration of actual smells with music and narrative.
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Berg, Chuck. « Jazz and Film and Television ». Dans The Oxford Companion To Jazz, 706–21. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195125108.003.0055.

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Abstract Jazz and film, both artistic children of the twentieth century, are arguably America’s greatest gifts to world culture. Born and nurtured at the fringes of proper society, each has risen to attain respectability. After decades of being shunned by Eurocentric guardians of high culture, jazz and film are now deemed subjects worthy of serious study. With film screenings and jazz concerts at the White House and formal recognitions by Congress, these two prototypically American arts, with their melting-pot parentage and kinetic New World dynamism, speak passionately of diverse peoples seeking their destinies as individuals as well as groups. Indeed, when future historians look back to identify the mainsprings that drove the past millennium’s last centenary, jazz and movies will undoubtedly top the list of those phenomena best capturing the artistic and cultural vigor that was “the American Century.” Although jazz and film (and film’s electronic offspring, television and video) have traveled along mostly parallel and therefore separate tracks, there are intersections where the two have met head on. These junctures are the subject of this essay. In mapping these crossroads, a largely chronological approach is employed. Still, as the intertwined tale of jazz and film unfolds, several recurring topics should be noted.
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Copeland, Jack. « Baby ». Dans The Turing Guide. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747826.003.0029.

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The modern computer age began on 21 June 1948, when the first electronic universal stored-program computer successfully ran its first program. Built in Manchester, this ancestral computer was the world’s first universal Turing machine in hardware. Fittingly, it was called simply ‘Baby’. The story of Turing’s involvement with Baby and with its successors at Manchester is a tangled one. The world’s first electronic stored-program digital computer ran its first program in the summer of 1948 (Fig. 20.1). ‘A small electronic digital computing machine has been operating successfully for some weeks in the Royal Society Computing Machine Laboratory’, wrote Baby’s designers, Freddie Williams and Tom Kilburn, in the letter to the scientific periodical Nature that announced their success to the world. Williams, a native of the Manchester area, had spent his war years working on radar in rural Worcestershire. Kilburn, his assistant, was a bluntspeaking Yorkshireman. By the end of the fighting there wasn’t much that, between them, they didn’t know about the state of the art in electronics. In December 1945 the two friends returned to the north of England to pioneer the modern computer. Baby was a classic case of a small-scale university pilot project that led to successful commercial development by an external company. The Manchester engineering firm Ferranti built its Ferranti Mark I computer to Williams’s and Kilburn’s design: this was the earliest commercially available electronic digital computer. The first Ferranti rolled out of the factory in February 1951. UNIVAC I, the earliest computer to go on the market in the United States, came a close second: the first one was delivered a few weeks later, in March 1951. Williams and Kilburn developed a high-speed memory for Baby that went on to become a mainstay of computing worldwide. It consisted of cathode-ray tubes resembling small television tubes. Data (zeros and ones) were stored as a scatter of dots on each tube’s screen: a small focused dot represented ‘1’ and a larger blurry dot represented ‘0’. The Williams tube memory, as the invention was soon called, was also used in Baby’s immediate successors, built at Manchester University and by Ferranti Ltd.
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Actes de conférences sur le sujet "Electronic Arts (Firm)"

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Edmonds, Ernest A. « Beyond abstract film : constructivist digital time ». Dans Electronic Visualisation and the Arts (EVA 2010). BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/eva2010.8.

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Hillman, John J., et Ravi Deepres. « Entrelacé : How technology, movement and visuals are interlaced in the film design for The Royal Ballet’s Woolf Works ». Dans Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.56.

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Maloney, Peter V. « FILM AS DATABASE : A VISUAL ANALYSIS OF 2001:A SPACE ODYSSEY ». Dans Electronic Visualisation and the Arts (EVA 2008). BCS Learning & Development, 2008. http://dx.doi.org/10.14236/ewic/eva2008.18.

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Markowski, P., et A. Dziedzic. « Fabrication of miniaturized thick-film arms for thermoelectric microgenerators ». Dans 2010 33rd International Spring Seminar on Electronics Technology (ISSE). IEEE, 2010. http://dx.doi.org/10.1109/isse.2010.5547264.

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Rudnicka, Justyna, et Gregory R. Madey. « A Framework for Effective User Interface Design for Web-Based Electronic Commerce Applications ». Dans 2001 Informing Science Conference. Informing Science Institute, 2001. http://dx.doi.org/10.28945/2357.

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Efficient delivery of relevant product information is increasingly becoming the central basis of competition between firms. The interface design represents the central component for successful information delivery to consumers. However, interface design for web-based information systems is probably more an art than a science at this point in time. Much research is needed to understand properties of an effective interface for electronic commerce. This paper develops a framework identifying the relationship between user factors, the role of the user interface and overall system success for webbased electronic commerce. The paper argues that web-based systems for electronic commerce have some similar properties to decision support systems (DSS) and adapts an established DSS framework to the electronic commerce domain. Based on a limited amount of research studying web browser interface design, the framework identifies areas of research needed and outlines possible relationships between consumer characteristics, interface design attributes and measures of overall system success.
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Trudel, Gisèle. « Ecotechnologies of Practice : in-forming changing climates ». Dans 28th International Symposium on Electronic Art. Paris : Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-33-short-trudel-ecotechnologies-of-practice.

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SHORT PAPER. How do ecotechnologies of practice actualize? This paper traces the material/theoretical operations of an ongoing research-creation concerned with changing climates. It mixes information in experimental approaches from collectivities of trees, media arts and forest sciences. Through individuations of symbiotic modulations, the paper is a thinking-with Balsam Fir, Diana Beresford-Kroeger, Camera, Domingo Cisneros, Dendrometer, Erin Manning, Isabelle Stengers, Jack Pine, Gilbert Simondon, Light Emitting Diodes, Numbers, Microphone, Recorder, Sapflow, Sensings, Speakers, Sugar Maple, Temperature, Yellow Birch.
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Kobryn, Olga, Matthieu Couteau, Rémi Sagot-Duvauroux, Sophie Balcon-Fourmaux, François Garnier, Rémi Ronfard et Guillaume Soulez. « Feeling One’s Way : In Search of a Symbiotic Vocabulary of the Virtual ». Dans 28th International Symposium on Electronic Art. Paris : Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-68-full-kobryn-et-al-feeling-ones-way.

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This article aims to present the collective research that has been made in the framework of the research seminar "Vocabulary of the Virtual" organized by IRCAV (Institute of Research on Cinema and Audiovisual Studies), Sorbonne Nouvelle and the “Spatial Media” group, EnsadLab. The main topic is to clarify the notions that refer to the concept of the "Virtual" in order to define it through an interdisciplinary approach according to different fields of science (aesthetics, philosophy, film theory, sound theory, ergonomics, design, engineering, cognitive sciences, etc.). This article presents many different conceptual tools such as cartography, mental maps, notional diagrams with several dimensions, etc., that have been conceived over the last three years, to show how the reflection on the concept of the Virtual was first established and constructed, and how it has been developed. The notion of symbiosis seems to be defined as a structuring notion of the concept of the Virtual across the process of anchoring the levels of virtuality inside technological devices and concrete sites, as well as inside the physical body of the VR users. The user’s body serves as a catalyst for the concept of the Virtual which then becomes organic.
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Chambers, Benjamin C. « Novel Method for Estimating Thermal Film Coefficients for Analysis of Thermal Cycling of Microelectronic Packages ». Dans ASME 2003 International Electronic Packaging Technical Conference and Exhibition. ASMEDC, 2003. http://dx.doi.org/10.1115/ipack2003-35217.

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A failure analysis on microelectronic packages subjected to temperature cycling between liquid baths required the need for realistic boundary conditions in the thermal analysis portion of the overall thermal stress analysis. Prior arts found in literature for thermal film coefficients in immersion cooling focused only on metallurgical quenching. The results indicated that these data are highly dependant on temperature, thus not applicable since they were derived for quenching of steel at higher initial temperatures. An alternative technique was developed here by assuming that the package could be modeled as a semi-infinite solid for the time interval of interest, and that the fluid is quiescent for the time interval. The effects on the film coefficient of the motion of the package into the liquid bath are neglected. These assumptions enable the use of the available analytical solution for bringing two semi-infinite solids in contact. By being able to model the fluid as a semi-infinite solid, we can then differentiate the solution for transient heat flow in a semi-infinite body subject to a step change in surface temperature to obtain the heat flux from the surface of the package. The temperature difference between the package surface and the bulk fluid temperature then cancel out of the equation for the film coefficient leaving a closed form solution for the effective calculation of a time dependent film coefficient, which can then be applied as a boundary condition in a numerical thermal analysis. The expression for the film coefficient was found to be proportional to the fluid effusivity divided by the square root of the elapsed time.
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Cremaschi, Lorenzo. « A Fundamental View of the Flow Boiling Heat Transfer Characteristics of Nano-Refrigerants ». Dans ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-87788.

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Driven by higher energy efficiency targets and industrial needs of process intensification and miniaturization, nanofluids have been proposed in energy conversion, power generation, chemical, electronic cooling, biological, and environmental systems. In space conditioning and in cooling systems for high power density electronics, vapor compression cycles provide cooling. The working fluid is a refrigerant and oil mixture. A small amount of lubricating oil is needed to lubricate and to seal the sliding parts of the compressors. In heat exchangers the oil in excess penalizes the heat transfer and increases the flow losses: both effects are highly undesired but yet unavoidable. This paper studies the heat transfer characteristics of nanorefrigerants, a new class of nanofluids defined as refrigerant and lubricant mixtures in which nano-size particles are dispersed in the high-viscosity liquid phase. The heat transfer coefficient is strongly governed by the viscous film excess layer that resides at the wall surface. In the state-of-the-art knowledge, while nanoparticles in the refrigerant and lubricant mixtures were recently experimentally studied and yielded convective in-tube flow boiling heat transfer enhancements by as much as 101%, the interactions of nanoparticles with the mixture still pose several open questions. The model developed in this work suggested that the nanoparticles in this excess layer generate a micro-convective mass flux transverse to the flow direction that augments the thermal energy transport within the oil film in addition to the macroscopic heat conduction and fluid convection effects. The nanoparticles motion in the shearing-induced and non-uniform shear rate field is added to the motion of the nanoparticles due to their own Brownian diffusion. The augmentation of the liquid phase thermal conductivity was predicted by the developed model but alone it did not fully explain the intensification on the two-phase flow boiling heat transfer coefficient reported in previous work in the literature. Thus, additional nano- and micro-scale heat transfer intensification mechanisms were proposed.
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Chotiyanon, Phasawit, et Pittawat Ueasangkomsate. « The Effect of Innovative Corporate Social Responsibility in Supply Chain Management on Firm Performance ». Dans 2024 Joint International Conference on Digital Arts, Media and Technology with ECTI Northern Section Conference on Electrical, Electronics, Computer and Telecommunications Engineering (ECTI DAMT & ; NCON). IEEE, 2024. http://dx.doi.org/10.1109/ectidamtncon60518.2024.10480098.

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