Littérature scientifique sur le sujet « Démocratie imaginaire »
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Articles de revues sur le sujet "Démocratie imaginaire"
Fauvel, Guillaume. « Un autre imaginaire politique est possible ! La démocratie au prisme de l’anthropologie anarchiste ». Revue du MAUSS 62, no 2 (5 janvier 2024) : 135–45. http://dx.doi.org/10.3917/rdm1.062.0135.
Texte intégralBerdoulay, Vincent, Iná Castro et Paulo C. Da Costa Gomès. « L’espace public entre mythe, imaginaire et culture ». Cahiers de géographie du Québec 45, no 126 (12 avril 2005) : 413–28. http://dx.doi.org/10.7202/023001ar.
Texte intégralGengembre, Gérard. « Tocqueville ou le dialogue imaginaire avec la pensée contre-révolutionnaire ». Tocqueville Review 27, no 2 (janvier 2006) : 283–301. http://dx.doi.org/10.3138/ttr.27.2.283.
Texte intégralZartman, I. William. « Hirak : Tales from the Maghrib (review article) ». Middle East Journal 75, no 4 (1 février 2021) : 591–98. http://dx.doi.org/10.3751/75.4.30.
Texte intégralCorten, André. « Une langue politique postpopuliste : l’épilogue de l’affaire Pinochet* ». Articles 22, no 1 (18 juin 2003) : 3–25. http://dx.doi.org/10.7202/006575ar.
Texte intégralChikhi, Djamila. « EL-HUSSEINI, Nassib Samir. L'Occident imaginaire, la vision de l'Autre dans la conscience politique arabe. Québec, Presses de l'Université du Québec, Coll. « L'âge de la démocratie », 1998, 240 p. » Études internationales 30, no 4 (1999) : 867. http://dx.doi.org/10.7202/704119ar.
Texte intégralAbbas, Nabila, et Yves Sintomer. « Les trois imaginaires contemporains du tirage au sort en politique : démocratie délibérative, démocratie antipolitique ou démocratie radicale ? » Raisons politiques N° 82, no 2 (24 juin 2021) : 33–54. http://dx.doi.org/10.3917/rai.082.0033.
Texte intégralGalibert, Olivier. « L'injonction participative au débat environnemental en ligne : imaginaires d'Internet, démocratie environnementale et communication engageante ». Les Enjeux de l'information et de la communication 14/1, no 1 (2013) : 35. http://dx.doi.org/10.3917/enic.014.0035.
Texte intégralMayrargue, Cédric. « Richard Banégas, La Démocratie à pas de caméléon. Transition et imaginaires politiques au Bénin ». Archives de sciences sociales des religions, no 128 (1 octobre 2004) : 53–158. http://dx.doi.org/10.4000/assr.2499.
Texte intégralCaloz-Tschopp, Marie-claire, Pauline Brücker, Daniel Veron et Youri Lou Vertongen. « Vers un imaginaire démocratique radical : réaffirmer les droits à la mobilité et à l'hospitalité ». Critique internationale N° 84, no 3 (29 juillet 2019) : 125–47. http://dx.doi.org/10.3917/crii.084.0125.
Texte intégralThèses sur le sujet "Démocratie imaginaire"
Roman, Sébastien. « Conflit civil et imaginaire social : une approche néo-machiavélienne de la démocratie par l'espace public dissensuel ». Phd thesis, Ecole normale supérieure de lyon - ENS LYON, 2011. http://tel.archives-ouvertes.fr/tel-00682490.
Texte intégralLaverdière, Andréanne. « Quel imaginaire national à Taiwan ? : l’évolution du portrait des religions populaires dans les manuels scolaires ». Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37476.
Texte intégralDenicourt-Fauvel, Camille. « Au-delà du chaos : l’héritage de l’impunité institutionnalisée pour expliquer l’extrême violence au Guatemala post-conflit ». Thesis, Université d'Ottawa / University of Ottawa, 2020. http://hdl.handle.net/10393/40565.
Texte intégralDécary-Secours, Benoit. « Violences criminelles et contexte démocratique : la politique des imaginaires de la punition au Brésil ». Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34843.
Texte intégralLemouzy, Laurence. « L’imaginaire dans l’action publique territoriale ». Thesis, Paris 2, 2017. http://www.theses.fr/2017PA020013.
Texte intégralThis research concern myths and tales who structure the territorial public sector. The purpose is to conduct a réflexion about their permanency or their decline. Then, imaginary must be understood like a way to « make society ». Administrative law, specifically, contribute to the performance of the imaginary by creating and inventing norms. However, the failures of the public sector — frequently denounced — signal sometimes a weakening, a saturation or a transformation of the public sectorimaginary. The public policies appears like a victim of the imaginary, a victim of an excess or a lack of imaginary, maybe because of the pressure and the influence of the economic power. This strain drives to interrogate themselves on the phenomena who cancel the capability of imagination among the public actors. While the local administrations are considered like service providers and individual rights providers too, which symbols, which representations, which promises does the public sector carry today ? What are the « new political imaginaries » ? Can we re-model public policies with utopia ? The question is to update the imaginaries attached to public policies. These imaginaries are invisible, hidden in the undergrounds but the are really present in the way to drive and build public policies today
Sidaoui, Caloc Nadine. « Identités, regards, démocraties ». Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010682.
Texte intégralDue to the series of artworks that I realized between 2005 and 2012 between Paris and Shanghai, this thesis proposes to study the group portrait from various angles, it is all about fictitious portraits whose main aim is the place that may hold the viewer facing a variety of social groups, in which represented people remain staring at the spectator in a silent way. These works invite us to reflect on and permeability between the boundaries of art, ethnology and social sciences, on the question of identity gender, intercultural interaction and methods of communication beyond the language of words. However I tried to develop a painting that conveys the possibility of an exchange between the viewer and the represented group of people. A painting in which the model becomes the beholder, and vice versa. Michael Fried's book entitled Absorption and Theatricality: Painting and Beholder served as a support for me in my initial observation of theatricality in painting. Living in Shanghai for the past three years, I have been most inspired by Asian faces. I’ve observed for a long time the functioning of the Chinese society with it’s own social codes which are not limited only to language barriers but can be expressions beyond words. A society that is organized in groups according to various functions and activities where the wearing of the uniform is very common and it runs into various social fronts. We, as humans, strive towards an ideal, a possible success, a utopia where men and women compete for professions, and the role of women have become more visible in society which has been patriarchal for decades. The image of the androgynous appears through a crowd that moves with heavy dancing steps, especially examining the choreography of Jing Xing, this Chinese dancer who was a man originally, and then decided to transform himself into a woman. It is the transition from male to female and vice versa in a society in mutation. This expression generates two kinds of confusion: the ambiguity of gender, where women are increasingly present in a highly competitive professional field on the one hand, and the ambiguity of language and communication for a foreigner in this society. It is the barrier of social codes and the omnipresence of "network" (Guanxi) as an essential tool to penetrate this society. [...]
Hallade, Sébastien. « « A la recherche de la meilleure des républiques ». Les romanciers-feuilletonistes engagés sous la Deuxième République française. Littérature, presse, politique et morales ». Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL036.pdf.
Texte intégralThe title of my thesis partly takes up the title of a satirical novel written by Louis Reybaud, a novelist, columnist and representative of the people, elected to the Academy of Moral and Political Sciences in 1850: Jérôme Paturot à la recherche de la meilleure des Républiques, offered in serials, by extracts, in the spring and summer of 1848. From August 1, 1850, under article 14 of the law on the press passed on July 16, 1850, any serial novel was taxed - until the repeal of this article, after 19 months of existence, by article 36 of the organic decree on the press of February 17, 1852, which took effect on March 1, 1852. Why did the majority of the National Legislative Assembly decide in the summer of 1850, about 29 months after the birth of the Second Republic, to tax serial novels? This PhD is based on the census of 155 authors of committed serial novels and of 952 serial novels published in the press of the departments of the Seine and of the Seine-et-Oise - particularly targeted by the Riancey stamp (after the name of the representative of the people who was behind article 14) - and on a prosopographic approach, in order to retrace the literary and political career and the reception of the authors of serial novels studied. At the crossroads of a political, literary, and religious history, this thesis intends, above all, to question the object of the serial novel and the figure of the 1848 novelist-journalist in light of the moral question under the Second Republic as well as the relevance of the caesura of 1850 as a literary, aesthetic and ethical break
Pochetti, Irène. « La cité des enfants des rues. Représentations, politiques et expériences des jeunesses urbaines marginales à Mexico et Tijuana ». Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0018.
Texte intégralThis thesis deals with the history and construction of the social problem of Mexican street children and with the actual experience of marginalised youth in Mexico City and Tijuana. Symbol of the issue of “abandoned children” in developing countries, this social category has become one of the priorities of the first democratically elected Mexican government in 2000. The thesis examines how the world of “street children” is shaped by analysing the actors of social intervention and the effects of the country’s deep political and societal changes on these marginalised urban youth.Through a socio-historic approach from 1880 to nowadays, this thesis firstly studies the emergence of this category within the public space and its construction as a social problem, embedded in the socio-political transformations of the country. By exploring iconographic and documentary supports, the analysis identifies a constant tension between the figure of ‘victim’ and of ‘delinquent’, a tension which goes hand in hand with the anxiety produced by the tremendous urban development of Mexico.This ethnographic research, carried out in Mexico and Tijuana between 2003 and 2010, demonstrates the relevance of observing at city level in order to understand how the policies, representations and social experiences articulate. The analysis brings to light the specific features of these two cities in their perception and treatment of the problem as well as in the resulting individualisation modes and biographies of these young people. In Tijuana, a “border effect” is observed, whereas the streets dynamics in Mexico City are characterised by a “capital effect”. Finally, the gender analysis demonstrates the tensions between the appropriation of a law terminology in the everyday practices of the organisations working with this population and the traditional image of a sexualised and hierarchic family, embedded in the national narrative
Joinau, Benjamin. « L’image de l'Autre dans le cinéma coréen (1945-2013) : centrée sur l’ère du Rayon de soleil (1998-2008) : hétérologie et imaginaire ». Paris, EHESS, 2014. http://www.theses.fr/2014EHES0077.
Texte intégralHow can we speak about the Other if he/she is the Same? It is the question that Koreans both from North and South ask themselves since the partition of their country. In this non-communicative situation, cinema has been used as a symbolic interface to represent the division. Thus, on each side of the border; heterologic narratives have been elaborated. This thesis studies the nature and the regulatory function of these narratives. Gilbert Durand’s mythodology allows me to analyze this vast material running from 1945 to present and to locate the structures, schemes and symbols which define the Korean imaginary of the Other (alter) through films. I have centered my study on the pivotal Sunshine Policy era (1998-2008). The first part defines the methodology and concepts used. The second part studies the setting of the theme during the pre-1998 period, revealing an imaginary strongly structured by a diurnal and oppositional regime of images. The third part focuses on North Korean cinema during the period 1998-2008 and concludes on the progressive “disappearance” of South Korea as an explicit Other in the movies. The fourth part deals with the specific context of production of the South Korean cinema during the Korean Wave era. In the next part, the experimental dimension of the heterologic narrative reveals four main structures organizing the corpus of 25 movies. The last part deals with the transfer, in the post-1998 South Korean cinema, of the Otherness from the alter to the alius, to non-Korean other Others, opening a dialogic imaginary. We also note the resilience of the theme in movies released after 2008 and the end of the Sunshine Policy
Martin, Sylvie. « Presse quotidienne de la transition et syndrome toxique : Essai fortuit de modélisation des procédures informatives dans la presse nationale espagnole ». Lyon 2, 1988. http://www.theses.fr/1988LYO20052.
Texte intégralThe tensions between archaism and modernity that appeared through the complex realities of the spanish transition have led to questioning the modalities and the specific aspects of a democratization process. The press, in its different forms and in its different roles, represents a privileged observation field of the balance between disruption and continuity in the first few years of spanish democracy. It is challenged in its ambition to become both the reflection and the driving force of social changes by the analysis of a particular narrative, that of the toxic syndrome. This event (epidemic accident then affaire) coincided with a transition period when democracy seemed to be established and in jeopardy at the same time. Thus, from the point of view of a semiotic analysis of the discursive strategies of the Madrid daily press, this event represents an unchanging system of reference for an analysis of the informative role of the press during the transition. But it is also considered a new social object in the field of collective representations: the constant presence of this event in the media, its ability to include all the important themes and issues of the community can allow one to regard the phenomenon as a more complex one which combines the narrative imposition, the ideological manipulation and the fulfilment of a social demand
Livres sur le sujet "Démocratie imaginaire"
I︠E︡vintov, V. I. True and false democratism = : Démocratie authentique et imaginaire. Kiev : Politvidav Ukraini, 1986.
Trouver le texte intégralMana, Kä. Pour sortir de la guerre à l'est de la République Démocratique du Congo : Changer les imaginaires : essai. Miélan, France : Izuba éditions, 2016.
Trouver le texte intégralAlain Laurent Aboa, Hilaire de Prince Pokam, Adama Sadio, Aboubakr Tandia. Démocratie et développement en Afrique : Perspecives des jeunes chercheurs africains - Imaginaires et pratiques du développement à l'épreuve de la politique internationale. Paris : Editions L'Harmattan, 2013.
Trouver le texte intégralChapitres de livres sur le sujet "Démocratie imaginaire"
Quiriny, Bernard. « Imaginaire, politique, démocratie ». Dans L’imaginaire selon Castoriadis, 201–21. Presses de l'Université Saint-Louis, 2006. http://dx.doi.org/10.4000/books.pusl.563.
Texte intégralRoman, Sébastien. « Chapitre 7. Imaginaire social, néo-capitalisme, et idéologie ». Dans Nous, Machiavel et la démocratie, 225–48. CNRS Éditions, 2017. http://dx.doi.org/10.4000/books.editionscnrs.51820.
Texte intégralRoman, Sébastien. « Chapitre 5. Consensus, homogénéité, et imaginaire social chez Habermas ». Dans Nous, Machiavel et la démocratie, 135–94. CNRS Éditions, 2017. http://dx.doi.org/10.4000/books.editionscnrs.51810.
Texte intégralBuffet, Alexis. « Les anti-antimodernes ou l’exemplarité démocratique (1936-1939) ». Dans Imaginaires de l’Amérique, 365–97. Presses universitaires de Paris Nanterre, 2018. http://dx.doi.org/10.4000/books.pupo.8553.
Texte intégralBidima, Jean-Godefroy. « Rationalisations et néo-racismes : l’espace public démocratique et ses dénégations ». Dans Imaginaire racial et projections identitaires, 119–35. Presses universitaires de Perpignan, 2009. http://dx.doi.org/10.4000/books.pupvd.31769.
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