Thèses : « Design del cultural heritage »

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Ismail, Mohd Hafizal. « Local community involvement in cultural heritage management : a case study of Melaka Heritage Trail, Malaysia ». Thesis, University of Portsmouth, 2013. https://researchportal.port.ac.uk/portal/en/theses/local-community-involvement-in-cultural-heritage-management(d60003ee-7533-467c-a208-747b6316a1a4).html.

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The sustainability of cultural heritage management of the resources is strongly related to support from local community via participation. It is evident that active community involvement can improve local residents’ quality of life based on better environment, social and economic conditions. However, there is little research into the question of whether the involvement of local community in heritage management derives from a genuine interest and desires to protect and conserve their local heritage assets. In the case of Malaysia, a truly local community collaborative approach is often limited due to the ways in which the community in question is conceptualised and involved in the process. In other words, local community involvement is extremely rare because they have been neglected especially in the decision making process. This has created a negative relationship between local community and government authorities in resource conservation. Therefore, it is pivotal to investigate the influence of the local community attachment towards heritage, in order to understand the local community involvement in heritage management. The attitudes and perceptions of three groups of respondents were examined by using the concept of heritage trail development, as an illustrative example to triangulate the relationship between local community involvement, government administrative structures and tourists’ experiences. The results revealed that, despite the fact the local community is highly attached to the heritage assets; the level of community involvement in cultural heritage management in Malaysia is low due to operational, structures and cultural limitation to engage the local community in both management and tourism development in the Melaka World Heritage Site. This is to say that the participation approach in Malaysia is highly controlled by the centralised government structure. The research recommends that the authorities consider implementing two major improvements in order to develop and maintain a system of sustainable cultural heritage management: Firstly, to overcome the limitations of community participation in the decision making process. Secondly, to consider the community attachment towards cultural heritage elements, before developing tourist attractions in heritage settings, in terms of residents’ emotional and functional attachments.

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Mlambo, Nolwazi S. X. « Restoring Curio[City] : An Alternative Adaptive Reuse Approach for the derelict Staatsmuseum building throough Landscape Design ». Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78705.

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Urban relics, memories of bygone eras, sit desolate and disregarded on the Northern and Southern fringes of the City of Tshwane’s inner-city, also known as Pretoria. Flaking facades, uninviting margins and deflected gazes have resulted in forgotten city narratives, narratives that are immortalised in these monuments. These compositions of culture, and remnants of the past, have fallen prey to the swift progress of the city and have been left forgotten as they retreat into the shadows of their former grandeur. Dwarfed by the bustle of the city and it’s towering urban fabric, a generation unknowing pass these urban gems daily, unaware of their past splendour. Existing now only as urban scars, these buildings become spectators to the continued advancing and changing cityscape, they become invisible remnants of the city’s cultural and historical landscape. The dissertation aims to generate a landscape design proposal for the Old Staatsmuseum building as an attempt to reactivate one such urban relic, to return it to some of its historic grandeur, and imagining new ways for old buildings to inject meaning into the cityscape. Drawing inspiration from creative industries, such as art, media and functional creations, the project investigates landscape architecture’s potential to; regenerate and remodel buildings into creative sites, prevent their further decay, celebrate their inherent adaptive history and make them accessible to the new generation of city dwellers and visitors. Furthermore, such an attempt also seeks to connect and enhance the otherwise fragmented urban nature within the City of Tshwane, by connecting the Old Staatsmusem, to its context of the National Zoological Gardens, and further afield to the grassland landscapes of Gauteng. Landscape architecture is therefore used to present an allusion of the “continuation of cultural phenomena through built infrastructure” (Wong 2017:30) and as a catalyst for urban regeneration in the Pretoria inner-city.
Mini Dissertation (ML (Prof))--University of Pretoria, 2020.
Architecture
ML (Prof)
Unrestricted

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Hervías, Beorlegui Juan José. « Interpretación del Patrimonio a través del Análisis de las Técnicas utilizadas en el Museo de Jamtli ». Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/400093.

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Hoy en día la cultura supone uno de los pilares que sustentan gran parte de la economía de muchos países, entre los que se encuentra, indudablemente, España. Las repercusiones que tiene el turismo en las arcas del país son inestimables. En este contexto, los museos, son a menudo el motivo que incita, en primer lugar, el propio viaje en sí mismo. Muchas de las instituciones culturales actuales se han convertido en verdaderas mecas de peregrinación dentro de la “vida religiosa” del turista, un lugar imprescindible que tachar en el pasaporte del buen viajero, transformándose en auténticos devoradores de museos o sitios turísticos estrella de forzosa visita. No obstante, estas instituciones museísticas, no siempre usan todas las herramientas comunicativas que tienen a su alcance para poder transmitir de manera efectiva su mensaje que y proporcione una experiencia diferente y única al visitante que entra en contacto con el patrimonio que custodia la institución. En el marco de la gestión de nuestra cultura, tenemos la impresión, de que prima más la idea de realizar museos colosales o exposiciones espléndidas antes que el hecho de comunicar una serie de mensajes a los visitantes. Muchos de ellos no analizan posteriormente qué mensajes han llegado al público, o si estos han sido comprendidos o incorporados como nuevo conocimiento. La auténtica función del museo para con su público, hoy en día, debería ser el removerles la conciencia, el provocarles ideas y planteamientos nuevos, crearles interrogantes, dudas, preguntas…en suma, seducirles con su patrimonio cultural. La disciplina de la interpretación del patrimonio aplica una serie de técnicas comunicativas para transmitir de manera efectiva los valores del patrimonio. En el ámbito del patrimonio natural ha demostrado su utilidad a la hora de influir positivamente en el alcance didáctico que la visita tiene el público, y en la creación de una conciencia patrimonial mayor. Así pues, nos planteamos la posibilidad de importar estas técnicas interpretativas al ámbito museístico. Para ello se ha procedido al análisis del museo de Jamtli situado en la ciudad sueca de Östersund. Este museo es el hermano pequeño del pionero museo de Skansen en Estocolmo. Ambos han introducido en sus respectivas políticas de mediación técnicas procedentes de la interpretación para crear un discurso bidireccional entre público y patrimonio orquestado por el museo. Decidimos realizar un trabajo de campo en el museo de Jamtli mediante, principalmente, unas encuestas realizadas a los visitantes que pretendían comprobar el alcance didáctico de estas acciones interpretativas en museos. Esta nos ha permitido abrir nuevas líneas de investigaciones futuras que pretenden explorar la hipotética implementación de las técnicas de la interpretación del patrimonio, en los llamados museos estrella que son los que más repercusión social tienen en nuestra comunidad. Los resultados obtenidos ambicionan ser el punto de partida para otros estudios ulteriores que permitan generalizar los resultados hallados en esta presente tesis doctoral.
Nowadays culture represents one of the pillars that support much of the economy of many countries, among which one is, undoubtedly, Spain. The impact of the tourism in these countries´ is invaluable. In this context, museums are often the reason that prompt the journey itself. Many of today´s cultural institutions have become true sites of pilgrimage within the “religious life” of tourists, an essential place for all travelers to quench their thirst for culture. However, these museums institutions do not always use all communications tools at their disposal to effectively convey their message and provide a different and unique experience to the visitor who comes into contact with the heritage that the institution guards. The management of our culture, which is building colossal blockbuster museums today, seems to have forgotten to communicate a relevant message to the visitor instead Many of them tend to forget to analyze later on whether the messages have been intercepted by or even incorporated in the vistors´minds and knowledge The real function of the museum to its visitors today should be provoke thoughts and ideas that lead to a new way of thinking, in short, seduce them with their own cultural heritage. The science of heritage interpretation applies a number of communication methods to effectively transmit the values of cultural heritage. In the field of environmental heritage or nature heritage, it has proved very useful in visitors´ learning and in creating a greater heritage consciousness. Thus, we considered the possibility of importing these interpretive techniques in the museum field. For this, the Jamtli Museum (located in the Swedish town of Östersund) has been analyzed. This museum is Skansen´s little brother (the museum located in Stockholm, pioneer in many key aspects). Both have introduced, in their respective policies, techniques from the heritage interpretation to create a two-way discourse between public and heritage. We decided to conduct a field research at the Jamtli Museum by doing visitor surveys that wanted to check the teaching effectiveness of these methods at the museum. This has allowed us to open new lines of future research that will intend to explore the hypothetical implementation of techniques from the heritage interpretation, in the so- called “star museums” that have the most social impact on our community. The results aspire to be the starting point for further studies that allow us to generalize the results found in this present dissertation.

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Sohie, Caroline. « Heritage discontinued : tracing cultural ecologies within a context of urban transition ». Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/23702.

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Culture has been consistently underrepresented in the sustainability debate and often perceived as a constraining factor to modern-day advancement. However in recent years, the broadening development paradigm in the Global South is increasingly asserting culture's indispensable role in sustainable human development. This dominant cultural paradigm mainstreamed by UNESCO is subscribed to by government and other role-players within the domain of culture and urban development. Despite its significant achievements, it however comes with a specific heritage conceptualisation, which is disconnected from local reality and perpetuates a problematic theoretical construct of cultural legacy, which is steeped in a Eurocentric conservation bias with colonial undertones. The thesis argues that this model will not lead to transformative interventions in urban areas that harness the power of culture if its interpretation remains decontextualised and perpetuates an instrumentalised view of culture and cultural conservation practice, inherited from the past. The thesis explores how an alternative conceptualisation of culture, based on the concept of cultural ecologies, can be more meaningful and beneficial in contributing to the theoretical reassessment of the human settlements imaginary. This is achieved through an interdisciplinary literature review and a case study of Bagamoyo, a small urban settlement in Tanzania. Through a systematic diagnosis of this small scale locality, cultural ecologies are foregrounded through the primary lens of the urban public-private interface and framed within a context that is shaped by the dynamics of globalisation. Additionally, the study takes place against the backdrop of a failed UNESCO World Heritage application, which allows me to discuss the undercurrents and invested interests associated with cultural heritage politics and the traumatic impact global conventions can have on local sustainability. It concludes in a proposed approach that repositions culture at the core of social exchange and argues that cultural sensitive development is an ongoing socio-cultural production process. Its potential lies in capturing the layered 'ordinariness' of place and in harnessing the imaginative responses arising from local idioms, practices and traditions as the shared imaginary of tomorrow.

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Lilja, Josefin. « Interactive digital storytelling and tangibility in cultural heritage museums ». Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22810.

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This paper focuses on how a single installation can enhance personalization of the information in cultural heritage museums and enhance the overall experience using interactive digital storytelling and the ability to touch artefacts. Interaction design methods helped establish best practices centring on usability. In the process low- fidelity and mid-fidelity prototypes were created based on the field studies such as obeservations in exhibits and interviewing professionals in different museums. The conclusion could be made that artefact and the purpose of the exhibit as an whole does get more intense if one has the opportunity to touch and make it part of the visitors journey can be said.

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Tjahjani, Indra, et n/a. « "Taman Sari" Yogyakarta : a cultural perspective in landscape design ». University of Canberra. Environmental Design, 2005. http://erl.canberra.edu.au./public/adt-AUC20061122.123558.

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This thesis is a critical review of Taman Sari, Yogyakarta in particular how the Old City Planning including the Pleasure Garden which has multi functions was established in Indonesia during the ancient time ( in the past ), the development during the Dutch era, and current conditions and how the future generation should take care of the place. The discussions, analysis, synthesis and assumption were done based on the literature study, the ICOMOS Burra Charter, the China Principles for the Conservation of Heritage Sites, and the Indonesia Law in Cultural Heritage. In the research it has been found that Taman Sari which is located in Yogyakarta was built for several reasons and functions, such as resting area, recreation area, practicing area, traditional activities and workshops, meditation area and also defense area. One line of this research is that the use of plants which had been planted in Taman Sari area was related with the tradition, symbolism and the daily needs. As assumption in this research some plants possibly are classified as a Javanese traditional plant. A series of photographs which have been taken from different time support the analysis of this research report. At the end of the report there is a recommendation to the Indonesia Government for maintaining the cultural heritage asset value, because this could be a national valuable asset which could be handed to the future generation. Based on the Guidelines to the Burra Charter define we Cultural Significance as : .....a concept which helps in estimating the value of places. The places that are likely to be of significance are those which help an understanding of the past or enrich the present, and which will be of value to the future generations.

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ANGELONI, RENATO. « La riproducibilità digitale per un nuovo approccio alla documentazione e fruizione del cultural heritage ». Doctoral thesis, Università Politecnica delle Marche, 2021. http://hdl.handle.net/11566/289664.

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Il presente lavoro di tesi si inserisce nell'ambito del processo di trasformazione digitale del Patrimonio Culturale, di cui approfondisce i temi legati alla documentazione e fruizione tramite soluzioni tecnologiche innovative. L'integrazione di diversi metodi di acquisizione permette infatti di elaborare facsimili digitali che, sfruttando le potenzialità di realtà aumentata, mista e virtuale, nonché della fabbricazione digitale, offrono nuove modalità di tutela e disseminazione del Patrimonio. Partendo dalla documentazione del bene culturale, si sono così strutturate innovative esperienze di fruizione per ciascuno dei casi di studio affrontati: un’applicazione di realtà aumentata per i disegni del Codice Atlantico di Leonardo, in grado di generare dei modelli tridimensionali interattivi delle macchine leonardiane a partire dalle loro rappresentazioni originali; un’esperienza di visita virtuale immersiva dello Studiolo di Palazzo Ducale a Urbino, per svelare i tanti significati nascosti nelle rappresentazioni presenti sulle sue pareti; la ricostruzione fisica e virtuale delle Grotte di Palazzo Campana a Osimo, soluzione mirata a renderle accessibili preservandone il fragile equilibrio; infine il tour virtuale della Pinacoteca di Ancona, per una proposta di visita da remoto ai suoi spazi e alla sua collezione. Tali soluzioni, presentando alcune innovazioni sia nella filiera di documentazione che nella fruizione, propongono un’esperienza del Patrimonio Culturale accessibile “dovunque e a chiunque”, per un’esperienza più “evoluta”, che non sia semplice replica di quella dell’opera originale.
This thesis explores the process of digital transformation of Cultural Heritage and it deepens the topics related to documentation and fruition through innovative technological solutions. The integration of different acquisition methods allows developing digital replicas that, exploiting the potential of augmented, mixed and virtual realities, as well as digital manufacturing, offer new ways of protecting and disseminating Cultural Heritage. Starting from the documentation, innovative experiences of fruition have been structured for each of the case studies addressed. First of all an application of augmented reality for the drawings of the Codex Atlanticus by Leonardo, able to generate three-dimensional interactive models of Leonardo’s machines from their original representations. An immersive virtual experience of the Studiolo at Palazzo Ducale in Urbino, to reveal the hidden meanings in the representations on its walls. The physical and virtual reconstructions of the Caves of Palazzo Campana in Osimo, two solutions aimed at making them accessible while preserving their fragile balance. Finally, the virtual tour of the Pinacoteca of Ancona, to visit its spaces and its collection remotely. These solutions, presenting some innovations both in the documentation and in the fruition, offer an experience of Cultural Heritage accessible "everywhere and to everyone", for a more "advanced" experience, which is not simply a replica of that of the original work of art.

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Nardini, Silvia <1988&gt. « Digital Cultural Heritage : gli strumenti della tecnologia digitale per la valorizzazione del patrimonio culturale ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6671.

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La tesi tratta l'argomento del Digital Cultural Heritage nel contesto dell'interazione tra settore culturale e settore informatico. Propone una visione a tutto tondo di come è stato gestito il patrimonio culturale con l'aiuto della tecnologia digitale e i passi compiuti e da compiere nel prossimo futuro, per giungere alla Società dell'Informazione per tutti. Inizialmente viene proposta una visione generale della Cultura Digitale dall'avvento di Internet e di come è cambiata l'idea di cultura anche grazie all'uso di infrastrutture di rete per la ricerca e l'innovazione e i vari progetti che utilizzano questi strumenti digitali per lo sviluppo della cultura. Successivamente si parla di un altro importante strumento promosso dall'Unione Europea per il futuro della ricerca storico-artistica in ambito digitale, La Biblioteca Digitale Europea. Si riporta la sua concezione, le sue finalità e la storia di come è nata e si è sviluppata, grazie al sostegno delle iniziative eEurope, delle Raccomandazioni e Direttive europee che trattano l'argomento. Verranno affrontati poi gli strumenti che si collocano nel contesto della strategia dell'Unione Europea per creare la Società dell'Informazione e che sono al servizio della Biblioteca Digitale Europea. Dal progetto Minerva, al progetto Michael fino ad arrivare al portale Europeana. Infine si espone la situazione italiana del livello di digitalizzazione dei beni culturali e il portale CulturaItalia come strumento di conservazione e valorizzazione.

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Grasso, Luigi. « Cultural heritage e social media engagement. L’esperienza delle imprese storiche del Made in Italy ». Doctoral thesis, Universita degli studi di Salerno, 2017. http://hdl.handle.net/10556/2608.

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2015 - 2016
Obiettivi. Il lavoro ha la finalità di approfondire le modalità di utilizzo delle leve connesse al cultural heritage nelle strategie di social media communication delle imprese storiche del made in Italy, indagando l’effettivo grado di utilizzo dei molteplici strumenti potenzialmente a disposizione per valorizzare in chiave strategica il proprio vissuto storico, al fine di favorire lo sviluppo dei processi di social media engagement. Metodologia. La ricerca si basa su una content analysis condotta su dati secondari, che ha riguardato le imprese di medie e grandi dimensioni iscritte nel “Registro Nazionale delle Imprese Storiche Italiane” di Unioncamere. Il calcolo degli indici di likeability e di shareability, e la misurazione dei livelli di awareness e engagement del campione di imprese analizzato ha consentito di misurare l’efficacia della comunicazione nell’incrementare il social media engagement. Risultati. I risultati dell’analisi dimostrano che la componente del cultural heritage è una leva intrinseca dell’engagement. L’adozione di metriche come il likeability rate e lo shareability rate e la misurazione dei livelli di awareness e engagement ha dato la possibilità di valutare l’efficacia delle variabili cultural heritage, nell’ottica di favorire l’interazione con i followers. Limiti della ricerca. Il principale limite dello studio è legato alla prospettiva d’analisi privilegiata, focalizzata esclusivamente sulle politiche di comunicazione social delle imprese longeve attraverso Facebook, trascurando ulteriori piattaforme social potenzialmente interessanti ai fini della ricerca. Inoltre la misurazione degli indicatori di awareness ed engagement si basa su dati tempo-varianti. Implicazioni pratiche. Il presente lavoro fornisce una iniziale panoramica delle azioni dirette a sfruttare il vantaggio competitivo generato dalle variabili connesse al cultural heritage. Le risultanze emerse dal lavoro potrebbero essere di preminente interesse per imprese e territori, come quelli italiani, in cui l’immagine del patrimonio culturale nazionale, ed in particolare delle sue componenti intangibili ed identitarie, rappresenta una fondamentale leva di vantaggio competitivo sui mercati internazionali. 3 Originalità del lavoro. Il presente lavoro costituisce il primo esempio di indagine su larga scala volta ad investigare gli strumenti potenzialmente a disposizione delle aziende per valorizzare in chiave strategica il proprio vissuto storico. [a cura dell'autore]
Objectives. The aim of the thesis is to explore the tools related to the cultural heritage in the social media communication strategies of made in Italy historical companies, investigating the actual use of the tools available to strategically enhance the historical experience and to promote the development of engagement processes. Methodology. The research is based on a content analysis developed on secondary data, concerning medium and large companies registered in the “National Register of Italian Historical Firms” of Unioncamere. The calculation of the likebility and shareability indices and the measurement of awareness and engagement levels of the analyzed companies sample, has helped to measure the effectiveness of communication to increase social media engagement. Results. The results of the analysis show that the component of cultural heritage is an intrinsic leverage of engagement. The adoption of metrics such as the likeability rate and shareability rate and the measurement of awareness and engagement levels gave the opportunity to evaluate the effectiveness of cultural heritage variables to promote interaction with followers. Research limits. The main limit of the study is related to the chosen analysis perspective, focused only on social media communication policies of historic companies on Facebook, neglecting further social media platforms potentially useful for research purposes. Moreover, the measurement of awareness and engagement indicators is based on time-depending data. Practical implications. This research provides an initial overview of the actions aimed at using the competitive advantage generated by variables related to the cultural heritage. The results could be useful for companies and territories, like the Italian ones, where the image of national cultural heritage represents a strategic leverage of competitive advantage on international markets. 4 Originality of the study. This research is the first example of a large-scale investigation aimed at examinating the tools potentially available for the companies interested in giving value to their historical experience. [edited by author]
XXIX n.s.

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Khalili, Clifford Meena. « Visualizing Cultural Impermanence Through Entropic Design ». VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2094.

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Entropy is a process of gradual decline as a system loses the strength to maintain itself. It begins with disorder and results in complete transformation. As a multi-cultural American, it has been my experience that the maintenance of my Iranian heritage parallels this concept. A method of visual communication that incorporates entropy is able to express notions of impermanence, disorder and transformation. This project is focused on employing entropy in the process of design and image making by using the transformation of my cultural identity as primary content.

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Woodward, Margaret. « Overlapping dialogues : the role of interpretation design in communicating Australia’s natural and cultural heritage ». Thesis, Curtin University, 2009. http://hdl.handle.net/20.500.11937/982.

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This research investigates the development of interpretation design in Australia during the period 1980 – 2006, and its role in presenting natural and cultural heritage to audiences in visitor settings. It establishes Australian interpretation design at the intersection of two professional fields, interpretation and design. Where heritage interpretation originates from a background of spoken language, through narrative and storytelling, graphic and communication design have origins in visual language, communicated through images and text. This research positions interpretation design as a new field within design and traces its emergence as a hybrid of spoken and visual traditions of communication.The study gives visibility to this previously undocumented and un-theorised hybrid field of design and creates a thematic conceptual framework within which to locate its historical, conceptual and practical origins. In substantiating interpretation design as a new field, three avenues of enquiry were considered; documentation and analysis of the visual artefacts of interpretation design, locating interpretation design in a wider conceptual and professional context through literature reviews, and consultation with designers in order to understand the challenges and problems in this new mode of design. Further, to facilitate designers to continue to work effectively in highly collaborative, complex and cross-disciplinary professional environments a conceptual collaborative tool was developed for use by interpretation design project teams. The conceptual tool integrates the theoretical and practical findings from this research and is based on a pattern language approach first developed by Christopher Alexander et al (1977).The research is conducted from a design perspective, and integrates theoretical and professional knowledge from related fields into interpretation design practice. Through a progressively widening interrogation of the literature, professional contexts, and designed artefacts of interpretation design, this new area of design is examined from a number of perspectives, building up a multi-faceted framework for understanding its historical, conceptual and practical dimensions. A Grounded Theory methodology was adapted to develop the theoretical framework of this study and to gather a wide range of relevant data. The practical outcome of the research was developed using a Pattern Language methodology originating from a problem-based design approach in architecture (Alexander et al 1977) and underpinned the interpretation of data.Conclusions of the research found that despite invisibility within the discourse of Australian design, designers working in this specialised field of practice have, since the early 1980s, contributed to projects which shape ideas, attitudes and visual representations of natural and cultural heritage in Australia’s most widely visited and valued sites. Designer’s practice is identified as part of an ongoing process of both contributing to Australian cultural narrative and being influenced by the legacy of culture. Contemporary interpretation design is highly cross-disciplinary and collaborative, characterised by a differentiated professional practice with dispersed networks of stakeholders. While interpretation design is located within a larger framework of the professional practice of interpretation, there exists many opportunities to enrich and better inform designers by integrating wider pools of knowledge that intersect the activities of interpretation, including education, tourism, visitor studies and psychology.

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González, Espinoza Carolina. « La puesta en valor turístico del patrimonio Histórico y cultural : en el caso de Pachuca de Soto, Hidalgo, México ». Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/525829.

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La tesis realizada analiza la oportunidad que tiene el patrimonio histórico y cultural de la Época de la Colonia para ponerlo en valor en Pachuca de Soto, incorporándolo como un elemento de atracción turística que permita conocerlo y disfrutarlo. El estudio tuvo como objetivos analizar la puesta en valor, analizar la importancia de los hechos históricos, identificar los bienes patrimoniales y definir su potencialidad turística. Desde una perspectiva cualitativa se solicitó a guías de turistas, autoridades municipales del sector turismo y cultura aportaran datos tanto de la actividad turística en la ciudad como del cuidado del patrimonio, a través de diferentes técnicas: a) entrevistas a autoridades y turistas en visitas in situ, b) consulta de base de datos y planes estatales; para contextualizar el tema del patrimonio y turismo cultural c) libros, artículos, publicaciones, revistas especializadas. El análisis FODA permitió crear un inventario y catálogo patrimonial, diagnosticar la situación actual del patrimonio y la posibilidad de su puesta en valor. Los resultados de éste estudio revelan que tal patrimonio requiere de la intervención inmediata del estado, en cuanto al rescate, uso adecuado y difusión con participación colectiva, ordenada, responsable y sustentable, basada en un Modelo dinamizador del patrimonio histórico y cultural. La investigación sustenta, entre otras implicaciones, la necesidad de crear conciencia en la población local de la valía del patrimonio, despertar el interés de las autoridades por rescatar y conservarlo, con la contribución del sector turismo, impactando el incremento del flujo y estadía de turistas. Algunas limitaciones en el camino: Proceso de transición del gobierno estatal y municipal, la veracidad de los datos proporcionados por las autoridades del ayuntamiento, escaza información del tema estudiado y tiempo limitado para profundizar en la investigación.
The thesis analyzes the opportunity of the historical and cultural heritage of the Epoch of the Colony to put it in value in Pachuca de Soto, incorporating it as an element of tourist attraction that allows knowing and enjoying it. The objective of the study was to analyze value, analyze the importance of historical events, identify patrimonial assets and define their tourism potential. From a qualitative perspective, tourists' guides, municipal authorities of the tourism and culture sector were asked to provide data on both tourist activity in the city and the care of the heritage, through different techniques: a) interviews with authorities and tourists in visits in Situ, b) consultation of database and state plans; To contextualize the theme of heritage and cultural tourism c) books, articles, publications, specialized magazines. The SWOT analysis allowed the creation of an inventory and patrimonial catalog, to diagnose the current situation of the patrimony and possibility of putting in value. The results of this study reveal that such heritage requires the immediate intervention of the state in terms of rescue, proper use and dissemination with collective, orderly, responsible and sustainable participation, based on a dynamic model of historical and cultural heritage. The research supports, among other implications, the need to raise awareness among the local population of the value of the heritage, to arouse the interest of the authorities to rescue and conserve it, with the contribution of the tourism sector, impacting the increase of the flow and stay of tourists. Limitations along the way: transition of state and municipal government, the veracity of the data provided by the authorities of the city, squeeze information from the subject studied and limited time to deepen the research.

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Kajonius, Vita. « Identity and connection through culture : The use of storytelling, co-design and cultural heritage for socio-cultural integration of immigrants ». Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-20558.

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This report studies three storytelling subprojects within the field of cultural heritage to see how storytelling, co-design and cultural heritage can strengthen immigrants’ personal identity and contribute to their socio-cultural integration. It also aims to examine what factors contribute to a successful collaboration. The subprojects about local homeland culture include filmmaking with newly arrived children at Skövde Municipality’s mother tongue and reception unit, a storytelling project at Hjo folk high school and a digital book of recipes and stories within Cross media higher vocational education program at DaCapo in Mariestad Municipality. To answer the research questions semi-structured interviews were conducted with participants, potential users, and professionals. Additionally, a survey was carried out with participants of one of the subprojects.

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Machicao, Marín José Ricardo. « Centro Cultural del Rímac ». Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/656488.

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El distrito de Rímac es considerado por la UNESCO como Patrimonio Cultural de la Humanidad desde 1991, debido a su alta contribución con la identidad peruana y la tradición que se mantiene por sus calles en cuanto a su arquitectura. A pesar de esto, no se le da la importancia debida ya que las calles se encuentran en abandono. Ante esta problemática, este estudio contribuirá a darle una solución mediante actividades culturales y sociales, que integren la zona que actualmente no cuenta con espacios públicos. El diseño arquitectónico peruano de centros culturales no ha evolucionado acorde a las tendencias globales, es por eso que se analizarán la evolución tipológica y de énfasis proyectos, con lo cual se logrará obtener un listado de ambientes preliminar. Se considerará el énfasis en el reciclaje industrial, lo cual se viene haciendo desde siglo XIX, por ejemplo, en Europa. Se analizarán el público objetivo, así como las características de cada uno de los usuarios, lo cual permitirá conocer al mismo cuantitativa y cualitativamente. Luego, se harán esquemas donde se muestre la correlación entre los usuarios y los ambientes del centro; así como la elección del terreno, donde se detallarán los criterios de selección y se elegirá al mejor. Finalmente, se analizará el terreno elegido a detalle y se procederá a crear criterios de diseño que serán los principios básicos en cuanto a énfasis y tipología para diseñar el Centro Cultural de Rímac con énfasis en reciclaje industrial. Se espera que este proyecto ayude de herramienta a que los diseñadores y todos los involucrados a la identidad peruana.
The district of Rimac is considered by UNESCO as Cultural Heritage of Humanity since 1991, due to its high contribution to Peruvian identity and the tradition that is maintained by its streets in terms of its architecture. Despite this, it is not given due importance since the streets are abandoned. Given this problem, this study will help to provide a solution through cultural and social activities that integrate the area that currently does not have public spaces. The Peruvian architectural design of cultural centers has not evolved according to global trends, which is why the typological evolution and emphasis projects will be analyzed, with which a preliminary list of environments will be obtained. The emphasis on industrial recycling will be considered, which has been going on since the 19th century, for example, in Europe. The target audience will be analyzed, as well as the characteristics of each of the users, which will allow them to know the same quantitatively and qualitatively. Then, schemes will be made showing the correlation between users and the center's environments; as well as the choice of the land, where the selection criteria will be detailed and the best one will be chosen. Finally, the terrain chosen in detail will be analyzed and design criteria will be created that will be the basic principles in terms of emphasis and typology to design the Rimac Cultural Center with an emphasis on industrial recycling. This project is expected to help the designers and everyone involved in the Peruvian identity as a tool.
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CARAVELLO, Emanuela. « Soluzioni smart per la fruizione del patrimonio culturale in siti UNESCO ». Doctoral thesis, Università degli Studi di Palermo, 2022. https://hdl.handle.net/10447/565682.

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Martinez, Gil Xavier. « La fiscalitat del patrimoni històric ». Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/586381.

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El Patrimoni Històric representa l’herència cultural acumulada pels nostres avantpassats i que és compartida per tota una col·lectivitat. Per aquest motiu tradicionalment ha despertat la voluntat de preservar-lo per a poder-lo gaudir i per a poder transmetre’l als nostres descendents. En conseqüència les autoritats públiques han encaminat la seva actuació sobre el Patrimoni Històric a aconseguir, fonamentalment les tres finalitats següents: la seva preservació, el seu acreixement i la garantia de la transmissió a les generacions futures. Un dels instruments amb què compta el sector públic per a complir amb les seves finalitats és la fiscalitat. En aquest estudi hem analitzat en quina mesura la regulació de la fiscalitat del Patrimoni Històric contribueix al compliment d’aquests tres objectius públics. Un dels principals reptes ha estat la definició de l’objecte d’estudi ja que té un origen extrajurídic. A partir d’un estudi sincrònic i diacrònic hem abordat la incorporació a l’ordenament jurídic d’aquest concepte i hem constatat com des de la constitucionalització de la seva protecció s’ha teixit un entramat jurídic, que va més enllà del Dret Tributari, la qual cosa ha comportat posar ordre en l’enorme complexitat i dispersió normativa per tal d’orientar-la cap a l’anàlisi del compliment dels objectius públics en relació al Patrimoni Històric. L’heterogeneïtat i la manca de visió global de les solucions fiscals adoptades han posat en evidència algunes mancances i incoherències que posen en qüestió l’eficàcia d’aquestes per a l’assoliment dels objectius marcats alhora que obren la porta per a comportaments dels particulars que s’allunyen de l’interès general.

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Chinchilla, Spiers José Eduardo, Dongo Mario Chirinos, Quintana-Gurt Aurora Vanessa Echevarria, Fernández Cabero Carlos Iván Morey et Carpio Nora Paola Osorio. « La falta de regulación por parte del Ministerio de Cultura para la instalación de antenas de telecomunicaciones en centros históricos del Perú ». Master's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/655031.

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El presente trabajo de investigación analiza y expone los principales obstáculos y limitaciones que tienen que enfrentar los operadores de servicios públicos de telecomunicaciones y los proveedores de infraestructura pasiva, para la instalación de infraestructura de telecomunicaciones en centros históricos del Perú, debido principalmente a que, el Ministerio de Cultura no ha incluido un procedimiento administrativo en su Texto Único de Procedimientos Administrativos (TUPA) que permita solicitar y obtener autorizaciones con esta finalidad. Asimismo, la normativa vigente del Perú en materia de telecomunicaciones tiene como objeto principal establecer un régimen especial y temporal, con el propósito de promover la instalación y desarrollo de la infraestructura necesaria para la prestación de servicios púbicos de telecomunicaciones a nivel nacional, al considerarse éstos como de interés nacional y necesidad pública, por ello es que planteamos propuestas regulatorias necesarias para la obtención de autorizaciones a nivel nacional de infraestructura de telecomunicaciones en centros históricos, en beneficio de ciudadanos, empresas, autoridades, centros educativos, entre otros; y a su vez, preservando el patrimonio histórico del Perú. Por último, desde el mes de marzo de 2020 ha quedado demostrado en la coyuntura actual que vive el Perú y el mundo, como consecuencia de la pandemia del virus COVID-19, que las telecomunicaciones juegan un rol vital en el trabajo, educación, salud, comercio electrónico, comunicación interpersonal, entre muchas otras actividades, por lo que consideramos relevante prestar atención a este tema y darle una pronta solución en beneficio del desarrollo del país y de las inversiones.
This research work analyzes and discuss the main obstacles and limitations that public telecommunications service operators and passive infrastructure providers have to face for the installation of telecommunications infrastructure in historical centers of Peru, mainly due to the fact that The Ministry of Culture has not included an administrative procedure in its Single Text of Administrative Procedures (TUPA) to request and obtain authorizations for this purpose.   Likewise, the current Peruvian regulation on telecommunications has as its main purpose to establish a special and temporary regime, with the purpose of promoting the installation and development of the necessary infrastructure for the supply of public telecommunications services at the national level, considering these as of national interest and public need, that is why we present necessary regulatory proposals to obtain authorizations at the national level for telecommunications infrastructure in historic centers, for the benefit of citizens, companies, authorities, educational centers, among others; and at the same time, preserving the historical heritage of Peru.    Finally, since March 2020, it has been demonstrated in the current situation in Peru and the world, as a result of the COVID-19 pandemic, that telecommunications play a vital role in work, education, health, electronic commerce, interpersonal communication, among many other activities, that is why we consider it relevant to pay attention to this issue and give it a prompt solution for the benefit of the country's development and investments.
Trabajo de investigación

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Karlsson, Matilda. « Bevarande av digitalt kulturarv - en del av museets ansvar ? » Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-43482.

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Begreppet "digitalt kulturarv" har två betydelser: dels digitaliserat fysiskt kulturarv, till exempel digitala kopior av föremål, dels det kulturarv som består av företeelser som skapats digitalt och därmed inte har någon fysisk motsvarighet. Det är det senare området, föremål som i sin ursprungsform är digitala, som denna uppsats fokuserar på. Syftet med uppsatsen är att undersöka om digitala kulturföremål kan räknas som en del av museernas uppdrag, samt hur museer i så fall kan samla in, bevara och visa dessa föremål. Digitalt material bygger inte på att föremålen har en fysisk form, och de ställs därför ofta i motsats till de materiella föremål som museer samlar in och bevarar. Däremot utesluter ingen av de museidefinitioner som undersöks i uppsatsen att museer även hanterar immateriellt kulturarv. Om museet dessutom inte fokuserar på föremålen i sig utan på föremålens betydelser och sammanhang, vilket många menar, så spelar det mindre roll om det som förmedlar betydelsen eller sammanhanget har fysisk form eller ej. Bland andra Unesco har också poängterat att det är viktigt att digitalt kulturarv bevaras. Samtidigt som det digitala kulturarvet växer i omfattning riskerar nämligen de digitala föremålen i sig att försvinna, antingen för att de inte bevaras alls eller för att de inte bevaras på ett lämpligt sätt. Ett av problemen är att de medier som materialet idag lagras på är instabila i sig och bevarande kräver därför att föremålen flyttas till andra lagringsmedier efterhand. En annan risk är att digitala föremål i framtiden inte kommer att kunna avläsas eftersom de maskiner eller den programvara som hanterade dem inte längre finns kvar eller går att använda. Det finns alltså ett antal faktorer som de institutioner som samlar in digitalt material bör vara medvetna om, även om de rutiner som museerna redan har för dokumentation och insamling i många fall även kan appliceras på digitala föremål. Utställning av digitalt kulturarv är en fråga i sig eftersom digitala föremål och helt digitala utställningar kräver ett annat tillvägagångssätt än när museet ställer ut fysiska föremål.

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Wanjema, Richard Wachira. « INTERACTIVE MEDIA and CULTURAL HERITAGE : Interpreting Oral Culture in a Digital Environment ». The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343405232.

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Kirkendoll, Ceri Danika, et n/a. « The slab houses of Canberra : A comparative analysis of design, form, and meaning ». University of Canberra. Arts & ; Design, 2004. http://erl.canberra.edu.au./public/adt-AUC20081204.124329.

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This thesis represents the first effort to catalogue extant timber slab houses of 19th century Canberra and its outlying regions. From an archaeological viewpoint, it looks at slab houses as above-ground artefacts that possess ingrained information about the culture that built them and analyses them as material culture through an investigation of their: history, material, construction, function and design. It is inspired by the work of folk historian, Henry Glassie, and focuses on form and pattern, through a comparison of floor plans, in order to understand the needs, minds and behaviours of early Canberrans. The thesis also draws on the historic documentary record of a similar local group of houses, those resumed by the Commonwealth in 1912-13.

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Castellanos, Arenas Mariano. « El patrimonio cultural territorial. Historia, paisaje y gestión en Metepec, Puebla (México) ». Doctoral thesis, Universitat de Girona, 2012. http://hdl.handle.net/10803/98350.

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This thesis is a research project that aims to build, in the first instance, a historical, theoretical, and methodological frame of reference and protection of cultural property, and more precisely of the territorial cultural heritage. The starting point is the analysis of the concepts of culture, heritage, landscape and territory, in addition to others such as management, tourism, social heritagization and development, all this through a detailed study starting from the perspective of the human sciences and culture, with the aim to approach to the positions on these ideas that are being debated today. The ultimate objective is the design of an instrument that serves to make readings of landscapes and in the same way, as a platform to design strategies in favour of the enhancement, protection, conservation, interpretation and management of the landscape as an asset of the territorial culture heritage.
Esta tesis es un trabajo de investigación que tiene como objetivo construir, en primera instancia, un marco de referencia histórica, teórica, metodológica y de tutela de los bienes culturales, y más precisamente del patrimonio cultural territorial. El punto de partida es el análisis de los conceptos de cultura, patrimonio, paisaje y territorio; además de otros como gestión, turismo, patrimonialización social y desarrollo, todo ello a través un estudio pormenorizado desde la perspectiva de las ciencias humanos y de la cultura,con la intención de acercarse a las posiciones que sobre estas ideas se debaten hoy. Se trata de establecer un instrumento que sirva para realizar lecturas de los paisajes y de la misma manera,el diseño estrategias a favor de la puesta en valor, la protección, la conservación, la interpretación y el manejo del paisaje como un bien del patrimonio cultura territorial.

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Hinostroza, Naveda Nicole Alexandra. « Centro Cultural en Pisco ». Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652950.

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El presente trabajo consta de la propuesta del Centro Cultural ubicado en la ciudad de Pisco, que trae consigo el hecho de querer difundir el interés por las artes, música y el desarrollo de habilidades y talentos que complementen el crecimiento personal. El arte y la cultura forman parte importante de una sociedad y en la mayoría de casos, logra contribuir en la mejora de la población como comunidad que aporta al desarrollo de su territorio. Esta provincia presenta un gran número de niños y jóvenes que necesitan además de una buena educación, el incentivo por desarrollar otras destrezas que puedan encaminarlos en su desarrollo personal y profesional, tema que actualmente no está resuelto. Tras el Terremoto del 2007, se generó un gran retraso en su desarrollo, lo que resultó que las autoridades tengan un mayor enfoque en el sistema de vivienda y dejen de lado los temas educativos, culturales recreacionales y recuperación de espacios públicos. Este proyecto busca ser un ícono memoria de la ciudad, ya que, tras la tragedia del 2007, se perdió gran parte del patrimonio cultural de este Centro Histórico. Entonces la propuesta toma las características arquitectónicas de este lugar, además de acompañarlo con la materialidad del sitio, paleta de colores y vegetación, que realza este énfasis en el proyecto. Adicionalmente, se otorga espacios públicos en los diferentes niveles, que hacen que el proyecto se enriquezca y que pueda ser parte importante no solo del recreo, sino también parte de la educación intercultural diaria de la población.
The present work consists of the proposal of the Cultural Center located in the city of Pisco, which brings with it the fact of wanting to spread interest in the arts, music and the development of skills and talents that complement personal growth. Art and culture are an important part of a society and in most cases, it contributes to the improvement of the population as a community that contributes to the development of its territory. This province presents a large number of children and young people who need, in addition to a good education, the incentive to develop other skills that can guide them in their personal and professional development, an issue that is currently not resolved. After the Earthquake of 2007, there was a huge delay in its development, which resulted in the authorities having a greater focus on the housing system and neglecting educational, cultural and recreational issues including the recovery of public spaces. This project seeks to be a memory icon of the city, since, after the tragedy of 2007, much of the cultural heritage of this Historic Center was lost. Therefore, the proposal takes the architectural features of this place, in addition to accompanying it with the materiality of the site, color palette and vegetation, which enhances this emphasis on the project. Additionally, public spaces are given at different levels, which make the project richer and can be an important part not only of recreation, but also part of the daily intercultural education of the population.
Tesis

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Concha, Mathiesen Roberto. « Dinámica del Turismo y Transformaciones en los usos del Patrimonio en la Isla de Pascua ». Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/461150.

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En esta tesis, se entiende el patrimonio cultural como realidad construida, que en las últimas décadas ha dejado de ser acaparado por los Estados y las élites, de modo que han surgido nuevos patrimonios, definidos desde espacios locales con creciente participación de movimientos sociales. Grupos subalternos, entre ellos los pueblos indígenas, se interesan e intervienen en la selección de su patrimonio, de acuerdo con una visión construida por ellos acerca de su propia identidad. El binomio identidad/patrimonio puede tener un uso económico, al favorecer la distinción de destinos turísticos así como la denominación de origen de ciertos productos y empresas. También, a través de la producción de etnomercancías, que pueden ser vendidas a turistas e intermediarios, en las cuales se plasma una identidad étnica, así como representaciones de patrimonio inmaterial. La identidad y el patrimonio además pueden tener un uso político, por ejemplo, en el seno de movimientos regionalistas y en el contexto de luchas étnicas. Como han propuesto algunos autores (Comaroff & Comaroff, 2009; Escobar, 1995; Van Den Berghe, 1994), creemos que los usos económicos de la identidad cultural favorecerían, bajo ciertas condiciones, su regeneración. En la presente tesis de doctorado, se analiza el uso económico de la identidad rapanui a través del turismo en Isla de Pascua y su posible potenciamiento recíproco con el uso político de dicha identidad y del patrimonio que se le asocia, en un contexto de creciente búsqueda de auto- determinación por parte de la etnia Rapa Nui. Para ello se propone un modelo teórico-conceptual que da cuenta de dichas interrelaciones. También se aportan antecedentes históricos acerca de Isla de Pascua, recogiendo los principales hechos que determinaron la situación actual. Luego, se analizan antecedentes relativos al destino Isla de Pascua, de interés para la investigación, en particular, el sistema patrimonial en Isla de Pascua, considerando elementos declarados y su gestión. Posteriormente, se identifican factores exógenos y endógenos que han incidido en la construcción del patrimonio cultural en Isla de Pascua y por último, se reconstruyen y analizan diacrónicamente los usos económicos y políticos de elementos patrimoniales específicos en Isla de Pascua: La Tapati Rapa Nui y el Parque Nacional Rapa Nui. Para ello se utilizan metodologías cualitativas, técnicas de registro etnográfico, cuestionarios, análisis documental y reconstrucción de biografía cultural. En el capítulo introductorio se plantea el problema, la hipótesis inicial y los objetivos de la investigación, así como la metodología aplicada.
In this thesis, cultural heritage is understood as a constructed reality, which in recent decades has ceased to be hoarded by states and elites, so that new patrimonies have emerged, defined from local spaces with increasing participation of social movements. Subaltern groups, including indigenous peoples, are interested and involved in the selection of their heritage, according to a vision built by them on their own identity. We assumed that the binomial identity / heritage can have an economic use, favoring the distinction of touristic destinations and the denomination of origin of certain products and enterprises. Also, performances of intangible heritage and ethno-commodities in which an ethnic identity is represented, can be sold to tourists or intermediaries. Identity and heritage can also be used politically, for example, within regionalist movements and in the context of ethnic struggles. As some authors have proposed (Comaroff & Comaroff, 2009; Escobar, 1995; Van den Berghe, 1994), we believe that, under certain conditions, the economic uses of cultural identity may support their regeneration. In this PhD thesis, we analyze the economic use of rapanui identity through tourism in Easter Island and its possible reciprocal enhancement with the political use of this identity and the associated heritage, in a context of increasing quest of self-determination by the rapanui ethnic group.

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De, Finis Serena. « Service design for cultural intangible heritage : tra conoscenza dell’architettura contemporanea e turismo sostenibile il caso di Matosinhos ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.

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Questo lavoro nasce dal desiderio di approfondire alcuni aspetti della vita legati alle architetture della città, a seguito della mia esperienza di ricerca di tesi svoltasi in Portogallo, nello specifico a Matosinhos, presso la fondazione Casa da Arquitectura.

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Espinosa, Rodríguez María Guadalupe. « Visión 2030. Estrategias y gestión para la conservación del patrimonio arqueológico en México ». Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/398959.

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Los planes de manejo surgieron en México como un requisito que la UNESCO a través de las Directrices Prácticas de la Convención del Patrimonio Mundial las cuales establecen garantizar la conservación de los bienes culturales que fueron motivo de su ingreso a la lista de patrimonio mundial a través de un plan de gestión. En México estos instrumentos de planeación también se han elaborado para otras zonas arqueológicas que reciben visita pública, y varios investigadores han discutido de su inclusión, en aquellos lugares que no cuentan con esa declaratoria, con el propósito de que sean herramientas de utilidad para la ejecución de tareas sustantivas en materia de investigación, conservación, difusión, protección y administración de recursos culturales. Por lo tanto, cualquier plan de manejo de zonas arqueológicas comparte las mismas problemáticas y aciertos, que permiten conocer otro tipo de estrategias o realidades implícitas en la conservación del patrimonio arqueológico. La metodología aplicada en esta tesis, se realizó una serie de entrevistas a diversos gestores de sitios arqueológicos, investigadores, y actores sociales que participan de manera directa o indirecta en las actividades cotidianas de la zona arqueológica, con el propósito de conocer la relación que hay entre la sinergia que sugiere la Unesco que surja entre los bienes culturales y las comunidades que le rodean a los bienes culturales inscritos y de esta manera, se cuente con las mejores estrategias para asegurar su conservación. Las entrevistas tenían el objetivo de identificar problemáticas y acciones de éxito ocurridas en los sitios Patrimonio Mundial; y las estrategias para resolverlas. La muestra de estudio son las zonas arqueológicas de El Tajín, Palenque y Teotihuacán, los cuales son sitios con declaratoria de Patrimonio Mundial y con Decreto de Zona de Monumentos Arqueológicos; y las entrevistas realizadas dejaron ver la percepción acerca del conocimiento, procedimientos y resultados de implementar planes de manejo, y la inclusión o reacción que tienen los actores sociales alrededor de estas. Todos los resultados presentados, como el procesamiento de entrevistas, dan lugar a una reflexión formal acerca del papel de las instituciones a cargo la custodia de las zonas arqueológicas en México, en este caso está a cargo de la Federación y bajo custodia del Instituto Nacional de Antropología e Historia, INAH, así como también la percepción generalizada de la población viviente que comparte un territorio determinado, e insertado dentro de áreas geo-referenciadas para la protección de bienes arqueológicos; mismas que perciben una expectativa aún de incertidumbre respecto su participación entre su vida cotidiana y el convivió con los bienes culturales de la UNESCO. Por ello los principales referentes en esta tesis, son el patrimonio cultural, la UNESCO, las leyes municipales, estatales, nacionales e internacionales para la investigación, conservación, y protección del patrimonio arqueológico de México, los planes de manejo internacionales y nacionales, la tenencia de la tierra, el patrimonio arqueológico y el turismo. La revisión de todas estas temáticas nos lleva a la interrelación entre los preceptos generales de conservación y protección del patrimonio arqueológico, con los testimonios orales de los factores implícitos dentro de un esquema de planeación; no llevan a generar una serie de propuestas y estrategias en cuanto materia de acciones a ejecutar en los planes de manejo y en beneficio de las zonas arqueológicas de México.
The management plans arose in Mexico as a requirement that UNESCO through the Practical Directives of the Convention of the World heritage had established to guarantee the conservation of the cultural goods that were a motive of its revenue to the list of World Heritage through a management plan. In Mexico these planning instruments also have been elaborated for other archaeological zones which receive public visits, and several investigators have discussed its incorporation, those places without this declaration, with the intention to be used as useful tools for the execution of substantive tasks as for investigation, conservation, diffusion, protection and administration of cultural resources. Therefore, any management of archaeological zones shares the same problematic and successes, which allows to know another type of strategies or implicit realities in the conservation of the archaeological heritage. The methodology applied in this thesis, I realized a serial of interviews to diverse archaeological zones managers, investigative personal, and social actors who take part in a direct or indirect way in the daily activities of the archaeological zone, with the intention of knowing the existing relation between the synergy that suggests the UNESCO that should arise between the cultural goods and the communities surrounding the cultural inscribed goods and hereby, having the best strategies to assure its conservation. The interviews had the aim to identify problematic and successful actions that occurred on the World heritage sites; and the strategies to solve them. The study sample are The Tajin, Palenque and Teotihuacán archaeological zones, which are sites with World heritage plus Zone of Archaeological Monuments Decree; and the applied interviews allowed to see the perception about the knowledge, procedures and the results of implementing managing plans, and the incorporation or reaction of the social actors have around these.

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Ozcakir, Ozgun. « Interpretation And Presentation Of Natural And Cultural Heritage Sites : Environmental Design Project For Goreme Open Air Museum ». Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614750/index.pdf.

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The main subject of the thesis is &ldquo
interpretation&rdquo
and &ldquo
presentation&rdquo
of cultural and natural heritage sites which is an important phenomenon providing sustainability and protection of the heritage sites. Interpretation and conservation are tightly associated to each other. Individuals will learn more about the heritage site by the help of interpretation and as a result of understanding
they will have an intention to protect the historic site more
and protection will ensure continuity of the site. Interpretation and presentation of heritage sites is put into the words in Turkish Legislation by the definition of &ldquo
Environmental Design Project&rdquo
in `Amendment Act No. 5226 Concerning to Revision of Legislation Called as Law Concerning to Conservation of Natural and Cultural Entities` in 2004. In the legislation, it is stated that Environmental Design Projects which propose strategies for effective presentation, control visitor use, provide promotion and advertisement, solve problems emerged as a result of current use and circulation and answer the needs of historic sites by contemporary tools and methods must be prepared for each heritage site in Turkey. Therefore, the aim of this thesis is to define principles for effective interpretation and presentation on the selected case according to analysis and evaluations and then propose brand new comprehensive and complementary Environmental Design Project. The case selected in the thesis for the proposition of Environmental Design Project is Gö
reme Open Air Museum &ndash
GOAM in Cappadocia which is Turkey&rsquo
s third most visited open air museum after Ephesus in Izmir and Hierapolis in Denizli. The two main reasons for the selection of GOAM are absence of comprehensive and complementary Environmental Design Project in GOAM and insufficiency of current interpretive facilities and visitor services presented in the museum as indicated in the decisions of Nevsehir Regional Council for Conservation of Cultural Entities. Focusing on the aim, thesis is structured in three parts which are interconnected to each other as the theoretical background of the interpretation and presentation in the world and in Turkish legislations, analysis and evaluation of the selected case and finally preliminary decisions and project proposal. To conclude, &ldquo
Environmental Design Project&rdquo
is an important tool for understanding the significance of the museum and providing easygoing and enjoyable visit for the museum visitors according to the values, problems and potentials of GOAM. In that respect, proposing environmental design project is critical in order to satisfy visitor needs during their museum visit and provide safeguarding of GOAM.

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Routsolias, Panagiotis. « Energy-efficient design and application of geothermal energy in buildings of areas of protected cultural heritage : Case study Mani, Greece ». Thesis, KTH, Byggnadsteknik, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-35069.

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Hervias, García Claudia Andrea. « Centro gastronómico y cultural del Baratillo ». Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/655415.

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El Centro Histórico de Lima conforma una de las áreas más dinámicas e importantes de la ciudad limeña, albergando invaluable patrimonio monumental. No obstante, este se encuentra en un periodo de decadencia dada por la pésima conservación de las viviendas, el olvido de los monumentos históricos y la falta de espacio público que fomente el encuentro entre ciudadanos. En este contexto, se repiensa la tipología del mercado como equipamiento estructurante capaz de revertir el estado actual del lugar, ofreciendo un programa híbrido con actividades comerciales, culturales, educativas y recreativas, explorando la idea de ser el edificio que comience a cohesionar dos distritos a la vez que devuelve el río a la ciudad.
The Historic Center of Lima has one of the most dynamic and important areas of the Lima city, housing invaluable monumental heritage. However, it is in a period of decline given by the poor conservation of the edifications, the neglect of historical monuments and the lack of public space that encourages the meeting between citizens. In this context, the market typology is rethought as a structuring equipment capable of reversing the current state of the place, offering a hybrid program with commercial, cultural, educational and recreational activities, exploring the idea of being the building that begins to join two districts to the time it returns the river to the city.
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Lo, Yuk-man Josephine. « Sustaining spaces of collective memory : heritage conservation through urban design in Hong Kong : a case study of Central District / ». Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19906663.

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Callarisa, Mas Joan. « La reflexió sobre la pràctica d’ensenyament del patrimoni cultural. Estudi de cas d’una mestra d’educació primària ». Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/669912.

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La tesi doctoral La reflexió sobre la pràctica d’ensenyament del patrimoni cultural. Estudi de cas d’una mestra d’educació primària té la finalitat de descriure i interpretar el cas d’una mestra de primària que utilitza l’entorn i els seus elements patrimonials per treballar més que continguts a l’aula. Aquesta mestra, amb més de trenta anys de docència, té molt clar que l’entorn proper és una molt bona font de treball per potenciar el treball de continguts, però també d’actituds i valors de respecte, que ajuden a l’alumnat a potenciar la visió crítica. Per tant, està formant uns alumnes per arribar a ser una ciutadania crítica tant en l’entorn local com en el global. Aquesta mestra, per la influència de la seva formació inicial, entén que cal estar contínuament innovant. Sinó que des dels seus inicis docents entén l’educació com una manera de treball entre iguals, com són els mestres i els alumnes. És per aquest motiu que en el seu viatge al llarg d’aquests anys sempre ha innovat i buscat la manera de potenciar aquests elements fins arribar al treball per projectes. En aquests últims anys, la metodologia de treball per projectes interdisciplinaris, en què hi caben totes les àrees, li ha permès practicar la docència més participativa, cooperativa i estimuladora gràcies als elements patrimonials de l’entorn proper a l’escola. La recerca feta en aquest estudi de cas és dins un projecte relacionat amb un projecte interdisciplinari sobre el monestir de Sant Pere de Casserres. Durant tota la recerca s’han utilitzat diferents instruments de recollida de dades, com són entrevistes, qüestionaris, focus grup i observació participant. Tota la informació ha estat organitzada per contestar quatre eixos que connecten amb les preguntes de recerca, els supòsits i els objectius. Els quatre eixos són el següents: EIX 1. MEDI, PATRIMONI I ESCOLA OBERTA AL MÓN: S’intenta indagar com és que la mestra dóna tanta importància a un element com el patrimoni i com ho lliga al medi, al qual també dóna la importància de ser sovint l’eix vertebrador dels projectes que realitza. EIX 2. INTERACCIÓ I CONSTRUCCIÓ DEL CONEIXEMENT: Es vol veure la interacció i creació de coneixement i si la mestra el construeix a partir d’alguna metodologia concreta. EIX 3. FINALITATS EDUCATIVES I EDUCACIÓ PER A LA CIUTADANIA: S’indaga en la manera de formar ciutadans que té la mestra. I com treballen elements de ciutadania que no surten dins el currículum però que són tan importants per a la formació dels alumnes. EIX 4. EL ROL DEL DOCENT I LA PRÀCTICA REFLEXIVA: Quina manera té la mestra d’entendre el fet de ser mestra. Com educa dins les aules, si s’havia plantejat com i per què ho feia d’aquesta manera (treballar per projectes) i quin paper tenia ella en tot aquest procés. A partir d’aquests eixos es conclou que el compromís professional dels mestres és innegociable en el sentit de la formació de ciutadans. Per tant, els mestres han de fer aflorar altres coses que no surten al currículum com poden ser els valors i les actituds. El patrimoni sovint s’interpreta com un element avorrit i poc útil, tot i que la realitat és ben diferent. Ara, cal trobar les eines necessàries. A partir d’un projecte ben pensat, estructurat i executat, el treball amb elements patrimonials pot ser dels temes més divertits i útils per treballar amb els alumnes. I, per tant, els projectes són una metodologia de treball que permet una llibertat molt més àmplia que els horaris i les estructures tancades a l’escola, i, per tant, serveixen per potenciar altres actituds, com la motivació dels alumnes.
La tesis doctoral La reflexión sobre la práctica de enseñanza del patrimonio cultural. Estudio de caso de una maestra de educación primaria tiene como objetivo describir e interpretar el caso de una maestra de educación primaria que utiliza el entorno y los elementos patrimoniales de éste para trabajar más contenidos en el aula.Esta maestra, que ya goza de más de treinta años de carrera docente, tiene muy claro que el entorno cercano es una fuente de trabajo muy buena para potenciar el trabajo de los contenidos, y también de actitudes y valores de respeto, que ayuden los alumnos a potenciar la visión crítica. Por lo tanto, está formando alumnos para llegar a ser una ciudadanía crítica con el entorno local y con el ámbito global. Esta maestra, como consecuencia de su formación inicial, entiende que la innovación continua es imprescindible. Desde sus inicios como docente ha concebido la educación como un modo de trabajar entre iguales, entre los maestros y los alumnos. Por esta razón a lo largo de todos sus años de carrera siempre ha buscado la innovación y el modo de potenciar estos elementos hasta llegar a trabajar por proyectos. En estos últimos años, la metodología de trabajo por proyectos interdisciplinarios, donde tienen cabida todas las áreas, le ha permitido llevar a cabo una docencia más participativa, cooperativa y motivadora gracias a los elementos patrimoniales del entorno cercano a la escuela. La investigación en este estudio de caso se encuentra dentro del proyecto relacionado con un proyecto interdisciplinario sobre el monasterio de Sant Pere de Casserres.Durante toda la investigación se han utilizado diferentes instrumentos de recogida de datos, como entrevistas, cuestionarios, grupos foco y observación participante. Toda la información ha sido organizada para responder a cuatro ejes que conectan con las preguntas de investigación, los supuestos y los objetivos. Los cuatro ejes son los siguientes:Eje 1. Medio, patrimonio y escuela abierta al mundo: se intenta indagar por qué la maestra da tanta importancia a un elemento como el patrimonio y como lo relaciona con el medio, al cuál también da la importancia de a menudo ser el eje vertebrador de los proyectos que realiza.Eje 2. Interacción y construcción del conocimiento: se pretende ver la interacción y la creación de conocimiento, y si la maestra lo construye a partir de una metodología concreta.Eje 3. Finalidades educativas y educación para la ciudadanía: se centra en el modo de formar ciudadanía que lleva a cabo la maestra. Como se trabajan elementos de ciudadanía que no salen en el currículum pero que son muy importantes para la formación de los alumnos.Eje 4. El rol del docente y la práctica reflexiva: qué manera tiene la maestra de entender el hecho de ser maestra. Como educa dentro de las aulas, si se había planteado cómo y por qué lo hacía de esta forma (trabajar por proyectos) y qué papel juega ella en todo este proceso.A partir de estos ejes se concluye que el compromiso profesional de los maestros es innegociable en el sentido de la formación de ciudadanos. Así pues, los maestros tienen que hacer florecer otros aspectos que no salen en el currículum, como los valores y las actitudes. El patrimonio a menudo se interpreta como un elemento aburrido y poco útil, aunque la realidad es diferente. Es necesario dar con las herramientas necesarias. A partir de un proyecto bien pensado, estructurado y ejecutado, el trabajo con elementos patrimoniales puede ser uno de los aspectos más divertidos y útiles para trabajar con los alumnos. Por lo tanto, los proyectos son una metodología de trabajo que permite una libertad mucho más amplia que los horarios y las estructuras cerradas en la escuela, y, así, sirven para potenciar otras actitudes, como la motivación de los alumnos.
The doctoral thesis “Reflection on cultural heritage teaching practice. Case study of a Primary Education teacher” has the purpose to decribe and interpret the case study of a Primary Education teacher who uses the environment and cultural heritage elements to work more than content in classroom.This teacher, who is teaching for more than thirty years, is very clear about environment is a good source not only to develop contents, but also behaviours and values of respect that help students to develop critical vision. So, the teacher is educating students to become critical citizens.This teacher, due to univeristy initial training, is conscious that innovation is continuously necessary. From her begginings as a teacher, she understands education as a work between equals, students and teachers, and she has been always trying to innovate up to work by projects. Last years by interdisciplinary project methodology this teacher has been able to apply a participative, cooperative and motivating teaching based on heritage elements near school. In this particular research, the interdisciplinary project is about Sant Pere de Casserres monastery.During this case study, different instruments have been used, like interviews, questionnaires, focus group and participant observation. All the data is organized in four main points, connected with research questions, suppositions and objectives:1. Environment, heritage and a school open to the world2. Interaction and knowledge construction3. Educational purposes and citizenship education4. Teacher’s role and reflective practiceFrom this research we can conclude that teachers’ professional commitment can never be given up in order to form citizens. Teachers must work about values and behaviours besides curriculum issues.Interdisciplinary project about cultural heritage turns out to be a very useful and amazing way for students to work, because interdisciplinary project methodology gives freedom both teachers and students about contents and timetables, for example. So, it creates the opportunity to work and strenghten attitudes and values.

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López, Lavalle Luque Gabriela Estefanía. « Centro Cultural del Arte Tradicional y Popular Amazónico ». Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652946.

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Por mucho tiempo, el Perú ha tenido una relación no sincera con su diversidad cultural. Sin embargo, en los últimos años distintas acciones están generando cambios significativos, que permiten un reconocimiento propio de las diferentes culturas que alberga nuestro territorio. Las comunidades indígenas, por muchos años olvidadas, forman parte importante de esta diversidad, de las cuales podemos rescatar su conocimiento sobre el uso y conservación de los recursos naturales, así como del territorio. El Centro Cultural Del Arte Tradicional y Popular Amazónico, busca reconocer a través de la arquitectura, la identidad de esta cultura Amazónica, en específico la de la cultura Shipibo Conibo, la cual se ubica principalmente en la región de Ucayali. El eje principal para el diseño de este proyecto, es el respeto por su cultura ancestral, crear un hito en la ciudad que responda al lugar, a sus materiales, a su entorno principalmente pero que use los conocimientos sobre las tecnologías modernas. Asimismo, el factor climatológico es uno de los componentes más importantes para el desarrollo de esta propuesta y pone en evidencia el lazo que debe de existir entre la cultura y la arquitectura moderna.
For a long time, Perú has had a non-sincere relationship with its cultural diversity. However, in recent years different actions are generating significant changes, which allow recognition of the different cultures that our territory is home to. Indigenous people, almost completely forgotten for years, are now an important part of this diversity. We can rescue their knowledge about the use and conservation of natural resources. The Cultural Center of Amazonian Traditional and Popular Art, seeks to recognize through architecture, the identity of this Amazonian culture and specifically of Shipibo Conibo culture, which is located mainly in the Ucayali region. The main axis of this project is the respect for its ancestral culture. The architecture tries to create a milestone in the city that responds to the place, its materials and its environment. Likewise, the climatological factor is one of the most important components for the development of this proyect.
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Díaz, Cárdenas Sharon Alejandra. « Museo Arqueológico y Antropológico del Norte Chico ». Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652632.

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El museo es un equipamiento de difusión cultural, el cual ayuda al desarrollo de la zona donde se ubica, debido al impacto cultural, social, y arquitectónico que genera. Al plantear esta tipología la ciudad tendrá un hito donde se preservará la cultura y costumbres de la zona. En este caso, el tipo de museo que se propone es uno de carácter regional dedicado a la Arqueología y Antropología. De este modo, se pondrá en exposición el estilo de vida y cosmovisión de las culturas prehispánicas que habitaron toda la zona del norte chico, así mismo: la cerámica, restos humanos y el tipo de arquitectura; que son testimonio de lo antes mencionado. La expansión de la cuidad sin un plan de desarrollo adecuado afecta estas zonas arqueológicas. Además, la poca información con la que cuenta la población, falta de difusión y puesta en valor, hacen que las zonas arqueológicas sean invadidas, saqueadas, y destruidas. En otros casos son usadas como zonas de cultivo o han sido dinamitadas y destruidas para próximas construcciones; como ejemplo tenemos el caso de Vichama que hasta hace unos años estaba cubierta de basura, sin embargo, se logró recuperarla y está en proceso de restauración. Por todo lo antes mencionado se plantea la creación de un museo para esta zona, se tomará en cuenta proyectos referenciales para el estudio del funcionamiento de la tipología mencionada. También, se obtendrá la información sobre el significado y aplicación del énfasis en la arquitectura cumpliendo con la normativa nacional e internacional.
The museum is an equipment of cultural diffusion, which helps the development of the area where it is located, due to the cultural, social and architectural impact it generates. When raising this typology, the city will have a milestone where the culture and customs of the area will be preserved. In this case, the type of museum proposed is a regional one dedicated to Archeology and Anthropology. In this way, the lifestyle and worldview of the pre-Hispanic cultures that inhabited the whole area of the North Chico will be put on display, likewise: the ceramics, human remains and the type of architecture; which are testimony to the aforementioned. The expansion of the city without an adequate development plan affects these archaeological zones. In addition, the little information available to the population, lack of dissemination and value, make the archaeological areas are invaded, looted, and destroyed. In other cases, they are used as cultivation areas or have been dynamited and destroyed for future constructions; As an example we have the case of Vichama that until a few years ago was covered in garbage, however, it was recovered and is in the process of being restored. For all the aforementioned, the creation of a museum for this area is considered, taking into account reference projects for the study of the operation of the aforementioned typology. Also, information about the meaning and application of the emphasis on architecture will be obtained, complying with national and international regulations.
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Czerny, Miroslawa, et Aguilar Hildegardo Córdova. « El patrimonio como tema de estudios geográficos ». Pontificia Universidad Católica del Perú. Centro de Investigación en Geografía Aplicada, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/119295.

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Cultural patrimony or heritage is made of a set of ideas, objects of the naturallandscape,artistic creations, buildings, technologies, etc., that accumulate through time and are passed to the descendants of a place as their footprints. This heritage deserves to be studied from the geographical point of view because it is a very important factor to understand the differing ways of spatial organization even in homogeneous territories. Cultural heritage gives birth to identity feelings to places that people adopt as theirs. This lead them to group in different sets that may be studied at local, regional, nationaland international levels.
El patrimonio cultural o herencia está formado por el conjunto de ideas, objetos del paisaje natural, creaciones artísticas y construcciones, tecnologías, etc., que se acu mulan a lo largo del tiempo y que los pueblos reciben de sus antecesores como huella de su paso por un lugar dado. Esta herencia merece estudiarse desde el punto de vista geográfico por cuanto actúa como un factor importante para entender las formas de organización del espacio. La herencia cultural crea sentimientos de identidad con lugares que las gentes adoptan como suyos. Esto los lleva a agruparse y formar núcleos diferenciados que pueden estudiarse en escala local, regional, nacional, internacional.

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Azizah, Roisatul. « A participatory design approach to designing a playful cultural heritage experience : A case study of the Majapahit sites ». Thesis, Uppsala universitet, Institutionen för informationsteknologi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-396764.

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Within HCI, CSCW, and other related disciplines, participatory design has been proven to be an effective way of developing technological solutions where the end- users are involved throughout the design process. This study aims to find out how and to what extent can the participatory design approach be implemented and investigated involving the end-user perspective to enhance cultural heritage experience in a case study of the Majapahit sites. The process started with an initial understanding of the users and the user’s need via online pre-study involving 53 respondents. The insights gathered envision the possible attributes of design solutions, the visiting experience in Majapahit sites, and the participants' relevant background. Three co-designing sessions with 35 participants were conducted, some needs and qualities were discussed based on the design process and the results of 11 design ideas from the design workshops. Later, to understand the usefulness and novelty of the identified design alternatives conducted from the workshops, further analysis of the design creativity was conducted with two experienced designers. The findings of the thesis involve five design areas in cultural heritage experience: improving the basic facility, support of learning about cultural heritage, assisting the visitor to explore the cultural heritage, social experience of cultural heritage, and support of entertainment and challenge in the cultural heritage experience. Hence, this study enables HCI researchers to do further study in regard to Majapahit sites or in the domain of cultural heritage in general.

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Zuffellato, Leonardo <1993&gt. « Design and comparison of navigation and interaction techniques for a virtual reality experience in the cultural heritage domain ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12851.

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The thesis is focused on the design and the comparison of a number of interaction techniques for VR, applied to a scenario characterized by a number of tasks that are representative of a 3D immersive experience, like the navigation and the interaction with the scene’s objects. The interaction techniques will be applied to an experience designed for the cultural heritage domain and that will involve the exploration of a theater and the selection of sceneries. The interaction techniques will be evaluated with a group of users in relation to different parameters, including embodiment, presence, engagement, immersion, perceived workload.

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Lorca, Mauricio. « Dinámicas de patrimonialización del legado minero-industrial en el Norte Chico. Patrimonio y sociedad en Chile contemporáneo ». Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/398712.

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Este trabajo indaga en las especificidades de las dinámicas de patrimonialización, entendidas como el proceso de aumento de la carga simbólica de ciertos elementos culturales y naturales, en contextos mineros. La investigación profundiza en las condiciones, las razones y las funciones que adquieren este tipo de activaciones en distintos lugares del mundo para, enseguida, dar cuenta de esos procesos de producción patrimonial y las proyecciones que actualmente están teniendo en el área conocida como Norte Chico de Chile. Finalmente, se esbozan las funciones políticas que el patrimonio está cumpliendo en algunos contextos territoriales y sus potencialidades como aporte a la producción de mejores políticas públicas.
This paper focuses on the specificities of the dynamics of heritagization in mining contexts, understood as the process of increasing the symbolic charge of certain cultural and natural elements. The research explores the conditions, reasons and functions that this type of activations acquires in different parts of the world. Then, it describes the heritage production processes and their projections currently taking part in the area known as Chilean Norte Chico. Finally, the political functions that heritage is complying in certain territorial contexts are outlined, as well as its potentialities as an input to producing better public policies in the country.

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Casaca, João Tiago de Oliveira. « O design centrado no utilizador aplicado ao design gráfico : interacção e participação na comunicação do património cultural de Lisboa ». Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2014. http://hdl.handle.net/10400.5/7945.

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Pastore, Tiziana <1991&gt. « UTILIZZO DI MALTE BIOLOGICHE IN AMBITO CULTURAL HERITAGE Approfondimento circa il Bioconsolidamento e il controllo del Biodeterioramento dei manufatti lapidei ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17899.

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Sono tantissimi i fenomeni di degrado che coinvolgono i manufatti lapidei, dalla formazione di croste nere alle patine biologiche. La colonizzazione ad opera di microorganismi unita alle condizioni ambientali e all’inquinamento, costituiscono le maggiori cause del deterioramento dei materiali lapidei. Le alterazioni fisiche, chimiche e biologiche portano spesso alla de-coesione del materiale oltre che ad un’alterazione estetica dell’opera. Ad oggi esistono molteplici strategie per il consolidamento e la disinfezione di tali manufatti, con non poche problematiche legate in particolar modo alla compatibilità con i materiali originali e alla durabilità degli interventi di restauro. Il presente lavoro di tesi tratterà in particolare del fenomeno del biodeterioramento, cercando di far luce sulle potenzialità che il mondo microbico può offrire, in ambito Cultural Heritage, per lo sviluppo di strategie di bioconsolidamento e di biocontrollo del biodeterioramento. Verranno approfondite le tematiche riguardanti le nuove metodologie di intervento ecosostenibili che prevedono - in particolare - l'impiego di batteri carbonatogenici, in grado di precipitare calcite biogenica per un consolidamento green e la capacità degli stessi di fungere anche da inibitori della crescita biologica mediante la biosintesi di nanostrutture di metalli e/o la produzione di sostanze esopolimeriche (EPS), con attività antifungina.

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Perrotta, Carmen. « De la toga a la cámara fotográfica : Adolf Mas Ginestà (1860-1936). Innovación archivística al servicio del arte románico ». Doctoral thesis, Universitat de Barcelona, 2018. http://hdl.handle.net/10803/565538.

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Desde la aparición del daguerrotipo los fotógrafos de patrimonio se fueron situando, paulatinamente, entre los agentes necesarios para la construcción de los nuevos repertorios gráficos destinados a la historia del arte. En el caso de la Península Ibérica, con la llegada del siglo XX, a las ya consolidadas casas de fotografías, que se habían dedicado al sector patrimonial, como los establecimientos Laurent o Clifford de Madrid, Alguacil en Toledo, etc., se fueron sumando nuevas empresas entre las cuales destaca el conocido mundialmente, en los contextos de los estudios hispanistas, Arxiu Mas. La aparición de Adolf Mas Ginestà marcaría el comienzo de una nueva etapa para el género de la fotografía de bienes artísticos, dando lugar a la construcción de un nuevo relato fotográfico sobre una Cataluña artística, ampliado, luego, al resto de la península mediante el prestigioso Repertori Iconogràfic d’Espanya. No obstante, el legado del establecimiento Mas no se materializa exclusivamente en su inmensa colección fotográfica; su novedoso sistema archivístico, basado en la creación de fichas gráficas, su biblioteca y su extenso fondo documental, compuesto por un número elevadísimo de testimonios textuales, son parte de aquella herencia que nos permite entender plenamente el papel del establecimiento en las dinámicas de creación de una historia del arte local y nacional. Por esta razón el presente estudio aborda la reconstrucción biográfica del fotógrafo y de su archivo a partir de la consideración de todo su legado como un unicum indivisible que nos relata el quién, el cómo y el por qué de muchos de los procesos de intervención, catalogación, estudio y divulgación de los principales ámbitos monumentales peninsulares.
Sin dalla comparsa del dagherrotipo i fotografi di patrimonio si collocarono progressivamente tra gli agenti necessari per la costruzione dei nuovi repertori grafici destinati alla storia dell’arte. Nella fattispecie della Penisola Iberica con l’avvento del XX secolo i già consolidati atelier fotografici specializzati in patrimonio, come ad esempio quelli costituiti da Laurent e Clifford a Madrid, da Alguacil a Toledo, ecc., furono affiancati da ditte di nuova fondazione tra cui spicca l’Arxiu Mas, uno stabilimento noto, a livello mondiale, soprattutto in quei circoli strettamente legati agli studi ispanistici. Con la comparsa di Adolf Mas Ginestà si diede il via a una nuova tappa per il genere della fotografia di beni artistici d’ambito spagnolo, avviando la costruzione di un nuovo relato su di una Catalogna artistica, successivamente ampliato al resto della penisola mediante il celeberrimo Repertori Iconogràfic d’Espanya. Nonostante ciò, l’eredità lasciataci dallo studio Mas non si materializza unicamente nella sua immensa collezione fotografica; il suo nuovo sistema archivistico, basato sulla creazione di schede grafiche, la sua biblioteca e il suo vasto fondo documentario, composto da un elevatissimo numero di fonti testuali, fanno parte di quel lascito che ci permette di comprendere correttamente il ruolo mantenuto dallo stabilimento nelle dinamiche di creazione di una storia dell’arte locale e nazionale. La presente ricerca si sviluppa, dunque, a partire dalla ricostruzione biografica della vita del fotografo e dalla delineazione della storia del suo archivio, considerando il succitato lascito come un unicum indivisibile in grado di trasmetterci informazioni utili sul chi, sul come e sul perché di molti dei processi di catalogazione, intervento, studio e divulgazione dei principali ambiti monumentali peninsulari.
Des de l’aparició del daguerreotip els fotògrafs de patrimoni es van anar situant, gradualment, entre els agents necessaris per a la construcció dels nous repertoris gràfics destinats a la història de l’art. En el cas de la Península Ibèrica, amb l’arribada del segle XX, a les ja consolidades cases de fotografia, que s’havien dedicat al sector patrimonial, com els establiments Laurent o Clifford de Madrid, Alguacil a Toledo, etc., s’hi van sumar noves empreses entre les quals destaca el conegut mundialment, entre els contextos dels estudis hispanistes, Arxiu Mas. L’aparició d’Adolf Mas Ginestà marcaria l’inici d’una nova etapa pel gènere de la fotografia de béns artístics, obrint pas a la construcció d’un nou relat fotogràfic sobre una Catalunya artística, ampliat, després, a la resta de la península mitjançant el prestigiós Repertori Iconogràfic d’Espanya. No obstant això, el llegat de l’establiment Mas no es materialitza exclusivament en la seva immensa col·lecció fotogràfica; el seu innovador sistema arxivístic, basat en la creació de fitxes gràfiques, la seva biblioteca i l’extens fons documental, compost per un número elevadíssim de testimonis textuals, són part d’aquella herència que ens permet entendre plenament el paper de l’establiment en les dinàmiques de creació d’una història de l’art local i nacional. Per aquest motiu el present estudi aborda la reconstrucció biogràfica del fotògraf i el seu arxiu a partir de la consideració de tot el seu llegat com un unicum indivisible que ens relata el qui, el com i el per què de molts dels processos d’intervenció, catalogació, estudi i divulgació dels principals àmbits monumentals peninsulars.
Since the advent of the daguerreotype, heritage photographers have gradually placed themselves among the agents necessary for the construction of new graphic repertoires destined for the history of art. In the case of the Iberian Peninsula, with the arrival of the twentieth century, to the already consolidated photographic houses, which had been dedicated to the patrimonial sector, such as the establishments Laurent or Clifford of Madrid, Alguacil in Toledo, etc., were added new companies among which stands out the world known, in the contexts of Hispanic studies, Arxiu Mas. The appearance of Adolf Mas Ginestà marked the beginning of a new stage for the genre of artistic property photography, leading to the construction of a new photo- graphic narrative about an artistic Catalonia, then extended to the rest of the peninsula through the prestigious Repertori Iconogràfic d’Espanya. Nevertheless, the legacy of the establishment does not materialize exclusively in its immense photographic collection; its new archival system, based on the creation of graphic cards, its library and its extensive documentary collection, composed by a very high number of textual testimonies, are part of that heritage that allows us to fully understand the role of establishment in the dynamics of creation of a history of local and national art. For this reason the pre- sent study deals with the biographical reconstruction of the photographer and his archive from the consideration of all his legacy as an indivisible unicum that tells us who, how and why of many of the intervention processes, cataloging , study and dissemination of the main monumental areas of the peninsula.

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RUGGERI, LUDOVICO. « Il facsimile digitale come strumento di interazione culturale. Realtà aumentata e virtuale per una fruizione immersiva e interattiva del Cultural Heritage ». Doctoral thesis, Università Politecnica delle Marche, 2019. http://hdl.handle.net/11566/263264.

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L’obiettivo di questo lavoro di tesi è la ricerca e la definizione di un workflow che partendo dall’acquisizione e digitalizzazione del dato bi e tridimensionale di un Bene porti allo sviluppo di applicazioni di realtà virtuale e aumentata le quali, utilizzando le ultime tecnologie disponibili nel campo delle Information and Communication Technologies, permettano all’utente di fruire il patrimonio culturale secondo i linguaggi contemporanei. Seguendo il paradigma “learning by interacting” e utilizzando gli strumenti e le metodiche tipiche delle piattaforme di gaming, sono state sviluppate due applicazioni per la fruizione del Cultural Heritage: un’applicazione di realtà aumentata che permette di vedere, camminando direttamente sui resti del sito archeologico di Forum Sempronii, le principali architetture come erano un tempo e un’applicazione di realtà virtuale immersiva attraverso la quale è possibile navigare all’interno della ricostruzione del foro romano di Fanum Fortunae, vivendo una vera e propria esperienza interattiva e didattica. I principali temi trattati in questo lavoro sono stati quelli della digitalizzazione e della modellazione tridimensionale dei beni culturali in genere, volte da un lato alla tutela e preservazione del patrimonio culturale, dall’altro alla fruizione dello stesso tramite l’utilizzo delle più recenti tecnologie disponibili nel campo delle ICT. Un ruolo centrale in queste tematiche viene rivestito dal facsimile digitale: oggi la copia digitale è essa stessa patrimonio culturale. Questo lavoro inoltre mostra e sottolinea l’importanza della collaborazione tra diverse figure professionali (archeologi, architetti, informatici, grafici). Il risultato di questo lavoro è infatti costituito da diverse applicazioni dal forte carattere interdisciplinare, come auspicato dalle ultime direttive della Commissione Europea nell’anno europeo del patrimonio culturale.
The aim of this thesis is the research and the definition of a workflow that starting from the acquisition and digitization of bi and three-dimensional data of a cultural object leads to the development of virtual and augmented reality applications. These applications allow the user to exploit Cultural Heritage according to contemporary languages using the latest available Information and Communication Technologies. Two applications have been developed for the exploitation of Cultural Heritage, following the “learning by interacting” paradigm and using the tools and methods typical of gaming platforms: an augmented reality application that allows the user to see the main architectures as they were once, walking on the remains of the archaeological site of Forum Sempronii, and an immersive virtual reality application that allows the user to navigate within the virtual reconstruction of the Roman forum of Fanum Fortunae, experiencing a real interactive and didactic experience. The main themes faced in this work are the digitization and three-dimensional modeling of cultural heritage, aimed on the one hand at protecting and preserving cultural heritage and on the other on its exploitation through the use of the latest available technologies in the field of ICT. A central role in these issues is played by the digital facsimile: today the digital copy is itself cultural heritage. This work also shows and underlines the importance of collaboration between different professional figures (archaeologists, architects, informatics, graphic designers). The result of this work is in fact made up of different applications with a strong interdisciplinary character, as desired by the latest directives of the European Commission in the European Year of Cultural Heritage.

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RUGGERI, LUDOVICO. « Il facsimile digitale come strumento di interazione culturale. Realtà aumentata e virtuale per una fruizione immersiva e interattiva del Cultural Heritage ». Doctoral thesis, Università Politecnica delle Marche, 2019. http://hdl.handle.net/11566/263262.

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L’obiettivo di questo lavoro di tesi è la ricerca e la definizione di un workflow che partendo dall’acquisizione e digitalizzazione del dato bi e tridimensionale di un Bene porti allo sviluppo di applicazioni di realtà virtuale e aumentata le quali, utilizzando le ultime tecnologie disponibili nel campo delle Information and Communication Technologies, permettano all’utente di fruire il patrimonio culturale secondo i linguaggi contemporanei. Seguendo il paradigma “learning by interacting” e utilizzando gli strumenti e le metodiche tipiche delle piattaforme di gaming, sono state sviluppate due applicazioni per la fruizione del Cultural Heritage: un’applicazione di realtà aumentata che permette di vedere, camminando direttamente sui resti del sito archeologico di Forum Sempronii, le principali architetture come erano un tempo e un’applicazione di realtà virtuale immersiva attraverso la quale è possibile navigare all’interno della ricostruzione del foro romano di Fanum Fortunae, vivendo una vera e propria esperienza interattiva e didattica. I principali temi trattati in questo lavoro sono stati quelli della digitalizzazione e della modellazione tridimensionale dei beni culturali in genere, volte da un lato alla tutela e preservazione del patrimonio culturale, dall’altro alla fruizione dello stesso tramite l’utilizzo delle più recenti tecnologie disponibili nel campo delle ICT. Un ruolo centrale in queste tematiche viene rivestito dal facsimile digitale: oggi la copia digitale è essa stessa patrimonio culturale. Questo lavoro inoltre mostra e sottolinea l’importanza della collaborazione tra diverse figure professionali (archeologi, architetti, informatici, grafici). Il risultato di questo lavoro è infatti costituito da diverse applicazioni dal forte carattere interdisciplinare, come auspicato dalle ultime direttive della Commissione Europea nell’anno europeo del patrimonio culturale.
The aim of this thesis is the research and the definition of a workflow that starting from the acquisition and digitization of bi and three-dimensional data of a cultural object leads to the development of virtual and augmented reality applications. These applications allow the user to exploit Cultural Heritage according to contemporary languages using the latest available Information and Communication Technologies. Two applications have been developed for the exploitation of Cultural Heritage, following the “learning by interacting” paradigm and using the tools and methods typical of gaming platforms: an augmented reality application that allows the user to see the main architectures as they were once, walking on the remains of the archaeological site of Forum Sempronii, and an immersive virtual reality application that allows the user to navigate within the virtual reconstruction of the Roman forum of Fanum Fortunae, experiencing a real interactive and didactic experience. The main themes faced in this work are the digitization and three-dimensional modeling of cultural heritage, aimed on the one hand at protecting and preserving cultural heritage and on the other on its exploitation through the use of the latest available technologies in the field of ICT. A central role in these issues is played by the digital facsimile: today the digital copy is itself cultural heritage. This work also shows and underlines the importance of collaboration between different professional figures (archaeologists, architects, informatics, graphic designers). The result of this work is in fact made up of different applications with a strong interdisciplinary character, as desired by the latest directives of the European Commission in the European Year of Cultural Heritage.

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NGUYEN, HUU LONG PHUNG. « heritage and climate change : urban and architectural perspective for “floodscape” in quang tri province ». Doctoral thesis, Università Politecnica delle Marche, 2017. http://hdl.handle.net/11566/245600.

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Sommario Il Vietnam è tra i cinque paesi principalmente interessati dal cambiamento climatico. Secondo il report EM-DAT (the Emergency Events Database), si deve a disastri naturali un danno pari a $2,600 billion nell'ultimo ventennio (1994-2013). Alle sole alluvioni si imputa il 47% dei suddetti danni a scapito di una popolazione di 2.3 billion, la maggior parte della quale asiatica, il 95%. In Vietnam, sono stati circa 649 gli eventi calamitosi tra il 2005 e il 2014: alluvioni, inondazioni, grandinate, tempeste, cicloni e frane. Il danno totale è stimato approssimativamente all'1.5% GDP all'anno. 160 alluvioni e inondazioni si sono susseguite causando il 58% dei danni totali. In futuro il cambiamento climatico causerà l'aumento delle temperature della superficie terrestre, il regime di caduta delle pioggie con la crescita di eventi meteorologici estremi, con l'aumnto del livello del mare, il rischio di alluvioni e i relativi impatti sulla popolazione e sui territori. Parallelamente a ciò il patrimonio culturale materiale e immateriale frutto di un lungo processo di sviluppo umano, rappresenta i valori culturali e storici del paese ma non è sufficientemente resiliente per adattarsi alle conseguenze del cambiamento climatico, che ogni anno colpiscono il patrimonio. Le conseguenze di ciò si sono sovrapposte, danneggiando e distruggendo parzialmente e, in taluni casi totalmente, il patrimonio. Affrontare questo quadro ambientale e climatico senza soluzioni di adattamento, porterà alla perdita di detto patrimonio e sebbene il Vietnam non sia soggetto a terremoti o eruzioni vulcaniche, esso è ampiamente soggetto a disastri dovuti a fattori climatici, quali alluvioni, tsunami, uragani e siccità. La presente ricerca studia la relazione tra il cambiamento climatico e il patrimonio, l'impatto delle alluvioni sui monumenti e intende proporre una carta del rischio per il sistema del patrimonio di Quang Tri Province. La mappa ha mostrato che l'87,5 % dei monumenti si trovano in aree a rischio (189 siti su 216) e il 4,2% dei patrimoni si trovano in aree ad alto rischio. Soluzioni per contrastare e adeguarsi al cambiamento climatico sono state studiate e proposte, al fine di contenere il rischio alla scala della pianificazione territoriale, urbana e nella progettazione architettonica. In particolare il metodo di lavoro prevede tre fasi riferibili a momenti diversi alluvionali: direction, storage and absorption. Sebbene queste non siano definitive ed uniche, l'adattamento richiede tempi di sperimentazione e selezione per individuare le migliori scelte per applicazioni pratiche; inoltre, la ricerca non pone solo le basi per la conservazione del patrimonio, ma anche indirizzi a lungo termine per la progettazione urbana ed architettonica secondo le direttive dello sviluppo sostenibile.
Abstract Vietnam is one of the five countries likely to be most affected by climate change. According to the report of EM-DAT (the Emergency Events Database), an estimated damage of $2,600 billion was caused by natural disasters damaged in the last twenty years (1994-2013). Flood alone accounted for 47% of all weather disasters, affecting 2.3 billion people (the majority of whom (95%) live in Asia). In Vietnam, about 649 natural disasters occurred in the last ten years (2005-2014), including flood, flash flood, hail, storm, cyclone and landslide. Total damage was estimated at approximately 1.5% GDP per year. There were 160 floods and flash floods occurred at that time and accounted for 58% of the total damage. In the future, climate change has increased the average surface temperature, changing the average rainfall, increasing frequency of extreme weather events and especially the rising of sea level that will increase flood risks and negative impacts of flooding to people and properties. Meanwhile, heritage is the quintessence of a long process of development by humans. The heritages that characterize the values of culture and history of each nation, country or region; but it does not have the ability to adapt to changes in the weather or disasters of climate change. The changes in the weather and disasters happen every year and they directly affect the heritage. Consequences have been cumulative and results are that some of heritages have been corroded, several heritages have been destroyed a part and a few heritages have been totally damaged. Facing that situation, if there are no adaptive solutions to adapt to the disasters of climate change, the heritages will be gradually lost. Although Vietnam does not have more disasters such as earthquakes, volcanoes, country has influenced heavily by disasters related to water factors, such as flood, tsunami, hurricane or drought. This research is the study of the relationship between climate change and heritage, impacts of flooding on heritage and building the map of flood risk for heritage system in Quang Tri Province. The map showed that 87.5% of the heritages are located in flood risk area (189 in 216 heritages) and 4.2% of the heritages are located in high and very high-risk level. Solutions to response and adaptation to climate change for the heritages have been studied and proposed. Characteristic of flooding is usually happening on a large scale and keeping in 2 or 3 days. Therefore, to reduce flood risks for heritage, the solutions were developed based on spatial planning, urban planning, urban design and architecture design for heritage, corresponding to three steps: direction, storage and absorption. Although the solutions are not mostly complete, the adaptation requires time to application and filter in order to select the most effective solutions for practical application. In addition, the research is not only a basis for conservation but also a long-term orientation for design and urban planning toward sustainable development.

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Conget, Lucrecia. « Usos políticos del patrimonio. Movimientos vecinales patrimonialistas en Santiago de Chile : El caso del Barrio Yungay ». Doctoral thesis, Universitat de Barcelona, 2018. http://hdl.handle.net/10803/666477.

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La presente investigación tiene como objetivo contribuir a la comprensión de los usos políticos del patrimonio en las dinámicas de los nuevos movimientos vecinales patrimonialista surgidos en Chile en los últimos años (2005-2017). Para ello se centra en el estudio del caso del Barrio Yungay de Santiago de Chile —uno de los primeros barrios declarados Zona Típica (categoría de monumento nacional) por demanda de sus propios vecinos y vecinas—, cuyo proceso de patrimonialización se convirtió en un modelo a seguir por las organizaciones vecinales de varios barrios del país. La hipótesis que se maneja dentro de esta tesis, es que el patrimonio está siendo utilizado como una herramienta política reivindicativa por parte de las comunidades locales para promover la cohesión social en el barrio, reclamar ciertos derechos con respecto al acceso a la vivienda, a la diversidad socio-cultural y de clase, detener los procesos de gentrificación, exigir participación vecinal vinculante en los sistemas de gobernanza urbana, etc. La problemática de los usos políticos del patrimonio es un tema que está adquiriendo un interés creciente por parte del ámbito académico en los últimos años. Sin embargo, si bien se han explorado los usos políticos llevados a cabo desde el Estado-Nación y grupos privilegiados como estrategia de gubernamentalidad, pocos autores han profundizado en los usos reivindicativos que grupos minoritarios suelen llevar a cabo (Hernández Ramírez, 2002, 2006; Gómez Ferri, 2004; Smith y Campbell, 2011). La investigación que aquí se presenta establece vínculos entre estos usos reivindicativos y los problemas que afectan hoy en día a las ciudades que siguen un modelo desarrollo neoliberal. Es a raíz de los conflictos presentes en estas ciudades —radicados en la resistencia a políticas de desarrollo urbano hegemónicas; procesos de especulación inmobiliaria; deficiencias en la construcción de equipamientos urbanos; pérdida de derechos sociales; procesos de gentrificación, exclusión y segregación en el territorio, etc.— donde surgen nuevas conceptualizaciones y discursos subalternos de patrimonio generados por los movimientos sociales urbanos: discursos que aún no han sido profundizados en la literatura existente. A través de este estudio de caso, y siguiendo una orientación metodológiga cualitativa con un fuerte sesgo etnográfico, en esta investigación profundizamos en cómo el patrimonio no se trata sólo del pasado, sino también de su negociación y definición en torno a valores e intereses presentes. El comprender desde un ámbito académico como el que nos compete estas nuevas formas subalternas de acercarse al discurso del patrimonio a partir de los conflictos urbanos, implica velar por una democratización del discurso del patrimonio.
The objective of this research is to contribute to the understanding of the political uses of heritage in the dynamics of the new patrimonialist neighborhood movements that have emerged in Chile in recent years (2005- 2017). To this end, it focuses on the case study of Santiago de Chile's Yungay Neighborhood —one of the first neighborhoods declared a Typical Zone (category of national monument) by demand of its own neighbors—, whose patrimonialization process became a model to be followed by other organizations in several neighborhoods of the country. The hypothesis handled within this thesis is that heritage is being used as a vindictive political tool by local communities to claim certain rights and demand binding neighborhood participation in urban governance systems. The problem of the political uses of heritage is an issue that has gained increasing interest from academia in recent years. However, although the political uses carried out by the Nation-State and privileged groups have been explored as a governmentality strategy, few authors have delved into the vindicative uses that minority groups usually carry out. The research presented here establishes links between these vindicative uses and the problems affecting cities today that follow a neoliberal development model. It is as a result of the conflicts present in these cities —rooted in resistance to hegemonic urban development policies; processes of real estate speculation; deficiencies in the construction of urban facilities; loss of social rights; processes of gentrification, exclusion and segregation in the territory, etc.— where new conceptualizations and subaltern discourses of heritage generated by urban social movements arise: discourses that have not yet been deepened in the existing literature. Through this case study, and following a qualitative methodological orientation with a strong ethnographic bias, in this research we delve into how heritage is not only about the past, but also about its negotiation and definition around present values and interests. To understand, from an academic perspective such as ours, these new subaltern ways of approaching the discourse of heritage from the point of view of urban conflicts implies ensuring a democratization of the discourse of heritage.

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Palos, Martín Carmen. « Conservación del patrimonio farmacéutico aragonés : regulación, ética y estética ». Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/667053.

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La conservación y el conocimiento del patrimonio comportan una valoración del pasado por parte de la sociedad actual, que debe ser regulado por las entidades públicas para implicar también una educación en valores científicos, éticos y estéticos. Esta tesis se centra en la conservación, estudio y puesta en valor de una parte importante del patrimonio histórico farmacéutico aragonés, que se encuentra ubicado en el Servicio de Farmacia (SF) del Hospital Nuestra Señora de Gracia de Zaragoza (HNSGZ). Está compuesto por dos farmacias históricas de finales del siglo XIX, una farmacia de hospital y una oficina de farmacia. Esto supone una excepcionalidad dentro del patrimonio farmacéutico en España. En nuestra época preservar nuestro patrimonio no es solo una posibilidad, sino que es una obligación ineludible, un imperativo ético. Es importante en las condiciones del mundo de hoy, educar para hacer el patrimonio más comprensible y próximo a la población. Salvaguardar el pasado es importante solo en la medida en que ese pasado contribuya a enriquecer el futuro. En esta tesis doctoral se ha documentado el patrimonio farmacéutico conservado en el SF del HNSGZ para evitar su pérdida y hacerle comprensible y próximo a la sociedad teniendo como finalidad que el pasado contribuya a renovar el futuro. Se ha expuesto la regulación, catalogación y estudio realizado del mobiliario, instrumentos, objetos, medicamentos, libros y documentos que se conservan casi intactos en el mismo lugar en que en el último siglo y medio han realizado su función y han servido al farmacéutico para cumplir su misión sanitaria relacionada con el medicamento. Asimismo se revisan las biografías de los farmacéuticos que ha sido partícipes de la historia de las farmacias estudiadas. Este trabajo se realiza sobre un tiempo transcendental y muy poco estudiado en la evolución de la misión del farmacéutico como es el paso de la época preindustrial del medicamento a un nuevo periodo definido por la industrialización en la preparación del mismo. En nuestro estudio se muestra la ética de la transformación de las funciones del farmacéutico de hospital desde su casi completa dedicación a la formulación de los medicamentos y su dispensación al paciente a las atribuciones en la selección del medicamento más coste-efectivo para el hospital y la ampliación de su cometido en aspectos tan importantes como el campo de la esterilización y desinfección hospitalaria. También descubre la importancia de los farmacéuticos que realizaron este proceso de cambio que según sus biografías fueron ejemplo de implicación en otros campos científicos y en su dedicación a la sociedad. Hemos puesto en valor, estudiando la estética y catalogando más de dos mil objetos de cerámica, envases de vidrio, medicamentos, instrumentos y material bibliográfico. Todos ellos se conservan dentro del SF del HHNSGZ y de la FR. Muestran el riquísimo patrimonio material e inmaterial conservado en este espacio. Por último presentamos ideas concretas para preservar este patrimonio para que sea conocido y valorado por la sociedad.
The conservation and knowledge of the pharmaceutical heritage implies not only an appreciation of the past by the current society, but something that must be regulated by public entities, So it can involve an education in scientific, ethical and aesthetic values. This thesis focuses on the study and preservation of an important part of the Aragon’s pharmaceutical historical heritage, which is located in the Pharmacy Service (SF) of the Royal Hospital of Our Lady of Grace of Zaragoza (HNSGZ). It consists of two historical pharmacies of the late nineteenth century, a hospital pharmacy, and a local one of a kind pharmacy of the 19th century. This supposes a extremely rare example within the pharmaceutical patrimony in Spain. In our time preserving our heritage is not only a possibility, but an obligation, an ethical imperative. It is important in the conditions of today's world, to make the heritage more comprehensible and understandable by the population. Safeguarding the past is important. Only because as history has proven us many times, understanding our past contributes to enriching our future. In this doctoral thesis, the pharmaceutical heritage conserved in the HNSGZ SF has been documented to avoid its loss and to make it understandable and close to society, with the purpose of helping the past to renew the future. The regulation, cataloging and study of the furniture, instruments, objects, medicines, books and documents that had remained almost intact in the same place for the last century and a half. All of the items have performed their function and have served the pharmacist to perform his work. Likewise, the biographies of the pharmacists who have participated in the history of the pharmacies studied are reviewed. This work is carried out on a transcendental time which is not well studied, the evolution of the pharmacist's mission, the passage of the pre- industrial era, from preparing drugs by demand, to a new period defined by industrialization in the preparation of them. Our study shows the transformation of the functions of the hospital pharmacist, from his almost complete dedication to the formulation of specific medicines, and their dispensation to the patient, to the attributions like the selection of the most cost-effective medicine for the hospital and the expansion of its role in such important aspects as the field of hospital sterilization and disinfection. It also discovers the importance of the pharmacists who were involved in this process of change, which according to their biographies were an example, for its dedication to society, and also for working in related scientific fields. We believe that this work was necessary and cataloging more than two thousand ceramic objects, glass containers, medicines, instruments and bibliographic material was worth it. All of them are kept within the SF of the HHNSGZ and the FR. They show the incredible rich heritage preserved in this space. Finally we want to present concrete ideas of how to preserve this unique heritage, so that it can be known, enjoyed, and valued by society.

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Nespeca, Romina. « Point cloud come sistema informativo. Il trattamento della nuvola di punti in un rilievo integrato finalizzato alla documentazione digitale del Cultural Heritage ». Doctoral thesis, Università Politecnica delle Marche, 2016. http://hdl.handle.net/11566/242984.

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La necessità di una documentazione validata ed economicamente sostenibile del Cultural Heritage (CH) invita alla ricerca di metodologie speditive per la digitalizzazione, per la documentazione, la diagnostica e la tutela. Attraverso l’uso di nuove tecnologie è possibile creare un vero e proprio fac-simile dell’oggetto, fedele all’originale, misurabile e oggettivo. L’obiettivo di questo lavoro di tesi è la definizione di best-practices, attraverso la sperimentazione di procedure di integrazione strumentale e analitica per trasformare il dato grezzo della nuvola di punti in informazione utile, senza passare per la fase di modellazione e lavorando sui dati tridimensionali acquisiti. La prima fase ha visto l’analisi di diversi casi studio per l’individuazione di punti deboli e punti di forza. Il successivo lavoro di ricerca è stato condotto sulla matrice di informazioni contenuta nel listato della nuvola di punti. Nella seconda parte sono descritte procedure di integrazione multi-strumentale. La terza parte, condotta durante lo stage al laboratorio MAP del CNRS di Marsiglia, mostra come a partire dalle sole grandezze geometriche sia possibile estrapolare informazioni per mezzo di analisi e operazioni di clustering, generando cartografie automatiche e quantitative, finalizzate all’implementazione di software per annotazioni 3D su nuvola di punti. Infine, nel progetto “ArcheoFano” si mostra come gli output delle integrazioni possano confluire in differenti metodologie di rappresentazione. In conclusione, questo lavoro giunge alla definizione di pratiche condivisibili e riutilizzabili per la digitalizzazione del CH, tramite la creazione di un sistema controllato e calibrato di dati integrati e l’estrapolazione semi-automatica di informazioni per la diagnostica. Questa ricerca si inserisce perfettamente nelle attuali politiche internazionali di gestione e tutela del CH e dimostra come una campagna diffusa di digitalizzazione tramite point cloud sia un mezzo efficace.
The necessity of validated and economically sustainable documentation of Cultural Heritage (CH) invites to research expeditious methods for the digitization, documentation, diagnostics and protection. By using new technologies it is possible to create a real facsimile of the object, true to the original, measurable and objective. The aim of this thesis is the definition of best practices, through the testing of procedures of instrumental and analytical integration to transform the raw data of the point cloud into useful information, without going through the modeling phase and working on the acquired 3D data. The first stage consists in the analysis of different case studies for the identification of weak and strength points. The following research was conducted on the matrix of information contained in the listing of the point cloud. In the second part are described procedures of multi-instrumental integration. The third part, conducted during the internship at the MAP laboratory of CNRS in Marseille, shows how information can be estimated starting just from geometric characteristics through analyses and clustering operations. This generates automated and quantitative maps, aimed at the implementation of software for 3D annotations on the point cloud. Finally, in the "ArcheoFano" project it is shown how the outputs of the integrations can flow into different methods of representation. In conclusion, this paper comes to the definition of shareable and reusable practices for digitization of CH, to the creation of a controlled and calibrated system of integrated data and to the semi-automatic extrapolation of information for diagnostics. This research fits perfectly in the current international political of management and protection of CH and demonstrates how a widespread campaign of scanning using point cloud is an effective means.

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Mårdh, Hedvig. « A Century of Swedish Gustavian Style : Art History, Cultural Heritage and Neoclassical Revivals from the 1890s to the 1990s ». Doctoral thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-317856.

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This is a study of the intersection between art historical theory and practice, and cultural heritage, where the revivals and mediations of the neoclassical Gustavian style have been used as a platform for further exploration. In relation to this, the use and changing meanings of the concepts authenticity and style have been examined. The research has a historiographical and multidisciplinary character, drawing on the fields of art history, critical heritage studies and design history. The study shows how the Gustavian style has been routinely used when Swedish culture has been staged, nationally and internationally, but also when shaping ideas of the ideal home and good taste. The focus is placed on three periods – the 1890s, the 1930s-40s and the 1990s – during which the Gustavian style was defined, revived and mediated in different modes of representation such as textbooks, exhibitions, period furniture and historically informed performances. In the study we meet the actors, human and non-human, that have contributed to the resilient position of the Gustavian style in the public consciousness and in a commercial context. The Gustavian style, perhaps like no other, has been systematically embraced by the official heritage institutions in Sweden, including the academic discipline of art history, which has been an important influence on the way the past has been presented, valued, categorised, preserved and re-used. The author argues that the style has been able to maintain its relevance due to its ability to embody many different prevailing aspects across the 20th century, for example tradition and modernity, nationalism and internationalism, but also the past, present and visions of retro-utopia.

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Piñol, Roser. « La creació i manipulació del patrimoni l’estudi del romànic català a partir de les intervencions de conservació del Brodat de la Creació de la Catedral de Girona ». Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/404251.

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El Brodat de la Creació de la Catedral de Girona és una obra cabdal del romànic de reconegut mèrit històric, artístic i cultural. A la vegada és un referent identitari de Catalunya i un motiu d’orgull entre els gironins, que l’han sabut conservar des que va ser redescobert, entre parracs, en el decurs dels anys setanta del segle XIX. El motiu de retrobament es degué a motius diversos, que rauen entre els plantejaments epistemològics de l’arqueologia medieval, fins postures més pragmàtiques properes a l’aplicació de patrons per a les indústries artístiques, el col·leccionisme o les modes. Des d’aquesta data, el Brodat s’ha sotmès a cinc intervencions de restauració. Cadascuna respon a uns postulats científics concrets, que han afectat al teixit des del punt de vista físic però també en la interpretació que li ha atorgat la recerca historiogràfica. La primera intervenció va ser l’any 1876. Es desconeixen els motius ni en què va consistir. Aquest fet clau va detonar reaccions immediates a través de publicacions que van tenir com a objectiu donar a conèixer una obra insòlita medieval, alhora que es van començar a plantejar dubtes sobre l’origen, la cronologia i la iconografia. Un cop reconegut el valor arqueològic de l’obra, es va començar a exhibir. L’Exposició Universal de Barcelona (1888), la Històrico-europea de Madrid (1892) i la d’Art Antic de Barcelona (1902) van servir per divulgar la peça, El 1907 es va tornar a restaurar, fruit de les remodelacions de l’espai que el custodiava, les Sales Capitulars de la Catedral de Girona. El motiu va ser la incorporació d’alguns fragments que s’havien trobat dispersos a la catedral, però també va respondre a l’expectació que la peça va crear en l’exposició de 1902, tant pel se valor de teixit històric, com per respondre a les necessitats de definició dels elements simbòlics de la identitat catalana. El Brodat de la Creació va començar a adquirir a partir d’aquestes dates connotacions patrimonials, encara que en aquests anys incipients de definició de la cultura catalana va ser apreciat només per erudits com Josep Gudiol Cunill primer, i per Joaquim Folch i Torres després. Tots dos investigadors, interessats pels teixits medievals, van atorgar al Brodat un lloc mereixedor en la història de l’art romànic català. Els plantejaments i la sensibilitat d’aquesta primera historiografia del romànic nacional es veuran reflectits en la tercera actuació de l’any 1952, que va seguir un criteri arqueològic atenent el valor històric del teixit. Uns anys abans, entre els anys 1936-1939, la Generalitat de Catalunya va traslladar-lo a París durant la campanya de salvament i exhibició d’obres representatives de l’art català dels segles X al XV, on va restar fins l’any 1939 quan el govern franquista el va retornar al seu lloc d’origen. A França el Brodat va gaudir de merescut reconeixement internacional. El 1976 es va restaurar de nou, en motiu de la transformació de l’espai museístic del Tresor de la Catedral. La prioritat museogràfics va condicionar la intervenció, agressiva i il·lusionista. La imatge del Crist en Majestat del centre del brodat, totalment reconstruïda, ha estat la imatge més reproduïda del Brodat, base de recerques i de màrqueting. Finalment, el brodat s’ha sotmès a una darrera intervenció, patrocinada pel programa Romànic Obert del Departament de Cultura de la Generalitat de Catalunya i la Fundació La Caixa. La intervenció, mediàtica, i amb auxili de recerques amb mètodes científics sofisticats un comitè d’experts i per un equip de restauradors de prestigi ha plantejat noves hipòtesis sobre el brodat, cada cop més visitat i cada cop més reconegut, amb els pros i contres que això suposa.
The Creation embroidery of the Gerona Cathedral is a universal work of romanesque art of great merit in the history of medieval tissues. At the same time it has also become reference for the identity of Catalonia and a reason of pride for the inhabitants of Gerona, city that keeps it and that has conserved it meritoriously since it was found among old rags at the end of 19th century. The reason for its rediscovery and immediate restoration responds to several conditions such as the search for parameters of scientific analysis by medieval archeology, alongside with the advances in the study of decorative arts and collecting. Since then, the artwork piece has been subjected to five restoration interventions. Each of them responds to a philosophy of intervention and several epistemological postulates that have affected not only the constituent material of the work but also the interpretation that has been given by the historiography of art. The first intervention, that took place in the year 1876, corresponds to the beginnings of revaluation of Romanesque art and historical fabrics. The second one, in 1907, parallels the definition of Catalan art and in particulary the Romanesque style from an identity point of view. The third and fourth, from 1952 and 1975 respectively, respond to purely museographic criteria. The last one, completed in 2011, followed museographic, political and social criteria. In order to interpret the restoration operation as a social and interdisciplinary endeavour is essencial to understand the meaning of this embroidery as a significant cultural asset of Catalan Romanesque Art.

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Aulet, Serrallonga Sílvia. « Competitivitat del turisme religiós en el marc contemporani. Els espais sagrats i el turisme ». Doctoral thesis, Universitat de Girona, 2012. http://hdl.handle.net/10803/96379.

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The main aim is to define the concept of religious tourism in order to understand the complex nature of this phenomenon. Firstly, we analyze the concept of sacred, and especially the relationship with sacred spaces as main areas receiving religious tourism. The concept of the sacred is a universal phenomenon, but it is represented differently according to the religious tradition it belongs, so there is also a local component. The second term studied is tourism. From this point of view, we explore the concept of religious tourism but also other types of tourism in sacred spaces such as pilgrimages, spiritual tourism and cultural tourism. The conclusion reached is a model based on sacred spaces that relates the different motivations of visitors. It identifies some ideal type that let us suggest some management actions in order to avoid conflicts that may arise between the devotees and tourists in sacred spaces.
L’objectiu principal és la conceptualització del turisme religiós de manera que s’entengui la naturalesa complexa del fenomen; i per fer-ho s’analitzen les dues vessants que composen el terme. Per una banda, s’analitza la conceptualització del sagrat i la relació que té amb els espais sagrats com a principals receptors de turisme religiós. S’entén el sagrat com un fet universal i global i alhora local. Per altra banda, s’analitza el terme de turisme religiós i d’altres tipologies turístiques que es poden donar en els espais sagrats, com els pelegrinatges, el turisme espiritual i el turisme cultural. La conclusió a la que s’arriba és un model que, basat en els espais sagrats, relaciona les diferents motivacions dels visitants. Això permet identificar uns tipus ideals que ens permeten suggerir algunes línies de gestió encaminades a evitar els conflictes que es puguin generar en els espais sagrats, amb la finalitat de preservar-ne la naturalesa.

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Tellow, Katarina. « Redeveloping waterfronts : A study in planning strategies, waterfronts and heritage ». Thesis, Luleå tekniska universitet, Arkitektur och vatten, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-78024.

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Redeveloping centrally located waterfronts took of properly in the late 1990’s. Before that, the old brownfields were left untouched for years, often resulting in the connection between them and the city centre worsening. The thesis aims to explore strategies and approaches for waterfront developments. This was done by analysing the strategies used whilst planning the following three sites; Västra Hamnen in Malmö, Nordhavn in Copenhagen and Cardiff Bay in Cardiff. In addition to this, a waterfront site in Gothenburg was chosen and used to put the theoretical discoveries into practice. The theoretical foundation is made up of a literature and document study, where the three case studies and the designated site acted as the main topics of research along with general information about waterfronts and architectural and cultural heritage. The case studies were analysed using a combination of field studies and a literature study. A matrix consisting of ten columns and four rows was created and used as a base for analysing the approaches of the three cities. The site analysis was done with the help of a document study and field study. Both field studies were executed using the method of walk-throughs. The thesis resulted in six suggestions for future actions when redeveloping waterfronts as well as an urban framework proposal. The results are meant to work as a basis for future projects.
Utvecklingen av centralt belägna hamnområden tog fart ordentligt under det sena 1990-talet. De gamla industriområdena hade innan dess inte prioriterats, något som ofta resulterade i att förbindelserna mellan dem och stadskärnan försämrades. Syftet med uppsatsen är att utforska strategier och tillvägagångssätt som används vid utveckling av hamnområden. Detta gjordes genom att analysera de strategier som använts under planeringsfasen av tre olika stadsdelar; Västra Hamnen i Malmö, Nordhavn i Köpenhamn och Cardiff Bay i Cardiff. Utöver detta valdes ett hamnområde ut i Göteborg som användes för att använda den teoretiska informationen i praktiken. Den teoretiska basen är uppbyggd av en litteratur- och dokumentstudie, där de tre stadsdelarna och den utvalda projektplatsen figurerade som de huvudsakliga forskningsobjekten, tillsammans med generell information om vattennära områden tillsammans med arkitektoniskt och kulturellt arv. De tre stadsdelarna analyserades med hjälp av fältstudier i kombination med en litteraturstudie. En matris med 10 olika teman skapades även för att bättre utforska dem. Analysen av projektplatsen genomfördes även den med hjälp av en dokumentstudie och fältstudier. Alla fältstudierna genomfördes genom att följa metoden för gåturer. Forskningen resulterade i framtagningen av sex stycken förslag på framtida åtgärder vid förnyelse av hamnmiljöer tillsammans med ett förslag för en urban struktur för Gullbergsvass. Resultaten är tänkta att användas som bas för fortsatta studier.

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Paiva, Bartolomeu Adalberto Figueiredo. « Design e urbanidade. Cumplicidades do programa pólis ». Doctoral thesis, Faculdade de Arquitectura de Lisboa, 2012. http://hdl.handle.net/10400.5/5646.

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Thèses sur le sujet « Design del cultural heritage »

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