Littérature scientifique sur le sujet « Drawing »
Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres
Sommaire
Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Drawing ».
À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.
Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.
Articles de revues sur le sujet "Drawing"
Bauer, Angelika, et Gudrun Kaiser. « Drawing on drawings ». Aphasiology 9, no 1 (janvier 1995) : 68–78. http://dx.doi.org/10.1080/02687039508248692.
Texte intégralBraine, Lila Ghent. « Drawing Conclusions About Children's Drawings ». Contemporary Psychology : A Journal of Reviews 33, no 10 (octobre 1988) : 899–900. http://dx.doi.org/10.1037/026126.
Texte intégralSpiller, Neil. « The Magical Architecture in Drawing Drawings ». Journal of Architectural Education 67, no 2 (3 juillet 2013) : 264–69. http://dx.doi.org/10.1080/10464883.2013.817173.
Texte intégralJoiner Jr., Thomas E., et Kristen L. Schmidt. « Drawing Conclusions--Or Not-From Drawings ». Journal of Personality Assessment 69, no 3 (décembre 1997) : 476–81. http://dx.doi.org/10.1207/s15327752jpa6903_2.
Texte intégralFarthing, Stephen. « Drawing Drawn (A Taxonomy) ». Visual Communication 12, no 4 (novembre 2013) : 423–36. http://dx.doi.org/10.1177/1470357212460798.
Texte intégralCarpenter, Patricia A. « Drawn in by Drawing ». Contemporary Psychology : A Journal of Reviews 37, no 4 (avril 1992) : 289–90. http://dx.doi.org/10.1037/031967.
Texte intégralSUDERMAN, MATTHEW. « PATHWIDTH AND LAYERED DRAWINGS OF TREES ». International Journal of Computational Geometry & ; Applications 14, no 03 (juin 2004) : 203–25. http://dx.doi.org/10.1142/s0218195904001433.
Texte intégralKoutsoumpos, Leonidas. « Drawings of sections and drawing with sections1 ». Drawing : Research, Theory, Practice 9, no 1 (1 avril 2024) : 19–34. http://dx.doi.org/10.1386/drtp_00126_1.
Texte intégralGeerts, Bart. « UNDRAWING : A GLOSSARY OF DAILY DRAWING ». Culture Crossroads 22 (13 septembre 2023) : 161–71. http://dx.doi.org/10.55877/cc.vol22.445.
Texte intégralAntoniu, Manuela. « Drawing Without Drawing ». Architectural Theory Review 14, no 3 (décembre 2009) : 213–33. http://dx.doi.org/10.1080/13264820903341613.
Texte intégralThèses sur le sujet "Drawing"
Chard, N. J. « Drawing indeterminate architecture, indeterminate drawings of architecture ». Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1344187/.
Texte intégralKauffman, Jordan Scott. « Drawing on architecture : the socioaesthetics of architectural drawings, 1970-1990 ». Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/97376.
Texte intégralCataloged from PDF version of thesis.
Includes bibliographical references (pages 391-422).
This dissertation examines a period in the late twentieth century when architectural drawings provoked a profound re-evaluation of architecture. It does so through novel research of the individuals, galleries, institutions, and events-and the networks that originated therefrom-that drove this reappraisal by shifting the perception of architectural drawings. During the 1970s and 1980s, for the first time, architectural drawings became more than an instrument for building. Prior to this period, except for scattered instances, buildings were considered to be the goal of architectural practice; architectural drawings were viewed simply as a means to an end. However, through a confluence of factors architectural drawings emerged from this marginal role. Drawings attained autonomy from the architectural process and were ultimately perceived as aesthetic artifacts in and of themselves. No attention has been given to this shift, and recovering this period's forgotten history reveals a rich and complex tapestry. Research unearths interrelated individuals, galleries, institutions, and events outside of practice that impacted the perception of architectural drawings during this period. This reveals the uniqueness of this period, for at no other time was debate generated in the same way, since at no other time did the necessary structures exist to support this change. During this period, architectural drawings became the driving force of architectural debate, not for what architects put in them, but for what others asked them to be and saw in them. Through exhibitions that emphasized drawings in and of themselves, through collectors and galleries, through the development of a market for architectural drawings, and through the interrelation of these, all of which this work reconstructs for the first time, the role and perception of drawings fell between and among aesthetic, artistic, architectural, commercial, conceptual, cultural, and historical understandings. It was this shifting that drove questioning during this period of nearly all facets of architecture.
by Jordan Scott Kauffman.
Ph. D.
Spankie, Rosemary. « Drawing out the interior : thinking through drawing ». Thesis, University College London (University of London), 2018. http://discovery.ucl.ac.uk/10052519/.
Texte intégralMouton, Jacques P. « Drawing the building and building the drawing ». Diss., University of Pretoria, 2014. http://hdl.handle.net/2263/45292.
Texte intégralDissertation (MArch(Prof))--University of Pretoria, 2014.
Architecture
MArch(Prof)
Unrestricted
Williamson, Naomi, et naomiruthwilliamson@mac com. « The Drawn Subject : Meaning and the Moving Drawing ». RMIT University. Art, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080617.142838.
Texte intégralSammis, Kim. « Drawing/s ». Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/88806.
Texte intégralMICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Includes bibliographical references (p. 175-179).
Drawing has become essential to the making of architecture. Though some of the most magnificent structures were created without documentation, testified by The Pyramids, the Parthenon, primitive dwellings, treehouses and many other "spontaneous" constructions, the contemporary profession of making buildings demands countless representations. From sketchy initial concepts to persuasive presentations to detailed construction documents, the making of images for a design sometimes takes longer than the construction process. Images must be read by many diverse people involved in the formation of buildings, therefore architectural notation systems demand consistency. Despite the accepted language of representation, images are abstractions of real objects. They are limited in their scope of information and allow us to bring our own perceptions to them. Architectural drawings stand between us and an object Due to their two dimensional nature, they must present information with symbols and conventions that we take for granted, just as we accept the structure of language. Many contemporary drawings are created not to serve the making of buildings, but to make a visual or ideological statement They are illustrative of ideas, and their resultant physical forms would express the manipulations of drawings, rather than the reverse. This aspect of representation has led me to question the substance of architectural images, their functions and the use of traditional notation systems specific to architecture and its allied crafts. Herbert Spenser said. "language must truly be regarded as a hindrance to thought" We think in images, though the mandatory learning of verbal formations may well befuddle our visions. Notation systems in architecture are similar to language. They too are abstractions of concepts and require training for understanding and manipulation. An investigation of their implications may offer more effective utilization.
by Kim Sammis.
M.Arch.
Coppage, Mary. « Drawing Conclusions ». VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1886.
Texte intégralDonarski, Vincent. « Drawing tools ». College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3615.
Texte intégralThesis research directed by: Dept. of Art. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Himebaugh, Keith. « Mythic Drawing| An archetypal approach to drawing with dreams ». Thesis, Pacifica Graduate Institute, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3565655.
Texte intégralThis production-style dissertation explores the psychological aspect of drawing with dream images. It introduces a practical method, called Mythic Drawing, which can help artists work with dream images in an authentic way. For James Hillman, the founder of Archetypal Psychology, dreams do not reflect the outer world of empirical reality. Rather, they express the inner world of psychic reality through mythological resemblances. Therefore, to draw adequately with images, the artist must give up the rational approach of step-by-step formulas and abstract concepts, and instead, sensitize these methods to the metaphorical style of the dream.
The essence of Mythic Drawing is play. The artist engages the dream image as an active participant, like an actor playing a part. The role of "artist" is relativized and seen through to the many archetypal figures one embodies while drawing, such as a child, a dancer, an architect, or a shaman. The artist accepts the dream images as alive, intelligent and capable of asserting a will of their own. In this way, drawing becomes a collaborative activity that fosters a dynamic relationship between the artist and the creative figures of his or her imagination.
Using a hermeneutic method, the dissertation outlines the theoretical basis of Mythic Drawing, while at the same time examining traditional assumptions and biases in art education. It then tests the efficacy of the ideas discussed through two intensive drawing projects. A heuristic method is applied throughout the production of drawings which helps provide reflection upon and analysis of the creative process.
Kalin, Nadine. « Conversations on teaching and learning drawing : drawn toward transformation ». Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31358.
Texte intégralEducation, Faculty of
Curriculum and Pedagogy (EDCP), Department of
Graduate
Livres sur le sujet "Drawing"
Murray, John Philip. Demiurge - drawing words : New drawings. Macroom, Co. Cork : Vangard Gallery, 1994.
Trouver le texte intégralHashmi, Imtiaz. Fundamentals of engineering drawing : Basics concepts of engineering drawing. Saarbrücken, Germany : Lap Lambert Academic Publishing, 2010.
Trouver le texte intégralRhodes, R. S. Basic engineering drawing. Harlow : Longman Scientific & Technical, 1986.
Trouver le texte intégralRobson, Colin. Drawing. New York : Watson-Guptill Publications, 1998.
Trouver le texte intégralEileen, Adams, dir. Start drawing : Power drawing. London : Drawing Power, 2002.
Trouver le texte intégralBrooks, Julian. 'Graceful and true' : Drawings in Florence c.1600. Oxford : Ashmolean Museum, 2003.
Trouver le texte intégralOstrowsky, O. Engineering drawing : With CAD applications. London : Edward Arnold, 1989.
Trouver le texte intégralOstrowsky, O. Engineering drawing : With CAD applications. London : Edward Arnold, 1989.
Trouver le texte intégralOstrowsky, O. Engineering drawing : With CAD applications. London : Edward Arnold, 1995.
Trouver le texte intégralChard, Nat. Drawing indeterminate architecture, indeterminate drawings of architecture. Wien : Springer, 2005.
Trouver le texte intégralChapitres de livres sur le sujet "Drawing"
Agudo-Martínez, María Josefa. « Drawing Without Drawing ». Dans Architectural Draughtsmanship, 1099–107. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_87.
Texte intégralGooch, Jan W. « Drawing ». Dans Encyclopedic Dictionary of Polymers, 243. New York, NY : Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_4005.
Texte intégralGooch, Jan W. « Drawing ». Dans Encyclopedic Dictionary of Polymers, 243. New York, NY : Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_4006.
Texte intégralCalì, Carmelo. « Drawing ». Dans Lecture Notes in Morphogenesis, 129–31. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51324-5_27.
Texte intégralTyers, Ben. « Drawing ». Dans Practical GameMaker : Studio, 19–28. Berkeley, CA : Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-2373-4_3.
Texte intégralGummert, Hermann-J. « Drawing ». Dans Encyclopedia of Lubricants and Lubrication, 392–420. Berlin, Heidelberg : Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-22647-2_24.
Texte intégralWard, Jenna, et Harriet Shortt. « Drawing ». Dans The SAGE Handbook of Qualitative Business and Management Research Methods : Methods and Challenges, 262–81. 1 Oliver's Yard, 55 City Road London EC1Y 1SP : SAGE Publications Ltd, 2018. http://dx.doi.org/10.4135/9781526430236.n16.
Texte intégralWeik, Martin H. « drawing ». Dans Computer Science and Communications Dictionary, 461. Boston, MA : Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_5600.
Texte intégralRichter-Gebert, Jürgen, et Ulrich H. Kortenkamp. « Drawing ». Dans The Cinderella.2 Manual, 281–347. Berlin, Heidelberg : Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-540-34926-6_11.
Texte intégralEdwards, Jean, Helen Caldwell et Rebecca Heaton. « Drawing ». Dans Art in the Primary School, 157–85. 2e éd. New York, NY : Routledge, 2021. | : Routledge, 2021. http://dx.doi.org/10.4324/9780429296208-7.
Texte intégralActes de conférences sur le sujet "Drawing"
Zhang, Lvmin, Jinyue Jiang, Yi Ji et Chunping Liu. « SmartShadow : Artistic Shadow Drawing Tool for Line Drawings ». Dans 2021 IEEE/CVF International Conference on Computer Vision (ICCV). IEEE, 2021. http://dx.doi.org/10.1109/iccv48922.2021.00534.
Texte intégralTaskoparan Stassi, Secil. « Life At The Riverfront : Drawing Histories, Drawing Narratives, Drawing Entanglements ». Dans DRS2024 : Boston. Design Research Society, 2024. http://dx.doi.org/10.21606/drs.2024.650.
Texte intégralPenman, Scott. « Drawing to See / Drawn to Seeing : Multimodal Reinterpretation in an Autonomous Drawing Machine ». Dans Design Research Society Conference 2018. Design Research Society, 2018. http://dx.doi.org/10.21606/drs.2018.687.
Texte intégralLooi, Lydia, et Richard Green. « Estimating Drawing Guidelines for Portrait Drawing ». Dans 2021 36th International Conference on Image and Vision Computing New Zealand (IVCNZ). IEEE, 2021. http://dx.doi.org/10.1109/ivcnz54163.2021.9653407.
Texte intégralSchkolne, Steven, Michael Pruett et Peter Schröder. « Surface drawing ». Dans the SIGCHI conference. New York, New York, USA : ACM Press, 2001. http://dx.doi.org/10.1145/365024.365114.
Texte intégralBrunvand, Erik, Jennifer (Ginger) Reynolds Alford et Paul Stout. « Drawing machines ». Dans Proceeding of the 44th ACM technical symposium. New York, New York, USA : ACM Press, 2013. http://dx.doi.org/10.1145/2445196.2445530.
Texte intégralFitzgerald, Jeannie, et Conor Ryan. « Drawing boundaries ». Dans the 13th annual conference. New York, New York, USA : ACM Press, 2011. http://dx.doi.org/10.1145/2001576.2001758.
Texte intégralShirali-Shahreza, M., et S. Shirali-Shahreza. « Drawing CAPTCHA ». Dans 28th International Conference on Information Technology Interfaces, 2006. IEEE, 2006. http://dx.doi.org/10.1109/iti.2006.1708527.
Texte intégralLeigh, Sang-won, Harshit Agrawal et Pattie Maes. « Z-drawing ». Dans SIGGRAPH '15 : Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA : ACM, 2015. http://dx.doi.org/10.1145/2787626.2787652.
Texte intégralZaks, Shahar. « Drawing Tool ». Dans TEI'12 : Sixth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA : ACM, 2012. http://dx.doi.org/10.1145/2148131.2148210.
Texte intégralRapports d'organisations sur le sujet "Drawing"
WILSON, G. W. Drawing evaluation report for sampling equipment drawings. Office of Scientific and Technical Information (OSTI), mai 1999. http://dx.doi.org/10.2172/782256.
Texte intégralJaramillo, George Steve. Drawing Waters. University of Limerick, 2020. http://dx.doi.org/10.31880/10344/8360.
Texte intégralSmith, W. L. Automated glass fiber drawing. Office of Scientific and Technical Information (OSTI), septembre 1989. http://dx.doi.org/10.2172/5524774.
Texte intégralLeon, Ryan Francis. Personal Drawing Portfolio Sample. Office of Scientific and Technical Information (OSTI), mai 2016. http://dx.doi.org/10.2172/1253516.
Texte intégralDomnoske-Rauch, L. A. Tank farms essential drawing plan. Office of Scientific and Technical Information (OSTI), août 1998. http://dx.doi.org/10.2172/362550.
Texte intégralOlds, Daniel P. CAD drawing of tensile rig. Office of Scientific and Technical Information (OSTI), juin 2014. http://dx.doi.org/10.2172/1134794.
Texte intégralWILSON, G. W. Characterization equipment essential drawing plan. Office of Scientific and Technical Information (OSTI), mai 1999. http://dx.doi.org/10.2172/782268.
Texte intégralWILSON, G. W. Characterization equipment essential drawing plan. Office of Scientific and Technical Information (OSTI), mai 1999. http://dx.doi.org/10.2172/782269.
Texte intégralHenderson, Thomas C., et Lavanya Swaminathan. Agent-Based Engineering Drawing Analysis. Fort Belvoir, VA : Defense Technical Information Center, février 2002. http://dx.doi.org/10.21236/ada453890.
Texte intégralLaura Leddy, Laura Leddy. Drawing Archaeology in Byzantine Athens. Experiment, mai 2014. http://dx.doi.org/10.18258/2591.
Texte intégral