Thèses sur le sujet « Cyborgs – Comic books, strips, etc »
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Lorenz, Peter. « Maßnahmen zur Schaffung einer zukunftsfähigen Organisation der Comic-Spezialbibliothek "Bei Renate" ». Berlin : Humboldt-Universität zu Berlin, 2005. http://books.google.com/books?id=SYtQAAAAMAAJ.
Texte intégralPevey, Aaron. « From Superman to superbland the Man of Steel's popular decline among postmodern youth / ». unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04172007-133407/.
Texte intégralTitle from file title page. Chris Kocela, committee chair; Paul Schmidt, Michael Galchinsky, committee members. Electronic text (95 p. : ill. 9some col.)) : digital, PDF file. Description based on contents viewed Nov. 16, 2007. Includes bibliographical references (p. 78-81).
Herman, Janique Luschan Vogl. « An interrogation of morality, power and plurality as evidenced in superhero comic books : a postmodernist perspective ». Thesis, University of Fort Hare, 2013. http://hdl.handle.net/10353/d1005646.
Texte intégralYoung, Hiu-tung. « Problems of translating contemporary Japanese comics into Chinese the case of Crayon Shinchan / ». Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B39848863.
Texte intégralGay, Stephanye Anne. « ShieldCross an exploration of sequential art ; an honors project / ». [Jefferson City, Tenn. : Carson-Newman College], 2009. http://library.cn.edu/HonorsPDFs_2009/Gay_Stephanye_Anne.pdf.
Texte intégralFrail, James H. « Powers and abilities far behind those of mortal men an examination of the comic book industry and subculture through a feminist sociological perspective / ». Huntington, WV : [Marshall University Libraries], 2004. http://www.marshall.edu/etd/descript.asp?ref=424.
Texte intégralMcCoy, Kuleen O. « The funnies are a serious business : how local newspaper editors make decisions concerning diverse and controversial comic strips / ». Thesis, This resource online, 1992. http://scholar.lib.vt.edu/theses/available/etd-08222009-040404/.
Texte intégralDu, Plessis Carla (Carla Susan). « Reconsidering the conventions employed in comix and comix strips ». Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/21211.
Texte intégralYoung, Hiu-tung, et 楊曉彤. « Problems of translating contemporary Japanese comics into Chinese : the case of Crayon Shinchan ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B39848863.
Texte intégralBrienza, Casey Elizabeth. « Domesticating Manga : Japanese comics, American publishing, and the transnational production of culture ». Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648154.
Texte intégralKondo, Tomoko. « The making of a corporate : elite adult targeted comic magazines of Japan ». Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22450.
Texte intégralDavies, Paul Fisher. « Making meanings with comics : a functional approach to graphic narrative ». Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/69049/.
Texte intégralLeland, Jennie. « The Phoenix Always Rises : The Evolution of Superheroines in Feminist Culture ». Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/LelandJ2007.pdf.
Texte intégralVan, Staden Leonora. « Bitterkomix en Stripshow : pornografie en satire in Afrikaanse ondergrondse strippe ». Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/1330.
Texte intégralChenault, Wesley. « Working the Margins : Women in the Comic Book Industry ». unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04232007-124907/.
Texte intégralTitle from file title page. Marian Meyers, committee chair; Layli Phillips, Amira Jarmakani, committee members. Description based on contents viewed June 3, 2008. Includes bibliographical references (p. 120-123).
Lucchine, Dana P. « Beneath the mask and spandex reviewing, revising, and re-appropriating the superhero myth in Alan Moore's Watchmen / ». Click here for download, 2009. http://proquest.umi.com.ps2.villanova.edu/pqdweb?did=1943369611&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.
Texte intégralCompton, Adam Delk. « The American comic book industry, 1936-1954 : creativity in an age of conformity / ». View online, 2006. http://ecommons.txstate.edu/phystad/1/.
Texte intégralBryant, Emi. « "I am Michi!" identity politics in Osamu Tezuka's Metropolis / ». Diss., Connect to the thesis, 2006. http://thesis.haverford.edu/174/01/2006BryantE.pdf.
Texte intégralLam, Sui-kwong Sunny. « The impact of translated Japanese comics on Hong Kong cinematic production : cultural imperialism or local redeployment ? / ». Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18598389.
Texte intégralMcKenny, Stewart Noel. « Consumer attitudes to the products of Issue one comics ». Thesis, Queensland University of Technology, 1999.
Trouver le texte intégralBrowning, Sheila Rose Takeuchi Naoko. « Pretty little girl warriors : a study of images of femininity in Japanese Sailor Moon comics / ». free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1426050.
Texte intégralNewell, Kathleen Ellen. « What we talk about when we talk about adaptation ». Access to citation, abstract and download form provided by ProQuest Information and Learning Company ; downloadable PDF file 1.30 Mb., 233 p, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3221075.
Texte intégralGagnon, Michel 1969. « Eléments discursifs, sociolinguistiques et actes de parole dans les BD ». Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29824.
Texte intégralSmith, Benjamin. « Spandex cinema : three approaches to comic book film adaptation / ». Read thesis online, 2009. http://library.uco.edu/UCOthesis/SmithBP2009.pdf.
Texte intégralLee, Moon. « Ineffable a spatial installation : thesis submitted to the Auckland University of Technology in partial fulfillment of the degree of Master of Arts in Art and Design, 2004 / ». Full thesis. Abstract, 2004.
Trouver le texte intégralBrown, Jennifer L. « Female protagonists in shōjo manga from the rescuers to the rescued / ». Connect to this title, 2008. http://scholarworks.umass.edu/theses/137/.
Texte intégralPlowman, Nicola Streeten. « A cultural history of feminist cartoons and comics in Britain from 1970 to 2010 ». Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/70775/.
Texte intégralChen, Shangyu. « Popular art and political movements an aesthetic inquiry into Chinese pictorial stories / ». online access from Digital dissertation consortium, 1996. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9701484.
Texte intégralKowalczyk, Brian P. « EGANWO : the graphic novel's escape to digital media / ». Online version of thesis, 2009. http://hdl.handle.net/1850/11652.
Texte intégralSmida, Megan Alice Moore Alan. « (Re)telling Ripper in Alan Moore's From hell : history and narrative in the graphic novel ». Dayton, Ohio : University of Dayton, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1272574121.
Texte intégralTitle from PDF t.p. (viewed 06/23/10). Advisor: James Boehnlein. Includes bibliographical references (p. 44-46). Available online via the OhioLINK ETD Center.
Wang, Ruoxing, et 王若星. « Cultural prorogation in mainland China : a case study of BL culture ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50434548.
Texte intégralpublished_or_final_version
Modern Languages and Cultures
Master
Master of Philosophy
Ehritz, Andrew A. « FROM INDOCTRINATION TO HETEROGLOSSIA : THE CHANGING RHETORICAL FUNCTION OF THE COMIC BOOK SUPERHERO ». Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1155044370.
Texte intégralLau, Cheung-cheung. « A study of Manga and adolescent popular fiction in Hong Kong / ». Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20354010.
Texte intégralLopes, Romildo Sergio [UNESP]. « Identidades secretas : representações do negro nas Histórias em quadrinhos norte-americanas ». Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/123697.
Texte intégralPensando as histórias em quadrinhos enquanto veículo de comunicação de massa, cuja história moderna atravessou por todo século XX até chegar à contemporaneidade, mantendo sua linguagem quase que inalterada, é possível inferir sobre a grande força do meio e, consequentemente, grande impacto das representações que elas criam com quem circulam pela sociedade. A proposta desse trabalho é discutir quais são as identidades do negro nas histórias em quadrinhos americanas da editora Marvel Comics publicadas no Brasil. Temos por hipótese o quanto tais representações podem criar identificação com modelo de conformidade ou reforçar preconceitos por meio dos estereótipos clássicos de minoria racial nos Estados Unidos. A metodologia aplicada é a junção de dois campos, a semiótica aplicada é a junção de dois campos: a semiótica de matriz pierciana, enquanto técnica de pesquisa, responsável por dar relevo às representações e a seus argumentos, bem como a sociologia, a qual se valeu das noções de cultura e identidade explorados por Stuart Hall e Anthony Giddens para as análises dos resultados. A amostra parte de uma coleção de revistas da Marvel Comics publicadas no Brasil pela Panini, no período de 01 de julho a 31 de dezembro de 2011, adquiridas nas bandas e lojas especializadas, perfazendo 76 revistas, com 252 histórias analisadas em que foram identificadas 1370 participações relevantes dos personagens, dessas apenas 75, ou seja, 5,47% foram geridas por negros, demonstrando uma baixa representatividade. Essa percentagem constitui de fato o recorte que é o corpus da pesquisa. Nele, identificamos 16 personagens negros relevantes que, poderiam ser agrupados em 5 modelos possíveis de identidades, muitas das quais alinhadas aos demais campos como cinema e música. Por conclusão, podemos dizer que os dois personagens que se alinham com modelos positivos e mais polifônicos são Tempestade e Luke Cage. Contudo a...
Thinking of the comicsas a vehicle of mass communication, whose modern history crossed through all twentieth century until contemporary times, keeping his language almost unchanged, it is possible to infer about the great strength of the medium and, consequently, the large impacts of the representations it creates and circulates through society by then. The purpose of this paper is to discuss the identities of the black American in the comics of Marvel Comics, published in Brazil. We have as hypothesis, how such representations can create identification with models of conformity or reinforce prejudicies through the classic stereotypes of racional minority in the United States. We have applied as methodology a junction of two fields; a Pierce's semiotic matrix, as a research technique to reveal the representations and their arguments, as well as sociology, which drew on the notions of culture and identity explored by Stuart Hall and Anthony Giddens for analysis of results. The samples comes from Marvel Comics magazines published by Panini, in the period from July 1 to December, 2011, in a collection purchased at news stands and specialized shops. Totaling 76 magazines, with 252 analyzed stories which form identified significant shareholdings of 1370 characters, among these only 75, or 5,47% were managed by blacks, demonstrating a low representation. This percentage is actually the remnant which is the research corpus. 16 black important chacters were identified, those would be grouped into five possible models of identities many of them are related to other fields such as cinema and music. As a whole, we can say thay the two characters that are compared to positive models and are more polyphonic, are Storm and Luke Cage. However, the low representativeness and excess characterization make comics analyzed at, a very fertile field identification by the Brazilian public
Wilson, Robyn Joan. « Last Man Hanging This exegisis is submitted to the Auckland University of Technology for the degree of Bachelor in Art & ; Design, Honours,(Graphic Design). 2005 / ». Full dissertation Abstract, 2005.
Trouver le texte intégralPrint copy accompanied by CD. Includes bibliographical references. Also held in print (99 p. : col. ill. ; 20 cm. + CD (3 in.)) in City Campus Theses Collection (T 707 WIL)
Lopes, Romildo Sergio. « Identidades secretas : representações do negro nas Histórias em quadrinhos norte-americanas / ». Bauru, 2013. http://hdl.handle.net/11449/123697.
Texte intégralBanca: Maximiliano Martin Vicente
Banca: Waldomiro de Castro Santos Vergueiro
Resumo: Pensando as histórias em quadrinhos enquanto veículo de comunicação de massa, cuja história moderna atravessou por todo século XX até chegar à contemporaneidade, mantendo sua linguagem quase que inalterada, é possível inferir sobre a grande força do meio e, consequentemente, grande impacto das representações que elas criam com quem circulam pela sociedade. A proposta desse trabalho é discutir quais são as identidades do negro nas histórias em quadrinhos americanas da editora Marvel Comics publicadas no Brasil. Temos por hipótese o quanto tais representações podem criar identificação com modelo de conformidade ou reforçar preconceitos por meio dos estereótipos clássicos de minoria racial nos Estados Unidos. A metodologia aplicada é a junção de dois campos, a semiótica aplicada é a junção de dois campos: a semiótica de matriz pierciana, enquanto técnica de pesquisa, responsável por dar relevo às representações e a seus argumentos, bem como a sociologia, a qual se valeu das noções de cultura e identidade explorados por Stuart Hall e Anthony Giddens para as análises dos resultados. A amostra parte de uma coleção de revistas da Marvel Comics publicadas no Brasil pela Panini, no período de 01 de julho a 31 de dezembro de 2011, adquiridas nas bandas e lojas especializadas, perfazendo 76 revistas, com 252 histórias analisadas em que foram identificadas 1370 participações relevantes dos personagens, dessas apenas 75, ou seja, 5,47% foram geridas por negros, demonstrando uma baixa representatividade. Essa percentagem constitui de fato o recorte que é o corpus da pesquisa. Nele, identificamos 16 personagens negros relevantes que, poderiam ser agrupados em 5 modelos possíveis de identidades, muitas das quais alinhadas aos demais campos como cinema e música. Por conclusão, podemos dizer que os dois personagens que se alinham com modelos positivos e mais polifônicos são Tempestade e Luke Cage. Contudo a...
Abstract: Thinking of the comicsas a vehicle of mass communication, whose modern history crossed through all twentieth century until contemporary times, keeping his language almost unchanged, it is possible to infer about the great strength of the medium and, consequently, the large impacts of the representations it creates and circulates through society by then. The purpose of this paper is to discuss the identities of the black American in the comics of Marvel Comics, published in Brazil. We have as hypothesis, how such representations can create identification with models of conformity or reinforce prejudicies through the classic stereotypes of racional minority in the United States. We have applied as methodology a junction of two fields; a Pierce's semiotic matrix, as a research technique to reveal the representations and their arguments, as well as sociology, which drew on the notions of culture and identity explored by Stuart Hall and Anthony Giddens for analysis of results. The samples comes from Marvel Comics magazines published by Panini, in the period from July 1 to December, 2011, in a collection purchased at news stands and specialized shops. Totaling 76 magazines, with 252 analyzed stories which form identified significant shareholdings of 1370 characters, among these only 75, or 5,47% were managed by blacks, demonstrating a low representation. This percentage is actually the remnant which is the research corpus. 16 black important chacters were identified, those would be grouped into five possible models of identities many of them are related to other fields such as cinema and music. As a whole, we can say thay the two characters that are compared to positive models and are more polyphonic, are Storm and Luke Cage. However, the low representativeness and excess characterization make comics analyzed at, a very fertile field identification by the Brazilian public
Mestre
Breytenbach, Jesse-Ann. « A critical analysis of South African underground comics ». Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002192.
Texte intégralWalsh, Susan F. « Modifing risk perceptions of Japanese university students using a culturally compatible mode of instruction ». Morgantown, W. Va. : [West Virginia University Libraries], 1999. http://etd.wvu.edu/templates/showETD.cfm?recnum=427.
Texte intégralTitle from document title page. Written by Susan F. Walsh. Document formatted into pages; contains viii, 67 p. : ill. Vita. Includes abstract. Includes bibliographical references (p. 40-45).
Foster, John E. « A critical, social and stylistic study of Australian children's comics / ». Title page, contents and introduction only, 1989. http://web4.library.adelaide.edu.au/theses/09PH/09phf755.pdf.
Texte intégralGaudry, Frédéric. « Principales caractéristiques de l'esthétique de la bande dessinée et leur application à Chlorophylle ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq25587.pdf.
Texte intégralGravely, Gary T. « Roles of the quest superhero in Kavalier and Clay and three graphic novels a thesis presented to the faculty of the Graduate School, Tennessee Technological University / ». Click to access online, 2009. http://proquest.umi.com/pqdweb?index=42&did=1913184321&SrchMode=1&sid=1&Fmt=6&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1264782934&clientId=28564.
Texte intégralRawson, Angela. « A critical linguistic analysis of a popular comic genre in Japan ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1021.
Texte intégralO'Brien, Amy Ann. « Boys' Love and Female Friendships : The Subculture of Yaoi as a Social Bond between Women ». unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-11202008-150110/.
Texte intégralTitle from file title page. Jennifer Patico, committee chair; Emanuela Guano, Megan Sinnott, committee members. Description based on contents viewed Sept. 10, 2009. Includes bibliographical references (p. 141-147).
Phelps, Valarie L. « Pedagogy of Graphic Novels ». TopSCHOLAR®, 2011. http://digitalcommons.wku.edu/theses/1065.
Texte intégralCorin, Gemma. « From "ambiguously gay duos" to homosexual superheroes the implications for media fandom practices / ». The University of Waikato, 2008. http://hdl.handle.net/10289/2367.
Texte intégralTurbuck, Christopher James. « Personal Narratives ». Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/turbuck/TurbuckC0508.pdf.
Texte intégralLi, Yannan. « Japanese Boy-Love Manga and the Global Fandom : A Case Study of Chinese Female Readers ». Thesis, Connect to resource online, 2009. http://hdl.handle.net/1805/1936.
Texte intégralTitle from screen (viewed on September 3, 2009). Department of Communication Studies, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): John Parrish-Sprowl. Includes vita. Includes bibliographical references (leaves 80-83).
Acres, Harley Blue. « Gender bending and comic books as art issues of appropriation, gender, and sexuality in Japanese art / ». Birmingham, Ala. : University of Alabama at Birmingham, 2007. http://www.mhsl.uab.edu/dt/2007m/acres.pdf.
Texte intégralMok, Ka-lai Cynthia, et 莫嘉麗. « The sociolinguistics of written Chinese in local comic booksubculture : stigmatised language varieties inHong Kong ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221488.
Texte intégralRohrdanz, Jessica Lynn. « Superheroes for a Superpower : Batman, Spider-Man and the Quest for an American Identity ». Connect to resource online, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1242442545.
Texte intégral