Bibliographies thématiques / Czech fiction, history and criticism

Littérature scientifique sur le sujet « Czech fiction, history and criticism »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 26 juillet 2024

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Articles de revues sur le sujet "Czech fiction, history and criticism"

Motornyi, Andrii. « CZECH WRITER ALEXEJ PLUDEK IN LETTERS TO UKRAJINIAN SCHOLAR VOLODYMYR MOTORNYI ». Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, n^o 12(80) (23 décembre 2021) : 109–12. http://dx.doi.org/10.25264/2519-2558-2021-12(80)-109-112.

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Personal letters of the Czech writer, of the middle of the second half of the twentieth century Alexej Pludek (1923–2002) to the Ukrainian scholar-slavist, literary scholar, professor of Lviv University Volodymyr Motornyi (1929-2015) are presented in this work. The issues, given in the letters are considered on the background of the specifics of the development of the literary process in Czechoslovakia in so-called “normalization period”. There are also issues related to the creation of individual works by the Czech writer and further evaluation of them by Czechoslovak and foreign literary criticism. Problems related to the history of the creation of individual works of the Czech prose writer and their subsequent assessments by Czechoslovak and foreign literary critics are also covered. Special attention is paid to the place of Serbo-Lusatian themes both in V. Motornyi's literary studies and in A. Pludek's literary work. The presented letters cover the 70s – 90s of the last century, which were the period of particularly active socio-political and creative activity of Alexei Pludek. Alexei Pludek, whose literary debut took place in the 1940s, was a Czech writer, politician, playwriter, editor and public figure whose works were especially popular in the 1970s and 1980s. The author is known primarily for his novels on historical themes, as well as works in the genre of science fiction. Volodymyr Motornyi (1929–2015) was a Ukrainian scholar, professor of Slavic philology at National Ivan Franko University of Lviv, author of numerous works on Czech and Serbo-Lusatian literature as well as on Czech-Ukrainian, Lusatian-Ukrainian and Czech-Lusatian literary and cultural ties.

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Tymoshchuk, N. « "They Did not Know How to Build Their Own State, so They Were in Someone Else's Hands" : Artistic Concept of the Liberation Struggle of the Ukrainian People in the Leonid Poltava Novel "Above the Blue Black Sea" ». Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, n^o 1(87) (13 mai 2018) : 158–61. http://dx.doi.org/10.35433/philology.1(87).2018.158-161.

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The peculiarities of the artistic modeling of historical reality of 1917–1920 by Leonid Poltava in the novel "Above the blue Black Sea" are considered in the article, the specificity of the artistic text is also clarified by the researcher. The novel "Above the blue Black Sea" Leonid Poltava is unfairly left out of contemporary literary criticism in the scientific Ukrainian space. The main plot is the events of the Civil War period in Ukraine, Turkey, Bulgaria and the Czech Republic. Leonid Poltava has systematically analyzed the causes of the failure of the Central Council and its allies; he is sure that they have created the conditions for "soviet" totalitarianism and the embodiments of the Bolsheviks basic principle the devide et impera in life. The author has used two approaches to realizing his plan; they are a research and aesthetic ones; Leonid Poltava has skillfully combined historical facts and literature, science and art. The prevailing place in the large gallery of characters is occupied by historical figures, representatives of various warring camps (Hetman Skoropadskyi, Symon Petliura, Troitskyi, Nestor Makhno, Kutiepov, etc.). It is, of course, determined by the specifics of the genre. In our opinion, all the fictional characters, episodes from their lives are closely linked to the historical specifics of the first decades of the twentieth century. They give the novel a significant artistic value. Leonid Poltava recreated the image of the whole people in the documentary-historical concretization of being through every "non-historical" personality, human destiny, action and moral position. The work is characterized by an objective third-form narrative; such a narrative causes the reader to experience the self-deployment of the narrative, the absence of any biased considerations. In conclusion, Leonid Poltava skillfully recreated the civil war as a historical reality, modeled the political, social, cultural and mental processes of that days in the novel "Above the blue Black Sea". The writer studied its nature in detail, investigating the behavior of the masses as the main creator of history in the turbulent age of 1917-1920. Of course, the author was not a direct witness of these terrible events, but the artistic means reminded compatriots of these liberation burials. Now the work of Leonid Poltava has become extremely relevant, the problems raised by the author are close to modern Ukrainians.

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Roberts, R. « American Science Fiction and Contemporary Criticism ». American Literary History 22, n^o 1 (20 novembre 2009) : 207–17. http://dx.doi.org/10.1093/alh/ajp048.

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Gimadeev, Timur. « The feedback on the Slavophile theory of the Hussite movement in the Czech non-fiction historical literature (before 1918) ». Slavic Almanac, n^o 1-2 (2019) : 46–58. http://dx.doi.org/10.31168/2073-5731.2019.1-2.1.03.

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This article deals with the reflection of Czech historians and political writers on the works of Russian Slavophilehistorians about the Hussite movement. The apologists of the Slavophile concept (such as P. Novikov and A. Th. Hilferding) defended the idea of the succession between Orthodoxy and the Hussite movement, supposing that Orthodoxy was brought to Czechia by Cyril and Methodius. This conception remained highly unpopular among the Czech authors. The professional Czech historians, such as J. Kalousek and J. Goll indicated that the information on such continuity is first found in the sources only starting from the mid-16th century, and noted that the communion in both forms was also spread in the West. The Czech authors that were studying the Russian Thought of the 19th century, such as P. Durdík and J. Perwolf, saw this concept as a mere transplantation of the contemporary Slavophile ideology into the past. The Catholic authors headed by A. Lenzrevealed numerous differences between the Hussite and Orthodox creeds.It was only J. V. Kalaš to advocate the Slavophile concepts, but this was caused by his uncritical acceptance of Russian Slavophile literature. The rest of the Czech authors were united in the criticism of the Slavophile publications that was caused by the national solidarity of the Czech intelligentsia and by the weak academic grounds of this theory.

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Forsdick, C. « Postcolonial Criticism : History, Theory, and the Work of Fiction ». Comparative Literature 58, n^o 3 (1 janvier 2006) : 263–65. http://dx.doi.org/10.1215/-58-3-263.

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Syrotinski, Michael. « Postcolonial Criticism : History, Theory and the Work of Fiction ». French Studies 60, n^o 3 (1 juillet 2006) : 418–19. http://dx.doi.org/10.1093/fs/knl067.

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Green, Alison. « ‘A Supreme Fiction’ : Michael Fried and Art Criticism ». Journal of Visual Culture 16, n^o 1 (avril 2017) : 89–102. http://dx.doi.org/10.1177/1470412917700931.

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One of the striking aspects of the trenchant legacy of Michael Fried’s ‘Art and Objecthood’ is its status as a piece of art criticism. Widely perceived as difficult and personal, philosophical and explicatory, doxa or sermon, the essay stands out. To explore its singularity, this article compares Fried’s conception of the period criticism of 18th-century French painting in his book Absorption and Theatricality: Painting and Beholder in the Age of Diderot (1980) and the method of criticism enacted in ‘Art and Objecthood’ (1967) which he saw as connected. The author pursues this and other crossings between Fried’s art historical writings and art criticism, tracking it to an extended endnote in Fried’s Menzel’s Realism: Art and Embodiment in Nineteenth-Century Berlin (2002). ‘Art and Objecthood’ is a key essay in this story aimed at Fried’s thinking about criticism, its history, theory and practice. Doing this matters because it puts the critic in a particular relation to art and to Fried’s idea of an ‘ontologically prior relationship between painting and the beholder’.

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DESIREE ROBERT, JENNA. « POSTCOLONIAL CRITICISM IN SABAH : A REVIEW ». BORNEO AKADEMIKA 5, n^o 1 (1 juin 2021) : 34–40. http://dx.doi.org/10.24191/ba/v5i1/49882.

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Sabah, formerly known as North Borneo during the period of British colonisation from 1888- 1963 produced many texts about the British presence and their activities on the island. This review highlights that the post-war studies especially Sabah’s colonial literature is the missing link to its alternative history. Colonial literature has left its legacy in the form of history, anthropology and art but also in the textual and literary representations of Sabah through a western lens. The critique of colonial fiction and non-fiction texts in former colonies in Malaya and Sarawak have paved the way for critical examination and commentary on the modes of representation of the indigenous and immigrants. This review discusses the highlights of postcolonial criticism in Malaysia. It briefly introduces some of the issues about postcolonial criticism in Sabah and its potential.

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Zimra, Clarisse. « Postcolonial Criticism : History, Theory and the Work of Fiction (review) ». MFS Modern Fiction Studies 50, n^o 3 (2004) : 798–99. http://dx.doi.org/10.1353/mfs.2004.0093.

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Van Dongen, Richard. « Non-fiction, History, and Literary Criticism in the Fifth Grade ». Children's Literature Association Quarterly 12, n^o 4 (1987) : 189–90. http://dx.doi.org/10.1353/chq.0.0343.

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Thèses sur le sujet "Czech fiction, history and criticism"

Duggan, Lucy. « Reading the city : Prague in Czech and Czech-German narrative fiction since 1989 ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3827cf9c-fa91-4fb5-aa7e-8942de885729.

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In the course of its history, Prague has been the site of many significant cultural confrontations and conversations. From the medieval chronicle of Cosmas to the work of contemporary writers, the city has taken shape in literature as a multivalent space where identities are constructed and questioned. The evolution of Prague's literary significance has taken place in an intercultural context: both Czech-speaking and German-speaking writers have engaged with the city and its past, and their texts have interacted with each other. The city has played a central part in many collective narratives in which myth, history and literature intertwine. Looking at contemporary prose fiction written in both Czech and German, this thesis explores continuities and contrasts in the literary roles played by Prague. It analyses two German-speaking emigrant authors, Libuše Moníková (1945-1998) and Jan Faktor (1951- ), viewing them alongside three Czech writers, Jáchym Topol (1962- ), Daniela Hodrová (1946- ), and Michal Ajvaz (1949- ). Through close readings of eight texts, the thesis approaches the imagined city from four angles. It discusses how contemporary authors portray the search for meaning in the city by imagining Prague as two contrasting realms (the 'real' city and the 'other' city), how the discontinuities of the city are reflected by the fragmentation of the authorial stance, how these authors assemble new Prague myths from the vestiges of older topoi, and how they confront the contradictory urges to uphold the boundaries of the city and to transgress them. In post-1989 Prague, authors explore the unstable spaces between continuity and discontinuity, constructing an authorial ethos in these areas of tension.

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King, Edward Carlos Richard. « Mapping the control society : science fiction tropes and digital technologies in contemporary Argentine and Brazilian narrative ». Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610135.

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Shishkin, Timur. « Marginalized Characters in Contemporary American Short Fiction ». PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/297.

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The focus of the present research work is the contemporary American short stories that bring up issues of compulsory norm and the conflict between marginalized characters and their environment. This research was based on those short stories that seemed to represent the idea of being "different" in the most complex and multilayered way, and its goal was to unfold new aspects of the conflict between "normal" and "abnormal"/"different". Variations of norm as well as diversity within the marginalized raise a number of questions about the reasons for their inability to coexist peacefully. The close reading and the analysis of the selected stories show that all the conflicts in them, in one way or another, repeat similar patterns and lead to the same root of the problem of misunderstanding, which is fear. To be more precise, all the cases of hate towards "different" characters can be explained by the hater's explicit or implicit fear of death in its various forms: inability to procreate one's own kind, cultural or personal self-identity loss, actual life threat in the form of a reminder of possible physical harm and death. Most often it would be the case where shame and fear of death overlap in a very complex way. In general, the cases of characters' otherness fall into three major groups. The nature of the alienation for each of these groups is described and analyzed in three separate chapters. Prejudice and stereotypes are playing a great role in formation of fears and insecurities which need to be dismantled in order to make peaceful coexistence possible. This work concludes with pointing out the crucial role of taking an approach of representation of various perspectives and diversification of voices in creative writing, academia and media in the context of multicultural society.

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Chan, Wai-ying, et 陳惠英. « Chinese lyrical fiction in the period 1919-1989 ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212864.

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Su, Ping, et 苏娉. « Word into image : cinematic elements in Caryl Phillips's fiction ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/197091.

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Caryl Phillips, best known as a novelist, is a versatile writer who has also written for theater, radio, television and film. His experience in writing screenplays has made a considerable impact on the texture, style, technique and structure of his novels, which display either explicitly or implicitly many visual and formal features that resemble the narrative strategies of cinema. This study explores the many ways in which the cinematic art has influenced Phillips’s writing, focusing specifically on his four major novels: The Final Passage, The Nature of Blood, Dancing in the Dark, and In the Falling Snow. The chapters of this dissertation demonstrate that Phillips’s sustained interest and work in the area of cinema have profoundly shaped his novelistic craft, which is visibly manifested in the form, style and even themes of his fiction. He has used techniques analogous to film substantially in his novels for the purpose of formal experimentation, demonstrating a filmic sensibility that contributes considerably to his uniqueness in theme, characterization and form, enriches the meaning of his texts, and enhances his writing in a great many ways. Thus a reading of his novels in relation to the language and grammar of cinema will lead to a deeper understanding of his fictional art. This thesis uses cinema as an analytical framework to demonstrate the filmic quality of Phillips’s fiction. Chapter One discusses the dynamic exchanges, interactions, and cross-influences between the novel and film, thus establishing a theoretical context for a cinematic reading of Phillips’s major novels. Chapter Two investigates Phillips’s visual imagination by analyzing how literary equivalents of various camera shots such as long shots, medium shots, close-ups, pan shots, dolly shots, tilt shots, and freeze frames are produced by his use of language. It shows that Phillips visualizes his scenes as if through a camera lens, with medium shots, as a mode of characterization, predominating in his novels and sequences of shots displaying a recurring rhythm created by a continuous switching between the long, medium and short camera-to-object distances. Chapter Three, focusing on the editing processes, examines Phillips’s adaptive use of the different types of montages: quick sequences of brief shots, metaphorical montages, repetitive montages, jump cuts, parallel montages and flashback montages. This chapter demonstrates that the construction of literary montages in Phillip’s works has contributed to the author’s visual, rhythmic and concise language style and the predominance of different montage types in the four novels results in their distinct structural features. Chapter Four studies Phillips’s use of the cinematic devices of lighting, color and sound to illustrate that the three elements are a significant and expressive part of the author’s themes and narrative techniques. The reading of Phillips’s novels in the light of cinematic aesthetics will uncover some of the unexplored aspects of his fictional style, draw attention to those formal patterns that are associated with his literary translation of filmic devices, place him in the tradition of literary modernism, and ensure a fuller appreciation of his artistic achievement.
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Ryan, Matthew. « Self, nation and novel in contemporary Irish writing ». Monash University, Centre for Comparative Literature and Cultural Studies, 2004. http://arrow.monash.edu.au/hdl/1959.1/5421.

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Zheng, Baoxuan, et 鄭寶璇. « The theme of alienation in modern Chinese and Anglo-American fiction ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1985. http://hub.hku.hk/bib/B31206803.

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Ko, Trudy Hoi Yun. « The involution of print and prose fiction in early modern England ». Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609098.

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DeAngelis, Angelica Maria. « History and fiction as narrative in the novels of Salman Rushdie ». Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22394.

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This work examines the fiction of Salman Rushdie--Grimus, Midnight's Children, Shame and The Satanic Verses, and its complex narrative structure. Fictional narrative is discussed in terms of structuralist theory using studies by Mieke Bal, Seymour Chatman and Gerald Prince. Historical narrative is analyzed through the writings of the philosophers of history, Hayden White, Louis O. Mink and Paul Ricoeur. These theories are applied to the fiction of Salman Rushdie in order to investigate his use of narrative. It is concluded that he uses a combination of historical and fictional narrative in order to explode existing 'truths' and mythologies, and to suggest alternative realities in their place.

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李仕芬 et Shi-fan Lee. « Love and marriage ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31208721.

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Livres sur le sujet "Czech fiction, history and criticism"

Štoll, Martin. Hundred years of Czech documentary film, 1898-1998 : A brief history of Czech non-fiction film. Praha : Malá Skála, 2000.

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Steiner, Peter. The deserts of Bohemia : Czech fiction and its social context. Ithaca, NY : Cornell University Press, 2000.

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Krolak, Joanna. Hus na trybunie : Tradycje narodowe w czeskiej powiesci historycznej okresu realizmu socjalistycznego. Warszawa : Instytut Slawistyki Zachodniej i Poludniowej Uniwersytetu Warszawskiego, 2004.

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Dokoupil, Blahoslav. Český historický román, 1945-1965. Praha : Československý spisovatel, 1987.

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Dokoupil, Blahoslav. Čas člověka, čas dějin : Poznámky k vývoji české historické prózy, 1966-1986. Praha : Československý spisovatel, 1988.

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Dokoupil, Blahoslav. Český historický román, 1945-1965. Praha : Československý spisovatel, 1987.

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Jungmann, Milan. Cesty a rozcestí : Kritické stati z let 1982-87. Londýn : Rozmluvy, 1988.

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Jungmann, Milan. Cesty a rozcestí : Kritické stati z let 1982-1985. Praha : [s.n.], 1986.

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Neff, Ondřej. Tři eseje o české sci-fi. Praha : Československý spisovatel, 1985.

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Dostál, Vladimír. Zrcadla podél cesty : K české próze, 1969-1974. Praha : Československý spisovatel, 1987.

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Chapitres de livres sur le sujet "Czech fiction, history and criticism"

Höglund, Anna. « The Wild Boar Never Strikes Without Cause : Monstrous Hybrids, National Identity, and Gender in the Horror Movie Chawu ». Dans History and Speculative Fiction, 191–202. Cham : Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_10.

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AbstractThe wild boar has found its own unique space in the genre animal horror. The story of the monstrous wild boar describes conflicts between nature and culture, animal and human, and the criticism of civilization is a prominent theme. The place that produced the monstrous boar is important in the genre and it describes monstrous places where something has gone horribly wrong. The landscapes where the wild boar causes destruction are horrid liminal spaces between past and present. This chapter explores themes connected to South Korea’s dark history of colonial oppression and civil wars in the wild boar horror film Chawu (2009). In particular, it addresses issues regarding the construction of national identity, gender, and the hybridization of masculinities in contemporary South Korea.

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Iser, Wolfgang. « Fiction—The Filter of History : A Study of Sir Walter Scott's Waverley ». Dans New Perspectives in German Literary Criticism : A Collection of Essays, 86–104. Princeton : Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400866984-005.

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Levenson, Michael. « Criticism of Fiction ». Dans The Cambridge History of Literary Criticism, 468–98. Cambridge University Press, 2000. http://dx.doi.org/10.1017/chol9780521300124.022.

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Rieder, John. « On defining sf, or not : Genre theory, sf, and history ». Dans Science Fiction Criticism. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781474248655.0013.

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Yaszek, Lisa. « The women history doesn’t see : Recovering midcentury women’s sf as a literature of social critique ». Dans Science Fiction Criticism. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781474248655.0030.

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Showalter, English. « Prose fiction : France ». Dans The Cambridge History of Literary Criticism, 210–37. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521300094.008.

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« Truth, Fiction and “Undisputed History” ». Dans The Literary Criticism of Samuel Johnson, 143–56. Cambridge University Press, 2023. http://dx.doi.org/10.1017/9781009369992.014.

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McKeon, Michael. « Prose fiction : Great Britain ». Dans The Cambridge History of Literary Criticism, 238–63. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521300094.009.

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Wimsatt, William K., et Cleanth Brooks. « Fiction and Drama : The Gross Structure ». Dans Literary Criticism : A Short History, 681–98. Routledge, 2021. http://dx.doi.org/10.4324/9781003141013-7.

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Pierre, Kelly St. « The ‘People’ in Czech and Slovak Music Criticism ». Dans The Cambridge History of Music Criticism, 440–56. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.024.

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Actes de conférences sur le sujet "Czech fiction, history and criticism"

Slamova, Karolina. « THE SEARCH FOR AN APPROACH TO CZECH LITERARY HISTORY IN IGOR HAJEK�S CONCEPT ». Dans 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.22.

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This paper focuses on the field of literary history in order to show what approach to the historiography of Czech literature was taken by the representative of Czech exile literary criticism, Igor Hajek. The context which Hajek entered during his study stays in the USA and Great Britain, and later in exile, was the reception horizon of the late 1960s, when the events of the �Prague Spring� attracted the attention of the West and turned attention to the Czech liberalisation movement, in which literature played a significant role. Hajek assumed the role of a mediator of the fundamental values of Czech literary production to the Western audience from the position of an expert in the Anglo-American cultural environment and Czech and foreign literary approaches. The specificity of his perspective is due to the fact that he tried to present the image of Czech national literature with respect to a non-Czech reader and that he aimed to clarify the main features of the development of Czech literature to international students and readers. The paper presents the conclusions of the analysis of Hajek�s literary-historical essays, which show that Igor Hajek relied mainly on the views of Arne Novak, a Czech literary historian and critic. The paper further assumes that Igor Hajek, due to his background in English studies, methodologically drew on some of the approaches that were being promoted in the West in his time and notes the connections between Hajek�s methods and the methodologies these approaches are based on.

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