Littérature scientifique sur le sujet « Design del cultural heritage »
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Articles de revues sur le sujet "Design del cultural heritage"
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Maldonado Reyes, Ana Aurora. « El diseño industrial, salvaguardia del patrimonio cultural inmaterial en México ». Economía Creativa, no 10 (22 novembre 2018) : 55–87. http://dx.doi.org/10.46840/ec.2018.10.04.
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Este artículo analiza la participación del diseño en las acciones de salvaguardia del Patrimonio Cultural Inmaterial (PCI), en el ámbito de las técnicas artesanales tradicionales. Primero hablaremos sobre el Diseño, su conceptualización, su práctica y relación con las artesanías. En seguida se conceptualizará el PCI, sus ámbitos y características, así como la necesidad de salvaguardia, se pondrá especial énfasis al ámbito de la práctica artesanal, a partir de este observar su relación con los otros, como el de "usos sociales, rituales y actos festivos”. De esta manera se enmarcará la labor que en el ámbito de las técnicas tradicionales artesanales y práctica artesanal se puede y se ha llevado a cabo por parte del Diseño. Este trabajo también hace un recuento de las investigaciones que el Cuerpo Académico de Diseño y Desarrollo Social ha llevado a cabo en materia de salvaguardia del PCI.
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Lupo, Eleonora. « Design e Cultural driven innovation ». i+Diseño. Revista científico-académica internacional de Innovación, Investigación y Desarrollo en Diseño 14 (5 décembre 2019) : 120. http://dx.doi.org/10.24310/idiseno.2019.v14i0.7085.
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Il saggio si propone di inquadrare il concetto di Cultural Driven Innovation nel discorso su design e patrimonio culturale contemporaneo, inteso come l’heritage continuum attivabile dal design tramite le tecnologie digitali e mobile. In questo approccio il Cultural Heritage non è considerato solo leva per uno sviluppo più sostenibile ma vera e propria fonte di innovazione, grazie al suo ri-uso creativo non soltanto in nuovi prodotti culturali fruibili da utenti finali, ma in strategie e strumenti, abilitati dal design, di co-creazione di valore per tutta la filiera.
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Grande León, Alfredo. « La Génesis de un Museo del Guadalquivir del siglo XXI. Anastylosis virtual del valle del Guadalquivir en el siglo II d. C : La Baetica de Adriano. » Virtual Archaeology Review 1, no 1 (11 avril 2010) : 27. http://dx.doi.org/10.4995/var.2010.4753.
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<p>We present an ambitious design in order to a new space and a cultural center in the surrounding area of the city of Seville devoted to Guadalquivir River and its Memory. This project depicts a new framework for multifunctional cultural infrastructures aimed to perpetuate and strengthen the knowledge of our rich cultural heritage, adding new didactic value to it by means of XXI century museology and the latest 3D virtual technologies, thus creating valuable resources for cultural diffusion according to present-day possibilities. This initiative started in year 2005 and shall be concluded in year 2012, as result of the cooperation between several public and private institutions, all of them interested in the cultural, touristical, technological and economic revaluation of Guadalquivir River</p>
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De Rossi, Antonio, et Roberto Dini. « Manipolazioni metasemiche del patrimonio ». Manipolazioni metasemiche del patrimonio 2 NS, Issue 2 Ns, July 2019 (15 juin 2019) : 13–34. http://dx.doi.org/10.30682/aa1902a.
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The construction of a renewed habitability of the contemporary Alpine space requires a profound critical revision of the ways of looking and of the cultures concerning the theme of re-use of the built heritage. Over the last few decades, a sort of crystallization of imaginaries, operational practices and development ideas has emerged around the two terms of re-use and heritage and their ways of interaction, which today is likely to be an obstacle to the construction of new development scenarios for the Alpine region. Trying to imagine new values and meanings of the concepts of reuse and heritage, however, requires the questioning of those patrimonialization cultures that have served as the ultimate framework for the project of the Alpine space. The essay reconstructs those design processes that, starting from a renewed productive vision of the mountain, attempt today to overcome a hypostatized vision of the conventional cultural landscape produced by the patrimonialist paradigm, to embrace a transformative attitude of the heritage based on the materic character of the basic elements of the Alpine space. In particular we want to underline how the contemporary design culture in the Alps is directed to the development of synthetic languages aimed at capturing the stratified and diachronic dimension of the built landscape through metasemic cognitive and interpretative practices. It is an attitude that, against a background of the change in perspective brought about by climate change and environmental issues, allows the maximization of the opportunities and physical resources recovered in the place, perfectly in line with the aptitude for the continuous re-use of the Alpine civilizations of the past, which focuses on the awareness of participating in a constructive process of transformation of the long lasting Alpine territory.
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Ferrero Jimeno, Alba Camino, et Judit Martínez Ruiz. « Street Escape en la Colonia Güell : conceptualización, diseño y evaluación de una estrategia de mediación del patrimonio cultural ». Tourism and Heritage Journal 2 (8 juillet 2020) : 28–40. http://dx.doi.org/10.1344/thj.2020.2.3.
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In this project, a gamified mediation strategy is proposed for the enhancement of the industrial heritage of Colonia Güell through the Street Escape tool. The general objectives are the conceptualization and design of a mediation strategy and its subsequent evaluation, as well as the analysis of the results obtained. In order to achieve these objectives, an investigation was developed that has as key points the gamification in heritage spaces and the Escape Room tourism. The qualitative methodology used has been a case study that has had the techniques of participant observation and focus group to collect information and behaviors from the ten participants in the game. The Street Escape has been done with two groups, one representing the teenage public and the other representing the youth public, since the tourist and didactic offer of Colonia Güell is insufficient to respond to the needs of young public. Afterwards, the conceptualization, design and evaluation of the Street Escape in Colonia Güell has been carried out. Finally, the results obtained show that the creation of a gamified mediation strategy helps to bring industrial heritage closer to young people.
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Agudo Guevara, María Ximena, et María Rosa Ruíz Cervera. « Estudios sobre conservación, restauración y museología, vol. V ». Intervención 1, no 21 (13 octobre 2020) : 349–65. http://dx.doi.org/10.30763/intervencion.231.v1n21.10.2020.
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Las autoras reseñan el volumen V del libro Estudios sobre conservación, restauración y museología, el cual contiene quince ponencias en torno del patrimonio cultural como tema principal. Articuladas en cuatro subtemáticas (problemáticas que afectan al patrimonio; fronteras entre la conservación y la restauración; disciplinas del patrimonio; el profesional del patrimonio), se debatieron durante el 10º Foro Académico de la Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), del 25 al 28 de julio de 2017, previo al 50 aniversario de la ENCRyM. En la reseña son notables el énfasis de los trabajos en las tensiones locales-globales que afectan al patrimonio arqueológico, urbano y etnográfico; el ecléctico campo disciplinar que sirve de base a los profesionales del patrimonio, y las experiencias en nuevos contextos de trabajo, así como un correspondiente paradigma educativo, basado en competencias y en un diferente diseño curricular. ___ The authors review the 5th volume of Estudios sobre conservación, restauración y museología, which contains fifteen papers whose main topic is cultural heritage. The papers, organized around four subtopics (problems affecting heritage; conservation-restoration boundaries; heritage disciplines and the heritage professional), were the subject of debate at the 10th Academic Forum of the Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), from the 25th to the 28th of July 2017 before the 50th anniversary of the ENCRyM. The review emphasizes the focus on the local-global tensions affecting archeological, urban, and ethnographic heritage; the various disciplinary fields that serve as a basis for heritage professionals; and the experiences in new work contexts, as well as a corresponding educational paradigm based on competences and a different curriculum design.
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Gamma Granados, Paola Carolina. « Patrimonio geológico , una nueva veta para geoturismo ». Revista Habitus : Semilleros de investigación, no 3 (7 septembre 2012) : 18–23. http://dx.doi.org/10.19053/22158391.1780.
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La reflexión en torno al patrimonio geológico y el geoturismo surge en el contexto del proyecto “Diseño de una ruta Geoturística en el Anillo de los Dinosaurios, departamentode Boyacá”, derivado del convenio entre el Instituto Colombiano de Geología y Minería INGEOMINAS y la Universidad Pedagógica y Tecnológica de Colombia UPTC, por medio del Grupo de Investigación para la Animación Cultural MUISUATA, de la Escuela de Administración Turística y Hotelera. De acuerdo con lo anterior, en este escrito se abordaron conceptos importantes: sobre patrimonio geológico, que permiten dar cuenta de sus definiciones y los aspectos que lo integran, y sobre geoturismo, los aportes que genera al medio geográfico, así como a lo social, cultural y medioambiental. Palabras clave Patrimonio geológico, geoturismo.AbstractThe reflection on the geological heritage and Geotourism comes in the context of the project “Design of a Geotourist route in the Ring of the Dinosaurs, in Boyacá Department”,derived from the agreement between the Colombian Institute of Geology and Minin Semilleros Revista 19 de investigaciónINGEOMINASand the UPTC, through the Group of Research for the Cultural Animation MUISUATA, of the School of Tourism and Hotel Management. This paper addresses two important concepts: on geological heritage, that allows to give account of its definitions and the aspects comprising, and on Geotourism, its contributions to the geographical environment, as well as social, cultural and environmental aspects.KeywordsGeological heritage, Geotourism
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Ponsoda López de Atalaya, Santiago, Juan Ramon Moreno-Vera et Ana Isabel Ponce-Gea. « Las TIC como recurso para trabajar el Patrimonio Cultural Inmaterial en el aula ». Research in Education and Learning Innovation Archives, no 30 (19 janvier 2023) : 99. http://dx.doi.org/10.7203/realia.30.24993.
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The use of ICT as a resource for the treatment of heritage manifestations in the classroom represents an advance in terms of taking advantage of the potential of heritage as an educational resource and, without doubt, in terms of greater accessibility to it. In this line, the work presented here focuses on the use of ICT to work on intangible heritage in the classroom from a didactic inno- vation within the framework of the initial training of teachers, in which a total of 54 students from the subject of Didactics of Social Sciences: History in the Degree in Primary Education of the Uni- versity of Alicante. This innovation consisted in developing a virtual museum focused on various manifestations of intangible cultural heritage, thus contributing, from the field of education, to its dissemination and promotion, as stated in Law 10/2015 for the safeguarding of Intangible Cultural Heritage (“Ley 10/2015, de 26 de mayo, para la salvaguardia del Patrimonio Cultural Inmaterial”, 2015). Therefore, from the creation of this virtual museum in the classroom, and from the propo- sals made by the students to work on this type of heritage content, the use of ICT as a tool for the development of resources and didactic proposals focused on the treatment of manifestations of Intangible Cultural Heritage in the primary education stage. In this way, the work is connected, in turn, to the training of future teachers in regard to digital teaching skills. In light of the results, it reveals a divergence between the manipulative use of digital resources and their applicability when working with them in the classroom, since the participants show advanced digital skills when de- veloping their own creations, which contrasts with the scarce presence of educational technologies in the design of specific didactic proposals.
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López-Hurtado Orjeda, Enrique. « Las convenciones UNESCO para la protección y salvaguarda del patrimonio cultural : un marco global para el diseño de políticas públicas ». Turismo y Patrimonio, no 12 (30 septembre 2018) : 77–90. http://dx.doi.org/10.24265/turpatrim.2018.n12.04.
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García-Sampedro Fernández-Canteli, Marta, et Noelia Fernández García. « The Museu del Disseny de Barcelona as an example of pedagogical innovative practices ». Res Mobilis 9, no 11 (15 septembre 2020) : 107–23. http://dx.doi.org/10.17811/rm.9.11.2020.107-123.
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Design has proved to be a discipline deeply connected to our daily lives. Its identification as a cultural heritage element is undeniable due to its wide-ranging values. In this sense, the Museu del Disseny de Barcelona has been promoting this artistic field since its creation in 2008. This museum has a relevant social and cultural function as it is the only design museum in Spain. Furthermore, the museum also stands out because of its innovative pedagogical programmes pointed to scholars, university students, families and groups of people with accessibility problems. The aim of this article is to present the Musseu del Disseny de Barcelona from an educational perspective, paying attention to its staff members, facilities, programmes and assessment. The 2018 museum annual report results are an example of its success. In order to accomplish this study, the authors have recently interviewed in-depth some members of the pedagogical team (Serveis Educatius).
Thèses sur le sujet "Design del cultural heritage"
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Ismail, Mohd Hafizal. « Local community involvement in cultural heritage management : a case study of Melaka Heritage Trail, Malaysia ». Thesis, University of Portsmouth, 2013. https://researchportal.port.ac.uk/portal/en/theses/local-community-involvement-in-cultural-heritage-management(d60003ee-7533-467c-a208-747b6316a1a4).html.
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The sustainability of cultural heritage management of the resources is strongly related to support from local community via participation. It is evident that active community involvement can improve local residents’ quality of life based on better environment, social and economic conditions. However, there is little research into the question of whether the involvement of local community in heritage management derives from a genuine interest and desires to protect and conserve their local heritage assets. In the case of Malaysia, a truly local community collaborative approach is often limited due to the ways in which the community in question is conceptualised and involved in the process. In other words, local community involvement is extremely rare because they have been neglected especially in the decision making process. This has created a negative relationship between local community and government authorities in resource conservation. Therefore, it is pivotal to investigate the influence of the local community attachment towards heritage, in order to understand the local community involvement in heritage management. The attitudes and perceptions of three groups of respondents were examined by using the concept of heritage trail development, as an illustrative example to triangulate the relationship between local community involvement, government administrative structures and tourists’ experiences. The results revealed that, despite the fact the local community is highly attached to the heritage assets; the level of community involvement in cultural heritage management in Malaysia is low due to operational, structures and cultural limitation to engage the local community in both management and tourism development in the Melaka World Heritage Site. This is to say that the participation approach in Malaysia is highly controlled by the centralised government structure. The research recommends that the authorities consider implementing two major improvements in order to develop and maintain a system of sustainable cultural heritage management: Firstly, to overcome the limitations of community participation in the decision making process. Secondly, to consider the community attachment towards cultural heritage elements, before developing tourist attractions in heritage settings, in terms of residents’ emotional and functional attachments.
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Mlambo, Nolwazi S. X. « Restoring Curio[City] : An Alternative Adaptive Reuse Approach for the derelict Staatsmuseum building throough Landscape Design ». Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78705.
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Urban relics, memories of bygone eras, sit desolate and disregarded on the Northern and Southern fringes of the City of Tshwane’s inner-city, also known as Pretoria. Flaking facades, uninviting margins and deflected gazes have resulted in forgotten city narratives, narratives that are immortalised in these monuments.
These compositions of culture, and remnants of the past, have fallen prey to the swift progress of the city and have been left forgotten as they retreat into the shadows of their former grandeur. Dwarfed by the bustle of the city and it’s towering urban fabric, a generation unknowing pass these urban gems daily, unaware of their past splendour. Existing now only as urban scars, these buildings become spectators to the continued advancing and changing cityscape, they become invisible remnants of the city’s cultural and historical landscape.
The dissertation aims to generate a landscape design proposal for the Old Staatsmuseum building as an attempt to reactivate one such urban relic, to return it to some of its historic grandeur, and imagining new ways for old buildings to inject meaning into the cityscape. Drawing inspiration from creative industries, such as art, media and functional creations, the project investigates landscape architecture’s potential to; regenerate and remodel buildings into creative sites, prevent their further decay, celebrate their inherent adaptive history and make them accessible to the new generation of city dwellers and visitors. Furthermore, such an attempt also seeks to connect and enhance the otherwise fragmented urban nature within the City of Tshwane, by connecting the Old Staatsmusem, to its context of the National Zoological Gardens, and further afield to the grassland landscapes of Gauteng.
Landscape architecture is therefore used to present an allusion of the “continuation of cultural phenomena through built infrastructure” (Wong 2017:30) and as a catalyst for urban regeneration in the Pretoria inner-city.Mini Dissertation (ML (Prof))--University of Pretoria, 2020.
Architecture
ML (Prof)
Unrestricted
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Hervías, Beorlegui Juan José. « Interpretación del Patrimonio a través del Análisis de las Técnicas utilizadas en el Museo de Jamtli ». Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/400093.
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Hoy en día la cultura supone uno de los pilares que sustentan gran parte de la economía de muchos países, entre los que se encuentra, indudablemente, España. Las repercusiones que tiene el turismo en las arcas del país son inestimables. En este contexto, los museos, son a menudo el motivo que incita, en primer lugar, el propio viaje en sí mismo. Muchas de las instituciones culturales actuales se han convertido en verdaderas mecas de peregrinación dentro de la “vida religiosa” del turista, un lugar imprescindible que tachar en el pasaporte del buen viajero, transformándose en auténticos devoradores de museos o sitios turísticos estrella de forzosa visita.
No obstante, estas instituciones museísticas, no siempre usan todas las herramientas comunicativas que tienen a su alcance para poder transmitir de manera efectiva su mensaje que y proporcione una experiencia diferente y única al visitante que entra en contacto con el patrimonio que custodia la institución. En el marco de la gestión de nuestra cultura, tenemos la impresión, de que prima más la idea de realizar museos colosales o exposiciones espléndidas antes que el hecho de comunicar una serie de mensajes a los visitantes. Muchos de ellos no analizan posteriormente qué mensajes han llegado al público, o si estos han sido comprendidos o incorporados como nuevo conocimiento. La auténtica función del museo para con su público, hoy en día, debería ser el removerles la conciencia, el provocarles ideas y planteamientos nuevos, crearles interrogantes, dudas, preguntas…en suma, seducirles con su patrimonio cultural.
La disciplina de la interpretación del patrimonio aplica una serie de técnicas comunicativas para transmitir de manera efectiva los valores del patrimonio. En el ámbito del patrimonio natural ha demostrado su utilidad a la hora de influir positivamente en el alcance didáctico que la visita tiene el público, y en la creación de una conciencia patrimonial mayor.
Así pues, nos planteamos la posibilidad de importar estas técnicas interpretativas al ámbito museístico. Para ello se ha procedido al análisis del museo de Jamtli situado en la ciudad sueca de Östersund. Este museo es el hermano pequeño del pionero museo de Skansen en Estocolmo. Ambos han introducido en sus respectivas políticas de mediación técnicas procedentes de la interpretación para crear un discurso bidireccional entre público y patrimonio orquestado por el museo.
Decidimos realizar un trabajo de campo en el museo de Jamtli mediante, principalmente, unas encuestas realizadas a los visitantes que pretendían comprobar el alcance didáctico de estas acciones interpretativas en museos.
Esta nos ha permitido abrir nuevas líneas de investigaciones futuras que pretenden explorar la hipotética implementación de las técnicas de la interpretación del patrimonio, en los llamados museos estrella que son los que más repercusión social tienen en nuestra comunidad. Los resultados obtenidos ambicionan ser el punto de partida para otros estudios ulteriores que permitan generalizar los resultados hallados en esta presente tesis doctoral.Nowadays culture represents one of the pillars that support much of the economy of many countries, among which one is, undoubtedly, Spain. The impact of the tourism in these countries´ is invaluable. In this context, museums are often the reason that prompt the journey itself. Many of today´s cultural institutions have become true sites of pilgrimage within the “religious life” of tourists, an essential place for all travelers to quench their thirst for culture. However, these museums institutions do not always use all communications tools at their disposal to effectively convey their message and provide a different and unique experience to the visitor who comes into contact with the heritage that the institution guards. The management of our culture, which is building colossal blockbuster museums today, seems to have forgotten to communicate a relevant message to the visitor instead Many of them tend to forget to analyze later on whether the messages have been intercepted by or even incorporated in the vistors´minds and knowledge The real function of the museum to its visitors today should be provoke thoughts and ideas that lead to a new way of thinking, in short, seduce them with their own cultural heritage. The science of heritage interpretation applies a number of communication methods to effectively transmit the values of cultural heritage. In the field of environmental heritage or nature heritage, it has proved very useful in visitors´ learning and in creating a greater heritage consciousness. Thus, we considered the possibility of importing these interpretive techniques in the museum field. For this, the Jamtli Museum (located in the Swedish town of Östersund) has been analyzed. This museum is Skansen´s little brother (the museum located in Stockholm, pioneer in many key aspects). Both have introduced, in their respective policies, techniques from the heritage interpretation to create a two-way discourse between public and heritage. We decided to conduct a field research at the Jamtli Museum by doing visitor surveys that wanted to check the teaching effectiveness of these methods at the museum. This has allowed us to open new lines of future research that will intend to explore the hypothetical implementation of techniques from the heritage interpretation, in the so- called “star museums” that have the most social impact on our community. The results aspire to be the starting point for further studies that allow us to generalize the results found in this present dissertation.
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Sohie, Caroline. « Heritage discontinued : tracing cultural ecologies within a context of urban transition ». Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/23702.
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Culture has been consistently underrepresented in the sustainability debate and often perceived as a constraining factor to modern-day advancement. However in recent years, the broadening development paradigm in the Global South is increasingly asserting culture's indispensable role in sustainable human development. This dominant cultural paradigm mainstreamed by UNESCO is subscribed to by government and other role-players within the domain of culture and urban development. Despite its significant achievements, it however comes with a specific heritage conceptualisation, which is disconnected from local reality and perpetuates a problematic theoretical construct of cultural legacy, which is steeped in a Eurocentric conservation bias with colonial undertones. The thesis argues that this model will not lead to transformative interventions in urban areas that harness the power of culture if its interpretation remains decontextualised and perpetuates an instrumentalised view of culture and cultural conservation practice, inherited from the past. The thesis explores how an alternative conceptualisation of culture, based on the concept of cultural ecologies, can be more meaningful and beneficial in contributing to the theoretical reassessment of the human settlements imaginary. This is achieved through an interdisciplinary literature review and a case study of Bagamoyo, a small urban settlement in Tanzania. Through a systematic diagnosis of this small scale locality, cultural ecologies are foregrounded through the primary lens of the urban public-private interface and framed within a context that is shaped by the dynamics of globalisation. Additionally, the study takes place against the backdrop of a failed UNESCO World Heritage application, which allows me to discuss the undercurrents and invested interests associated with cultural heritage politics and the traumatic impact global conventions can have on local sustainability. It concludes in a proposed approach that repositions culture at the core of social exchange and argues that cultural sensitive development is an ongoing socio-cultural production process. Its potential lies in capturing the layered 'ordinariness' of place and in harnessing the imaginative responses arising from local idioms, practices and traditions as the shared imaginary of tomorrow.
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Lilja, Josefin. « Interactive digital storytelling and tangibility in cultural heritage museums ». Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22810.
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This paper focuses on how a single installation can enhance personalization of the information in cultural heritage museums and enhance the overall experience using interactive digital storytelling and the ability to touch artefacts. Interaction design methods helped establish best practices centring on usability. In the process low- fidelity and mid-fidelity prototypes were created based on the field studies such as obeservations in exhibits and interviewing professionals in different museums. The conclusion could be made that artefact and the purpose of the exhibit as an whole does get more intense if one has the opportunity to touch and make it part of the visitors journey can be said.
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Tjahjani, Indra, et n/a. « "Taman Sari" Yogyakarta : a cultural perspective in landscape design ». University of Canberra. Environmental Design, 2005. http://erl.canberra.edu.au./public/adt-AUC20061122.123558.
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This thesis is a critical review of Taman Sari, Yogyakarta in particular how the Old City Planning including the Pleasure Garden which has multi functions was established in Indonesia during the ancient time ( in the past ), the development during the Dutch era, and current conditions and how the future generation should take care of the place.
The discussions, analysis, synthesis and assumption were done based on the literature study, the ICOMOS Burra Charter, the China Principles for the Conservation of Heritage Sites, and the Indonesia Law in Cultural Heritage.
In the research it has been found that Taman Sari which is located in Yogyakarta was built for several reasons and functions, such as resting area, recreation area, practicing area, traditional activities and workshops, meditation area and also defense area.
One line of this research is that the use of plants which had been planted in Taman Sari area was related with the tradition, symbolism and the daily needs. As assumption in this research some plants possibly are classified as a Javanese traditional plant.
A series of photographs which have been taken from different time support the analysis of this research report.
At the end of the report there is a recommendation to the Indonesia Government for maintaining the cultural heritage asset value, because this could be a national valuable asset which could be handed to the future generation.
Based on the Guidelines to the Burra Charter define we Cultural Significance as :
.....a concept which helps in estimating the value of places. The places that are likely to be of significance are those which help an understanding of the past or enrich the present, and which will be of value to the future generations.
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ANGELONI, RENATO. « La riproducibilità digitale per un nuovo approccio alla documentazione e fruizione del cultural heritage ». Doctoral thesis, Università Politecnica delle Marche, 2021. http://hdl.handle.net/11566/289664.
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Il presente lavoro di tesi si inserisce nell'ambito del processo di trasformazione digitale del Patrimonio Culturale, di cui approfondisce i temi legati alla documentazione e fruizione tramite soluzioni tecnologiche innovative. L'integrazione di diversi metodi di acquisizione permette infatti di elaborare facsimili digitali che, sfruttando le potenzialità di realtà aumentata, mista e virtuale, nonché della fabbricazione digitale, offrono nuove modalità di tutela e disseminazione del Patrimonio. Partendo dalla documentazione del bene culturale, si sono così strutturate innovative esperienze di fruizione per ciascuno dei casi di studio affrontati: un’applicazione di realtà aumentata per i disegni del Codice Atlantico di Leonardo, in grado di generare dei modelli tridimensionali interattivi delle macchine leonardiane a partire dalle loro rappresentazioni originali; un’esperienza di visita virtuale immersiva dello Studiolo di Palazzo Ducale a Urbino, per svelare i tanti significati nascosti nelle rappresentazioni presenti sulle sue pareti; la ricostruzione fisica e virtuale delle Grotte di Palazzo Campana a Osimo, soluzione mirata a renderle accessibili preservandone il fragile equilibrio; infine il tour virtuale della Pinacoteca di Ancona, per una proposta di visita da remoto ai suoi spazi e alla sua collezione. Tali soluzioni, presentando alcune innovazioni sia nella filiera di documentazione che nella fruizione, propongono un’esperienza del Patrimonio Culturale accessibile “dovunque e a chiunque”, per un’esperienza più “evoluta”, che non sia semplice replica di quella dell’opera originale.This thesis explores the process of digital transformation of Cultural Heritage and it deepens the topics related to documentation and fruition through innovative technological solutions. The integration of different acquisition methods allows developing digital replicas that, exploiting the potential of augmented, mixed and virtual realities, as well as digital manufacturing, offer new ways of protecting and disseminating Cultural Heritage. Starting from the documentation, innovative experiences of fruition have been structured for each of the case studies addressed. First of all an application of augmented reality for the drawings of the Codex Atlanticus by Leonardo, able to generate three-dimensional interactive models of Leonardo’s machines from their original representations. An immersive virtual experience of the Studiolo at Palazzo Ducale in Urbino, to reveal the hidden meanings in the representations on its walls. The physical and virtual reconstructions of the Caves of Palazzo Campana in Osimo, two solutions aimed at making them accessible while preserving their fragile balance. Finally, the virtual tour of the Pinacoteca of Ancona, to visit its spaces and its collection remotely. These solutions, presenting some innovations both in the documentation and in the fruition, offer an experience of Cultural Heritage accessible "everywhere and to everyone", for a more "advanced" experience, which is not simply a replica of that of the original work of art.
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Nardini, Silvia <1988>. « Digital Cultural Heritage : gli strumenti della tecnologia digitale per la valorizzazione del patrimonio culturale ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6671.
Texte intégralRésumé :
La tesi tratta l'argomento del Digital Cultural Heritage nel contesto dell'interazione tra settore culturale e settore informatico.
Propone una visione a tutto tondo di come è stato gestito il patrimonio culturale con l'aiuto della tecnologia digitale e i passi compiuti e da compiere nel prossimo futuro, per giungere alla Società dell'Informazione per tutti.
Inizialmente viene proposta una visione generale della Cultura Digitale dall'avvento di Internet e di come è cambiata l'idea di cultura anche grazie all'uso di infrastrutture di rete per la ricerca e l'innovazione e i vari progetti che utilizzano questi strumenti digitali per lo sviluppo della cultura.
Successivamente si parla di un altro importante strumento promosso dall'Unione Europea per il futuro della ricerca storico-artistica in ambito digitale, La Biblioteca Digitale Europea. Si riporta la sua concezione, le sue finalità e la storia di come è nata e si è sviluppata, grazie al sostegno delle iniziative eEurope, delle Raccomandazioni e Direttive europee che trattano l'argomento.
Verranno affrontati poi gli strumenti che si collocano nel contesto della strategia dell'Unione Europea per creare la Società dell'Informazione e che sono al servizio della Biblioteca Digitale Europea. Dal progetto Minerva, al progetto Michael fino ad arrivare al portale Europeana.
Infine si espone la situazione italiana del livello di digitalizzazione dei beni culturali e il portale CulturaItalia come strumento di conservazione e valorizzazione.
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Grasso, Luigi. « Cultural heritage e social media engagement. L’esperienza delle imprese storiche del Made in Italy ». Doctoral thesis, Universita degli studi di Salerno, 2017. http://hdl.handle.net/10556/2608.
Texte intégralRésumé :
2015 - 2016Obiettivi. Il lavoro ha la finalità di approfondire le modalità di utilizzo delle leve connesse al cultural heritage nelle strategie di social media communication delle imprese storiche del made in Italy, indagando l’effettivo grado di utilizzo dei molteplici strumenti potenzialmente a disposizione per valorizzare in chiave strategica il proprio vissuto storico, al fine di favorire lo sviluppo dei processi di social media engagement. Metodologia. La ricerca si basa su una content analysis condotta su dati secondari, che ha riguardato le imprese di medie e grandi dimensioni iscritte nel “Registro Nazionale delle Imprese Storiche Italiane” di Unioncamere. Il calcolo degli indici di likeability e di shareability, e la misurazione dei livelli di awareness e engagement del campione di imprese analizzato ha consentito di misurare l’efficacia della comunicazione nell’incrementare il social media engagement. Risultati. I risultati dell’analisi dimostrano che la componente del cultural heritage è una leva intrinseca dell’engagement. L’adozione di metriche come il likeability rate e lo shareability rate e la misurazione dei livelli di awareness e engagement ha dato la possibilità di valutare l’efficacia delle variabili cultural heritage, nell’ottica di favorire l’interazione con i followers. Limiti della ricerca. Il principale limite dello studio è legato alla prospettiva d’analisi privilegiata, focalizzata esclusivamente sulle politiche di comunicazione social delle imprese longeve attraverso Facebook, trascurando ulteriori piattaforme social potenzialmente interessanti ai fini della ricerca. Inoltre la misurazione degli indicatori di awareness ed engagement si basa su dati tempo-varianti. Implicazioni pratiche. Il presente lavoro fornisce una iniziale panoramica delle azioni dirette a sfruttare il vantaggio competitivo generato dalle variabili connesse al cultural heritage. Le risultanze emerse dal lavoro potrebbero essere di preminente interesse per imprese e territori, come quelli italiani, in cui l’immagine del patrimonio culturale nazionale, ed in particolare delle sue componenti intangibili ed identitarie, rappresenta una fondamentale leva di vantaggio competitivo sui mercati internazionali. 3 Originalità del lavoro. Il presente lavoro costituisce il primo esempio di indagine su larga scala volta ad investigare gli strumenti potenzialmente a disposizione delle aziende per valorizzare in chiave strategica il proprio vissuto storico. [a cura dell'autore]
Objectives. The aim of the thesis is to explore the tools related to the cultural heritage in the social media communication strategies of made in Italy historical companies, investigating the actual use of the tools available to strategically enhance the historical experience and to promote the development of engagement processes. Methodology. The research is based on a content analysis developed on secondary data, concerning medium and large companies registered in the “National Register of Italian Historical Firms” of Unioncamere. The calculation of the likebility and shareability indices and the measurement of awareness and engagement levels of the analyzed companies sample, has helped to measure the effectiveness of communication to increase social media engagement. Results. The results of the analysis show that the component of cultural heritage is an intrinsic leverage of engagement. The adoption of metrics such as the likeability rate and shareability rate and the measurement of awareness and engagement levels gave the opportunity to evaluate the effectiveness of cultural heritage variables to promote interaction with followers. Research limits. The main limit of the study is related to the chosen analysis perspective, focused only on social media communication policies of historic companies on Facebook, neglecting further social media platforms potentially useful for research purposes. Moreover, the measurement of awareness and engagement indicators is based on time-depending data. Practical implications. This research provides an initial overview of the actions aimed at using the competitive advantage generated by variables related to the cultural heritage. The results could be useful for companies and territories, like the Italian ones, where the image of national cultural heritage represents a strategic leverage of competitive advantage on international markets. 4 Originality of the study. This research is the first example of a large-scale investigation aimed at examinating the tools potentially available for the companies interested in giving value to their historical experience. [edited by author]
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Khalili, Clifford Meena. « Visualizing Cultural Impermanence Through Entropic Design ». VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2094.
Texte intégralRésumé :
Entropy is a process of gradual decline as a system loses the strength to maintain itself. It begins with disorder and results in complete transformation. As a multi-cultural American, it has been my experience that the maintenance of my Iranian heritage parallels this concept. A method of visual communication that incorporates entropy is able to express notions of impermanence, disorder and transformation. This project is focused on employing entropy in the process of design and image making by using the transformation of my cultural identity as primary content.
Livres sur le sujet "Design del cultural heritage"
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Museu del Disseny de Barcelona. From world to museum : Product design, cultural heritage. Barcelona : Ajuntament de Barcelona, 2014.
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Italy) Design e Open Source for Cultural Heritage (Conference) (2011 Genoa. Design & open source for cultural heritage : Il design del patrimonio culturale fra storia, memoria e conoscenza : l'Immateriale, il virtuale, l'interattivo come "materia" di progetto nel tempo della crisi. Firenze : Alinea editrice, 2015.
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editor, Ciagà Graziella Leyla, Lupo Eleonora editor, Trocchianesi Raffaella editor, PRIN "Il design del patrimonio culturale tra storia, memoria e conoscenza." et Italy. Ministero dell'istruzione, dell'università e della ricerca, dir. Design & cultural heritage. Milano : Electa, 2013.
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Farina, Annick, et Fernando Funari, dir. Il passato nel presente : la lingua dei beni culturali. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-250-8.
Texte intégralRésumé :
As a sign, tangible heritage is the most visible trace of the past in our daily life. In constant dialectic with the intangible heritage, it constitutes a physical presence that forces us to take concrete awareness. Knowledge of texts and stories, which for Vitruvius is the high road for the design and construction of a building, is also fundamental in the processes of deconstruction, according to the various stages and different perceptions, through ages and customs, up to retrace the process that transformed it into 'heritage'. The lexicon and the terminology of cultural heritage are in this sense the most important vector of knowledge, enhancement and dissemination. The volume seeks to bring together those who study the language of heritage, from different countries and through different methodologies, and those involved in its management, in order to offer points of view and ideas on the narration and perception of tangible and intangible heritage, in mediation across eras, cultures and identities.
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Microclimate for cultural heritage. Amsterdam : Elsevier, 1998.
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Rau, Pei-Luen Patrick, dir. Cross-Cultural Design. Applications in Cultural Heritage, Creativity and Social Development. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92252-2.
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Historia del periodismo cultural en México. México, D.F : Consejo Nacional para la Cultura y las Artes, 2007.
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Maurizio, Quagliuolo, DRI (Italy), Colloquio internazionale sulla gestione del patrimonio culturale (1st : 1996 : Pitigliano, Italy, etc.) et Colloquio internazionale sulla gestione del patrimonio culturale (2nd : 1997 : Viterbo, Italy), dir. La gestione del patrimonio culturale : Atti del II colloquio internazionale = Cultural heritage management : proceedings of the 1st international meeting. [Rome, Italy] : DRI, Ente interregionale, 1997.
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Green, Gillian. Traditional textiles of Cambodia : Cultural threads and material heritage. London : Thames & Hudson, 2003.
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Green, Gillian. Traditional textiles of Cambodia : Cultural threads and material heritage. Chicago : Buppha Press, 2003.
Trouver le texte intégralChapitres de livres sur le sujet "Design del cultural heritage"
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Grigatti, Gianluca, et Pier Paolo Peruccio. « Il design sistemico per la valorizzazione del patrimonio faristico italiano ». Dans Proceedings e report, 79–84. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-147-1.09.
Texte intégralRésumé :
This paper focuses on the Mediterranean coastal monitoring actors (i.e. maritime signaling instruments) such as lighthouses, lights, traffic lights. A twofold motivation behind this choice: on the one hand the 110th anniversary - that will be celebrated in 2021 - of the transfer of the management of the lighting service of the coasts from Italian Ministry of Public Works to the Navy. On the other hand, the willing to illustrate how the Systemic Design methodology can represent a strategic element for the enhancement of a coastal Cultural Heritage such as the one represented by lighthouses.
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Bagnato, Vincenzo Paolo, et Nicola Martinelli. « Recycling Heritage Between Planning and Design Interventions ». Dans Cultural Urban Heritage, 155–64. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10612-6_13.
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Haake, Susanne, Wolfgang Müller et Marc Wolf. « A Memorial Design Pattern Catalogue for Commemorative Digital Culture ». Dans Digital Cultural Heritage, 15–37. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15200-0_2.
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Fritsch, Dieter, et Michael Klein. « Design of 3D and 4D Apps for Cultural Heritage Preservation ». Dans Digital Cultural Heritage, 211–26. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75826-8_18.
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Chiou, Lihrong, Kung-Ling Chang, Yu-Chi He et Richard H. Lee. « Designing ‘Culture and Heritage’ into the C1D1 District of Taipei City ». Dans Cross-Cultural Design, 721–30. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07308-8_69.
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Turnšek, Bogdan, et Maja Turnšek. « Experience design in interpreting cultural heritage ». Dans Ethical and Responsible Tourism, 248–61. Abingdon, Oxon ; New York, NY : Routledge, 2020. : Routledge, 2019. http://dx.doi.org/10.4324/9780429200694-18.
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Baila, Angela, Lorenzo Mazza et Anna Anzani. « Design for Knowledge and Restoration ». Dans Digital Heritage. Progress in Cultural Heritage : Documentation, Preservation, and Protection, 427–37. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-13695-0_41.
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Mei, Qing. « Protective Reuse Design for Gulangyu Cultural Heritage ». Dans The Values of Gulangyu World Cultural Heritage, 89–110. Singapore : Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-3016-6_5.
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Pilay, Lourdes, et Marco Neves. « A City’s Cultural Heritage Communication Through Design ». Dans Springer Series in Design and Innovation, 115–24. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-32415-5_9.
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Zepeda-Domínguez, José Alberto, et Alejandro Espinoza-Tenorio. « Lessons of Governance from Traditional Fisheries : The Huaves of San Francisco del Mar Pueblo Viejo, Oaxaca ». Dans Coastal Heritage and Cultural Resilience, 63–77. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99025-5_4.
Texte intégralActes de conférences sur le sujet "Design del cultural heritage"
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Garro, Jimena. « Los eventos culturales masivos como patrimonio intangible : estrategias de articulación para sitios históricos del norte cordobés : los paisajes culturales en los sistemas de centros urbanos ». Dans Seminario Internacional de Investigación en Urbanismo. Barcelona : Instituto de Arte Americano. Universidad de Buenos Aires, 2013. http://dx.doi.org/10.5821/siiu.5949.
Texte intégralRésumé :
Los eventos culturales masivos son celebraciones multitudinarias organizadas que generan un impacto en la
ciudad que los produce apropiándose del lugar donde se insertan. Estas festividades de expresión popular
tradicional construyen parte de los modelos y la organización de estas ciudades. ICOMOS y UNESCO,
acuerdan que el patrimonio material e inmaterial están unidos y el patrimonio intangible está constituido por
aquella parte invisible que reside en el espíritu mismo de las culturas. Un sistema regional puede estimular
la economía de ciudades, reafirmar sus rasgos identitarios y puede llegar a ser patrimonio de la cultura
nacional. Las estrategias de intervención urbanística y regional contribuyen a una visión y un diseño integral
de espacios urbanos, y propiciar un menor impacto para conservar la historia del lugar y del evento.
Principales puntos: conformación del marco teórico, el análisis de casos existentes y la construcción de
estrategias para lugares del análisis. Mass cultural events are organized mass celebrations that generate an impact in the city that produces them
appropriating the place where are inserted. These festivities of traditional popular expression construct part
of the models and the Organization of these cities. ICOMOS and UNESCO, say that the tangible and
intangible heritages are united and intangible heritage is constituted by that invisible part that resides in the
spirit of cultures itself. In a regional system they can stimulate the economy of urban centers, reaffirm their
identity features and may be heritage of national culture. Urban and regional intervention strategies
contribute to a vision and a comprehensive design of urban spaces, and lead to less impact to preserve the
history of the place and the event. Main points: conformation of the theoretical framework, the analysis of
previous cases and the construction of strategies for the target place.
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Martínez Benia, Susana. « Pueblos arroceros en la cuenca del Cebollatí : asentamientos surgidos a partir de la instalación del cultivo de arroz ». Dans Seminario Internacional de Investigación en Urbanismo. Barcelona : Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6171.
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A partir de la segunda mitad del SXIX, la organización productiva de la explotación de arroz, en la cuenca baja del Cebollatí, dio origen a pueblos arroceros que se han desarrollado en constelaciones convergiendo en nodos calificados de segundo y tercer nivel, en un paisaje particular y atractivo, donde los aspectos culturales y naturales se combinan. Varios usos productivos han estado asociados a la estructuración del territorio, en donde la formulación de asentamientos concebidos para la producción y organizados en forma semiautónoma son parte sustantiva. El territorio es un proceso y un producto de prácticas individuales y grupales, en el que conviven un patrimonio arqueológico -cerritos de indios- , que apelan a las raíces y a los primeros habitantes de nuestro territorio, un paisaje natural de llanuras, esteros, lagunas y montes naturales, y el paisaje cultural generado por el cultivo e industrialización del arroz. Este trabajo se aborda desde la perspectiva territorial: soporte físico más construcción histórica. From the second half of SXIX, the productive organization of the exploitation of rice, in the lower basin of Cebollatí, led to rice villages that have developed into constellations converging qualified second and third level in a particular landscape nodes and attractive, where cultural and natural aspects are combined. Several productive uses have been associated with the structuring of the territory, where settlements formulation designed for production and are organized as semi-autonomous substantive part. The territory is a process and a product of individual and group practices, in which live archaeological heritage - Cerritos assets of Indians, who appeal to the roots and the first inhabitants of our territory, a natural landscape of plains, marshes, lagoons and natural forests, and cultural landscape generated by rice cultivation and industrialization. This work is approached from the territorial perspective: most historic building hardware.
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Lecardane, Renzo, et Zeila Tesoriere. « Patrimonio militare e progetti di rigenerazione urbana : l’infrastruttura bellica dell’Atlantic Wall e di Saint-Nazaire ». Dans International Conference Virtual City and Territory. Roma : Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7908.
Texte intégralRésumé :
Nel 2010, la base sottomarina di Saint-Nazaire è stata dichiarata «Patrimonio del XX secolo»
dal Ministère de la Culture et de la Communnication francese ed è divenuta il simbolo di un
nuovo approccio patrimoniale che riconosce il patrimonio materiale e immateriale in tutte le sue
forme, non limitandosi soltando al manufatto certificato come monumento. La memoria, i beni
materiali o i luoghi poco conosciuti hanno così contribuito a definire una nuova dimensione
urbana proiettata verso il futuro. Riferirsi esplicitamente al tema del rapporto tra waterfront e
patrimonio militare, attraverso l’esempio di Saint-Nazaire, ci porta a riflettere sul ruolo del
progetto urbano nella trasformazione della città contemporanea.
Gli stessi principi collegano tale caso di studio a molte altre operazioni di rigenerazione della
città europea e, in particolare, delle città portuali francesi. A partire dagli anni ‘80, per far fronte
alla crisi del settore industriale, alcune città portuali, tra cui Marsiglia, Le Havre, Saint-Nazaire e
Dunkerque, hanno elaborato numerosi studi e progetti sulle loro aree industriali obsolete o
abbandonate, al fine di potenziare le attività portuali e di destinare gli spazi resi liberi a nuove
attività. Il riconoscimento del valore di risorsa urbana e patrimoniale a tali aree portuali ha
consentito di riattivare dinamiche economiche, sociali e spaziali spesso interrotte o in disuso. In 2010 the submarine base in Saint-Nazaire was declared ‘Heritage of the XX century’ by the
French Ministère de la Culture et de la Communnication. Thereafter it became the symbol of a
new approach related to heritage that recognises the tangible and intangible heritage in all its
forms, not only restricted to the artifact acknowledged as a ‘monument’. Remembrance, the
material assets or the little known places have thus contributed to defining a new urban
dimension projected toward the future. The case of Saint-Nazare, relating clearly to the
relationship between waterfront and military heritage, encourages us to meditate on the role of
urban design in the transformation of the contemporary city. The same principles connect this case study to several other redevelopment operations in the
European city and, in particular, the French port cities. Starting from the '80s, in order to face
the crisis in the industrial sector, several port cities, including Marseille, Le Havre, Dunkirk and
Saint-Nazaire, produced diverse studies and projects regarding their obsolete or abandoned
industrial areas, in order to boost port activities and to allocate the vacant places to new
activities. Acknowledgment of the value of these port areas as urban resources (as well as
cultural heritage) has consented the regeneration of (often previously interrupted or abandoned)
economic, social and spatial activity.
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Valero Martínez, Marta, Juan Manuel Belda Lois, Pau Natividad Vivó, Tomás Zamora Álvarez et Rakel Poveda Puente. « Accesibilidad horizontal : conocer y conservar el patrimonio, cómo conjugar un derecho con una necesidad ». Dans International Conference Virtual City and Territory. Barcelona : Centre de Política de Sòl i Valoracions, 2009. http://dx.doi.org/10.5821/ctv.7527.
Texte intégralRésumé :
Históricamente, las personas han tratado de adaptar el entorno a sus necesidades. Hoy en día, el diseñar adecuadamente un entorno implica tener en cuenta a todos los usuarios. Por ello, la accesibilidad ha
pasado a ser una característica básica a tener en cuenta desde el inicio de cualquier proyecto, lo que introduce la cuestión de cómo intervenir el patrimonio histórico para hacerlo accesible, es decir, cómo plantear la intervención en monumentos, jardines históricos, hallazgos arqueológicos, etc., teniendo en cuenta que todas las personas tenemos derecho a acceder al patrimonio como una parte fundamental de nuestra propia cultura.
A pesar de ello, muchos de los bienes patrimoniales presentan barreras importantes de acceso. Además, la posibilidad de actuación sobre estos bienes es limitada debido a las necesidades de conservación de
los mismos como parte fundamental de la cultura.
Combinar los conceptos de patrimonio y accesibilidad puede parecer contradictorio, debido a que el primero busca intervenciones mínimas mientras que el segundo requiere de intervenciones que eliminen las barreras de acceso con el fin de conseguir una accesibilidad integral. El reto radica en facilitar el acceso a los contenidos de los bienes patrimoniales por toda la población. Para ello, es necesario el desarrollo de metodología específica para hacer accesible el patrimonio y que tenga en cuenta sus
características especiales y sus necesidades de conservación.
Actualmente, el proyecto “PATRAC Patrimonio Accesible: I+D+i para una cultura sin barreras” (proyecto liderado por GEOCISA y LABEIN en el que participa el IBV con otros 22 socios) ha desarrollado esta metodología incluyendo un análisis de la diversidad funcional de la población española, un análisis de las barreras existentes en el patrimonio español, un análisis de los productos de apoyo que pueden facilitar la
accesibilidad al patrimonio y, al mismo tiempo, se está abordando el desarrollo de productos específicos que permitan el acceso a la cultura de todos.
Con el objetivo de desarrollar los productos y sistemas necesarios para garantizar un acceso seguro y confortable al monumento, de forma no discriminatoria, para todos los ciudadanos, y de forma compatible con el bien cultural y reversible, tanto en las fases de conservación, como en la de “explotación” del patrimonio existente.
En este contexto el IBV está desarrollando junto con AZTECA y ACCIONA soluciones específicas para la accesibilidad horizontal consistentes en estructuras ligeras con pavimentos cerámicos que permitan la
inclusión de elementos que aporten información y orientación sobre el bien patrimonial y con un impacto reducido. Este sistema mejoraría la accesibilidad a la vez que permitiría distinguir la intervención con
respecto del original.
Para la construcción de un pavimento cerámico sobre-elevado accesible se deben considerar los aspectos que deben satisfacer los pavimentos en cuanto a su seguridad, su accesibilidad, y las cargas asociadas al uso. Además, el producto resultante habrá de tener en cuenta los requisitos emocionales y
funcionales de los usuarios.
Este desarrollo se espera que tenga un gran impacto debido a que de esta forma se conseguirá el acceso al patrimonio de visitantes que hasta ahora han tenido grandes dificultades, permitiendo que disfruten del derecho de acceder a los bienes patrimoniales y teniendo también en cuenta las necesidades de conservación del bien patrimonial. Historically, people have tried to adapt the environment to their needs. Today to design adequately an environment it is required to keep on mind all the potential users. Therefore, accessibility has become a
basic condition to consider from the very beginning of the any architectural project.
So, access to heritage is a right for all the people as a fundamental part of its own culture, which poses the issue: how to intervene in built heritage to make it accessible, which includes monuments, historic gardens and archaeological sites without excessive disturbance. There are important barriers in many heritage sites. Besides, the possibilities for intervention in the heritage are limited due to the needs of conservation as an important part of the culture.
The novelty to combine the concepts of heritage and accessibility at first may seem antithetical, because the first looks to preserve existing assets while the second tends to remove whatever is possible to
achieve integral accessibility. The thread connecting both ideas is the usability of the property by the entire population. To do so, it is very important to have tools and methodologies to make accessible the heritage
and to take into account their special characteristics and needs.
Currently, the project "PATRAC Accessible Heritage: R & D for a culture without barriers" (project led by GEOCISA LABEIN and in which the IBV with 22 other partners) has developed a methodology including an analysis of the functional diversity of Spanish population, an analysis of existing barriers in the Spanish heritage, an analysis of the product support that can facilitate access to heritage and at the same time, it is addressing the development of specific products that enable access to heritage for all the people. The goal is to develop products and systems that ensure a safe and comfortable access to the heritage for all citizens, in a reversible way which ensures the compatibility with the cultural assets, in phases of conservation and exploitation of existing buildings.
In this context, an example of how to improve horizontal access is the creation of specific floors, which are being developed by AZTECA, ACCIONA and IBV. The idea is to use an in-ground-present irregularities
elevated walkways composite tile digitally printed with the original pavement and the proper signals. Such a system improves the accessibility of the path and at the same time allow distinguish the intervention from
the original.
For the construction of a ceramic surface on high-accessible areas, requirements regarding safety, accessibility and use loads of the pavement should be took in account. Moreover, the resulting product will
have to take into account emotional and functional requirements of users. The impact is very high by the novelty of the topic of the project.
The devices to be generated will enable to carry out visits without any difficulty for the part of users who today have the biggest problems for access to the property because of their condition. And it will take in
account the conservation needs of the heritage as well.
5
Cerda Brintrup, Gonzalo, Mónica Virginia de Souza, Hernán Ascui Fernandez, Pablo Fuentes Hernandez et Roberto Burdiles Allende. « Identidad, patrimonio y desarrollo territorial en la Provincia de Arauco-Chile ». Dans Seminario Internacional de Investigación en Urbanismo. Barcelona : Instituto de Arte Americano. Universidad de Buenos Aires, 2013. http://dx.doi.org/10.5821/siiu.5956.
Texte intégralRésumé :
Se presenta el proyecto Identidad, patrimonio y desarrollo territorial en la provincia de Arauco, Chile, proyecto
desarrollado el año 2012 por un equipo de arquitectos/as de la Universidad del Bío-Bío en Concepción-Chile, en
convenio con la Asociación de Municipalidades de la Provincia de Arauco-Chile. El proyecto tuvo como objetivo
la investigación, reconocimiento y valoración de los espacios públicos de valor patrimonial de la Provincia de
Arauco-Chile, haciendo una propuesta de diseño a nivel de imagen objetivo para 40 espacios públicos
deteriorados pero de gran valor patrimonial en las localidades involucradas. Se trabajó con lugares degradados
y/o poco consolidados pero de una gran potencialidad urbana, con el propósito de desarrollar propuestas de
recuperación que valoren el patrimonio cultural, urbano, arquitectónico y paisajístico de 6 pequeñas localidades
del sur de Chile. We present the project Identity, heritage and territorial development in Arauco province, Chile, a project developed in 2012by a team of architects of the University of Bío-Bío in Concepción, Chile, in agreement with the Association of Municipalities in the Province of Arauco, Chile. The project aims to research, recognition and appreciation of the public spaces of the equity value of Arauco Province, Chile, with a design proposal in terms of image target damaged 40 public spaces but of great historical value in the localities involved. Worked with
degraded sites or poorly consolidated but a large urban potential, in order develop proposals for recovery that value cultural heritage, urban, architectural and landscape of six small towns in southern Chile.
6
Salazar Alvarez, Sergio Arnoldo. « IMAGINARIOS URBANOS E IDENTIDAD EN DOS BARRIOS DE SANTIAGO DE CHILE. » Dans Seminario Internacional de Investigación en Urbanismo. Bogotá : Universidad Piloto de Colombia, 2022. http://dx.doi.org/10.5821/siiu.10152.
Texte intégralRésumé :
The notion of heritage is in constant revision, demanded by new meanings in the city and its inhabitants. The research studied two neighborhoods in Santiago de Chile, their heritage values, and urban imaginations. The hypothesis was proposed that these express the tension between the tangible and the perception of the city at different scales and would be key to articulating architectural projects that solve problems in their communities. Some triggering questions were: What is the relationship between the real (tangible) and the imagined (perception)? What is the role of urban design for the construction of communities and places?
A series of reading operations are proposed, which describe the mobile and static areas where conjectures and images rest on two neighborhoods to work with students: World Musicians - Chile Population, in San Joaquín, and San Eugenio in the Central Station district - Santiago. The presentation exposes the process and result of this research project of the UNIACC University Architecture career carried out during the years 2020 and 2021.
Keywords: Urban imaginaries, neighborhood, industrial heritage, teaching instruments.
Topic: Landscape analysis and management. Cultural landscapes. La noción de patrimonio está en constante revisión, exigida por nuevos significados en la ciudad y sus habitantes. La investigación estudió dos barrios en Santiago de Chile, sus valores patrimoniales e imaginarios urbanos. Se propuso la hipótesis de que éstos expresan la tensión entre lo tangible y la percepción de la ciudad a diferentes escalas, y serían claves para articular proyectos arquitectónicos que resuelvan problemas de sus comunidades. Algunas preguntan detonantes fueron: ¿Cuál es la relación entre lo real (tangible) y lo imaginado (percepción)? ¿Cuál es el rol del diseño urbano para la construcción de comunidades y lugares?
Se proponen una serie de operaciones de lectura, que describen las zonas móviles y estáticas donde reposan las conjeturas e imágenes sobre dos barrios a trabajar con estudiantes: Músicos del Mundo - Población Chile, en San Joaquín, y San Eugenio en la comuna de Estación Central - Santiago. La ponencia expone el proceso y resultado de este proyecto de investigación de la carrera de Arquitectura de Universidad UNIACC ejecutado durante los años 2020 y 2021.
Palabras clave: imaginarios urbanos, barrio, patrimonio industrial, instrumentos de enseñanza.
Bloque temático: Análisis y ordenación del paisaje. Paisajes culturales.
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Afonso, Alcilia. « Intervenções contemporâneas do patrimônio industrial em cidades do nordeste brasileiro : estudos de casos em Campina Grande e Recife ». Dans Seminario Internacional de Investigación en Urbanismo. Barcelona : Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6280.
Texte intégralRésumé :
Esse texto tratará sobre observações realizadas nas intervenções arquitetônicas que o acervo do patrimônio industrial vem sofrendo em cidades do nordeste brasileiro, através de um olhar analítico e crítico. Como estudos de casos específicos, serão tomados dois exemplos de intervenções: um primeiro localizado no agreste paraibano, na cidade de Campina Grande, a antiga Fábrica Marques de Almeida - que na contemporaneidade passa por um processo de conscientização e sensibilização da comunidade para a sua revitalização; e o segundo, na cidade do Recife, capital de Pernambuco - a antiga fábrica da Macaxeira, hoje um centro de ensino e atividades sócio cultural e esportiva. O objetivo desse trabalho é divulgar o resultado das pesquisas que o grupo de investigação Arquitetura e Lugar, cadastrado no CNPq, e vinculado ao curso de graduação em Arquitetura e Urbanismo da UFCG, e aos programas de Mestrado em Design da UFCG e de Artes, Patrimônio e Museologia da UFPI. This text deals with observations on the architectural interventions that the industrial heritage collection has been suffering in the Brazilian northeastern cities, through an analytical and critical eye. In specific case studies, two examples of interventions will be taken: the first is in one city of “Agreste” region of the state of Paraíba, Campina Grande, the old “Fábrica Marques de Almeida”; and the second is in the city of Recife, capital of Pernambuco - the old ”Fábrica da Macaxeira”, now a center of education and socio cultural and sports activities, that in contemporary times goes through a process of awareness and community outreach for your revitalization. The objective of this work is to disseminate the results of research to the research group Architecture and Place, registered at CNPq, and linked to the undergraduate degree in “Arquitetura e lugar”/ UFCG, and Master's programs in Design/ UFCG and Arts, Heritage and Museology/ UFPI.
8
Queraltó Ros, Pau, Alejandro Esteban Marambio Castillo et M. Pilar Garcia-Almirall. « Metodología para la explotación de datos escáner laser terrestre en SIG para estudios de accesibilidad física al patrimonio arquitectónico ». Dans International Conference Virtual City and Territory. Barcelona : Centre de Política de Sòl i Valoracions, 2009. http://dx.doi.org/10.5821/ctv.7607.
Texte intégralRésumé :
La posibilidad de conocer y disfrutar del patrimonio arquitectónico de una ciudad ha sido inicialmente objeto de investigaciones y acciones por parte de las administraciones públicas y, en los últimos años, ha
constituido el principal tema de estudio de la comunidad científica especializada en accesibilidad. Esto se debe por un lado a la creciente tendencia a promover el turismo cultural mediante la valorización de los
recursos patrimoniales propios y, por otro lado, al interés de identificar y solucionar incidencias relacionadas con la accesibilidad física que permitan adoptar medidas para eliminar los obstáculos en el
entorno físico, especialmente para aquellos colectivos de personas que sufren algún tipo de discapacidad.
Existen determinados parámetros a tener en cuenta en un estudio de accesibilidad, como por ejemplo la existencia de pendientes o desniveles insuperables, el diseño y ubicación del mobiliario y la dimensión de
los accesos, entre otros. El objetivo general de esta investigación es analizar la posibilidad de utilizar datos proporcionados por Escáner Láser Terrestre (TLS) para determinar y calcular algunos parámetros
que permitan realizar una evaluación del grado de accesibilidad de un determinado entorno físico con valor histórico-arquitectónico.
El TLS es un instrumento topográfico que permite obtener gran cantidad de medidas en forma de millones de coordenadas espaciales en el sistema de referencia propio del instrumento, y en un tiempo relativamente breve. Con la repetición de las medidas desde distintas posiciones sucesivamente y su
posterior unión en un único sistema de referencia a través del reconocimiento de puntos homólogos, es posible obtener un modelo 3D de un entorno complejo. La nube de puntos global obtenida se complementa e integra con imágenes digitales a alta resolución y se optimiza para una mejor gestión de los datos.
Una vez optimizada la nube de puntos, se pueden generar modelos digitales del terreno, a partir de los cuales y mediante análisis efectuados en un Sistema de Información Geográfica (GIS) es posible obtener un mapa de pendientes. Esta información es de gran relevancia pues permite la aplicación de criterios de
accesibilidad y la evaluación de medidas encaminadas a asegurar la accesibilidad sobre el modelo virtual del entorno físico analizado, determinar una anchura insuficiente o la presencia de escalones u otros obstáculos.
De la aplicación de la metodología propuesta a casos concretos se pretende validar su eficacia.
Demostrar cómo a partir de la información aportada por el escáner laser, se puede explotar en un GIS, para evaluar algunos de los principales parámetros de accesibilidad física al patrimonio arquitectónico. The ability to know and enjoy the city's Architectural Heritage has been the main subject of studies by public authorities and the scientific community, specializing in research projects concerning accessibility planning in the last years. This is partly due to the growing trend to promote cultural tourism by promoting
the assets themselves and, secondly, the interest to identify and fix issues related to physical accessibility for taking steps to eliminate barriers from the physical environment, especially for those groups of people with disabilities.
There are certain parameters to be considered in a study of accessibility, such as gradients or slopes, design and location of furniture and the dimensions of access, among others. The overall objective of this
project is to analyze the possibility of using data from Terrestrial Laser Scanner (TLS) to determine and calculate some parameters that allow an assessment of the degree of accessibility of particular physical surroundings with architectural and historical value.
The TLS is a surveying instrument for obtaining large number of measures in the form of millions of spatial coordinates in the reference frame of the instrument itself, and in a relatively short time. With repeated measures from different positions successively and subsequent union into a single reference system through the recognition of homologous points, one can obtain a 3D model of a complex environment. The global point cloud obtained complements and integrates with high-resolution digital images and is optimized for better data management. Once optimized the point cloud, can generate digital terrain models, from which and through analysis in Geographic Information System (GIS) can yield a slope map.
This information is very important because allows the application of accessibility criteria and evaluation measures to ensure the accessibility of the virtual model of the physical environment analyzed to
determine an insufficient width or the presence of steps or other obstacles.
The implementation of the proposed methodology to specific cases is to validate its effectiveness.
Demonstrate how from the information provided by the laser scanner, can be exploited in a GIS environment, to assess some of the main parameters of physical accessibility for Architectural Heritage.
9
Blagojevic, Ljiljana. « Vernacular Serbia Traced by Jeanneret, Yugoslav Modern Figured à la Corbusier ». Dans LC2015 - Le Corbusier, 50 years later. Valencia : Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.565.
Texte intégralRésumé :
Abstract: The paper examines correlations of architectural culture in Serbia with modern ideas of the twentieth century that were engendered through engagement with concepts originated by Le Corbusier. Based on analysis of primary sources, the paper examines the dichotomy vernacular – modern as a critical point of this correlation. For instance, what was the significance of vernacular or folklore heritage, that Charles-Édouard Jeanneret traced in Serbia in 1911, and how did its value became part of the foundational discourse of the modern movement? What kind of relation to Le Corbusier’s doctrines were forged by modern architects in Serbia of the interwar years, and which lessons learned in his Parisian atelier by collaborators from the late 1930s had been transmitted far and wide in socialist Yugoslavia’s urban planning? This paper focuses on comparative analysis of direct material evidence of sources on the one side and interpretations on the other, with the aim to show more clearly a two-way working of sources, reception and selective transmission through architectural thinking and design process. In sum, the argumentation will aim to elucidate the processes of acknowledgment, emulation, idealization, analytical probing, dogmatization, critique and annihilation of Le Corbusier’s ideas in the long march of modernism’s emancipation and decline in Serbia over the course of the twentieth century. Resumen: El artículo examina las correlaciones de la cultura arquitectónica en Serbia con ideas modernas del siglo XX que se generaron a través de los conceptos originados por Le Corbusier. Basado en el análisis de fuentes primarias, el artículo examina la dicotomía vernácula - moderna como un punto crítico de esta correlación. Por ejemplo, ¿cuál fue la importancia del patrimonio vernáculo o folclore, que Charles-Édouard Jeanneret trazó en Serbia en 1911, y cómo se convirtió su valor en una parte del discurso fundamental del movimiento moderno? ¿Qué tipo de relación con las doctrinas de Le Corbusier se forjaron por los arquitectos modernos en Serbia de los años de entreguerras, y qué lecciones aprendidas en su taller parisino por los colaboradores de la década de 1930 habían sido transmitidas en la planificación urbana de Yugoslavia socialista? Por un lado, este documento se centra en el análisis comparativo de pruebas materiales directas de fuentes, y por el otro lado de la interpretación, con el objetivo de mostrar más claramente dos maneras de trabajo de las fuentes, la recepción y transmisión selectiva a través del pensamiento arquitectónico y proceso de diseño. En síntesis, la argumentación tratará de dilucidar los procesos de reconocimiento, la emulación, la idealización, la investigación analítica, dogmatización, la crítica y la aniquilación de las ideas de Le Corbusier en la larga marcha de la emancipación de la modernidad y el declive de la misma en Serbia en el transcurso del siglo XX. Keywords: Le Corbusier; Serbia; vernacular; purism; socialist modernism; New Belgrade. Palabras clave: Le Corbusier; Serbia; vernácula; purismo; modernismo socialista; Nuevo Belgrado. DOI: http://dx.doi.org/10.4995/LC2015.2015.565
10
Sánchez Corrochano, Álvaro, Enrique Martínez Sierra, Alessandro Greco et Daniela Besana. « Técnicas digitales para el estudio del Patrimonio Defensivo : “Puerta de Almenara” y lienzos sur del Palacio del Gobernador y Plaza de Armas del Castillo de Sagunto (Valencia) ». Dans FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia : Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11387.
Texte intégralRésumé :
Digital technicals for the study of the Defensive Heritage: “Puerta de Almenara” and south walls of “Palacio del Gobernador” and “Plaza de Armas” of the Castle of Sagunto (Valencia)The use of digital documentation and registration techniques in Cultural Heritage is becoming more common every day, thanks to its ability to capture a large amount of data in a fast and efficient process. Its high geometric precision, thoroughness, performance retrieved and especially the generation of high fidelity and precision of architectural good assets make these tools optimal for the planimetric surveys. The work of intervention or conservation of cultural heritage requires a previous graphic registration using different techniques available. This article presents a combined method of implementation of various digital techniques that allow to achieve the most accurate graphic documentation possible. The different results obtained from the use of photogrammetry by drone or by manual camera are discussed. It is intended to seek the standardization and optimization of the process of documentation and value of the Cultural Heritage by combining these techniques. These techniques have been used in a real case: the three-dimensional modeling of various parts of the defensive set of the Castle of Sagunto (Valencia), called the “Puerta de Almenara”, which gives access to the square of the same name, on the eastern side and some walls of the fortification. The Castle of Sagunto is a mosaic of the different cultures who occupied it (Iberians, Romans, Goths, Arabs...). The fortification is located on top of a hill of the Sierra Calderona, controlling even the Mediterranean coastal road and the communication route with Aragon. During the last years, the castle has been immersed, for almost 20 years, in various works of consolidation and restoration to initiatives of the Institute of Cultural Heritage of Spain.
Rapports d'organisations sur le sujet "Design del cultural heritage"
1
Gattenhof, Sandra, Donna Hancox, Sasha Mackay, Kathryn Kelly, Te Oti Rakena et Gabriela Baron. Valuing the Arts in Australia and Aotearoa New Zealand. Queensland University of Technology, décembre 2022. http://dx.doi.org/10.5204/rep.eprints.227800.
Texte intégralRésumé :
The arts do not exist in vacuum and cannot be valued in abstract ways; their value is how they make people feel, what they can empower people to do and how they interact with place to create legacy. This research presents insights across Australia and Aotearoa New Zealand about the value of arts and culture that may be factored into whole of government decision making to enable creative, vibrant, liveable and inclusive communities and nations. The COVID-19 pandemic has revealed a great deal about our societies, our collective wellbeing, and how urgent the choices we make now are for our futures. There has been a great deal of discussion – formally and informally – about the value of the arts in our lives at this time. Rightly, it has been pointed out that during this profound disruption entertainment has been a lifeline for many, and this argument serves to re-enforce what the public (and governments) already know about audience behaviours and the economic value of the arts and entertainment sectors. Wesley Enoch stated in The Saturday Paper, “[m]etrics for success are already skewing from qualitative to quantitative. In coming years, this will continue unabated, with impact measured by numbers of eyeballs engaged in transitory exposure or mass distraction rather than deep connection, community development and risk” (2020, 7). This disconnect between the impact of arts and culture on individuals and communities, and what is measured, will continue without leadership from the sector that involves more diverse voices and perspectives. In undertaking this research for Australia Council for the Arts and Manatū Taonga Ministry for Culture & Heritage, New Zealand, the agreed aims of this research are expressed as: 1. Significantly advance the understanding and approaches to design, development and implementation of assessment frameworks to gauge the value and impact of arts engagement with a focus on redefining evaluative practices to determine wellbeing, public value and social inclusion resulting from arts engagement in Australia and Aotearoa New Zealand. 2. Develop comprehensive, contemporary, rigorous new language frameworks to account for a multiplicity of understandings related to the value and impact of arts and culture across diverse communities. 3. Conduct sector analysis around understandings of markers of impact and value of arts engagement to identify success factors for broad government, policy, professional practitioner and community engagement. This research develops innovative conceptual understandings that can be used to assess the value and impact of arts and cultural engagement. The discussion shows how interaction with arts and culture creates, supports and extends factors such as public value, wellbeing, and social inclusion. The intersection of previously published research, and interviews with key informants including artists, peak arts organisations, gallery or museum staff, community cultural development organisations, funders and researchers, illuminates the differing perceptions about public value. The report proffers opportunities to develop a new discourse about what the arts contribute, how the contribution can be described, and what opportunities exist to assist the arts sector to communicate outcomes of arts engagement in Australia and Aotearoa New Zealand.
2
Torres-Mancera, Rocio, Carlos de las Heras-Pedrosa, Carmen Jambrino-Maldonado et Patricia P. Iglesias-Sanchez. Public Relations and the Fundraising professional in the Cultural Heritage Industry : a study of Spain and Mexico / Las relaciones públicas y el profesional de la captación de fondos en la industria del patrimonio cultural : un estudio de España y México. Revista Internacional de Relaciones Públicas, juin 2021. http://dx.doi.org/10.5783/rirp-21-2021-03-27-48.
Texte intégralRésumé :
The present research aims to understand the current situation of strategic communication and public relations applied in the professional field of fundraising in the cultural heritage environment. It observes the current patterns used in the sector to obtain and generate long-term sustainable funding, through the stimulation of investors and International Cooperation projects from the European Union in line with UNESCO. Two international case studies are compared: Spain and Mexico, through the selection of territorial samples in Malaga and San Luis Potosi. The methodology used is based on a combination of in-depth interviews with key informants and content analysis. In the first instance, the degree of application of communication and public relations tools for strategic purposes to directly attract economic resources to the management of cultural heritage (tangible and intangible) in the region is studied. In line with the results obtained, the current parameters and key indicators of the profile of the fundraising professional in public and private cultural management are presented.
3
Kerrigan, Susan, Phillip McIntyre et Marion McCutcheon. Australian Cultural and Creative Activity : A Population and Hotspot Analysis : Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.
Texte intégralRésumé :
Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation and maintenance of its heritage listed buildings by the local council, Ballarat has been used as the location for a significant set of feature films, documentaries and television series bringing work to local crews and suppliers. With numerous festivals playing to the cities strengths many creative embeddeds and performing artists take advantage of employment in facilities such as the Museum of Australian Democracy at Eureka. The city has its share of start-ups, as well as advertising, design and architectural firms. The city is noted for its museums, its many theatres and art galleries. All major national networks service the TV and radio sector here while community radio is strong and growing.
4
Kerrigan, Susan, Phillip McIntyre et Marion McCutcheon. Australian Cultural and Creative Activity : A Population and Hotspot Analysis : Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.
Texte intégralRésumé :
Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Many festivals keep the city culturally active and are supported by organisations such as Bendigo Bank. The Bendigo Writers Festival, the Bendigo Queer Film Festival, The Bendigo Invention & Innovation Festival, Groovin the Moo and the Bendigo Blues and Roots Music Festival are well established within the community. A regional accelerator and Tech School at La Trobe University are touted as models for other regional Victorian cities. The city has a range of high quality design agencies, while the software and digital content sector is growing with embeddeds working in agriculture and information management systems. Employment in Film, TV and Radio and Visual Arts has remained steady in Bendigo for a decade while the Music and Performing Arts sector grew quite well over the same period.