Bibliographies thématiques / Dom (Motion picture)

Littérature scientifique sur le sujet « Dom (Motion picture) »

Auteur : Grafiati
Publié le 26 juillet 2024
Mis à jour le 27 juillet 2024

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Articles de revues sur le sujet "Dom (Motion picture)"

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Santini, Sylvano. « Le cinéma, un vieux média ? Ralenti des images et lenteur du récit dans Point Omega de Don DeLillo ». Revista Brasileira de Literatura Comparada 25, no 49 (août 2023) : 165–79. http://dx.doi.org/10.1590/2596-304x20232549ss.

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Résumé Cet article présente, dans une première partie, le concept de cinéfiction qui caractérise le rapport performatif de la littérature au cinéma. Il réalise, dans une deuxième partie, une analyse cinéfictionnelle dePoint Oméga (2010) de Don DeLillo dont la visée consiste à montrer comment le roman prolonge le ralenti des images de24 Hour Psycho de Douglas Gordon (1993). Cette analyse reprend la notion de « remake » que Sébastien Rongier a développée dans son ouvrageCinématière(2015) pour l’appliquer aux arts et à la littérature qui entretiennent un dialogue avec le cinéma. Je concevrai en ce sensPoint Oméga comme le remake d’un remake. Or, au lieu de caractériser l’aspect poétique de la lenteur dans le récit de DeLillo à partir d’une conception littéraire de la poésie (disposition des mots sur la page, lyrisme, etc.) comme le font certains de ses commentateurs, je propose de l’envisager à partir des conceptions poétiques du cinéma de Jean Epstein et de Pier Paolo Pasolini.
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Chang, Shyang Jye, et Wen Hao Cai. « Study of the Dynamic Image Stabilizer ». Applied Mechanics and Materials 764-765 (mai 2015) : 1275–78. http://dx.doi.org/10.4028/www.scientific.net/amm.764-765.1275.

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Most anti-shake technologies can compensate the hand shake when taking a static picture. When people use the camera in the dim environment, the shutter opening time will be extended to increase exposure. However, the hand shake will cause the photos blurry if the shutter opening time was too long. The hand shake problem is even more serious when people doing the dynamic image recording. In the past years, the mobile phones with the digital camera and portable video camera were developed vigorously. Taking pictures and recording dynamic image have become the basic functions of mobile phones since the development of the 3G mobile phone. While the specifications of cameras become high resolution and high magnification optical zoom, the traditional electronic anti-shake technology will not be applied in the digital camera because of the large amount of computing power. It is also difficult to apply the optical anti-shake technology in thin 3C products because the volume of optical anti-shake module is too large. Thus, developing a new anti-shake technology which can be applied in the thin 3C products to enhance the photo and video quality is very important. In this paper, the image processing technologies will be applied to calculate the motion signal. Then, the voluntary and involuntary motion signals will be separated by the signal separation algorithm, and finally the dynamic image will be reconstruction by compensating the involuntary shake of each frame to enhance the quality of the dynamic image.
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Christensen, Björn, Michel Clement, Dominik Papies, Christina Schmidt-Stölting et Andreas Briese. « Wer wird nominiert und wer nicht ? Eine empirische Analyse der Treiber einer Oscar-Nominierung ». MedienWirtschaft 5, S (2008) : 67–80. http://dx.doi.org/10.15358/1613-0669-2008-s-67.

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Die von der Academy of Motion Picture Arts and Sciences verliehenen Oscars gelten als die höchste Auszeichnung im Filmgeschäft. Mithilfe unterschiedlicher Regressionsanalysen werden in diesem Beitrag die Faktoren ermittelt, die die Oscar-Nominierung von Kinofilmen beeinflussen. Auf Basis einer Stichprobe von 692 Kinofilmen, die zwischen 2001 und 2005 formal für eine Nominierung in Frage kamen, können insbesondere Kritiken und das Produktionsbudget als Treiber einer Nominierung identifiziert werden. Als nachteilig erweist sich dagegen ein Kinostart lange vor dem Nominierungszeitpunkt. Zudem können wir zeigen, dass der Erfolg an der Kinokasse positiv auf die Nominierung wirkt.
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Inoue, Hajime. « Origin of cool cores, cold fronts, and spiral structures in cool core clusters of galaxies ». Publications of the Astronomical Society of Japan 74, no 1 (20 décembre 2021) : 152–60. http://dx.doi.org/10.1093/pasj/psab114.

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Abstract We consider a situation in which a brightest cluster galaxy (BCG) moves in ambient hot gas in the central region of a cool core cluster of galaxies, following the study by Inoue (2014, PASJ, 66, 60). In the rest frame of the BCG, the hot gas is supposed to flow toward the BCG in parallel from a sufficiently large distance. Then, it is expected that only the gas flowing with an impact parameter less than a critical value is trapped by the gravitation field of the BCG because of the efficient radiative cooling, getting a cooling flow, and that the remaining outer gas can get over the potential well. In such a circumstance, we can draw the following picture: A boundary layer between the out-flowing gas and the trapped gas arises around the stagnation point at the back side of the BCG. Since the boundary temperature is so low as to be X-ray dim, the boundary could be observed as the cold front in X-rays. The trapped gas stagnates on the inner side of the boundary and starts in-falling toward the BCG. Since the wandering motion of the BCG is likely to have a rotational component, the Coriolis force induces a rotational motion in the in-falling flow from the stagnation place to the BCG, forming a spiral structure around the BCG. The spiraling flow turns the BCG on the up stream side of the main flow from the far outside, and another boundary layer arises that has contact discontinuity with the main hot gas flow. These pictures reproduce the observed features such as cool cores, cold fronts, and spiral structures well. It can also be resolved how the cooling flow is suppressed from what the cooling flow hypothesis predicts, without any heating mechanism.
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Breeze, Andrew. « Andrew James Johnston, Beowulf Global : Konstruktionen historisch-kultureller Verflechtungen im altenglischen Epos. Zürich : Chronos Verlag. 2022, 70 pp. » Mediaevistik 35, no 1 (1 janvier 2022) : 428–29. http://dx.doi.org/10.3726/med.2022.01.83.

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Abstract An instructor at Berlin’s Free University, who has analyzed “Robin auf der Leinwand” in his Robin Hood: Geschichte einer Legende (Munich 2013) and co-edited The Medieval Motion Picture: The Politics of Adaptation (New York 2014), now focuses on Beowulf. In three lectures (given at Zurich) he deals with its international setting, styled as “tatsächlich kosmopolitisch” (p. 16). The theme is promising, as he relates it to physical entities: a Roman mosaic “auf dem Orpheus abgebildet” (p. 20) at Bath; Sutton Hoo; a sword-hilt described in Beowulf as wyrmfah (“having snake-like ornaments”); and a gold coin (after an Arabic original) of King Offa. But there are problems. Despite a worthy subject and reference to postcolonialism or theories of Derrida and others, nothing ever seems proved.
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CAPART, H., et D. L. YOUNG. « Formation of a jump by the dam-break wave over a granular bed ». Journal of Fluid Mechanics 372 (10 octobre 1998) : 165–87. http://dx.doi.org/10.1017/s0022112098002250.

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A previously unreported shock feature associated with the scouring of a horizontal granular bed by a dam-break wave is discussed. Near the wave centre, the present study shows, the free surface breaks backward and a hydraulic jump forms. This behaviour is described from the standpoint of shallow-water theory, suitably extended to deal with non-equilibrium sediment transport. The shock formation involves a particularly strong coupling between flow free-surface evolution and bed morphodynamics. Support for our conclusions is sought through experimental and numerical approaches. In order to magnify the observed phenomena, measurements were performed for the case of light bed particles moving in sheet and debris flow modes. A detailed picture of the transient two-phase flow is presented, based on whole field acquisition of the grain motions by particle tracking techniques. Corresponding shallow-water solutions are constructed numerically using a shock capturing scheme. Finally, an interpretation of the jump formation is proposed based on the theory of characteristics.
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Kleshchenkov, A. V., A. L. Chikin et L. G. Chikina. « NUMERICAL STUDY OF CURRENTS IN TSIMLYANSK RESERVOIR AT DIFFERENT LEVELS OF RESERVOIR FILLING ». ECOLOGY ECONOMY INFORMATICS. GEOINFORMATION TECHNOLOGIES AND SPACE MONITORING 2, no 5 (2020) : 33–36. http://dx.doi.org/10.23885/2500-123x-2020-2-5-33-36.

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A description of the mathematical model of the hydrodynamics of the Tsimlyansk reservoir is given. In shallow water regions, the flows are described by the equations of shallow water, and in deep-water regions by both the equations of shallow water and the three-dimensional equations of motion of an incompressible viscous fluid. The problem is solved by finite difference methods on a uniform difference grid. The calculations were carried out at different levels of reservoir filling. A comparison of the results obtained with the surface currents scheme constructed based on the results of field work performed in the spring of 2019 is carried out. The pictures of currents were obtained at different water edges. For the period of expeditionary field work in May 2019, hydrodynamics was calculated on the near-dam site using wind data obtained for this period and compared with the results of field measurements of currents. Comparison of the obtained results of numerical modeling with the scheme of surface currents measured from the research vessel reveals a high proportion of convergence of the calculated and field data. The obtained estimates of the modeling results allow us to proceed to the problem of predicting unfavorable hydrometeorological conditions in the Tsimlyansk reservoir, which carry the risk of disrupting the operation of the water intakes of Volgodonsk located in the southern part of the near-dam site
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Mergny, Pierre, et Satya N. Majumdar. « Stability of large complex systems with heterogeneous relaxation dynamics ». Journal of Statistical Mechanics : Theory and Experiment 2021, no 12 (1 décembre 2021) : 123301. http://dx.doi.org/10.1088/1742-5468/ac3b47.

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Abstract We study the probability of stability of a large complex system of size N within the framework of a generalized May model, which assumes a linear dynamics of each population size n i (with respect to its equilibrium value): d n i d t = − a i n i − T ∑ j J i j n j . The a i > 0’s are the intrinsic decay rates, J ij is a real symmetric (N × N) Gaussian random matrix and T measures the strength of pairwise interaction between different species. Our goal is to study how inhomogeneities in the intrinsic damping rates a i affect the stability of this dynamical system. As the interaction strength T increases, the system undergoes a phase transition from a stable phase to an unstable phase at a critical value T = T c. We reinterpret the probability of stability in terms of the hitting time of the level b = 0 of an associated Dyson Brownian motion (DBM), starting at the initial position a i and evolving in ‘time’ T. In the large N → ∞ limit, using this DBM picture, we are able to completely characterize T c for arbitrary density μ(a) of the a i ’s. For a specific flat configuration a i = 1 + σ i − 1 N , we obtain an explicit parametric solution for the limiting (as N → ∞) spectral density for arbitrary T and σ. For finite but large N, we also compute the large deviation properties of the probability of stability on the stable side T < T c using a Coulomb gas representation.
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Guo, Honghu, Akihiro Takezawa, Kazuo Ichikawa et Hiroyuki Sakai. « Experimental and Numerical Investigation of the Damping Performance of Metal Additively Manufactured Particle Damper ». INTER-NOISE and NOISE-CON Congress and Conference Proceedings 268, no 4 (30 novembre 2023) : 4532–37. http://dx.doi.org/10.3397/in_2023_0647.

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The additively manufactured particle damper (AMPD) is a novel particle damper fabricated by leaving unfused powder inside the pre-designed structural cavities during the laser powder bed fusion (LPBF) process. It can be applied at high temperatures and a wide range of frequencies without any additional installation space. However, the damping mechanism and performance of AMPD are still unclear due to insufficient experimental and simulation analyses. In this work, the damping capacity of AMPDs with three different unit cell sizes at high frequencies and low vibration amplitudes were investigated experimentally and numerically. The AMPDs were manufactured using LPBD with 316 L stainless steel. The complex power method was used to measure the energy dissipation of the AMPD directly. A discrete element method (DEM) simulation model was developed to visualize the particle motion mode during each vibration process. The computed tomography (CT) pictures were utilized to measure the powder distribution in each AMPD's cavity. Finally, the influence of excitation frequency, excitation amplitude, and cavity size on the damping performance of the AMPD were explained by comparing the experimental and simulation results.
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Hanewinkel, Reiner. « Rauchen in Oscar- und Lola-nominierten Filmen ». SUCHT 63, no 6 (1 décembre 2017) : 307–13. http://dx.doi.org/10.1024/0939-5911/a000511.

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Zusammenfassung. Ziel: Untersuchung der Häufigkeit des Rauchens in Filmen, die für einen Filmpreis nominiert worden sind. Prüfung der Assoziation zwischen dem Rauchen in Filmen und der Altersfreigabe der Filme. Methodik: Erfasst wurde für alle 81 Filme, die 2016 und 2017 für die „Oscars“ oder den Deutschen Filmpreis („Lolas“) nominiert wurden, ob geraucht wurde. Ferner wurde die Altersfreigabe der Filme durch die „Freiwillige Selbstkontrolle der Filmwirtschaft“ (FSK) und die „Motion Picture Association of America“ (MPAA) erhoben. Ergebnisse: In 60 (74%) der 81 Filme wurde geraucht. In Filmen, die für die Lolas nominiert worden waren, wurde häufiger geraucht als in Filmen, die für die Oscars nominiert waren (p=0,037). Rauchszenen traten unabhängig von der FSK-Altersfreigabe der Filme auf (p=0,648). Während 22% der Filme mit Rauchszenen die FSK-Altersfreigabe ab 16 Jahren erhielten, wurden in den USA 63% der Filme mit Rauchszenen mit einer Altersfreigabe ab 17 Jahren versehen. Schlussfolgerungen: In drei Viertel aller untersuchten Filme wurde geraucht. Es wurde häufiger in deutschen als in amerikanischen Filmen geraucht. Das amerikanische System der Altersfreigaben für Filme legt strengere Maßstäbe an und führt dazu, dass Jugendliche Filme mit Rauchszenen seltener sehen dürfen. Eine Anhebung der FSK-Altersfreigabe für Filme, in denen geraucht wird, würde die Zahl der Rauchszenen, die ein Jugendlicher sieht, verringern und entspräche einer zentralen Forderung der Weltgesundheitsorganisation.
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Thèses sur le sujet "Dom (Motion picture)"

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Beavers, Hannah. « Deva Plus Dog ». Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849735/.

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Deva Plus Dog is a look at the life of a teenage girl singularly devoted to the sport of dog agility. The film explores how relationships develop and evolve in the high stakes world of competition, and how an alternative lifestyle impacts a youth’s coming of age.
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Gutierrez, Robert Daniel. « Mainstream and marginalized the framing of black athletes in Glory road / ». To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2008. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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Fogelholm, Jens. « Lost in Space : Sökandet efter mening hos människan i Titan A.E ». Thesis, Uppsala universitet, Teologiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-339480.

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This thesis deals with the depiction of meaningfulness and meaning-making, as seen in human characters in the 2000 animated science fiction film Titan A.E. (directed by Don Bluth). The analysis aims to show how Titan A.E. portrays a collective humanity in their search for a meaningful existence, given the outer space setting of its story. Evil is also brought up, in the context of how it creates meaning within the main narrative of the story. The emotions expressed by the story's characters are treated as if they were real. Meaningfulness and meaning-making get exemplified in both dialogue and visual components seen in the film. In addition to this, some reflection is made on the promotional trailers of Titan A.E. and how their displayed contents differ from the finished product. In parallel to the main analysis, there is a wider discussion made about the relationship between films and their real-world process of production, especially regarding whether theological reflection and the film industry can intersect or not.
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Livres sur le sujet "Dom (Motion picture)"

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Lisi︠u︡kova, Li︠u︡dmila Stepanovna. Dom Nikolai︠a︡ Konshina. Smolensk : [publisher not identified], 2018.

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My edem v Bolshevo : Puteshestvie v minuvshee. Moskva : Khudozhestvennai︠a︡ literatura, 2013.

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Allende, Isabel. Dom dukhov : Roman. Sankt-Peterburg : Zvezda, 2002.

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Gopalan, Krishna. The making of Don. New Delhi : Rupa Publications India, 2013.

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Judou. Taibei Shi : Wan xiang tu shu gu fen you xian gong si, 1992.

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Mílton, Volpini Oscar, dir. A Guerra dos Pelados : Roteiro do filme. São Paulo, SP, Brasil : Annablume, 2008.

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1949-, Wolfe Charles, et Capra Frank 1897-, dir. Meet John Doe : Frank Capra, director. New Brunswick : Rutgers University Press, 1989.

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Rodionov, Vi︠a︡cheslav. Gromkoe delo Tikhogo Dona. Moskva : "Algoritm", 2007.

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Wilson, Jake. Mad dog morgan. Strawberry Hills, NSW : Currency Press, 2015.

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Balandina, Natalʹi︠a︡. Gorod i dom v otechestvennom i frant︠s︡uzskom kino 1960-kh. Moskva : Gosudarstvennyĭ institut iskusstvoznanii︠a︡, 2014.

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Chapitres de livres sur le sujet "Dom (Motion picture)"

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Gehlawat, Monika. « DeLillo’s Photo Opportunity ». Dans The Edinburgh Companion to Don DeLillo and the Arts, 108–21. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474499903.003.0007.

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Examining the novels White Noise, Mao II , and Falling Man, this chapter studies DeLillo’s use of photography as a visual motif for dramatising how contemporary subjects understand the reality they participate in and construct. Via Ariella Azoulay, Roland Barthes, Susan Sontag, and others, it highlights DeLillo’s conception of the photograph as a nexus of intersubjective activity, incorporating those who are the subject of the photograph, the viewer of those pictures, the photographer herself, and the context for the photographic encounter in its production and reception. Dynamics of power arise out of what we consider a static image, explaining why, for DeLillo, the photograph is never merely indexical or ontological, but rather the site for the negotiation of cultural, symbolic, economic and political regimes. DeLillo shows that photography, precisely through its rampant availability and use, offers a kind of specular vision of contemporary America, at once reflecting conditions of crisis and, in re-presenting them, suggesting binding relational influences that can transform intersubjective experience. In what this chapter considers to be an ekphrastic gesture, DeLillo uses literature to dramatise the affect of photography, the lies it tells, and which by telling, he reveals.
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