Bibliographies thématiques / Digital Heritage, online museum / Livres
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Livres sur le sujet « Digital Heritage, online museum »

Auteur : Grafiati
Publié le 9 mars 2023
Mis à jour le 10 mars 2023

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Consultez les 41 meilleurs livres pour votre recherche sur le sujet « Digital Heritage, online museum ».

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1

Parry, Ross. Recoding the museum : Digital heritage and the technologies of change. Abingdon, Oxon : Routledge, 2008.

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2

S, Frey Franziska, et Rochester Institute of Technology, dir. Direct digital capture of cultural heritage : Benchmarking American museum practices and defining future needs. Rochester : Rochester Institute of Technology, 2005.

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3

Queers online : LGBT digital practices in libraries, archives, and museums. Sacramento, CA : Litwin Books, 2015.

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4

1948-, Stephenson Christie D., et McClung Patricia A, dir. Delivering digital images : Cultural heritage resources for education. Los Angeles, Calif : Getty Information Institute, 1998.

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5

1959-, Gemmeke Claudia, John Hartmut et Krämer Harald 1963-, dir. Euphorie digital ? : Aspekte der Wissensvermittlung in Kunst, Kultur und Technologie. Bielefeld : transcript Verlag, 2001.

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6

Roosen-Runge, P. H. The virtual display case : Making museum image assets safely visible : a report prepared for the Canadian Heritage Information Network. 2e éd. [Ottawa] : Canadian Heritage Information Network, 1998.

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7

Workshop on Digital Media and its Application in Museum & Heritage (2nd 2007 Chongqing, China). Second Workshop on Digital Media and its Application in Museum & Heritage : Proceedings : DMAMH 2007 : Chongqing, China, December 10-12, 2007. Sous la direction de Pan Zhigeng 1965-, Jia Jinyuan et IEEE Computer Society. Los Alamitos, Calif : IEEE Computer Society, 2007.

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8

Cirinnà, Chiara, et Maurizio Lunghi, dir. Cultural Heritage on line. Florence : Firenze University Press, 2010. http://dx.doi.org/10.36253/978-88-6453-187-8.

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The 2nd International Conference "Cultural Heritage online – Empowering users: an active role for user communities" was held in Florence on 15-16 December 2009. It was organised by the Fondazione Rinascimento Digitale, the Italian Ministry for Cultural Heritage and Activities and the Library of Congress, through the National Digital Information Infrastructure and Preservation Program - NDIIP partners. The conference topics were related to digital libraries, digital preservation and the changing paradigms, focussing on user needs and expectations, analysing how to involve users and the cultural heritage community in creating and sharing digital resources. The sessions investigated also new organisational issues and roles, and cultural and economic limits from an international perspective.
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9

John, Schofield, et Tracy Ireland. Ethics of Cultural Heritage. Springer, 2014.

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10

John, Schofield, et Tracy Ireland. The Ethics of Cultural Heritage. Springer, 2014.

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11

John, Schofield, et Tracy Ireland. The Ethics of Cultural Heritage. Springer, 2016.

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12

John, Schofield, et Tracy Ireland. The Ethics of Cultural Heritage. Springer, 2016.

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13

Mujoo-Munshi, Usha, et Bidyut Baran Chaudhuri. Multimedia Information Extraction and Digital Heritage Preservation. World Scientific Publishing Co Pte Ltd, 2011.

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14

Mason, Rhiannon, Areti Galani et Gabi Arrigoni. European Heritage Dialogue and Digital Practices. Taylor & Francis Group, 2021.

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15

Müller, Katja. Digital Archives and Collections : Creating Online Access to Cultural Heritage. Berghahn Books, Incorporated, 2021.

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16

Parry, Ross. Recoding the Museum : Digital Heritage and the Technologies of Change. Taylor & Francis Group, 2007.

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17

Parry, Ross. Recoding the Museum : Digital Heritage and the Technologies of Change. Taylor & Francis Group, 2007.

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18

Parry, Ross. Recoding the Museum : Digital Heritage and the Technologies of Change. Taylor & Francis Group, 2007.

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19

Parry, Ross. Recoding the Museum : Digital Heritage and the Technologies of Change. Taylor & Francis Group, 2007.

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20

Geismar, Haidy. Museum Object Lessons for the Digital Age. UCL Press, 2018.

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21

Geismar, Haidy. Museum Object Lessons for the Digital Age. UCL Press, 2018.

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22

Geismar, Haidy. Museum Object Lessons for the Digital Age. UCL Press, 2018.

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23

Multimedia Information Extraction And Digital Heritage Preservation. World Scientific Publishing Company, 2011.

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24

Pietrobruno, Sheenagh, Katherine Hauptman, Bodil Axelsson et Fiona Ruth Cameron. Museum Digitisations and Emerging Curatorial Agencies Online : Vikings in the Digital Age. Springer International Publishing AG, 2021.

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25

Pietrobruno, Sheenagh, Katherine Hauptman, Bodil Axelsson et Fiona Ruth Cameron. Museum Digitisations and Emerging Curatorial Agencies Online : Vikings in the Digital Age. Springer International Publishing AG, 2021.

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26

Gerritsen, Anne, et Giorgio Riello, dir. Writing Material Culture History. 2e éd. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350105256.

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Writing Material Culture History examines the methodologies currently used in the historical study of material culture. Touching on archaeology, anthropology, art history and literary studies, the book provides history students with a fundamental understanding of the relationship between artefacts and historical narratives. The role of museums, the impact of the digital age and the representations of objects in public history are just some of the issues addressed in a book that brings together distinguished scholars from around the world. This new edition includes: * A new wide-ranging introduction highlighting the role of material culture in the modern period and presenting recent contributions to the field. * A more balanced and easy-to-use structure, including 9 methodological chapters and 20 'object in focus' chapters consisting of case studies for classroom discussion. * 5 fresh 'object in focus' chapters showing greater engagement with 20th century material culture, non-European artefacts (particularly in relation to issues of power, indigenity and repatriation of objects), architecture (with pieces on industrial heritage in Europe and on heritage destruction in China) and the definitions and limits of material culture as a discipline. * Expanded online resources to help students navigate the museums/institutions holding key artefacts. * Historiographical updates and revisions throughout the text. Focusing on the global dimension of material culture and bridging the gap between the early modern and modern periods, Writing Material Culture History is an essential tool for helping students understand the potential of objects to re-cast established historical narratives in new and exciting ways.
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27

Hupperetz, Wim. Museums, Heritage, and Digital Curation : Theory and Practice at the Allard Pierson. Sidestone Press, 2022.

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28

Museums, Heritage, and Digital Curation : Theory and Practice at the Allard Pierson. Sidestone Press, 2022.

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29

John, Hartmut, Harald Krämer et Claudia Gemmeke. Euphorie Digital ? : Aspekte der Wissensvermittlung in Kunst, Kultur und Technologie. Transcript Verlag, 2015.

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30

(Editor), Christie Stephenson, et Patricia McClung (Editor), dir. Delivering Digital Images : Cultural Heritage Resources for Education Volume 1 : The Museum Educational Site Licensing Project (Museum Educational Site Licensing Project, Vol 1). Getty Trust Publications : J. Paul Getty Museum, 1999.

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31

Kidd, Jenny. Public Heritage and the Promise of the Digital. Sous la direction de Angela M. Labrador et Neil Asher Silberman. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190676315.013.9.

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The “promise” of the digital has been a democratization of the notion of heritage, and a disruption of ideas about ownership, authorship, and authenticity that might have seemed more straightforward in the recent past. This chapter overviews the possibilities brought about by these developments before introducing a series of ethical questions that they bring sharply into focus for museum and heritage practitioners. It appraises three practices which exemplify this conflicted terrain and demonstrate the issues at stake: heritage institutions’ uses of social media, crowd-based methods, and immersive mobile encounters. The chapter concludes that reflexivity is fast becoming a core professional competency for those working in digital heritage contexts.
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32

Basaraba, Nicole. Transmedia Narratives for Cultural Heritage. Taylor & Francis Group, 2022.

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33

Smith, Wally, Hannah Lewi, Steven Cooke et Dirk vom Lehn. Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites. Taylor & Francis Group, 2019.

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34

Smith, Wally, Hannah Lewi, Steven Cooke et Dirk vom Lehn. Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites. Taylor & Francis Group, 2019.

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35

Crowdsourcing our Cultural Heritage. Routledge, 2014.

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36

Transmedia Narratives for Cultural Heritage : Remixing History. Taylor & Francis Group, 2022.

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37

Basaraba, Nicole. Transmedia Narratives for Cultural Heritage : Remixing History. Taylor & Francis Group, 2022.

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38

Basaraba, Nicole. Transmedia Narratives for Cultural Heritage : Remixing History. Taylor & Francis Group, 2022.

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39

Champion, Erik Malcolm, dir. Virtual Heritage : A Concise Guide. Ubiquity Press, 2021. http://dx.doi.org/10.5334/bck.

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Virtual heritage has been explained as virtual reality applied to cultural heritage, but this definition only scratches the surface of the fascinating applications, tools and challenges of this fast-changing interdisciplinary field. This book provides an accessible but concise edited coverage of the main topics, tools and issues in virtual heritage. Leading international scholars have provided chapters to explain current issues in accuracy and precision; challenges in adopting advanced animation techniques; shows how archaeological learning can be developed in Minecraft; they propose mixed reality is conceptual rather than just technical; they explore how useful Linked Open Data can be for art history; explain how accessible photogrammetry can be but also ethical and practical issues for applying at scale; provide insight into how to provide interaction in museums involving the wider public; and describe issues in evaluating virtual heritage projects not often addressed even in scholarly papers. The book will be of particular interest to students and scholars in museum studies, digital archaeology, heritage studies, architectural history and modelling, virtual environments.
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40

Flanagin, Andrew, et Miriam J. Metzger. Digital Media and Perceptions of Source Credibility in Political Communication. Sous la direction de Kate Kenski et Kathleen Hall Jamieson. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199793471.013.65.

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The rich research heritage on source credibility is fundamentally linked to processes of political communication and the provision of political information. Networked digital technologies, however, have recently complicated the assessment of source credibility by modifying people’s ability to determine source expertise and trustworthiness, which are the foundations upon which credibility evaluations have traditionally rested. This chapter explores source credibility in online contexts by examining the credibility of digital versus traditional channels, the nature of political information conveyed by social media, and the dynamics of political information online. In addition, this chapter considers related research concerns, including the link between credibility and selective exposure, the potential for group polarization, and the role of social media in seeking and delivering credible political information. These concerns suggest challenges and opportunities as information consumers navigate the contemporary information environment in search of the knowledge to make them informed members of a politically engaged citizenry.
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41

Missouri Remembers : Artists in Missouri through 1951. Nelson-Atkins Museum of Art, Kansas City Art Institute, St. Louis Public Library, 2021. http://dx.doi.org/10.37764/5776.

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Missouri Remembers: Artists in Missouri through 1951 is a collaborative project of The Spencer Art Reference Library of The Nelson-Atkins Museum of Art, in partnership with the Kansas City Art Institute and The Saint Louis Public Library that will document the state’s artistic heritage. To create this freely available online resource partner institutions are mining their artist files and archival collections to document the many artists who called Missouri home. The portal allows researchers, art enthusiasts and students to learn about Missouri artists and to study the relationships between the artists, organizations, exhibitions and institutions that have defines the state artistic culture. Users are able to browse by city, medium, or time period to discover generations of artists who called Missouri home. The resulting online resource allows users to explore iconic artists like Thomas Hart Benton and George Caleb Bingham and to discover lesser known artists who lived in, or spent part of their careers within, the State of Missouri through the mid-twentieth century. Project researchers are prioritizing the difficult task of documenting the careers of artists from under-represented groups whose artistic contributions may not be as widely known or documented. This collaborative project will fill a void in the resources available for the study of Missouri’s artists. Biographical dictionaries are foundational reference resources that document a state’s, region’s or even city’s artistic heritage. Missouri doesn’t have this type of resource but it is something that several cultural institutions in the state have been working towards by maintaining physical artist files that document Missouri artists. This project was made possible through funding from the Missouri Humanities Council and from the National Endowment for the Humanities.
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