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Bibliographies thématiques / Eco poetic / Livres

Livres sur le sujet « Eco poetic »

Pour voir les autres types de publications sur ce sujet consultez le lien suivant : Eco poetic.

Auteur : Grafiati

Publié le 12 avril 2023

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1

Xie, Tingqiu. Xun zhao shi yi de jia yuan : Guizhou sheng tai wen xue yan jiu = In search of the poetic homeland : a study of Guizhou eco-literature. Beijing Shi : She hui ke xue wen xian chu ban she, 2018.

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2

1063-1135, Yuanwu, dir. Blue Cliff Record : A poetic echo. New Paltz, N.Y : Codhill Press, 2001.

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3

)((eco(lang)(uage(reader)). Brooklyn, N.Y : Portable Press at Yo-Yo Labs, 2010.

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4

Brenda, Iijima, dir. )((eco(lang)(uage(reader)). Brooklyn, N.Y : Portable Press at Yo-Yo Labs, 2010.

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5

The light echo & other poems, 2000-2006. Johannesburg : Penguin, 2007.

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6

Barranu, Manuela. L'educazione del lettore : La poetica di Umberto Eco nella teoria e nella pratica dei romanzi. Birmingham : University of Birmingham, 1999.

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7

Echo soundings. Beeston : Shoestring Press, 2012.

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8

ill, Hajiri Toshikado, Jacobson David author, Ito, Sally, 1964- translator, editor et Tsuboi Michiko translator editor, dir. Are you an echo ? : The lost poetry of Misuzu Kaneko. Seattle, WA : Consortium, 2016.

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9

Krings, Marcel. Selbstentwürfe : Zur Poetik des Ich bei Valéry, Rilke, Celan und Beckett. Tübingen : Francke, 2005.

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10

League of Canadian Poets. Feminist Caucus, dir. Eco poetry : Women poets on the environment, 2009. Toronto : Feminist Caucus of the League of Canadian Poets, 2010.

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11

Cesana, Gianni. podologo Dizionario delle rime per poeti, parolieri, cantautori, copywriters, linguisti, enigmisti ecc. Milano : De Vecchi, 1992.

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12

The Ecco anthology of international poetry. New York : Ecco, 2010.

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13

Echo gods and silent mountains : Poems. Toronto, Ont : ECW Press, 2012.

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14

editor, Tayanç Tunç, dir. Adım Ece Ayhan çağlar. Beyoğlu, İstanbul : Yapı Kredi Yayınları, 2014.

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15

1951-, Graham Jorie, dir. Earth took of earth : A golden ecco anthology. Hopewell, N.J : Ecco Press, 1996.

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16

Biblical echo and allusion in the poetry of W.B. Yeats : Poetics and the art of God. Lewisburg : Bucknell University Press, 1994.

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17

Multipersonalität als Poetik : Umberto Eco "Il nome della rosa," João Ubaldo Ribeiro "Viva o povo brasileiro," José Saramago "O evangelho segundo Jesus Cristo". Frankfurt am Main : P. Lang, 1999.

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18

Carolyn, Kizer, dir. 100 great poems by women : A golden Ecco anthology. Hopewell, N.J : Ecco Press, 1998.

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19

Carolyn, Kizer, dir. 100 great poems by women : A golden Ecco anthology. Hopewell, N.J : Ecco Press, 1995.

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20

Pritchard, Brenda-Joy. Children's poems of the living ECK master's stories. Minneapolis : Eckankar, 2001.

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21

Narcisus et Dané. Liverpool : University of Liverpool, Department of French, 2003.

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22

1934-, Strand Mark, dir. The golden Ecco anthology : 100 great poems of the English language. Hopewell, N.J : Ecco Press, 1994.

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23

Powder and echo : Poems about the American Revolutionary War on Long Island. Sag Harbor, NY : Canio's Editions, 1991.

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24

Asociados, Escritores Cordobeses, dir. 3a antología poética-narrativa : ECA 2000 : Córdoba, diciembre de 2000. Córdoba : Escritores Cordobeses Asociados, 2000.

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25

Echo des Himmels : Hölderlins Weg zur poetischen Religion ; eine Einführung. Stuttgart : Calwer, 2007.

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26

Muḥammad, Sanʻūsī Hayfāʾ, dir. The echo of Kuwaiti creativity : A collection of translated Kuwaiti poetry. 2^e éd. Kuwait : Centre for Research and Studies on Kuwait, 2001.

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27

ill, Stone Kazuko G., dir. Cool melons--turn to frogs ! : The life and poems of Issa. New York : Lee & Low Books, 1998.

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28

Sanʻūsī, Hayfāʼ Muḥammad. The echo of Kuwaiti creativity : A collection of translated Kuwaiti poetry. Kuwait : Center for Research and Studies on Kuwait, 1999.

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29

Sanʻūsī, Hayfāʼ Muḥammad. The echo of Kuwaiti creativity : A collection of translated short stories. Kuwait : Center for Research and Studies on Kuwait, 1999.

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30

Ryōkan. Kōchū Ryōkan zenkashū. Tōkyō : Shunjūsha, 1996.

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31

Hongyi, Wu, et Zhong yang yan jiu yuan. Zhongguo wen zhe yan jiu suo., dir. Qing dai shi hua kao shu. Taibei : Zhong yang yan jiu yuan Zhongguo wen zhe yan jiu suo, 2006.

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32

Ṣūrat al-(anā) fī arbaʻ marāyā shiʻrīyah. al-Jīzah : al-Muʻassasah al-ʻArabīyah lil-ʻUlūm wa-al-Thaqāfah, 2014.

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33

Collini, Dario, dir. Lettere a Oreste Macrí. Florence : Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-776-4.

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Con questo libro curato da Dario Collini, che raccoglie il lavoro di giovani ricercatori guidati da Anna Dolfi («GREM» «NGEM») che si sono occupati dei 17.000 pezzi epistolari del Fondo Macrì, si offre uno straordinario strumento di lavoro a chi si interessa di Ermetismo, di critica e poesia del Novecento italiano. Ombre dal fondo o ‘luci intermittenti’ che siano, i bagliori mandati dagli epistolari sono segni della genesi umana della cultura, visto che conservano traccia di quanto è legato al quotidiano che contribuisce alla costruzione della ‘grande’ storia e della progettualità; intellettuale e politica che l’accompagna. Ecco allora che letture, libri, riviste, collaborazioni, amicizie, risentimenti, viaggi, passioni letterarie e private emergono da questi regesti, a dare voce a un’epoca e ai suoi protagonisti.

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34

Goldberg, Jonathan. Voice terminal echo : Postmodernism and English Renaissance texts. New York : Methuen, 1986.

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35

Voice terminal echo : Postmodernism and English Renaissance texts. New York : Methuen, 1986.

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36

Abbs, Peter. Earth Songs : A Resurgence Anthology of Contemporary Eco-Poetry. Tandem Library, 2003.

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37

Earth Songs : A Resurgence Anthology of Contemporary Eco-Poetry. Green Books, 2003.

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38

Ghost Fishing : An Eco-Justice Poetry Anthology. University of Georgia Press, 2018.

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39

Written River : Journal of Eco-Poetics. Homebound Publications, 2016.

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40

Henderson, Jeffrey. Hesiod and Comedy. Sous la direction de Alexander C. Loney et Stephen Scully. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190209032.013.20.

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Comic dramas, attested as early as the later sixth century bce in Sicily and from ca. 486 bce in Attica, reflect familiarity with Hesiodic poetry from the time our actual documentation begins in the 470s for Sicily and 430s for Attica and into the mid-fourth century bce. Comic poets engaged with Hesiodic poetry at the level of specific allusion or echo and (more frequently) with Hesiodic stories, thought, themes, ideas, and style, now common cultural currency. They also engaged with the poet and his poetic persona, whether bracketed with Homer as a great cultural authority, distinguished as the anti-Homer in subjects or style, or showcased as an emblematic persona of poet and (didactic) sage. Aristophanes, for one, adopted elements of the Hesiodic persona in fashioning his own.

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41

Hartmann, Anna-Maria. While the Winds Breathe, Adore Echo. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807704.003.0006.

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Henry Reynolds’s Mythomystes (1632) is a dynamic response to the tensions between Neo-Platonic claims for the divinity of ancient poetry and a Protestant poetics that rejected syncretism and sought to set the truth of Christianity apart. Reynolds draws on Pico della Mirandola to emphasize the divine knowledge of the ancient pagan poets, who were ‘iointrunners’ with Moses and used fables for the secret communication of wisdom. But in other parts of the book Reynolds carefully separates the pagan and Christian traditions in everything but natural knowledge. These different perspectives can be explained by the rising and falling rhetorical pitch of the mythography and can be compared to Philip Sidney’s practice in his Defence of Poetry. In the end, Reynolds’s mythography returns to a Neo-Platonic conception of the ancient fables, and offers a version of the Narcissus myth that rests upon a Pythagorean symbol.

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42

LeVen, Pauline A. Echo and the Invention of the Lyric Listener. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805823.003.0010.

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This chapter investigates the notion of lyric listening and concentrates on the particular role of the adverb δηὖτε‎ (‘once again’) in constructing a poetics of delayed repetition in several archaic melic poets (Alcman, Sappho, and Anacreon). Building on the model provided by a reading of the mythical nymph Echo in Longus’ Daphnis and Chloe to understand the seduction and role of delay and repetition in lyric listening, it is argued that ‘once again’ works as a form of gramophone, allowing the listener of the poem to experience the immediacy of poetry through the imagined distance and delay introduced by the adverb.

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43

West, James. AN ECHO. Lulu.com, 2007.

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44

Agoos, Julie. Echo System. Sheep Meadow Press, The, 2015.

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45

Onuora, Felix Amaechi. The Echo of Poetry And Psalmody Moments : The Echo of Poetic Moments. Xlibris Corporation, 2006.

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46

Onuora, Felix Amaechi. The Echo of Poetry And Psalmody Moments : The Echo of Poetic Moments. Xlibris Corporation, 2006.

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47

Lears, Adin E. World of Echo. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749605.001.0001.

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Between late antiquity and the fifteenth century, theologians, philosophers, and poets struggled to articulate the correct relationship between sound and sense, creating taxonomies of sounds based on their capacity to carry meaning. This book traces how medieval thinkers adopted the concept of noise as a mode of lay understanding grounded in the body and the senses. With a broadly interdisciplinary approach, the book examines a range of literary genres to highlight the poetic and social effects of this vibrant discourse, offering close readings of works by Geoffrey Chaucer and William Langland, as well as the mystics Richard Rolle and Margery Kempe. Each of these writers embraced an embodied experience of language resistant to clear articulation, even as their work reflects inherited anxieties about the appeal of such sensations. A preoccupation with the sound of language emerged in the form of poetic soundplay at the same time that mysticism and other forms of lay piety began to flower in England. As the book shows, the presence of such emphatic aural texture amplified the cognitive importance of feeling in conjunction with reason and was a means for the laity — including lay women — to cultivate embodied forms of knowledge on their own terms, in precarious relation to existing clerical models of instruction. The book offers a deep history of the cultural and social hierarchies that coalesce around aesthetic experience and gives voice to alternate ways of knowing.

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48

Gilbert, Alan. Echo of Heartbeats. Lulu Press, Inc., 2011.

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49

John, Murray. Echo Bridge. Echo Bridge Press, 2022.

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50

Donaldson, Jeffery. Echo Soundings : Essays on Poetry and Poetics. Palimpsest Press, 2014.

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