Littérature scientifique sur le sujet « Dance of expression »
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Articles de revues sur le sujet "Dance of expression"
Wang, Ziqiao. « Analysis of the Importance of Demeanor Training to the Study of Chinese Folk Dance—Taking Uighur Dance as an Example ». Journal of Educational Theory and Management 2, no 3 (8 octobre 2018) : 84. http://dx.doi.org/10.26549/jetm.v2i3.992.
Texte intégralHawthorn, Ainsley. « Middle Eastern Dance and What We Call It ». Dance Research 37, no 1 (mai 2019) : 1–17. http://dx.doi.org/10.3366/drs.2019.0250.
Texte intégralMURADOVA, Terane. « APPLICATION OF AZERBAIJANI FOLK DANCE IN KHOREOGRAPHICAL COMPOSITION ». IEDSR Association 6, no 12 (29 mars 2021) : 218–26. http://dx.doi.org/10.46872/pj.258.
Texte intégralKariasa Putra, I. Komang, Tjokorda Udiana Nindhia Pemayun et Gede Yosef Tjokropramono. « Sanghyang Dedari Dance as a Painting Creation Idea ». CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 2, no 2 (24 octobre 2022) : 87–91. http://dx.doi.org/10.59997/citakara.v2i2.1849.
Texte intégralMurti, Karinsa Krisna, et Slamet Slamet. « FUNGSI TARI NADRAK PAGUYUBAN RUKUN SANTOSA DESA BRONGKOL KABUPATEN SEMARANG ». Greget 20, no 2 (16 mars 2022) : 165–80. http://dx.doi.org/10.33153/grt.v20i2.4141.
Texte intégralBerdnik, M. « The Impact of Historical Choreographic Origins on Forming Emotional Content in Latin American Ballroom Dance ». Culture of Ukraine, no 80 (30 juin 2023) : 76–81. http://dx.doi.org/10.31516/2410-5325.080.09.
Texte intégralZhai, Xianfeng. « Dance Movement Recognition Based on Feature Expression and Attribute Mining ». Complexity 2021 (30 avril 2021) : 1–12. http://dx.doi.org/10.1155/2021/9935900.
Texte intégralKalaimani, M., et AN Sigappi. « Posture Recognition in Bharathanatyam Images using 2D-CNN ». Data and Metadata 2 (4 décembre 2023) : 136. http://dx.doi.org/10.56294/dm2023136.
Texte intégralBerlianty, Teng, Yosia Hetharie et Putri Anggia. « Legal Protection of Bambu Gila Dance as a Traditional Cultural Expression ». Yuridika 39, no 1 (30 janvier 2024) : 43–78. http://dx.doi.org/10.20473/ydk.v39i1.48389.
Texte intégralNurharini, Atip, Ika Ratnaningrum, Putri Yanuarita Sutikno, Farid Ahmadi et Intan Permata Hapsari. « Dance Literacy As An Expression of Experience and Creativity in Dance Education ». International Journal of Psychosocial Rehabilitation 23, no 4 (20 décembre 2019) : 994–1004. http://dx.doi.org/10.37200/ijpr/v23i4/pr190427.
Texte intégralThèses sur le sujet "Dance of expression"
Crabtree, Rachel. « Identity : An Expression of Life Through Dance ». Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/honors/509.
Texte intégralBarros, Ricardo Ribeiro de Oliveira. « Dance as a discourse : the rhetorical expression of the passions in French baroque dance ». Thesis, University of Hull, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550510.
Texte intégralAlcofra, Gabriela Machado Freire Tournillon 1986. « O rosto na dança : um olhar sobre expressão e expressividade na dança contemporânea ». [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284989.
Texte intégralDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Essa dissertação investiga a expressão do rosto na dança contemporânea, tendo como motivação inicial a observação de uma padronização da expressão do rosto em uma aparência neutralizada, sem tônus ou variação expressiva, em espetáculos variados apresentados no Rio de Janeiro em 2010. Divide-se em duas vertentes: na primeira faz uma contextualização histórica observando a relação entre expressão do rosto e expressividade do espetáculo de acordo com cada período histórico, indo desde o balé clássico até a dança contemporânea no Brasil, suas origens, heranças e influências; na segunda vertente faz relações entre o rosto como identidade do sujeito na sociedade e o rosto expresso na dança contemporânea, levantando associações entre o figurativo e o abstrato na dança e a experiência estética como ativador da presença cênica. A pesquisa é atravessada por laboratórios de criação em uma metodologia teórico-experimental, criando os espetáculos Movimento Sem Face e Dança sobre Nada e os vídeos Estudos para um Movimento sem Face
Abstract: This dissertation investigates the expression of the face in contemporary dance, having as initial motivation the observation of a standardization of the expression of the face in a neutralized appearance, without variation or expressive tone, in varied performances presented in Rio de Janeiro in 2010. It is divided into two parts: the first is a historical contextualization observing the relationship between facial expression and expressiveness of the show according to each historical period, ranging from classical ballet to contemporary dance in Brazil, its origins, influences and heritages; in the second strand makes relations between the face like the subject's identity in society and the face expressed in contemporary dance, raising associations between the figurative and the abstract in the dance and the aesthetic experience as activator of stage presence. The research is crossed by laboratories of creation in a theoretical-experimental methodology
Mestrado
Teatro, Dança e Performance
Mestra em Artes da Cena
Eno, Dianne E. « Mountain Dance : A Transdisciplinary Exploration of Environmental Dance as an Autopoietic Expression of Ecological Connectivity and Synthesis ». Antioch University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1535143191801524.
Texte intégralBishko, Leslie Marlene. « Qualities of motion : expression in animation and the influence of dance ». The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1291143775.
Texte intégralSerret, Mathilde. « Élaboration d'un dispositif de danse-thérapie à expression primitive et évaluation de ses effets auprès de patients atteints de la maladie de Parkinson ». Thesis, Université Côte d'Azur (ComUE), 2018. http://www.theses.fr/2018AZUR2011.
Texte intégralRecent studies have shown that dance may be an appropriate and effective strategy for improving motor and non-motor symptoms, as well as quality of life on individuals with Parkinson’s Disease (PD). Dance-Therapy through primitive expression (DTPE), as a mind-body therapy, may convey superior benefits, not only on physical areas but also on psychological and social ones. The main hypothesis is that Dance-Therapy will lead to greater gait and balance ability, an improved quality of life, will have psychological and social benefits and is an important component of a multidisciplinary approach to long-term management of PD.The first study, which lasted for two years, consisted of elaborating, observing and modifying the DTPE proposals in order to adapt them to the requirements of Parkinson's disease and to develop protocols of sessions in order to propose an innovative management of the disease.The second study, developed after a thorough literature review and which lasted seven months, made it possible to test the feasibility of such a study, to test a first main outcome (gait) and to evaluate the effects of the DTPE with the scales, which, after reviewing the studies on the subject, appeared to us to be the most relevant and well recognized in the medical community.The development of an original approach between Human and Social Sciences and Medicine can be used to feed the practices and care of patients by providing useful elements for the training of professionals and the organization of care. The thinking that has grounded the methodology of the studies developed in this thesis will contribute to fueling research and setting up new studies
Teixeira, Paula Caruso 1970. « O Santo que dança = uma vivência corporal a partir do eixo co-habitar com a fonte do Método Bailarino-Pesquisador-Intérprete (BPI) ». [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285026.
Texte intégralDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Este trabalho tem por finalidade principal aprofundar o eixo co-habitar com a fonte do Método Bailarino-Pesquisador-Intérprete (BPI), a partir da pesquisa de campo da autora com os devotos da Dança de São Gonçalo do bairro rural Ponte Nova de Munhoz - MG e com os do bairro rural Fazenda Grande de Pouso Alegre - MG. O Método que será utilizado é o BPI, criado pela professora Graziela Rodrigues do Instituto de Artes (IA) da UNICAMP. Ele é um Método de pesquisa e de criação em Dança que possui três eixos fundamentais, que estão interligados: o inventário no corpo, o co-habitar com a fonte e a estruturação da personagem. O co-habitar com a fonte é o eixo no qual o núcleo das experiências do bailarino-pesquisador-intérprete realiza-se através da pesquisa de campo. O bailarino pesquisador-intérprete co-habita quando interage com o outro (o pesquisado) "até se sentir parte daquela paisagem investigada". O co-habitar ainda abrange análises práticas e teóricas do que se pesquisou (dos movimentos, dos sentidos e das paisagens-cenário, entre outros elementos), laboratórios e o aprofundamento do inventário no corpo do bailarino-pesquisador-intérprete. Durante um ano e meio, a autora co-habitou com os devotos no seu cotidiano (colheita da uva, feitura do vinho etc.) e no seu sagrado (Dança de São Gonçalo). A partir dos laboratórios do co-habitar, elaborou uma síntese prática, um 'roteiro de imagens, movimentos e sentidos', que foi apresentado aos investigados numa paisagem-cenário do co-habitar (no galpão onde se realiza a Dança de São Gonçalo em Pouso Alegre-MG). Após essas vivências, chegou a várias conclusões que confirmaram as características do eixo do co-habitar e do Método BPI. O co-habitar com a fonte potencializa a expressividade e a originalidade do bailarino pesquisador-intérprete iniciadas no eixo inventário no corpo (fase introdutória do BPI)
Abstract: This study is mainly aimed at going deeply into the co-inhabiting axis with the source of the BPI: Bailarino-Pesquisador-Intérprete (Dancer-Researcher-Interpreter) method, from the author's field research with Saint Gonçalo's Dance devotees from Ponte Nova de Munhoz - MG rural district and with the ones from Fazenda Grande de Pouso Alegre - MG. The method that will be used is BPI, created by professor Graziela Rodrigues from Instituto de Artes (IA) of Unicamp. It is a dance research and creation method that has three fundamental axis that are interconnected: the inventory in the body, co-inhabiting with the source and the character's structuring. Co-inhabiting with the source is the axis in which the dancer-researcher-interpreters experiences core is performed through the field research. The dancer-researcher-interpreter co-inhabits when he interacts with the other one (the researched) 'until he feels part of that investigated landscape'. Co-inhabiting still comprehends theoretical and practical analysis of what has been researched (about the movements, the senses and landscapes-scenery, among other elements), lab sessions and going deeply into inventory in the dancer-researcher-interpreter's body. For one year and a half, the author co-inhabited with the devotees in her everyday life (the grape harvest, making of the wine, etc) and in her sacred (Saint Gonçalo's Dance). As from the lab sessions, she prepared a practical summary, 'a guide of images, movements and senses', which was presented to the ones that were investigated in a landscape-scenery of co-inhabiting (at the shed where Saint Gonçalo's Dance is performed in Pouso Alegre - MG). After going through that, she drew several conclusions which have confirmed the characteristics of the co-inhabiting axis and the BPI method. Co-inhabiting with the source enhances the dancer-researcher-interpreter's expressiveness and originality which were started in the inventory in the body axis (BPI introductory stage)
Mestrado
Artes
Mestre em Artes
Caserta, Rogerio Alencar Negrão. « Expressividade e energia vital na dança flamenca ». [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284638.
Texte intégralDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Esta dissertação tem como objetivo relacionar os conteúdos da ¿Medicina Tradicional Chinesa¿ (M.T.C.), focada nas manobras de acupressão existentes no ¿Auto Tui-ná¿ escolhidas especialmente para a atuação de bailarinos flamencos, que potencializam o desbloqueio da ¿Energia Vital¿ (Qi), para a qualidade expressiva e poética dessa dança, além de prevenirem lesões corporais possíveis nesse estilo de dança
Abstract: The goal of this text is to associate with the contents of the ¿Traditional Chinese Medicine¿ (T.C.M), its focus being the acupressure movements from the ¿Self Tui-Na¿ that were especially chosen for Flamenco dancers' performances, so that it can potentialize the disobstruction of the ¿Vital Energy¿(Qi) and the expressive and poetic qualities of this dance, besides preventing injuries common to this dance style
Mestrado
Mestre em Artes
Snyder, Marie Carmen Alonzo. « Contemporary female choreographers of Asian descent : three case studies of an evolving cultural expression in American modern dance / ». Access Digital Full Text version, 1995. http://pocketknowledge.tc.columbia.edu/home.php/bybib/1178958x.
Texte intégralIncludes tables. Typescript; issued also on microfilm. Sponsor: Judith M. Burton. Dissertation Committee: Ann H. Dils. Includes bibliographical references (leaves 237-248).
Theis, Taylor. « Duality, Symbolism, and Time : A Convergent Practice in Butoh and Surrealist Expression ». Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18390.
Texte intégralLivres sur le sujet "Dance of expression"
Drewe, Sheryle Bergmann. Creative dance inspirations : Facilitating expression. Calgary, Alberta : Detselig Enterprises Ltd., 1998.
Trouver le texte intégralKim, Malborg. On expression and its artistic meaning in dance. Ann Arbor, Michigan : UMI Dissertation Service, 1989.
Trouver le texte intégralMaletic, Vera. Body, space, expression : The development of Rudolf Laban's movement and dance concepts. Berlin : Mouton de Gruyter, 1987.
Trouver le texte intégralDevi, Patiṇjārayil Rama. Comparative study of chaturvidha abhinayas between Kathakali and Kuchipudi yakshagana : Comprehensive analysis of four kinds of expressions in Kathakali and Kuchipudi dance drama traditions. Secunderabad, Andhra Pradesh, India : Padinjyarayil Publications, 2013.
Trouver le texte intégralRoy, Marie. Je danse mon enfance : Guide d'activités d'expression corporelle et jeux en mouvement. Montréal : Chenelière / McGraw-Hill, 1998.
Trouver le texte intégralAllen-Mitchell, Arlene. Dance soul, dance ! : Inspirational expressions for women in business. Pembroke Pines, FL : Positive Perceptions, 2001.
Trouver le texte intégralHinkley, Coralie. Innovisions : Expressions of creativity in dance. Nedlands, W.A : University of Western Australia Press, 1990.
Trouver le texte intégralSweet, Jill D. Dances of the Tewa Pueblo Indians : Expressions of new life. 2e éd. Santa Fe, N.M : School of American Research Press, 2004.
Trouver le texte intégralFritsch, Ursula. Tanz, Bewegungskultur, Gesellschaft : Verluste und Chancen symbolisch-expressiven Bewegens. Frankfurt : AFRA Verlag, 1988.
Trouver le texte intégralBuko, Tereska Radha. Dances of universal peace : A multicultural expressive arts spiritual path. [Trumbull, CT] : T.R. Buko, 1993.
Trouver le texte intégralChapitres de livres sur le sujet "Dance of expression"
Leonhard, Clemens. « Religious Expression in Music and Dance ». Dans A Companion to Religion in Late Antiquity, 611–34. Hoboken, NJ, USA : John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118968130.ch29.
Texte intégralKatan, Einav. « The Dancing Body as a Means of Expression ». Dans Embodied Philosophy in Dance, 179–85. London : Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-60186-5_21.
Texte intégralSwain, Angela, Juan Berríos et Matthew Kanwit. « Chapter 3. Exploring future-in-the-past variation in Seville and Caracas ». Dans Innovative Approaches to Research in Hispanic Linguistics, 58–80. Amsterdam : John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/ihll.38.03swa.
Texte intégralEngelhard, Einat Shuper, et Yana Sichel. « Diagnosis and Assessment of Sexual Abuse in Childhood Based on Bodily Expression ». Dans Dance/Movement Therapy and Sexual Abuse, 17–32. New York : Routledge, 2023. http://dx.doi.org/10.4324/9781003309048-4.
Texte intégralYeoh, Pei Ann. « Bridging Impairment and Disability with Music and Dance ». Dans Musik und Klangkultur, 173–86. Bielefeld, Germany : transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839458914-012.
Texte intégralöztürk, Alі. « The Power of Dance/Movement as a Means of Expression ». Dans Phenomenology/Ontopoiesis Retrieving Geo-cosmic Horizons of Antiquity, 539–47. Dordrecht : Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-1691-9_40.
Texte intégralUhm, Taeyoung, Hanhoon Park, Mi-Hee Lee, Un-Mi Kim et Jong-Il Park. « Emotional Expression of Korean Dance Assisted by a Virtual Environment System ». Dans IFIP Advances in Information and Communication Technology, 208–13. Berlin, Heidelberg : Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-15214-6_21.
Texte intégralRaufman, Ravit. « A dancer who does not dance ». Dans Idiomatic Expressions and Somatic Experience in Psychoanalysis, 85–98. New York : Routledge, 2018. : Routledge, 2018. http://dx.doi.org/10.4324/9781351117227-8.
Texte intégralAdholiya, Ashish, et Apeksha Khopkar. « Visualizing Sentiments : Facial Expression Recognition in the World of Kathak Dance Using Deep Learning ». Dans Advances in Data-Driven Computing and Intelligent Systems, 471–87. Singapore : Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-9531-8_38.
Texte intégralKatan, Einav. « Understanding Expressions ». Dans Embodied Philosophy in Dance, 187–97. London : Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-60186-5_22.
Texte intégralActes de conférences sur le sujet "Dance of expression"
Gantchevа, Giurka. « DYNAMICS IN THE DIFFICULTY IN RHYTHMIC GYMNASTICS COMPETITIVE ROUTINES ». Dans INTERNATIONAL SCIENTIFIC CONGRESS “APPLIED SPORTS SCIENCES”. Scientific Publishing House NSA Press, 2022. http://dx.doi.org/10.37393/icass2022/72.
Texte intégralRaharjo, Eko, Agus Cahyono, Muhammad Jazuli, Widodo Widodo et Onang Murtiyoso. « Dugderan Art Dance as an Expression of Semarang Society ». Dans Proceedings of the 2nd International Conference on Arts and Culture (ICONARC 2018). Paris, France : Atlantis Press, 2019. http://dx.doi.org/10.2991/iconarc-18.2019.14.
Texte intégralCahyono, Agus, Muhammad Jazuli, Widodo Widodo et Onang Murtiyoso. « Dugderan Art Dance as an Expression of Semarang Society ». Dans Proceedings of the 2nd International Conference on Arts and Culture (ICONARC 2018). Paris, France : Atlantis Press, 2019. http://dx.doi.org/10.2991/iconarc-18.2019.68.
Texte intégralWang, Ningning. « Aesthetic Expression of Folk Dance Works in Modern Beijing Area ». Dans 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018). Paris, France : Atlantis Press, 2018. http://dx.doi.org/10.2991/iccese-18.2018.160.
Texte intégralUspuriene, Aiste Barbora, et Julija Svipaite. « THE EFFECT OF DANCE ON GIRLS' MOTOR ABILITIES ». Dans International Scientific and Practical Conference. TSNS Interaktiv Plus, 2021. http://dx.doi.org/10.21661/r-554969.
Texte intégralBlidar, Crina-Rozalia. « Traditions and customs in the country of Codru, Maramureş ». Dans Conferinţă ştiinţifică naţională "Salvgardarea şi conservarea digitală a patrimoniului etnografic din Republica Moldova". Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841856.04.
Texte intégralSuhaya, Alya Putri, Tati Narawati et Yuliawan Kasmahidayat. « The Value of Patriotism in Kawung Anten Dance as an Expression of Nationalism ». Dans 3rd International Conference on Arts and Design Education (ICADE 2020). Paris, France : Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210203.017.
Texte intégralFesharaki, Omid, Jesús Cabello Pozo et Jesús Martí Martínez. « CORPORAL EXPRESSION AND DANCE TO MOTIVATE AND TEACH SCIENCES TO PRIMARY EDUCATION STUDENTS ». Dans 16th annual International Conference of Education, Research and Innovation. IATED, 2023. http://dx.doi.org/10.21125/iceri.2023.1242.
Texte intégralShikanai, Nao, Kozaburo Hachimura, Misako Sawada et Motonobu Ishii. « Kansei Information and Movement Characteristics Related to the Expression of Joy in Dance : An Investigation for Analyzing Rousing and Stimulating Dance Motions ». Dans 2012 13th ACIS International Conference on Software Engineering, Artificial Intelligence, Networking and Parallel & Distributed Computing (SNPD). IEEE, 2012. http://dx.doi.org/10.1109/snpd.2012.97.
Texte intégralDagnino, Francesca, Michela Ott, Francesca Pozzi et Erdal Yilmaz. « SERIOUS GAMES DESIGN : REFLECTIONS FROM AN EXPERIENCE IN THE FIELD OF INTANGIBLE CULTURAL HERITAGE EDUCATION ». Dans eLSE 2015. Carol I National Defence University Publishing House, 2015. http://dx.doi.org/10.12753/2066-026x-15-099.
Texte intégral