Littérature scientifique sur le sujet « Cultures DIY »
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Articles de revues sur le sujet "Cultures DIY"
Chrysagis, Evangelos. « DIY Cultures and Underground Music Scenes ». Popular Music and Society 42, no 5 (5 août 2019) : 624–26. http://dx.doi.org/10.1080/03007766.2019.1650522.
Texte intégralBennett, Andy. « Conceptualising the Relationship Between Youth, Music and DIY Careers : A Critical Overview ». Cultural Sociology 12, no 2 (19 février 2018) : 140–55. http://dx.doi.org/10.1177/1749975517750760.
Texte intégralGuerra, Paula. « Raw Power : Punk, DIY and Underground Cultures as Spaces of Resistance in Contemporary Portugal ». Cultural Sociology 12, no 2 (16 avril 2018) : 241–59. http://dx.doi.org/10.1177/1749975518770353.
Texte intégralThreadgold, Steven. « Creativity, Precarity and Illusio : DIY Cultures and ‘Choosing Poverty’ ». Cultural Sociology 12, no 2 (25 octobre 2017) : 156–73. http://dx.doi.org/10.1177/1749975517722475.
Texte intégralKim, Min-Hyoung. « A Semiotic Adaptation of Materiality Studies : With a Focus of DIY Making Cultures ». Semiotic Inquiry 72 (30 décembre 2022) : 7–37. http://dx.doi.org/10.24825/si.72.1.
Texte intégralHaenfler, Ross. « The Entrepreneurial (Straight) Edge : How Participation in DIY Music Cultures Translates to Work and Careers ». Cultural Sociology 12, no 2 (27 juin 2017) : 174–92. http://dx.doi.org/10.1177/1749975517700774.
Texte intégralGuerra, Paula. « So close yet so far : DIY cultures in Portugal and Brazil ». Cultural Trends 30, no 2 (24 janvier 2021) : 122–38. http://dx.doi.org/10.1080/09548963.2021.1877085.
Texte intégralCleveston Gelain, Gabriela, Milene Migliano et Pedro De Assis Pereira Scudeller. « Experiências de uma Riot Grrrl : Kathleen Hanna, feminismo, DIY e cultura remix ». Revista PHILIA | Filosofia, Literatura & ; Arte 2, no 2 (10 novembre 2020) : 152–88. http://dx.doi.org/10.22456/2596-0911.104017.
Texte intégralBarnard, Katharine D., Ralph Ziegler, David C. Klonoff, Katarina Braune, Bettina Petersen, Til Rendschmidt, Daniel Finan, Aaron Kowalski et Lutz Heinemann. « Open Source Closed-Loop Insulin Delivery Systems : A Clash of Cultures or Merging of Diverse Approaches ? » Journal of Diabetes Science and Technology 12, no 6 (6 août 2018) : 1223–26. http://dx.doi.org/10.1177/1932296818792577.
Texte intégralCritchley, Tom. « DIY Design and Radical Worldbuilding at The Grove Skatepark, London ». Temes de Disseny, no 39 (27 juillet 2023) : 208–27. http://dx.doi.org/10.46467/tdd39.2023.208-227.
Texte intégralThèses sur le sujet "Cultures DIY"
Messey, Orlane. « "C’est du sport, tu t’attendais à quoi ?". D'un entre-soi permissif à un sport inclusif : le cas du roller derby français ». Electronic Thesis or Diss., Bourgogne Franche-Comté, 2024. http://www.theses.fr/2024UBFCC001.
Texte intégralRoller derby is an American sports discipline that emerged in France in 2009. Its spread in Europe is notably linked to the film Bliss, which contributes to the popularization of this ancient sport, recreated in 2001 in the alternative music scenes of Texas. Roller derby establishes itself in France based on a carnival and permissive practice model through which the teams hijacked the mainstream sport. Furthermore, teams initially organized around the punk do-it-yourself (DIY) logic, which involved rejecting capitalist logic and favoring self-management. Ten years after the emergence of this practice in France, this sports science thesis aims to understand the structuring of roller derby in relation to the "traditional," mainstream sports model. Using a sociological and ethnographic approach, the aim is to examine how French roller derby managed to structure itself outside dominant frameworks. The observation of an obvious euphemization of subversive markers and the adoption of codes from the federal sports environment suggest the incorporation of the practice into a sportification process. However, this is not synonymous with a takeover by sports authorities here. On the contrary, this normalization of practice takes place within the teams themselves. By mobilizing symbolic interactionism frameworks, this research highlights the role played by the female practitioners during this sportsification and how they negotiate a practice framework articulated between the diversion and appropriation of the dominant sports model. The main challenge is to show the transition from a so-called "permissive" practice to an "inclusive" sport. While female players now defend their place on mainstream sports fields, the display of inclusion of gender minorities has gradually replaced the carnivalesque markers of subversion of sports codes. As teams are leaving the margins of the sport to enter its institutions, subversion gives way to inclusion, as a final marker of distance from the core of the sports environment. Nevertheless, some teams continue to resist the pressure of the competitive model. Some embrace DIY as a means of organizing sports practice differently (without hierarchy, but horizontally), while others choose to prioritize folklore as a mode of resistance to the homogenization of practice
Holtzhausen, Natasja. « Die rol van die openbare bestuurder in die ontwikkeling van 'n organisasiekultuur : 'n normatiewe beskouing (Afrikaans) ». Diss., University of Pretoria, 2000. http://hdl.handle.net/2263/26956.
Texte intégralDissertation (MA (Public Administration))--University of Pretoria, 2006.
School of Public Management and Administration (SPMA)
Unrestricted
Silva, Alex Gomes da. « Cultura luso-brasileira em perspectiva : Portugal, Brasil e o projeto cultural da revista Atlântico (1941-1945) ». Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-29012013-104158/.
Texte intégralThe Atlântico magazine was part of a larger project encompassed by Portugal and Brazil in the early 1940s. More precisely, in 1941 is signed the Luso-Brazilian culture agreement that resulted, among other elements, in the idealization of a project based on creating a magazine of culture and art. From this process arises Atlântico magazine, which owes its name to the attempt of finding a word sufficiently elastic, undulating to synthesize the vague and concrete of our aspirations, dreams and the reality of our vision, in the words of one of its directors António Ferro. Founded in 1942, the Atlântico magazine has had as proponents, António Ferro, the director of Secretariado da Propaganda Nacional (SPN) (Director of the Bureau of Propaganda Nacional) of Portugal and the director of the brazilian Departamento de Imprensa e Propaganda (DIP) (Department of Press and Propaganda), Lourival Fontes. This article, which covers the period from 1941 (year of the signing of the Cultural Luso-Brazilian) to 1945 (which marks both the end of the term of the DIP and the end of the first phase of the Atlântico), aims to discuss the idea defended by its writers that the nature of the Atlântico magazine is to be a journal of culture, literature and art, avoiding dealing with social problems, political or economic in the modern world, even when they concern to life in Brazil or Portugal. Moreover, the fact of bringing a bundle of intellectual rather diverse, systematic analysis of the Atlântico magazine aims to evaluate and understand the way in which authors and works appearing in the body of the publication.
de, Gioia Kathryn. « Beyond cultural diversity : exploring micro and macro culture in the early childhood setting / ». View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20060511.142734/index.html.
Texte intégral"A thesis submitted to the School of Applied Social and Human Sciences, University of Western Sydney in fulfilment of the Doctor of Philosophy". Includes bibliography : leaves 248 - 270.
Quader, Shams Bin. « Like a sustainable version : Practising independence in the Central Sydney independent music scene ». Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23381.
Texte intégralBorchi, Alice. « Culture and economic crisis : cultural value in Italy from 2008 to the present day ». Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/108584/.
Texte intégralReimers, Frank. « Security culture in times of war how did the Balkan War affect the security cultures in Germany and the United States ? » Thesis, Monterey, Calif. : Naval Postgraduate School, 2007. http://bosun.nps.edu/uhtbin/hyperion-image.exe/07Jun%5FReimers.pdf.
Texte intégralThesis Advisor(s): Biermann, Rafael ; Abenheim, Donald. "June 2007." Description based on title screen as viewed on August 14, 2007. Includes bibliographical references (p. 119-130). Also available in print.
Campagna, Desirée. « The Impacts of Participatory Governance on Cultural Development : Evidence from European Capitals of Culture ». Doctoral thesis, Università degli studi di Padova, 2019. http://hdl.handle.net/11577/3422217.
Texte intégralUomini, Steve. « Cultures historiques dans la France du XVIIe siècle / ». Paris : l'Harmattan, 1998. http://catalogue.bnf.fr/ark:/12148/cb37031560f.
Texte intégralEn appendice, choix de documents. Bibliogr. p. 602-609. Index.
Cunha, Sonia Regina Soares da. « A m?dia dos outros somos n?s : a experi?ncia audiovisual do Ponto de Cultura Cinema para Todos ». Universidade Federal do Rio Grande do Norte, 2012. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16406.
Texte intégralThis research aims to identify the process of appropriation of audio visual (in digital video) for collective symbolic production (participatory video practice that expresses popular culture) in a socio-cultural context where the minorities are. Therefore, we based this study on the students‟ experience of the film and video workshops held by Cinema para Todos (Culture Point Cine for All), in Natal, RN. Culture Point is the basis of the project Programa Nacional de Cultura, Educa??o e Cidadania Cultura Viva (National Program of Culture, Education and Citizenship - Living Culture) of the Brazilian Ministry of Culture. In 2010, the Cine for All developed three film and video workshops in the state of Rio Grande do Norte (Northeastern of Brazil), in the municipalities of A?u, Lajes and S?o Gon?alo do Amarante, within a public policy project of socio-cultural inclusion. These three workshops are the focus of this empirical investigation. To support the analysis of this research we consider that the spaces of workshops are sites of the social practices origin, assuming they show the development of the changes of actions that generate new practices. In this socio-cultural context the students as interlocutors process the communicative culture mediation, where come from the logics of action (using digital video) to become a mediatic practice (video auto ethnographic). With the overall goal set and the field of investigative action delimited we considered the methodology of case study suitable for the observation of the object, because it is a phenomenon of modernity, occurring in a context of real life and with little or no control over events. Participant observation and interviews was also applied to this case study. The analytical theoretical support comes from the notion of mediation by Jes?s Mart?n-Barbero and the concept of habitus by Pierre Bourdieu. The research found that a new way of communicating has been developing by this social group, and this reflects the technological change experienced by them. The auto ethnographic videos, short movies, reveal an allegorical trial of the mainstream media, because while they use the mainstream format, they rework the aesthetic, but without revising the history, in fact they proposing to retell the history of themselves full of colorful details and with richness of their forgotten popular culture.
Esta pesquisa tem como objetivo identificar o processo de apropria??o do recurso audiovisual (v?deo digital) para a produ??o coletiva simb?lica (pr?tica videogr?fica participativa que expressa a cultura popular) num contexto sociocultural onde est?o as minorias. Para tanto, baseamos este estudo na experi?ncia dos integrantes das oficinas de forma??o em cinema e v?deo ministradas pelo Ponto de Cultura Cinema para Todos, localizado em Natal, RN. Ponto de Cultura (PC) ? o projeto estruturante do Programa Nacional de Cultura, Educa??o e Cidadania Cultura Viva do Minist?rio da (MinC). Em 2010, o PC Cinema para Todos desenvolveu tr?s oficinas cinema v?deo nos munic?pios norte-rio-grandenses A?u, Lajes e S?o Gon?alo do Amarante, dentro de um projeto de pol?tica p?blica de inclus?o sociocultural. Estas tr?s oficinas comp?em o recorte emp?rico desta investiga??o. Para fundamentar a an?lise deste estudo investigativo consideramos que os espa?os das oficinas s?o locais de pr?ticas sociais embrion?rias, pressupondo-se que sejam reveladores do desenvolvimento das modifica??es das a??es que geram novas pr?ticas. Nesse contexto sociocultural, os agentes comunit?rios assumem o papel de interlocutores e processam as media??es comunicativas da cultura onde as l?gicas de produ??o passam da a??o (uso do v?deo digital) para a pr?tica cultural midi?tica (v?deo auto etnogr?fico). A estrat?gia metodol?gica de estudo de caso foi considerada adequada para a observa??o do objeto, por se tratar de um fen?meno da contemporaneidade, estar inserido em um contexto da vida real e proporcionar pouco ou nenhum controle sobre os eventos. A observa??o participante e a entrevista tamb?m se aliaram ao estudo de caso. Contribu?ram para o suporte te?rico anal?tico desta investiga??o a no??o de media??o formulada por Jes?s Mart?n-Barbero e o conceito de habitus de Pierre Bourdieu. Foi poss?vel identificar que a nova forma de comunicar reflete a mudan?a tecnol?gica cultural vivenciada pelo grupo social. Os v?deos auto etnogr?ficos revelam uma experimenta??o aleg?rica da m?dia hegem?nica, pois ao mesmo tempo em que se apropriam da linguagem, reelaboram a est?tica, sem revisar a hist?ria, mas se propondo a recont?-la com detalhes pitorescos e esquecidos da cultura popular.
Livres sur le sujet "Cultures DIY"
Guerra, Paula, et Pedro Quintela, dir. Punk, Fanzines and DIY Cultures in a Global World. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28876-1.
Texte intégralHelmut, Glück, et Hoffmann Hilmar, dir. Die Semantik des Kulturbegriffs. Bamberg : Collibri, 1998.
Trouver le texte intégralOberholzer, Hannes. Beleid vir die bewaring van die materiële kultuurerfenis. Bloemfontein, Republiek van Suid-Afrika : Nationale Museum, 1987.
Trouver le texte intégralHoffmann, Hilmar. Die Aktualität von Kultur : Probleme mit dem Kulturboom. Wien : Picus, 1990.
Trouver le texte intégralBraunstein, Dirk. Alles falsch : Auf verlorenem Posten gegen die Kulturindustrie. Berlin : Verbrecher Verlag, 2012.
Trouver le texte intégralHoffmann, Hilmar. Die Aktualität von Kultur : Probleme mit dem Kulturboom. Wien : Picus, 1990.
Trouver le texte intégralFriedrich, Thiessen, dir. Die Wessis : Westdeutsche Führungskräfte beim Aufbau Ost. Köln : Böhlau, 2009.
Trouver le texte intégralFriedrich, Thiessen, dir. Die Wessis : Westdeutsche Führungskräfte beim Aufbau Ost. Köln : Böhlau, 2009.
Trouver le texte intégralBen-Ari, Hadass S. Fallopian Falafel : DIY or Die ! Jerusalem, Israel : Daily H Publications, 2010.
Trouver le texte intégralRadtke, Frank-Olaf. Kulturen sprechen nicht : Die Politik grenzüberschreitender Dialoge. Hamburg : Hamburger Edition, 2011.
Trouver le texte intégralChapitres de livres sur le sujet "Cultures DIY"
Düster, Benjamin, et Raphaël Nowak. « Cassette cultures in Berlin ». Dans DIY Cultures and Underground Music Scenes, 150–59. Abingdon, Oxon ; New York : Routledge, 2019. | Series : Routledge advances in sociology : Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-14.
Texte intégralJungnickel, Katrina. « Do-it-Together Technology Cultures and Other Conclusions ». Dans DiY WiFi : Re-imagining Connectivity, 125–35. London : Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137312532_9.
Texte intégralBenhaïm, Sarah. « Noise records as noise culture ». Dans DIY Cultures and Underground Music Scenes, 112–24. Abingdon, Oxon ; New York : Routledge, 2019. | Series : Routledge advances in sociology : Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-11.
Texte intégralBecuț, Anda Georgiana. « Between popular and underground culture ». Dans DIY Cultures and Underground Music Scenes, 41–51. Abingdon, Oxon ; New York : Routledge, 2019. | Series : Routledge advances in sociology : Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-5.
Texte intégralBennett, Andy, et Paula Guerra. « Introduction ». Dans DIY Cultures and Underground Music Scenes, 1–6. Abingdon, Oxon ; New York : Routledge, 2019. | Series : Routledge advances in sociology : Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-1.
Texte intégralKaitajärvi-Tiekso, Juho. « Proud amateurs ». Dans DIY Cultures and Underground Music Scenes, 101–11. Abingdon, Oxon ; New York : Routledge, 2019. | Series : Routledge advances in sociology : Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-10.
Texte intégralMartin-Iverson, Sean. « Punk positif ». Dans DIY Cultures and Underground Music Scenes, 125–36. Abingdon, Oxon ; New York : Routledge, 2019. | Series : Routledge advances in sociology : Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-12.
Texte intégralJanotti, Jeder Silveira, et Victor de Almeida Nobre Pires. « So far, yet so near ». Dans DIY Cultures and Underground Music Scenes, 139–49. Abingdon, Oxon ; New York : Routledge, 2019. | Series : Routledge advances in sociology : Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-13.
Texte intégralWillsteed, John. « ‘Here Today’ ». Dans DIY Cultures and Underground Music Scenes, 160–70. Abingdon, Oxon ; New York : Routledge, 2019. | Series : Routledge advances in sociology : Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-15.
Texte intégralBarna, Emília. « Birth of an underground music scene ? » Dans DIY Cultures and Underground Music Scenes, 171–82. Abingdon, Oxon ; New York : Routledge, 2019. | Series : Routledge advances in sociology : Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-16.
Texte intégralActes de conférences sur le sujet "Cultures DIY"
Kinigama, I. M. M. K., et A. Weerasinghe. « Cultural identity formation through hybridization : dressing under portuguese intervention in Sri Lanka ». Dans Awakening the economy through design innovation. Department of Integrated Design, University of Moratuwa, Sri Lanka, 2023. http://dx.doi.org/10.31705/idr.2023.2.
Texte intégralHartescu, Ioana. « ONE SIZE FITS ALL ? – CULTURAL DIVERSITY REFLECTED IN INSTRUCTIONAL DESIGN MODELS ». Dans eLSE 2012. Editura Universitara, 2012. http://dx.doi.org/10.12753/2066-026x-12-080.
Texte intégralEroğlu, Feyzullah, et Esvet Mert. « A Research on the Relationship between Preferred Music Type and Entrepreneurship Tendency ». Dans International Conference on Eurasian Economies. Eurasian Economists Association, 2017. http://dx.doi.org/10.36880/c08.01858.
Texte intégralDupuy, E., P. S. Rohrlich et G. Tobelem. « HEPARIN STIMULATES FIBROBLAST GROWTH INDUCED BY PDGF ». Dans XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1643750.
Texte intégralReis de Matos Braz, Patricia. « CULTURA E DESENVOLVIMENTO URBANO NO PORTO. Variações de discursos e de práticas na política municipal recente da cidade. » Dans Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2024. http://dx.doi.org/10.5821/siiu.12780.
Texte intégralDangol, Aayushi, Michele Newman, Robert Wolfe, Jin Ha Lee, Julie A. Kientz, Jason Yip et Caroline Pitt. « Mediating Culture : Cultivating Socio-cultural Understanding of AI in Children through Participatory Design ». Dans DIS '24 : Designing Interactive Systems Conference. New York, NY, USA : ACM, 2024. http://dx.doi.org/10.1145/3643834.3661515.
Texte intégralGautam, Matma, et Snehal Tambulwadikar. « Design Education and Multiculturalism ». Dans LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.86.
Texte intégralPyper, Brett, et Kgomotso Moshugi. « From Cosmopolitanism to Cosmology and Back Again : Co-Curating a Practice-Centred South African Jazz Collective, 2020-2022 ». Dans Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35885.
Texte intégralShiraishi, Toshihiko, Kazutaka Ohashi, Shin Morishita et Ryohei Takeuchi. « Investigation of Mechanism of Proliferation Promotion of Cultured Osteoblasts by Mechanical Vibration ». Dans ASME 2011 International Mechanical Engineering Congress and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/imece2011-64845.
Texte intégralShiraishi, Toshihiko, Tetsuo Shikata, Shin Morishita et Ryohei Takeuchi. « Investigation of Promotion of Bone Matrices in Cultured Osteoblasts by Mechanical Vibration ». Dans ASME 2009 International Mechanical Engineering Congress and Exposition. ASMEDC, 2009. http://dx.doi.org/10.1115/imece2009-11131.
Texte intégralRapports d'organisations sur le sujet "Cultures DIY"
Thunø, Mette, et Jan Ifversen. Global Leadership Teams and Cultural Diversity : Exploring how perceptions of culture influence the dynamics of global teams. Aarhus University, octobre 2018. http://dx.doi.org/10.7146/aul.273.
Texte intégralSmiderle, Roberta. Workshop online : Planejamento urbanoacústico em zonas culturaisInter-relações entre a cidade e o som. Revista Acústica e Vibrações, décembre 2021. http://dx.doi.org/10.55753/aev.v36e53.57.
Texte intégralConklin, David. The traditional and the modern : the history of Japanese food culture in Oregon and how it did and did not integrate with American food culture. Portland State University Library, janvier 2000. http://dx.doi.org/10.15760/etd.5670.
Texte intégralLee, Aubra L., et Anne F. Gettys. Cultural Resources Survey. Road Alignment Alternatives Sunlight Day Recreational Area, Nimrod Lake, Arkansas. Fort Belvoir, VA : Defense Technical Information Center, octobre 1986. http://dx.doi.org/10.21236/ada196833.
Texte intégralPlessi, Fabrizio, Celestino Soddu et Adriano Abbado. digitalyart : An exhibition honoring Italy, Host of the 44th Annual Meeting of the Board of Governors of the Inter-American Development Bank. Inter-American Development Bank, février 2003. http://dx.doi.org/10.18235/0005909.
Texte intégralChallenger, Denise. Playin' Mas, Play and Mas | A Pedagogical Journey of Children in Caribana. York University, 2018. http://dx.doi.org/10.25071/10315/41551.
Texte intégralMiller, James E. Wild Turkeys. U.S. Department of Agriculture, Animal and Plant Health Inspection Service, janvier 2018. http://dx.doi.org/10.32747/2018.7208751.ws.
Texte intégralMitchell, Brian G., Amir Neori, Charles Yarish, D. Allen Davis, Tzachi Samocha et Lior Guttman. The use of aquaculture effluents in spray culture for the production of high protein macroalgae for shrimp aqua-feeds. United States Department of Agriculture, janvier 2013. http://dx.doi.org/10.32747/2013.7597934.bard.
Texte intégralBlaxter, Tamsin, et Tara Garnett. Primed for power : a short cultural history of protein. TABLE, novembre 2022. http://dx.doi.org/10.56661/ba271ef5.
Texte intégralReeve, Tammy. Pitfalls of Designing, Developing, and Maintaining Modular Avionics Systems in the Name of Sustainability. 400 Commonwealth Drive, Warrendale, PA, United States : SAE International, mai 2024. http://dx.doi.org/10.4271/epr2024010.
Texte intégral