Bibliographies thématiques / East Asian Aesthetics

Littérature scientifique sur le sujet « East Asian Aesthetics »

Auteur : Grafiati
Publié le 26 juillet 2024
Mis à jour le 27 juillet 2024

Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres

Choisissez une source :

Sommaire

Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « East Asian Aesthetics ».

À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.

Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.

Articles de revues sur le sujet "East Asian Aesthetics"

1

Seokdo Jung. « Laozi’s Dao and Establishment of East Asian Painting Aesthetics ». Humanities and Art ll, no 2 (décembre 2015) : 33–48. http://dx.doi.org/10.35442/hna.2015..2.33.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
2

Nicolaides, Becky M., et James Zarsadiaz. « Design Assimilation in Suburbia ». Journal of Urban History 43, no 2 (3 août 2016) : 332–71. http://dx.doi.org/10.1177/0096144215610773.

Texte intégral
Résumé :
Ethnic suburban settlement has shaped suburban landscapes in contrasting ways. On one end are ethnoburbs, where ethnic groups used spatial politics to assert their rights of ethnic expression in the landscape. On the other—less noticed—end are places where ethnic settlers arrived en masse, and their presence was scarcely visible. This article focuses on the latter, towns where ethnic suburbanites consented to existing design mores—what we term design assimilation. Using case studies from Asian American suburbs of the west and east San Gabriel Valley, we explore the history of places where Anglo design aesthetics persisted in the midst of profound demographic change. Multiple factors created and protected these landscapes, including stringent regulatory cultures of these suburbs, white political action, accommodations by builders, and Asian American consent. Asian suburbanites supported these landscapes for aesthetic, nostalgic, political, and economic reasons, including the belief that American landscape aesthetics conveyed a social distinction that positioned them above those around them—including other Asians in the ethnoburbs. Our work shows how suburban advantage has been reinforced by new waves of immigrant suburbanites, in ways that reflect the inequities and spatial expression of globalization itself. This work offers a new perspective on immigrant suburbanization and its interface with suburban “landscapes of privilege.”
Styles APA, Harvard, Vancouver, ISO, etc.
3

Kim, Eun-Young. « The potential value of East Asian aesthetics for contemporary art ». Journal of Art and Culture Studies 11 (31 décembre 2017) : 121–38. http://dx.doi.org/10.18707/jacs.2017.12.11.121.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
4

Li, Xiaofan Amy. « East Asian Francophone Writers and Racialized Aesthetics ? Gao Xingjian and Aki Shimazaki ». L'Esprit Créateur 59, no 2 (2019) : 134–49. http://dx.doi.org/10.1353/esp.2019.0021.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
5

Hetrick, Jay. « Deleuze and the Kyoto School II ». Asian Studies 11, no 1 (10 janvier 2023) : 139–80. http://dx.doi.org/10.4312/as.2023.11.1.139-180.

Texte intégral
Résumé :
The aim of this paper is to bring Gilles Deleuze and the Kyoto School into an imaginary conversation around the idea of philosophy as a way of life, or what I call ethico-aesthetics. I first show how ethico-aesthetics in the Kyoto School modernizes the traditional notion of geidō, or ways of art, through the language of continental philosophy. Even though the discourse they construct in this respect remains less rigorous than that of the other domains of philosophy with which they engage, the ethico-aesthetic concepts of Nishida Kitarō, Nishitani Keiji, and Ōhashi Ryōsuke provide a starting point from which we might begin to piece together Deleuze’s seemingly random, but persistent and ultimately significant references to East Asian art and philosophy. I argue that Deleuze’s references to the Zen sage and poet-painter—in addition to his uses of the Stoics, Spinoza, and Nietzsche—are necessary to fully understand the immanent goal of his ethico-aesthetics. I conclude by demonstrating that, although there is no evidence that Deleuze was familiar with the Kyoto School, he unwittingly offers more complete and contemporary solutions to the ethico-aesthetic issues presented by some of its key thinkers.
Styles APA, Harvard, Vancouver, ISO, etc.
6

Frisch, Simon. « The Aesthetics of Flow and Cut in the Way of Film : Towards Transnational Transfers of East Asian Concepts to Western Film Theory ». Arts 8, no 3 (16 septembre 2019) : 119. http://dx.doi.org/10.3390/arts8030119.

Texte intégral
Résumé :
The general concepts in theorising the aesthetics of film are still rooted in occidental traditions. Thus, thinking about film is dominated by Western terms and aesthetic paradigms—such as “pieces of work”, the representation of reality or regarding the arts as an act of communication. From such an angle, it is difficult to describe different characteristics of the cinematic image, for example, its ephemeral character. In contrast to occidental thinking, the cultural traditions of East Asia are based on the concept of the way (dō or dao), which allow for the description of aesthetics of transitions and transformations. Inspired by the concept of kire-tsuzuki, as developed by the Japanese–German philosopher Ryōsuke Ōhashi, I shall, in this paper, describe some alternative ways of understanding appearance and occurrence in relation to the cinematic picture.
Styles APA, Harvard, Vancouver, ISO, etc.
7

Seol, Kyeong-hee. « Aesthetic Consideration of Hyangpa Lee Juhong’s Calligraphy and Painting ». Korean Society of Calligraphy 43 (28 septembre 2023) : 159–96. http://dx.doi.org/10.19077/tsoc.2023.43.7.

Texte intégral
Résumé :
Lee Juhong(1906-1987) was a writer, educator, and artist, born in Hapcheon, Gyeongsangnam-do, and worked in Busan. This paper is a study of his calligraphy, poetry, and painting. He experienced various hardships during his life of 80 years, including Japanese rule and the Korean War. Therefore, he expressed human agony and the fundamental essence of his difficult life through various genres of art, including literature. He led students to culture and art during his entire life as a professor of the Department of Korean Language and Literature at the National Fisheries University of Busan, integrated by Pukyong National University in Busan afterward. In addition, he was a comprehensive artist who engaged in artistic activities in a variety of genres, including poetry, novels, essays, plays, and criticism, as well as children's poems, fairy tales, juvenile fiction, calligraphy and painting, folk paintings, comics, book designing and binding, and theater directing. He also wrote collections of literary works and translations that amount to about 300 volumes. I analyzed and examined Hyangpa Lee Juhong’s calligraphy and painting by classifying them into literary communication aesthetics of calligraphy and painting and authentic East Asian aesthetics of calligraphy. The simple beauty, humorous beauty, and natural beauty abstracted from the literary communication aesthetics of calligraphy and painting help the aesthetic emotions organically linked in Hyangpa’s poetry, painting, and calligraphy to communicate through the integrated empathy of creation and appreciation. Therefore, I confirmed that simple, humorous, and nature-friendly works become communication aesthetics that heals complex minds. I summarized the authentic East Asian aesthetics of calligraphy into five beauties.: The first is the simple and gentle beauty that looks smiling. The second is the beauty that to have and to lack generate each other, and the third is the beauty that expresses a neat yet majestic aura with flowing strokes. The next is the beauty that is plain but not sick of, and the last is the magnanimous beauty while remaining faithful to nature without restraint. He used diverse genres of literature and various fields of art. He attempted many experimental things in calligraphy, so we could evaluate that he created a new style and method of calligraphy. In addition, the humanistic, literary, and aesthetic sentiments accompanying Confucius's humanism and Zhuangzi's vital freedom at the bottom of Hyangpa art formed his view of literature, art, and life. Thus, they elaborately emerged in Hyangpa’s calligraphy and painting.
Styles APA, Harvard, Vancouver, ISO, etc.
8

Makokha, J. K. S. « Afrasian Aesthetics in M.G. Vassanji’s The Magic of Saida ». Matatu 52, no 1 (22 novembre 2021) : 176–87. http://dx.doi.org/10.1163/18757421-05201002.

Texte intégral
Résumé :
Abstract The Magic of Saida by M.G. Vassanji (2012) centres on the central figure of the novel’s story, Kamal. He is the son of an African mother and an Asian (read Indian) father, who grows up in Tanzania and then relocates to Canada where he becomes an established doctor. The novel tackles themes of African-Asian (read Afrasian) racial identity, belonging, and the effects of the past on the present. Kamal identifies mainly as an African when residing with his mother in Kilwa during his childhood; he is then urged to embrace an Indian identity when he is sent to live with his uncle in Dar es Salaam in his early adolescence. Decades after moving to Edmonton, Canada, Kamal decides to come back to Kilwa. This paper explores the tension and ambiguity in Kamal’s identity by analyzing the way he defines himself—or is defined—in Kilwa and Dar es Salaam, and then investigating, through an eclectic psychochriticism lens, how that in turn affects him as he ages and drives him to return in seach of what it means to be both an Asian and an African in the context of East African cultural landscapes.
Styles APA, Harvard, Vancouver, ISO, etc.
9

Shi, Emma. « A Modern Critique of Orientalism in Contemporary Visual Art ». Journal of Humanities and Education Development 5, no 6 (2023) : 65–72. http://dx.doi.org/10.22161/jhed.5.6.8.

Texte intégral
Résumé :
Orientalism is historically understood as a cultural phenomenon of 18th and 19th century Europe, when Western artists emulated Asian culture and aesthetics in their work. In 1979, Edward Said’s Orientalism first introduced a post-colonial critical analysis to the European, Western portrayal of Eastern cultures in the Middle East. In spite of the perceived progress since the publication of Said’s book, the underlying principles of Said’s Orientalism critique are still widely applicable to modern visual art in 2023. This study is a fresh look at the persistence of Orientalism in contemporary Asian art. Research will show that Orientalism is not just a historical phenomenon, but an ongoing unsavory, and harmful reality in today’s art world. Using data and examples collected from contemporary sources, I will examine and analyze the artwork of visual artists and art institutions in Western countries that reflect Orientalism in their portrayal of Chinese and East Asian cultures.
Styles APA, Harvard, Vancouver, ISO, etc.
10

Wenning, Mario. « Hut Existence or Urban Dwelling ? » Asian Studies 11, no 1 (10 janvier 2023) : 51–68. http://dx.doi.org/10.4312/as.2023.11.1.51-68.

Texte intégral
Résumé :
Heidegger’s “Creative Landscapes: Why do we remain in the provinces?” and “Dialogue on Language” reveal the importance of rootedness for his existentialism. The article engages with the provinciality of Heidegger’s thought by juxtaposing his solitary “hut existence” to Buddhist compassion and the urban aesthetics of Kuki Shūzō. Turning to the East allows for a deprovincialization of Heideggerian themes. The rich philosophical legacy of reflecting on intercultural modernization and urbanization processes in East Asian philosophical traditions presents a genuine opportunity to rethink what it means to dwell today.
Styles APA, Harvard, Vancouver, ISO, etc.
Plus de sources

Thèses sur le sujet "East Asian Aesthetics"

1

Gilbert, Matthew. « Fir-Flower Petals on a Wet Black Bough : Constructing New Poetry through Asian Aesthetics in Early Modernist Poets ». Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3588.

Texte intégral
Résumé :
Critics often credit Ezra Pound and his Imagist movement for the development of American poetics. Pound’s interest in international arts and minimalist aesthetics of cross-cultural poetry gained the attention of prominent writers throughout Modernist and Post-Modern periods. From writers like Wallace Stevens and Gertrude Stein to later poets like Jack Kerouac and Gary Snyder, image and precise language has shaped American literature. Few critics have praised Eastern cultures or the Imagist poets who adopted an East-Western form of poetics: Amy Lowell and William Carlos Williams. Studying traditional Eastern painting and short-form poetry and interactions with personal connections to the East, Lowell and Williams adapt then progress aesthetic fusions Pound began and abandoned through his interpretation of Eastern art. Like Pound, Lowell and Williams illustrate a mix of form, free-verse language, and modernized poetics to not only imitate Eastern art but to create poetics of international discourse which shape American Modernism.
Styles APA, Harvard, Vancouver, ISO, etc.
2

Duncan, Eve. « Butterfly modernism : composing with non-musical mathematics of architecture, East Asian aesthetics, and Steiner spirituality ». Thesis, 2017. http://hdl.handle.net/1959.7/uws:51592.

Texte intégral
Résumé :
The purpose of the exegesis is to explain the space-time sensibility and an inner listening process that lies behind my creative process and its six scores. Its focus is a discussion of how my compositional space-time sensibility encountered three aesthetic aspects, of non-musical coastal architectural mathematics, East Asian aesthetics and Steiner spirituality, that together had a revitalizing effect that propelled my work towards a new genesis. I argue that implementing a three-pronged approach of incorporating the non-musical mathematics of architecture, East Asian spatial aesthetics and Steiner spirituality into my music creates oku inner space sonically. The structure of the exegesis commences with a compositional Credo to a cultural Journey to an Analysis. The Credo outlines my Steiner spirituality and Christian ethos through metaphor, a description of a mediation process and a spiritual fingerprint of eight dimensional concepts that pervade my work. The Journey describes the development of an Australian space and time sensibility that was developed and broadened through an interaction with the Asia-Pacific region for more than twenty years, in which I experienced resonances with key composers from Japan, Korea, the Philippines and New Zealand. The Analysis describes how I have operated from the aesthetic perspective of a ‘butterfly modernist’; through applying a space-time sensibility and an inner listening process with three interactive dimensions. In this, my inner listening intuitively guided the processing of these elements within the fuzzy realm of my creative psychological space towards a reinvigoration of my compositional practice. The PDF attachment also includes the following compositions: The Aspern Papers (2015), Sydney Opera House (2012), Deep in Summer (2016), The Banquet of Cleopatra (2014), In a Corner of the MacIntyre (2014), Stars (2016), Sydney Opera House (2016), The Aspern Papers - Chamber Version Selections (2016).
Styles APA, Harvard, Vancouver, ISO, etc.
3

Fang, Wan-Jen, et 方婉禎. « Cross-border of Aesthetics : The Intersections and Transformations of Surrealism in East Asia ». Thesis, 2014. http://ndltd.ncl.edu.tw/handle/vd2s8d.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.

Livres sur le sujet "East Asian Aesthetics"

1

1966-, Purtle Jennifer, et Thomsen Hans Bjarne 1957-, dir. Looking modern : East Asian visual culture from treaty ports to World War II. Chicago : Art Media Resources, 2009.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
2

Qian, Nanxiu, Bowei Zhang et Smith Richard J. Rethinking the Sinosphere : Poetics, aesthetics, and identity formation. Amherst, New York : Cambria Press, 2020.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
3

Hisashi, Gotō, et Fukuoka-shi Bijutsukan, dir. Bi no kokoro : Tōyō no shihō Idemitsu korekushon : Nishi Nihon Shinbun sōkan 130-shūnen kinen = The essence of aesthetics : master pieces of the East from the Idemitsu collection. Fukuoka-shi : Fukuoka-shi Bijutsukan, 2007.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
4

Inaga, Shigemi, et International Research Symposium "Questioning Oriental Aesthetics and Thinking, Conflicting Visions of 'Asia' Under the Colonial Empires" (2010 International Research Center for Japanese Studies). Questioning oriental aesthetics and thinking : Conflicting visions of "Asia" under the colonial empires. Kyoto-shi : Kokusai Nihon Bunka Kenkyū Sentā, 2011.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
5

Japan) International Symposium "Tradition and Transformation in Aesthetics of East Asian Calligraphy" (2015 Niigata-shi. Higashi Ajia ni okeru "sho no bigaku" no dentō to hen'yō : Tradition and transformation in aesthetics of East Asian calligraphy. Tōkyō-to Bunkyō-ku : Sangensha, 2016.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
6

Dadi, Iftikhar. Modernism and the art of Muslim South Asia. Chapel Hill [N.C.] : University of North Carolina Press, 2010.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
7

Dadi, Iftikhar. Modernism and the art of Muslim South Asia. Chapel Hill [N.C.] : University of North Carolina Press, 2010.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
8

Mattiussi, Laurent, Akinobu Kuroda et Véronique Alexandre Journeau. Notions esthétiques : Résonances entre les arts et les cultures. Paris : L'Harmattan, 2013.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
9

Fondazione Palazzo Strozzi (Florence, Italy), Bowlt John E. editor, Misler Nicoletta 1946 editor, Petrova E. N. editor, Francone Marcello art director, Russo Vincenza editor, Fondazione Palazzo Strozzi (Florence, Italy) et Francone, Marcello, 1959- art director, dir. The Russian avant-garde : Siberia and the East : Florence, Palazzo Strozzi, 27 September 2013-19 January 2014. Milano, Itally : Skira, 2013.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
10

Kim, Yŏl-gyu. Tongbuk Asia syamŏnijŭm kwa sinhwaron = : North-East Asian shamanism and mythology. Sŏul : Akʻanet, 2003.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
Plus de sources

Chapitres de livres sur le sujet "East Asian Aesthetics"

1

McCaig, Dave, et Rachel Elizabeth Barraclough. « Critiquing New Generational Japanese Horror : “Youthful Fatalisms, Old Aesthetics” ». Dans East Asian Popular Culture, 167–90. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55077-6_8.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
2

Simatei, Peter. « East African Asian Writing and the Emergence of a Diasporic Aesthetic ». Dans Decolonial Aesthetics II, 203–11. Berlin, Heidelberg : Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-66222-9_18.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
3

Baohua, Pan, et Souphiyeh Samizadeh. « Non-Surgical Aesthetics-Injection Strategy of East Asian Faces ». Dans Non-Surgical Rejuvenation of Asian Faces, 297–319. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-84099-0_18.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
4

Yu, Xuqin, et Masa Inakage. « Nostalgia-Based Design Methodology for Subtle Connection from East Asian Aesthetics View ». Dans [ ] With Design : Reinventing Design Modes, 3380–86. Singapore : Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-4472-7_219.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
5

Wai-luk, Lo. « Traditional Chinese Aesthetics and Contemporary Chinese Films : Applying the Idea of Qi-yun to Understand the Temporal Structure of Selected Films of Hou Hsiao-hsien ». Dans East Asian Cinema and Cultural Heritage, 81–100. New York : Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230339507_4.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
6

Chow, Yiu Fai, Jeroen de Kloet et Leonie Schmidt. « “It’s My Party” ». Dans Contemporary East Asian Visual Cultures, Societies and Politics, 137–63. Singapore : Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6710-0_5.

Texte intégral
Résumé :
AbstractIn Hong Kong, despite its overwhelming capitalist logic, pop music makers have established a tradition of political engagement, stretching from the anxiety towards the 1997 Handover, the post-Tiananmen fury and fear, to the more recent articulations against increasing intervention of the Beijing regime. While previous chapters provide a textual analysis and explore the political engagement of Tat Ming Pair’s work—their songs, performances, and music videos—Chapter 5 will take a different approach by conducting a production analysis of Tat Ming’s 2012 and 2017 concerts. The concerts that took place in the Hong Kong Coliseum created a great buzz around the city of Hong Kong and were applauded for their political, musical, and aesthetic standards. This chapter zooms in on these concerts and asks: What considerations, negotiations, tensions, controversies, and compromises on the production side underpin the narratives and aesthetics of Tat Ming’s 2012 and 2017 concerts? As such, Chapter 5 aims to unpack the making of a political pop spectacle in a city that is struggling for its future. To do so, the chapter conducts a two-fold production analysis. First, the chapter builds on a discourse analysis of the reports that have emerged in different media platforms before, during, and after the concerts. Second, we will conduct interviews with Tatming and their close collaborators, ultimately reflecting on the tension between political motivations and commercial considerations, between engagement and entertainment. By drawing on John Corner’s (1999) levels of production, we will investigate how different makers and creative workers negotiate the tension between creating an appealing aesthetic spectacle on the one hand, while trying to convey a political message on the other hand. Our analysis distils three key discourses that we find salient and helpful in furthering our understanding of a concert production. We call them the contingent, the personal, and the calibrational. They recur in the narratives of the three producers and are interwoven through different levels of production.
Styles APA, Harvard, Vancouver, ISO, etc.
7

Shiau, Hong-Chi. « Representational and Symbolic Dimensions in the Inter-Asian Developments : Taiwanese Cartoonist Chen Uen’s Comic Aesthetics and Legacy in East Asia ». Dans Transnationalism in East and Southeast Asian Comics Art, 73–91. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95243-3_4.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
8

Peng, Hsin-Pey. « ‘Another Genre’ of Media in Fashion : The East Asian TV Industry Mediates Youth’s Popular Aesthetics ». Dans Fashion Communication in the Digital Age, 101–10. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15436-3_9.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
9

Chow, Yiu Fai, Jeroen de Kloet et Leonie Schmidt. « Forbidden Love, Forgetting Gender ». Dans Contemporary East Asian Visual Cultures, Societies and Politics, 109–36. Singapore : Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6710-0_4.

Texte intégral
Résumé :
AbstractSince their inception, Tat Ming Pair has been famous, or in some circles, notorious, for their gender and sexuality politics. It is of an advantage that when spoken, the Chinese language makes no distinction between “he” or “she,” thus allowing for more gender ambivalence. This ambivalence extents to sexuality; in their campy, extravagant performances, the duo exudes a queer aesthetics, without ever coming out as such—what Helen Leung calls Hong Kong’s “queer undercurrent” (2008). But then, as an unexpected blast that cracks open the undercurrents of queer invisibility and unrepresentability, reality overtook theory, and surprised and challenged it, in the year 2012. The coming out of Anthony Wong during a Tat Ming Pair live performance marked the turning point. This act was soon followed by similar acts of coming out of other pop stars. Chapter 4 investigates the articulation between sexuality and popular music, in particular Tat Ming, in the context of Hong Kong and mainland China. In doing so, we will trace the emergence of a Chinese movement to find indigenous ways of understanding sexual diversity. Interwoven with such resistance against dominant Western theories and practices, particularly the politics of visibility, is a local cultivation of ambivalence and invisibility, itself a complex manifestation of the ongoing interaction between queer identity and Hong Kong identity. Reflecting upon the events in 2012, we will come back to—and try to make sense of—the disruptive surprise of public figures coming out, apparently in accordance with Western models and in contrast to earlier local sexual politics of ambivalence and invisibility. However, as we will finally show, in the years following 2012, the potentiality of this disruptive surprise has shifted and has been, sadly, pushed back. First, by national policies against effeminate masculinities and sexuality- and gender-related activism at large. Second, by increasingly strict policies towards NGOs and social movements. Paradoxically, and again sadly, the political activities of Anthony Wong in and after the Umbrella Movement may have further jeopardised the potentialities of queer politics. Ironically, these political developments may well inspire a strategic move back towards a politics of invisibility and ambivalence.
Styles APA, Harvard, Vancouver, ISO, etc.
10

Cheng, Xiangzhan. « On the Four Keystones of Ecological Aesthetic Appreciation ». Dans East Asian Ecocriticisms, 221–36. New York : Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137345363_13.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.

Actes de conférences sur le sujet "East Asian Aesthetics"

1

Yuan, Zhuyun. « Crossing the East Asian cultural bridge : Comparison between Chinese and Japanese aesthetic education ». Dans 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004790.

Texte intégral
Résumé :
This article aims to conduct a comparative study of aesthetic education in China and Japan, to explore the similarities and differences in history, theory, and practice of aesthetic education in the two countries, and to promote cross-border learning exchanges and cooperation. This article adopts the method of literature research and deductive induction, first introduces the history and current situation of aesthetic education in China and Japan, and then compares the theoretical system and practice of aesthetic education in the two countries. It is hoped that the aesthetic education of the two countries will be integrated and developed, jointly cultivate Asian talents.
Styles APA, Harvard, Vancouver, ISO, etc.
2

Tikhmenev, Evgeny, et Pavel Evgenievich Tikhmenev. « Seed Reduplication of the Flowering Plants of the Disturbed Landscapes in the Northern of Far-East of Asia ». Dans 3rd International Congress on Engineering and Life Science. Prensip Publishing, 2023. http://dx.doi.org/10.61326/icelis.2023.57.

Texte intégral
Résumé :
The results of studies of anthropogenic landscapes functioning with an assessment on the processes natural self-revegetation and effectivity of reclamation in tundra, forest-tundra, larch forest complexes are summarized. The principles of accelerated restoration of the ecological and aesthetic value of disturbed landscapes at the permafrost zone are substantiated, based on the data obtained during studying the self-revegetation and reclamation processes on disturbed complexes. Development of placer and ore deposits of mineral resources is leading to deep transformation of landscape and to destruction of soil-vegetation complexes. The processes caused by mining activity are leading to variable mechanisms of degradation of soil and vegetation often having complex impact. Results of study of sustainability of soil-vegetable complexes to the impact of mancaused activity have showed the dependence from the structure of soil profile and it characteristic, from the character of genetic horizons, frozen status of the landscape elements, form of the structure, biomass and seed productivity. The rate of fertilization and fruiting regularity of perspective some species of native flora for introduction as medical, nutritive or fodder plants was also determined.
Styles APA, Harvard, Vancouver, ISO, etc.
3

Nguyen Thi, Dung. « The World Miraculous Characters in Vietnamese Fairy Tales Aspect of Languages – Ethnic in Scene South East Asia Region ». Dans GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.13-1.

Texte intégral
Résumé :
Like other genres of folk literature, fairy tales of Vietnamese ethnicity with miraculous character systems become strongly influenced by Southeast Asia’s historical-cultural region. Apart from being influenced by farming, Buddhism, Confucianism, urbanism, Vietnamese fairy tales are deeply influenced by ethno-linguistic elements. Consequently, fairy tales do not preserve their root identities, but shift and emerge over time. The study investigates and classifies the miraculous tales of peoples of Vietnam with strange characters (fairies, gods, Buddha, devils) in linguistic and ethnographic groups, and in high-to-low ratios. Here the study expands on, evaluates, correlates, and differentiates global miraculous characters, and describes influences of creation of miraculous characters in these fairy tales. The author affirms the value of this character system within the fairy tales, and develops conceptions of global aesthetic views. To conduct the research, the author applies statistical methods, documentary surveys, type comparison methods, systematic approaches, synthetic analysis methods, and interdisciplinary methods (cultural studies, ethnography, psychoanalysis). The author conducted a reading of and referring to the miraculous fairy tales of the peoples of Vietnam with strange characters. 250 fairy tales were selected from 32 ethnic groups of Vietnam, which have the most types of miraculous characters, classifying these according to respective language groups, through an ethnography. The author compares sources to determine characteristics of each miraculous character, and employs system methods to understand the components of characters. The author analyzes and evaluates the results based on the results of the survey and classification. Within the framework of the article, the author focuses on the following two issues; some general features of the geographical conditions and history of Vietnam in the context of Southeast Asia’s ancient and medieval periods were observed; a survey was conducted of results of virtual characters in the fairy tales of Vietnam from the perspective of language, yet accomplished through an ethnography. The results of the study indicate a calculation and quantification of magical characters in the fairy tales of Vietnamese. This study contributes to the field of Linguistic Anthropology in that it presents the first work to address the system of virtual characters in the fairy tales of Vietnam in terms of language, while it surveys different types of material, origins formed, and so forth.
Styles APA, Harvard, Vancouver, ISO, etc.
4

Laparra Hernández, Jose, Adrian Morales Casas, Mathieu Feuilliade, Xavier Bonjour, Armel Jimenez, Vanessa Jimenez, Luis Sánchez Palop, José Francisco Serrano Ortiz, José Manuel Rojas et Andrés Soler. « Augmented Reality Eyewear with ophthalmic correction for mainstream applications, overcoming acceptance barriers through Human Factors Plan ». Dans 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005068.

Texte intégral
Résumé :
Although more than 80% of human interactions with the world transit through our eyes and most daily activities require hands-on interaction, none of the current AR technologies and designs, mainly from the USA and Asia, has unlocked the essential combination of human-centred needs, technical requirements and market and society acceptance. Massive adoption, especially for extensive population usage, faces significant bottlenecks: insufficient optical quality, low visual, vestibular, cognitive and social comfort, and missing integrated ophthalmic correction or device aesthetics; the only way to enhance AR visual experience.EU POPULAR project is developing the first generic Augmented Reality Eyewear (ARE) platform covering the broadest range of users and use cases in a professional context, leisure or daily life, including personal ophthalmic correction. The ordinary-looking glasses will be comfortable, accessible and aesthetically appealing, making them suitable for all-day use. Moreover, privacy and security issues will be covered to ensure user, stakeholders, and society acceptance. The differential factors will be its compactness and invisible technology, optical quality, ultra-low power consumption and long operation times, integrating cost-efficiency aspects.To achieve this challenging aim, IBV has defined a Human Factors (HF) Plan covering visual comfort, vestibular comfort, mental fatigue, ease of use, freedom of movement, emotional reaction, risk of exclusion and societal acceptance. The HF Plan was defined in 3 sprints: 1) gather needs, risks analysis and conceptual design, 2) design, develop and iterative tests `process, from scratch and dummy prototypes to 4 functional prototypes (combining white/back or colour AR and without/with ophthalmic correction, 3) Final Validation in actual conditions along representative use cases. The HF Plan will be supported by a Social Science and Humanities Advisory Board and aligned with MDR protocols and processes.ARE acceptance and global scalability will be demonstrated in 3 realistic use case scenarios, outdoor sports, healthcare and logistics, as the first step to massive market deployment. The validation in real situations will include innovative methodologies to real-time asses of mental status to balance the loss of attention/distraction and cognitive overload, using eye tracking patterns and physiological response analysis.
Styles APA, Harvard, Vancouver, ISO, etc.
Vous pouvez également être intéressé par les bibliographies sur le sujet « East Asian Aesthetics » pour d’autres types de sources :
Articles de revues Livres
Nous offrons des réductions sur tous les plans premium pour les auteurs dont les œuvres sont incluses dans des sélections littéraires thématiques. Contactez-nous pour obtenir un code promo unique!

Vers la bibliographie