Littérature scientifique sur le sujet « Dance event »
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Articles de revues sur le sujet "Dance event"
Krisnasari, Bening. « Keberagaman Busana Tari Gambyong : Konstruksi Sosial pada Busana Tari Gambyong di Yogyakarta ». INVENSI 8, no 1 (23 février 2023) : 31–41. http://dx.doi.org/10.24821/invensi.v8i1.7100.
Texte intégralBauana, Agnes Emalisa. « Hermeneutic Study : The Meaning of Lyric From Kebalai Singing In Rote Ndao Society ». Jurnal Seni Musik 11, no 2 (31 décembre 2022) : 199–205. http://dx.doi.org/10.15294/jsm.v11i2.54004.
Texte intégralFiskvik, Anne Margrete. « Tracing the Achievements of Augusta Johannesén, 1880–1895 ». Nordic Journal of Dance 5, no 2 (1 décembre 2014) : 4–21. http://dx.doi.org/10.2478/njd-2014-0007.
Texte intégralTulk, Janice Esther. « Children’s Dances at First Nation Powwows in Atlantic Canada ». Ethnologies 37, no 2 (18 octobre 2017) : 29–52. http://dx.doi.org/10.7202/1041487ar.
Texte intégralNoble, Katie, Donald Glowinski, Helen Murphy, Corinne Jola, Phil McAleer, Nikhil Darshane, Kedzie Penfield, Sandhiya Kalyanasundaram, Antonio Camurri et Frank E. Pollick. « Event Segmentation and Biological Motion Perception in Watching Dance ». Art & ; Perception 2, no 1-2 (2014) : 59–74. http://dx.doi.org/10.1163/22134913-00002011.
Texte intégralNiza, Niza Vayatul, et Yusnizar Heniwaty. « EKSISTENSI TARI POH KIPAH PADA MASYARAKAT LHOKSEUMAWE ». Gesture : Jurnal Seni Tari 7, no 2 (8 janvier 2019) : 59. http://dx.doi.org/10.24114/senitari.v7i2.13305.
Texte intégralRosalina, Venny, et Fabio Yuda. « KAJIAN KRITIS TERHADAP PESERTA LOMBA FLS2N CABANG TARI TINGKAT SMP TAHUN 2019 DI PROVINSI SUMATERA BARAT ». Melayu Arts and Performance Journal 3, no 1 (1 avril 2020) : 27. http://dx.doi.org/10.26887/mapj.v3i1.1340.
Texte intégralGusmail, Sabri, Fifie Febryanti Sukman et Prasika Dewi Nugra. « Saman dan Bines : Pertemuan Tari Tradisi Pada Peristiwa Budaya Bejamu Saman di Gayo Lues, Aceh ». Journal of Education, Humaniora and Social Sciences (JEHSS) 3, no 2 (2 décembre 2020) : 658–70. http://dx.doi.org/10.34007/jehss.v3i2.392.
Texte intégralHanif, Muhammad Hanif, et I. Gusti Agung Gede Arya Kadyanan. « Building TariPedia App as A Typical Balinese Performance Encyclopedia on Mobile Device Platform ». JELIKU (Jurnal Elektronik Ilmu Komputer Udayana) 8, no 2 (8 janvier 2020) : 163. http://dx.doi.org/10.24843/jlk.2019.v08.i02.p08.
Texte intégralWeir, Allison. « Collective Love as Public Freedom : Dancing Resistance. Ehrenreich, Arendt, Kristeva, andIdle No More ». Hypatia 32, no 1 (2017) : 19–34. http://dx.doi.org/10.1111/hypa.12307.
Texte intégralThèses sur le sujet "Dance event"
Martinková, Anna. « Event marketing ». Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-16584.
Texte intégralLiao, Shuyi. « Building partnerships as a key strategy in developing an event management model for an international dance event : a case study of the 2008 WDA (World Dance Alliance) Global Summit, Brisbane, Australia ». Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/30356/1/Shuyi_Liao_Thesis.pdf.
Texte intégralLiao, Shuyi. « Building partnerships as a key strategy in developing an event management model for an international dance event : a case study of the 2008 WDA (World Dance Alliance) Global Summit, Brisbane, Australia ». Queensland University of Technology, 2009. http://eprints.qut.edu.au/30356/.
Texte intégralMyers, Kelsey. « Evaluating Video Feedback as an Antecedent or Consequent Event for Improving Performance of Dance Skills ». Scholar Commons, 2018. https://scholarcommons.usf.edu/etd/7550.
Texte intégralValle, Flavia Pilla do. « Contraconduta da criação : um estudo com alunos da graduação em dança ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/69919.
Texte intégralThis study deals with the way dance is taught in institutes of higher learning, being attentive on the process of creation, understood here as choreographic composition, as well as its relevance in the curriculum. Its point of departure is a pedagogical practice that challenges the students to be creative, based on the concept of counterconduct, which includes the knowledge of their usual ways of creation and challenges them to create in a different way. Thus, the act of creation is not to be understood as a process of selfdiscovery but as a process of resistance to knowledge already embedded which permeate the subject of creation. In this way, it operates with the idea of power, conduct and self-government. Taking as a point of departure the notion of selfcare of the ancient Greeks, which Foucault studied during the 80s, the four principles of the pedagogical praxis are studied: 1. counterconduct as crisis; 2. counterconduct as availability; 3. countercondut as restlessness; 4. counterconduct as ethical relationships. Data collected during three semesters were used as material to be analyzed. These materials consisted of written records of the creative process during the choreography of solos by dance students. As a result, the concept of counterconduct expanded itself to be an operational concept for the whole thesis, in which one tries to make visible the threads through which the discourses on dance take shape on the bodies of would-be dancers. Foucault’s work serves as a tool to analyze the game of counterconduct which is formed and emerges through concepts which demonstrate territories assigned to the dance, generate the understanding of basic training, repeat ideals of beauty, and constitute esthetical affiliations of dance instructors, among many other aspects to be considered. Therefore, the interplay of statements in which each student is constituted and the multiplicity of their positioning is recorded, as much in the classroom as in the very historical events of dance. Finally, this research supports the counterconduct of creation as a possible means of ethically constituting the subject of dance, as well as defending higher learning as an important territory for this kind of work.
Greenwood, Mark. « The performing body in the event of writing : 'Lad Broke', Camp & ; Furnace, Liverpool, April 2012 ». Thesis, Kingston University, 2012. http://eprints.kingston.ac.uk/27789/.
Texte intégralWikstrom, Josefine. « Practices of relations in task-dance and the event-score : towards a new concept of performance in art ». Thesis, Kingston University, 2017. http://eprints.kingston.ac.uk/39282/.
Texte intégralCECCALDI, ELEONORA. « CEST : a Cognitive Event based Semi-automatic Technique for behavior segmentation ». Doctoral thesis, Università degli studi di Genova, 2021. http://hdl.handle.net/11567/1047071.
Texte intégralStejskalová, Natálie. « Street dance - battly, eventy, životní styl ». Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-363558.
Texte intégralXavier, Jussara Janning. « Acontecimentos de dança : corporeidades e teatralidades contemporâneas ». Universidade do Estado de Santa Catarina, 2012. http://tede.udesc.br/handle/handle/650.
Texte intégralCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This thesis discusses the concept of contemporary dance as event and realization of an experience in which life is intensified and transformed into a single space-time. Thus, the contemporary in dance is not determined by chronological factor, but as a suspended art where past, present and future crosses each other. The work is composed of different analytical essays. Its parts are offered as movable possibilities of combination, portions that are intertwined, flowing movements. It is a relational and transitory map of doings and sayings related to dance, in which, mainly, the arguments of Gilles Deleuze, Félix Guattari, Giorgio Agamben, Josette Feral and José Gil are essential. The first part is dedicated to problematize different corporealities: identifies games with the variation and plasticity of the body, such as attempts to produce new modes of perception and affection. In this sense, it presents the method Percepção Física, developed by director Alejandro Ahmed with Grupo Cena 11 Cia. de Dança. And also discusses performances of dancers and coreographers such as Eduardo Fukushima (SP) and Micheline Torres (RJ), whose bodies are permanently conceived as a becoming-other. Next, dance is investigated from a theoretical perspective of theatricality, that is, dance is understood as an artistic act that transform reality and violation of ordinary life. It is considered that theatricality results from dynamic perceptions the look that links the observed, either subject or object, to an observer, and only thus, gives rise to fiction. To search for different possibilities of action in the contemporary scene, creations capable of producing surprising effects related to the habitual, as well, displacements and deviations, are analysed. Artists and companies such as Vanilto Lakka (MG), Erika Rosendo (SC) and Cena 11 are considered
Esta tese discute a noção de dança contemporânea como acontecimento e realização de uma experiência em que a vida é intensificada e transformada num tempo-espaço único. Sendo assim, o contemporâneo na dança não é determinado por um valor cronológico, mas como arte suspensa em que passado, presente e futuro se atravessam. O trabalho é composto por diferentes ensaios analíticos. Suas partes se oferecem como possibilidades móveis de combinação, porções que se interpenetram, movimentos que circulam. Trata-se de um mapa relacional e transitório de fazeres-dizeres ligados a dança, em que, principalmente, os argumentos de Gilles Deleuze, Félix Guattari, Giorgio Agamben, Josette Feral e José Gil são imprescindíveis. Um primeiro momento é dedicado a problematizar diferentes corporeidades: identifica jogos com a variação e plasticidade do corpo, como tentativas de se produzir novos modos de percepção e afecção. Neste sentido, apresenta uma pesquisa do método Percepção Física, desenvolvido pelo diretor Alejandro Ahmed junto ao Grupo Cena 11 Cia. de Dança (SC). E, ainda, discute atuações dos intérpretes e criadores Eduardo Fukushima (SP) e Micheline Torres (RJ), cujos corpos são pensados de modo contínuo como devir-outro. No espaço seguinte, a dança é investigada a partir da perspectiva teórica da teatralidade, ou seja, a dança é compreendida enquanto ato artístico de transformação do real e violação do cotidiano. Considera-se que a teatralidade resulta de dinâmicas perceptivas - do olhar que une um observado, seja sujeito ou objeto, a um observador, e somente assim, faz emergir a ficção. Para pesquisar diferentes possibilidades de ação da contemporaneidade na cena, criações que fabricam efeitos de estranhamento em relação ao familiar, bem como, deslocamentos e desvios, são analisadas. Artistas e grupos como Vanilto Lakka (MG), Erika Rosendo (SC) e Cena 11 são considerados
Livres sur le sujet "Dance event"
John, Elliott. Song 'n' dance : The database/index for C/W dancers, dance instructors, choreographers, event directors, & DJ's. Albany, OR (P.O. Box 1778, Albany 97321-0494) : Country Stage Productions, 1993.
Trouver le texte intégralTune up your turnout : A dancer's guide. Oberlin, Ohio : White Owl Pub., 2005.
Trouver le texte intégralInternational Council for Traditional Music. Study Group on Ethnochoreology. Symposium. Sword dances and related calendrical dance events : Revival : reconstruction, revitalization : proceedings. Sous la direction de Dunin Elsie Ivancich, Zebec Trvtko, Institut za etnologiju i folkloristiku (Zagreb, Croatia) et International Council for Traditional Music. Study Group on Ethnochoreology. Zagreb : ICTM Study Group on Ethnochoreology, 2001.
Trouver le texte intégralDiversions : the National Dance Company of Wales., Scottish Ballet 2 et Dundee Rep Dance Company, dir. [Events guide] : Dance season '93. [Belfast] : Arts Council of Northern Ireland, 1993.
Trouver le texte intégralWill you dance ? Incline Village, NV : Wandering Feather Press, 2002.
Trouver le texte intégralTransitions, Scottish Ballet 2 et Dundee Rep Dance Company, dir. [Events guide] : A season of Dance 1991. [Belfast] : Arts Council of Northern Ireland, 1991.
Trouver le texte intégralPittman, Anne. Dance a while : Handbook for folk, square, contra, and social dance. San Francisco : Pearson Education/Benjamin Cummings, 2008.
Trouver le texte intégralS, Waller Marlys, et Dark Cathy L, dir. Dance a while : Handbook for folk, square, contra, and social dance. 9e éd. San Francisco, Calif : Benjamin Cummings, 2005.
Trouver le texte intégralProtagonisti della danza del XX secolo : Poetiche ed eventi scenici. Roma : Carocci editore, 2014.
Trouver le texte intégralEven more notes from the universe : Dancing life's dance. Hillsboro, Or : Beyond Words Pub., 2008.
Trouver le texte intégralChapitres de livres sur le sujet "Dance event"
Mollenhauer, Jeanette. « The Shell Folkloric Festival : The Most Prominent Multicultural Event ». Dans Cultural Dance in Australia, 95–117. Singapore : Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5900-4_6.
Texte intégralAmans, Diane. « Event Schedule — City of Lights 2006 ». Dans An Introduction to Community Dance Practice, 239–40. London : Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-137-05623-8_38.
Texte intégralEckersall, Peter. « Butoh Cine Dance and the Remediated Sixties ». Dans Performativity and Event in 1960s Japan, 37–60. London : Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137017383_3.
Texte intégralWikström, Josefine. « Introduction ». Dans Practices of Relations in Task-Dance and the Event-Score, 1–28. Abingdon, Oxon ; New York, NY : Routledge, 2021. : Routledge, 2020. http://dx.doi.org/10.4324/9780367809614-1.
Texte intégralWikström, Josefine. « Practice ». Dans Practices of Relations in Task-Dance and the Event-Score, 29–63. Abingdon, Oxon ; New York, NY : Routledge, 2021. : Routledge, 2020. http://dx.doi.org/10.4324/9780367809614-2.
Texte intégralWikström, Josefine. « Experience ». Dans Practices of Relations in Task-Dance and the Event-Score, 64–91. Abingdon, Oxon ; New York, NY : Routledge, 2021. : Routledge, 2020. http://dx.doi.org/10.4324/9780367809614-3.
Texte intégralWikström, Josefine. « Object ». Dans Practices of Relations in Task-Dance and the Event-Score, 92–112. Abingdon, Oxon ; New York, NY : Routledge, 2021. : Routledge, 2020. http://dx.doi.org/10.4324/9780367809614-4.
Texte intégralWikström, Josefine. « Abstraction ». Dans Practices of Relations in Task-Dance and the Event-Score, 113–31. Abingdon, Oxon ; New York, NY : Routledge, 2021. : Routledge, 2020. http://dx.doi.org/10.4324/9780367809614-5.
Texte intégralWikström, Josefine. « Structure ». Dans Practices of Relations in Task-Dance and the Event-Score, 132–48. Abingdon, Oxon ; New York, NY : Routledge, 2021. : Routledge, 2020. http://dx.doi.org/10.4324/9780367809614-6.
Texte intégralWortelkamp, Isa. « Notieren im Tanz ». Dans Bewegungsszenarien der Moderne, 111–25. Heidelberg, Germany : Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-7.
Texte intégralActes de conférences sur le sujet "Dance event"
Mihaiu, Costinel, Monica Gulap, Daniela Aducovschi et Vlad teodor Grosu. « ONLINE PLATFORM FOR DANCESPORT COMPETITIONS AND TRAINING SEMINARS ». Dans eLSE 2021. ADL Romania, 2021. http://dx.doi.org/10.12753/2066-026x-21-191.
Texte intégralde Souza Mothé Alvarenga, Nayra, Maria Laura Porto Calil et Priscilla Gonçalves de Azevedo. « Dance at school and its contribution to the cognitive development of children through classic ballet ». Dans 7th International Congress on Scientific Knowledge. Biológicas & Saúde, 2021. http://dx.doi.org/10.25242/8868113820212409.
Texte intégralUrbans, Mihails, Jelena Malahova et Vladimirs Jemeļjanovs. « Compliance of fire safety measures for accommodation of people in Riga schools ». Dans 21st International Scientific Conference "Economic Science for Rural Development 2020". Latvia University of Life Sciences and Technologies. Faculty of Economics and Social Development, 2020. http://dx.doi.org/10.22616/esrd.2020.53.027.
Texte intégralGuo, Xiaohong, Shuhong Zhang et Dongdong Chen. « Research on the development of sports dance events in Hainan Province ». Dans 2017 International Conference on Innovations in Economic Management and Social Science (IEMSS 2017). Paris, France : Atlantis Press, 2017. http://dx.doi.org/10.2991/iemss-17.2017.21.
Texte intégralArmaroli, Clara, Yann Balouin, Paolo Ciavola et Manuela Gardelli. « Bar Changes Due to Storm Events Using Argus : Lido di Dante, Italy ». Dans Fifth International Conference on Coastal Dynamics. Reston, VA : American Society of Civil Engineers, 2006. http://dx.doi.org/10.1061/40855(214)95.
Texte intégralMolnar, Jakab, Peter T. Zwierczyk et Attila Csoban. « FEM study on the strength increasing effect of nitrided spur gears ». Dans 36th ECMS International Conference on Modelling and Simulation. ECMS, 2022. http://dx.doi.org/10.7148/2022-0189.
Texte intégralHawryszkow, P., K. Galik et M. Bocian. « Synergy of Culture and Civil Engineering – Project "Bridge Builders" Organised by Wroclaw European Capital of Culture ». Dans IABSE Symposium, Wroclaw 2020 : Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland : International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0364.
Texte intégralNakayama, Katsuyuki, Kyouka Hyoudou et Yuki Adachi. « Poster : Even vorticity lines become vortical in a vortex - dance of vorticity lines in the stage of vortex exhibits vortical structure ». Dans 75th Annual Meeting of the APS Division of Fluid Dynamics. American Physical Society, 2022. http://dx.doi.org/10.1103/aps.dfd.2022.gfm.p0022.
Texte intégralPaya, Ali. « IN DEFENCE OF UNIVERSAL ETHICAL VALUES AND PRINCIPLES ». Dans Muslim World in Transition : Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/wnza5901.
Texte intégralVarini, Claudio. « MARGINALIDAD Y RESILIENCIA DE COMUNIDADES EN RIESGO. Visibilidad y desobediencia como supuestos de una vivienda digna para los desplazados en Colombia. » Dans Seminario Internacional de Investigación en Urbanismo. Bogotá : Universidad Piloto de Colombia, 2022. http://dx.doi.org/10.5821/siiu.10104.
Texte intégralRapports d'organisations sur le sujet "Dance event"
Selph, Shelly S., Andrea C. Skelly, Ngoc Wasson, Joseph R. Dettori, Erika D. Brodt, Erik Ensrud, Diane Elliot et al. Physical Activity and the Health of Wheelchair Users : A Systematic Review in Multiple Sclerosis, Cerebral Palsy, and Spinal Cord Injury. Agency for Healthcare Research and Quality (AHRQ), octobre 2021. http://dx.doi.org/10.23970/ahrqepccer241.
Texte intégralVargas-Herrera, Hernando, Juan Jose Ospina-Tejeiro, Carlos Alfonso Huertas-Campos, Adolfo León Cobo-Serna, Edgar Caicedo-García, Juan Pablo Cote-Barón, Nicolás Martínez-Cortés et al. Monetary Policy Report - April de 2021. Banco de la República de Colombia, juillet 2021. http://dx.doi.org/10.32468/inf-pol-mont-eng.tr2-2021.
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