Littérature scientifique sur le sujet « Danse contemporaine – Italie »
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Articles de revues sur le sujet "Danse contemporaine – Italie"
Skubic, Mitja. « Svend Bach og Jǿrgen Schmitt Jensen, Stnrre italiensk grammatik, /Munksgaards grammatiker/, Munksgaard 1990 ; pp. VIII + 760. » Linguistica 30, no 1 (1 décembre 1990) : 242–44. http://dx.doi.org/10.4312/linguistica.30.1.242-244.
Texte intégralSárközy, Péter. « Fortuna e traduzione delle opere letterarie italiane in Ungheria ». Italianistica Debreceniensis 25 (29 mars 2020) : 20–35. http://dx.doi.org/10.34102/itde/2019/5552.
Texte intégralPłaszczewska, Olga. « ‟L’Amor che move il sole e l’altre stelle…" ovvero l’italianistica come strumento ausiliare nella letteratura comparata ». Annales Universitatis Paedagogicae Cracoviensis | Studia de Cultura 9, no 3 (5 juillet 2018) : 219–27. http://dx.doi.org/10.24917/20837275.9.3.20.
Texte intégralTekavčić, Pavao. « Quaderni di filologia e lingue romanze, Ricerche svolte nell'Università di Macerata, Terza serie, vol. 17 ; Macerata 2002, 414 pp. » Linguistica 44, no 1 (1 décembre 2004) : 188–89. http://dx.doi.org/10.4312/linguistica.44.1.188-189.
Texte intégralZuliani, Federico. « En samling politiske håndskrifter fra slutningen af det 16. århundrede : Giacomo Castelvetro og Christian Barnekows bibliotek ». Fund og Forskning i Det Kongelige Biblioteks Samlinger 50 (29 avril 2015). http://dx.doi.org/10.7146/fof.v50i0.41248.
Texte intégralThèses sur le sujet "Danse contemporaine – Italie"
Sini, Alessandra. « « Danza di ricerca » : corporéités, espaces et discours en mouvement. : Les pratiques chorégraphiques de Fabrizio Favale, Michele Di Stefano, Alessandra Sini (Italie, 1995-2010) ». Electronic Thesis or Diss., Université Côte d'Azur, 2024. http://www.theses.fr/2024COAZ2013.
Texte intégralAt the crossroads of dance history and aesthetics, this thesis proposes an analytical and poetic approach to the research processes that Italian choreographers Fabrizio Favale, Michele Di Stefano and Alessandra Sini undertook between 1995 and 2010. Their singularities as well as the choreographic concepts and strategies they share, illustrate the vitality and critical scope of the artistic networks active in a significant period of recent Italian dance history. Among the expressions defining the contemporary dance experiences of the same period, the emic category “Danza di ricerca” is proposed here to identify a constant approach in their experimentations, which have transformed over time, through encounters and in relation to the cultural policies in which they are embedded. The embodied memory of the author of this thesis as a dancer, choreographer, spectator and witness is tested using the tools of choreographic, movement and transmission analysis provided by dance studies. The analysis of the choreographers' personal archives, the study of audiovisual, textual and graphic documents of performance events as well as interviews with the choreographers, some of the dancers from their companies and some personalities who played a significant role in their artistic careers, complete the collective portrait of a generation of choreographic artists who contributed to the development of Italian contemporary dance, in relation and resonance with international experiences
Villa-Perez, Valeria. « Les dialectes des migrants : représentations sociolinguistiques et dynamiques d'intégration territoriale dans l'Italie contemporaine ». Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30052.
Texte intégralIn this research we analyze the dynamics of linguistic contact with the Italian language, dialects and regional varieties described by adult immigrants and their sociolinguistic representations of these varieties. Our study is based on a corpus of fifty audio-taped conversations gathered in the Emilia-Romagna region (in Bologna and Forlì) and realized at immigrants’ work places. The acquisition of dialects and regional Italian varieties has also been considered in some linguistic studies on immigration but they have mainly highlighted the use and attitudes of migrants, underlining their role in the experience of linguistic learning in some regions of the North and of the South of Italy. Neverthless, linguistic socialization practices, which involve the endogen plurilingualism, seem to be less studied and they are the focus of our research which examines the role of dialects for immigrants in their journey since their arrival in Italy and in relation to their personal social network. We considered the role of linguistic socialization practices at work places for repercussions on social and linguistic integration in the host country
Collu, Roberta. « Le tarentisme dans les sociétés contemporaines de l'Italie du sud : de l'espace privé à l'espace public : approche ethnoscénologique ». Paris 8, 2005. http://www.theses.fr/2005PA082793.
Texte intégralThe geographical area concerned is the Salentino, a specific zone in the south of Italy situated in the region of the Pouilles. The dialect (the Salentino) is usually used today alternately with the Italian language. The studied theme is the phenomenon known as tarentisme or the dance of the tarentula which can be observed in the Pouilles which has been rehearsed each year since centuries for the Saint-Paul and Saint-Pierre festivals, is above all a dance destined to expulse, through the music, an animal symbol (the tarentula) from a person, most often a woman, who presents herself and is considered to be “possessed” by a spider spirit. The geographical area concerned is the Salentino, a sordid region situated in a specific zone in the south of Italy. The perspective study adopted is ethnology which methodically permits an interdisciplinary orientation by adopting a completely new approach in relation to much literature on the subject. The tarentisme appears today as a phenomenon which has profoundly changed. Since a few years in the south of Italy there is a large recovery of what is known as Pizzica or music connected to the tarentisme
Portelli, Aurélien. « L’Histoire Contemporaine de l’Italie sur grand écran : pouvoir et société dans le cinéma historique italien de 1954 à 2006 ». Nice, 2007. http://www.theses.fr/2007NICE2013.
Texte intégralThe Risorgimento, the drastic social changes of the late XIX th and the early XX th Century, the mutations of the fascism and the reality of the antifascist have been the subject of a great amount of Italian movies between 1954 and 2006. This period constitutes an ideal investigation field to analyse the film makers discourses on the contemporary history of the peninsula. New problematics appeared a few years before the « Golden Age » of the Transalpine cinema. The evolution of those interrogations during the following decades confirmed the interest of the film directors (shared to a certain point with the critic and the public) for the quite tumultuous past of Italy. The aspects of the revolutionary commitment, the dysfunctions of the national model, the relationship between the ruling classes and the working masses, the disintegration of the army during World War I, the attitude of the population towards the fascist regime, and finally, the Southern question – diagonal crossing the whole studied corpus– represent the main themes tackled in the historical Italian movies. Thanks to various cinematographic approaches, authors have therefore determined several types of battles of wills between the power (as diverse as it may be) and the individuals. From that point of view, the importance of the fictions of Luchino Visconti, Florestano Vancini or Francesco Rosi, to only quote them, proves once again that the historiography cannot only be limited to analyse the historian work
Cornez, Élodie. « Les langues du théâtre italien contemporain ». Thesis, Lille 3, 2015. http://www.theses.fr/2015LIL30003.
Texte intégralThis doctoral dissertation deals with the use of dialectal languages in the contemporary Italian theater. Indeed, these languages remain an important source of inspiration in the most innovating creations of the last thirty years, in spite of the paramount place the Italian language has come to have in the whole national territory since the Italian Unification. This study deals with the values and with what is at stake in these dialectal languages in today's theater which is, most of the time, created by actors-authors: therefore, the relationship between the artist, who is both creator and performer, and dramatic language, relies on a way of tackling the linguistic element that is fundamentally precognitive and corporal as well.After having cleared up the linguistic dynamics in the Italian theater since the Unification ; the study focuses on the work of five contemporary actors-authors: Marco Paolini, Ascanio Celestini, Spiro Scimone (Compagnia Scimone Sframeli), Emma Dante (Compagnia Sud Costa Occidentale) and Enzo Moscato. Studying the work of these artists, as well as a specific play, intends to draw up a cartography of the contemporary Italian theater that is inspired by dialect languages to create its own dramatic language. The study aims to lay emphasis on the convergence lines of creations which deals with three key notions, at the core of the study: time, territory and identity. These three notions will be progressively redefined and precised by working on the idea of limit and boundary
Questo lavoro di ricerca si interroga sull’uso delle lingue dialettali nel teatro italiano contemporaneo. Infatti, esse restano un’importante fonte d’ispirazione nelle creazioni più innovative degli ultimi trent’anni, nonostante l’affermarsi dell’italiano sull’intero territorio nazionale a partire dall’Unità. Questo studio si interroga sui valori e sul peso di queste lingue dialettali nel teatro odierno che, in larga parte, viene realizzato da attori-autori: perciò, la relazione che si stabilisce tra l’artista, insieme creatore ed interprete, e la lingua teatrale è fondata su un approccio fondamentalmente pre-cognitivo, e perfino corporeo, dell’elemento linguistico.Dopo aver chiarito, in un primo momento, le dinamiche linguistiche in atto nel teatro italiano sin dall’Unità, questo studio si accentra intorno alla pratica di cinque attori-autori contemporanei: Marco Paolini, Ascanio Celestini, Spiro Scimone (Compagnia Scimone Sframeli), Emma Dante (Compagnia Sud Costa Occidentale) e Enzo Moscato. L’analisi del percorso di ognuno di questi artisti, nonché di una loro opera in particolare, mira a stabilire una cartografia del teatro italiano contemporaneo che attinge dai dialetti la materia della propria lingua teatrale. Si tratta di evidenziare le linee di fuga di creazioni che interrogano tre nozioni-chiave al cuore dell’analisi: il tempo, il territorio e l’identità, nozioni affinate e progressivamente ridefinite da una costante riflessione sul concetto di limite e di confine
Colin, Claire. « L'événement dans la nouvelle contemporaine (domaines américain, français, italien) ». Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2013. http://tel.archives-ouvertes.fr/tel-00951979.
Texte intégralBriguglio, Patrizia. « Un Journal d'opinion dans l'Italie contemporaine : "La Repubblica" : 1976-1986 ». Paris, Institut d'études politiques, 2000. http://www.theses.fr/2001IEPP0001.
Texte intégralDelpirou, Aurélien. « La fin de la ville loin du fer ? Transport et urbanisation dans la Rome contemporaine : les politiques publiques face aux héritages territoriaux ». Thesis, Paris 10, 2009. http://www.theses.fr/2009PA100155.
Texte intégralThis thesis offers a joint study of public transport networks and urban spaces in Rome, from a long term perspective, focusing on their political and technical dimensions. It is situated within contemporary debates on the relations between mobility and land-use occupation, which have recently been revitalized by the application of the principle of sustainable development to the city. Whereas the “Eternal City” has long been known for transport deficiencies and urban planning failures, analysis of the transport system and of daily mobility in the Italian capital establishes the common and specific traits of the Roman case, which is usually presented as an “anomaly” among European capitals. We then move on to a historical exploration of the interactions between the development of public transport and urbanization in Rome from 1870 to the present day. The evolution of accessibility in a representative urban area constitutes the main thread in a cross-analysis of public policies. A study of the administrative and technical pathways that determined the implementation of networks and of land-use occupation reveals the slow development of debates, the recurrence of problems and the inertia of configurations in the field of transportation and urban planning. Finally, the “reformist” urban policies introduced between 1993 and 2008, in an attempt to respond to the new challenges of sustainable urban development, are subjected to critical analysis in the light of identified legacies. The examination of the modalities and actors of both infrastructural modernization and planning innovations underlines the persistence of conflicts between competing actors within urban policies. A large-scale study of the major urban projects of the last decade bears witness in the end to the gap between political rituals and the reality of territorial evolutions
Lapia, Roberto. « La domination espagnole en Sardaigne (1479-1720) et la littérature sarde contemporaine ». Thesis, Paris 10, 2020. http://www.theses.fr/2020PA100037.
Texte intégralThis research analyses how and why the most recent Sardinian literary production updates the presence of the Spanish in Sardinia (1479-1720). It mainly focuses on the attention that Sardinian authors pay today to the Spanish domination on the island but also to the revival, in new forms, of the genre "historical novel". The aim of the work is to understand the reasons for this recovery of history from the literature, and to study through what modalities this need for memory manifests itself. The research is based on a literary corpus composed of ten novels and two short stories writings between 1986 and 2017. The texts chosen are the work of nine authors: Francesco Abate, Paola Alcioni, Giulio Angioni, Sergio Atzeni, Anna Castellino, Pietro Maurandi, Carlo A. Melis Costa, Nicolò Migheli et Raffaele Puddu, belonging to the current called "new Sardinian wave". These texts are all based on the period of Iberian influence in Sardinia. Thanks to these works, which have been widely disseminated, the Spanish period returns to the contemporary imagination. This return to historical memory is manifested, at the literary level, by its own characteristics: the constant presence of a hybrid language; the importance of orality; original use of historical material in the narration; an "other" point of view on events. This corpus has been analysed according to paradigms developed within the framework of the “neo-historical” novel (Benvenuti, 2012 and Domenichelli, 2011), studies on the South and subaltern (Gramsci, 1975 and 2008, Said, 1980 and 2000, Chambers, 2003 and 2006), and according to a “micro-historical” approach (Ginzburg, 1976 and 2006)
Leblanc, Michel. « L'Image de la Sicile dans l'oeuvre des narrateurs siciliens contemporains depuis 1943 ». Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb375948901.
Texte intégralLivres sur le sujet "Danse contemporaine – Italie"
Senatore, Ambra. La danza d'autore : Vent'anni di danza contemporanea in Italia. Novara : UTET università, 2007.
Trouver le texte intégralPirozzi, Chiara. L'arte in gioco : Per sviluppo, coesione sociale e benessere nella periferia urbana : premio di arte contemporanea = for the development, social cohesion and well-being of urban suburbs : prize for contemporary art. Naples] : Iemme edizioni, 2019.
Trouver le texte intégralChapitres de livres sur le sujet "Danse contemporaine – Italie"
Ricciardi, Ferruccio. « 7. Aux origines d’une sociologie critique du travail : opéraïsme et enquête militante en Italie (années 1950-1960) ». Dans Les enquêtes ouvrières dans l'Europe contemporaine, 125–37. La Découverte, 2019. http://dx.doi.org/10.3917/dec.geerk.2019.01.0125.
Texte intégralFerraris, Denis. « La caractérisation du détective récurrent dans le roman noir italien contemporain ». Dans L'Italie en jaune et noir, 133–48. Presses Sorbonne Nouvelle, 2010. http://dx.doi.org/10.4000/books.psn.7208.
Texte intégralElefante, Chiara. « Pagne e boubou in alcune traduzioni italiane di romanzi contemporanei dell’Africa sub-sahariana tra testo e peritesto ». Dans « La grâce de montrer son âme dans le vêtement » Scrivere di tessuti, abiti, accessori. Studi in onore di Liana Nissim, 207–19. Ledizioni, 2015. http://dx.doi.org/10.4000/books.ledizioni.6937.
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