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Littérature scientifique sur le sujet « Cultural wars »

Auteur : Grafiati

Publié le 25 janvier 2025

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Articles de revues sur le sujet "Cultural wars"

Sobo, Elisa J. « Small Wars : The Cultural Politics of Childhood:Small Wars : The Cultural Politics of Childhood. » Medical Anthropology Quarterly 14, n^o 3 (septembre 2000) : 454–56. http://dx.doi.org/10.1525/maq.2000.14.3.454.

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Helleiner, Jane L. « Small Wars : The Cultural Politics of Childhood:Small Wars : The Cultural Politics of Childhood. » American Anthropologist 102, n^o 2 (juin 2000) : 407–8. http://dx.doi.org/10.1525/aa.2000.102.2.407.

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Campos, Leonard P. « Cultural Scripting for Forever Wars ». Transactional Analysis Journal 45, n^o 4 (octobre 2015) : 276–88. http://dx.doi.org/10.1177/0362153715607242.

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MH, Mitias. « Sources of Cultural Conflict ». Philosophy International Journal 7, n^o 2 (1 avril 2024) : 1–12. http://dx.doi.org/10.23880/phij-16000321.

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This paper explores the primary causes or factors underlying cultural conflict in all its forms and seeks to answer the questions that follow. Why do people hate and wage wars against each other in the name of culture? Are cultural wars necessary or inherent in the very nature of culture as a phenomenon of human life? Can cultural differences be a justifiable cause of war? In my attempt to explicate and answer these questions, I shall first advance a concept of culture. What do we mean when we speak of culture? What is the essential structure or building blocks of culture as a human phenomenon? The proposition I shall defend is that the tendency of animosity, tension, and conflict among people is not and cannot be inherent in their cultures. Accordingly, any claim that cultural difference is directly or indirectly a cause of cultural violence is not tenable, even though such violence may take place in the name of culture or cultural allegiance. But, if the tendency towards animosity, tension, or conflict is not inherent in the essential structure of culture, what might be the roots of the so-called cultural wars? The thesis I advance and elucidate in detail is that an answer to this question should proceed from an analysis of Socrates’s dictum that ignorance is the source of human evil. A discussion of this dictum and its implications, in the process of examining the roots of cultural wars, will reveal that the real culprits behind cultural conflicts are a cluster of political, intellectual, economic, psychological, and educational factors.

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McPherson, Alan. « Latin America’s Hot Cultural Cold Wars ». Diplomatic History 40, n^o 4 (6 juillet 2016) : 796–808. http://dx.doi.org/10.1093/dh/dhw021.

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Kochetkov, V. V. « The cultural dimension of hybrid wars ». Moscow State University Bulletin. Series 18. Sociology and Political Science, n^o 4 (1 janvier 2015) : 263–67. http://dx.doi.org/10.24290/1029-3736-2015-0-4-263-267.

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Glik, Deborah, Nancy Scheper Hughes et Carolyn Sargent. « Small Wars : Cultural Politics of Childhood ». Contemporary Sociology 30, n^o 2 (mars 2001) : 139. http://dx.doi.org/10.2307/2655387.

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Nash, DA. « The cultural wars are not imaginary ». Journal of Dental Education 60, n^o 11 (novembre 1996) : 891–94. http://dx.doi.org/10.1002/j.0022-0337.1996.60.11.tb03093.x.

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Selesky, Harold E., William R. Nester, Frank W. Brecher, Carl A. Brasseaux et Walter S. Dunn. « Imperial Wars ». William and Mary Quarterly 59, n^o 3 (juillet 2002) : 746. http://dx.doi.org/10.2307/3491478.

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TSENG, Pintsang. « Technological Competition and Cultural Rivalry : The Post-war Coke Wars in Taiwan’s Beverage Industry ». Korean Jornal of History of Science 44, n^o 2 (31 août 2022) : 477–97. http://dx.doi.org/10.36092/kjhs.2022.44.2.477.

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Thèses sur le sujet "Cultural wars"

Nielsen, Beatrice Helena Date. « War on Culture : The Destruction of Cultural Property During Civil Wars ». Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/579303.

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Acts of violence against civilians during conflict is a topic that has been examined increasingly in the literature on civil war. However, a systematic study on the destruction of cultural and religious sites as a strategic means to achieve territorial control has not yet been explored. I examine this aspect of civilian targeting in this project, and I argue that in many cases, combatants use cultural property as a tool to gain territory, coerce civilians, public perception, and degrade the social fabric of a given religion or population. In preliminary research, I have observed that destruction of a population‘s cultural property indicates and precurses a willingness to destroy human lives. Through a cross-national empirical analysis of civil wars in Iraq and Syria after 1990, I anticipate that the destruction of culturally significant objects and sites is not collateral damage during civil war, but rather intentional actions through which combatants achieve and exert power.

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Roberts, Julia. « Towards a cultural history of archaeology : British archaeology between the Wars ». Thesis, University of South Wales, 2005. https://pure.southwales.ac.uk/en/studentthesis/towards-a-cultural-history-of-archaeology(689403e4-b24e-4158-ba82-0e1d5f06a114).html.

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Perrott, Lisa. « The New Zealand Wars Documentary Series : Discursive Struggle and Cultural Memory ». The University of Waikato, 2007. http://hdl.handle.net/10289/2579.

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The 1998 television broadcast of The New Zealand Wars documentary series was a significant public event, which had a major impact on a broad range of communities and individuals in Aotearoa New Zealand. This popular television history engaged with issues of historical veracity, race, culture and nationhood and challenged previously dominant discourses associated with these concepts. In doing so, it provoked heated debate, and a re-imagining of 'nation', and also opened up spaces for alternative ways of engaging with historical narrative. Informed by post-colonialism, cultural studies and cultural memory, this thesis explores the discursive and affective role of The New Zealand Wars, as it has operated within the turbulent climate of 1990s New Zealand cultural relations. This catalytic function is described in this thesis as a phenomenon of a television series shaped by, whilst also intervening in, processes of cultural colonisation and decolonisation. While both of these processes involve the transmission of discourse via cultural forms, the act of cultural decolonisation requires, in addition, the convergence of a number of agents (people and communities, discursive and memory resources) and circumstances, within particular contextual conditions. Such a convergence provided the conditions for the discursive synthesis, which shaped the production, construction and reception of this series. The role of audio-visual media (and specifically television documentary) in transmitting cultural memory is significant as it enables the flow of memory through channels or forms (such as visual, oral and aural traditions) that can bring about new perspectives and critical reflections upon colonial discourse and dominant concepts of nation and culture. In addition to these social and intellectual processes of audience engagement, this thesis argues that experiential and affective dimensions of cultural memory can (in these specific circumstances) open up radical spaces, offering the potential for generating awareness and sparking political action. These issues are explored through a tripartite analysis of the production context, construction and reception of The New Zealand Wars series. The integration of these three phases of analysis has generated a number of insights into the potential of audio-visual forms, including their producers and audiences, to participate in the negotiation of, and resistance to, colonial discourse. Such insights serve to challenge taken-for-granted constructions of nation and history, and suggest the increasing relevance of alternative concepts such as community-building and cultural memory. Ultimately, this thesis argues that television documentary can serve as a prime site for the articulation of these concepts. The New Zealand Wars serves as a case study, which demonstrates both the potential of this site, and the significance of the social-historical and cultural context in framing this series.

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Fitzgerald, Jenrose D. « SCIENCE WARS AS CULTURE WARS : FRACKING AND THE BATTLE FOR THE HEARTS AND MINDS OF WOMEN ». UKnowledge, 2014. http://uknowledge.uky.edu/sociology_etds/18.

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In this thesis, I examine how claims regarding the environmental and health impacts of hydraulic fracturing or “fracking” are constructed by industry advocates who promote the practice and environmental and social justice groups who reject it. More specifically, I examine the cultural underpinnings of the debate over fracking, and the prominence of gender as a central framing device in that debate. While the controversy over fracking is often presented as scientific or technical in nature, I maintain that it is as much a culture war as it is a science war. I demonstrate this by showing how both pro-fracking and anti-fracking groups mobilize cultural symbols and identities—motherhood, environmentalism, family farming, family values, individualism, and patriotism among them—in order to persuade the public and advocate for their positions. I contend that engagement with the cultural and ideological dimensions of those debates, including their gendered dimensions, is as important as engagement with its scientific and technical dimensions. Ultimately, I argue that a greater focus on gender contributes to our understanding of environmental risk more broadly, and to the field of environmental sociology as a whole. As such, gender deserves more scholarly attention within the field than it is currently receiving.

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Burton, James Amos. « Film, history and cultural memory : cinematic representations of Vietnam-era America during the culture wars, 1987-1995 ». Thesis, University of Nottingham, 2008. http://eprints.nottingham.ac.uk/10493/.

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My thesis is intended as an intellectual opportunity to take what, I argue, are the "dead ends" of work on the history film in a new direction. I examine cinematic representations of the Vietnam War-era America (1964-1974) produced during the "hot" culture wars (1987-1995). I argue that disagreements among historians and commentators concerning the (mis)representation of history on screen are stymied by either an over-emphasis on factual infidelity, or by dismissal of such concerns as irrelevant. In contradistinction to such approaches, I analyse this group of films in the context of a fluid and negotiated cultural memory. I argue that the consumption of popular films becomes part of a vast intertextual mosaic of remembering and forgetting that is constantly redefining, and reimagining, the past. Representations of history in popular film affect the industrial construction of cultural memory, but Hollywood's intertextual relay of promotion and accompanying wider media discourses also contributes to a climate in which film impacts upon collective memory. I analyse the films firmly within the discursive moment of their production (the culture wars), the circulating promotional discourses that accompany them, and the always already circulating notions of their subjects. The introduction outlines my methodological approach and provides an overview of the relationship between the twinned discursive moments. Subsequent chapters focus on representations of returning veterans; representations of the counterculture and the anti-war protest movement; and the subjects foregrounded in the biopics of the period. The fourth chapter examines Forrest Gump as a meta-sixties film and as the fulcrum of my thesis. The final chapter posits that an uplifting version of the sixties has begun to dominate as the most successful type of production in the post-Gump marketplace.

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Puzey, Guy Edward Michael. « Wars of position : language policy, counter-hegemonies and cultural cleavages in Italy and Norway ». Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/7544.

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This thesis investigates the development of the present-day linguistic hegemonies within Italy and Norway as products of ongoing linguistic ‘wars of position’. Language activist movements have been key actors in these struggles, and this study seeks to address how such movements have operated in attempts to translate their linguistic ideologies into de facto language policy through mechanisms such as political agitation, propaganda and the use of language in public spaces. It also reveals which other extra-linguistic values and ideologies have become associated with or allied to these linguistic causes in recent years, how these ideologies have affected language policy, and whether such ideological alliances have been representative of language users’ ideologies. The study is informed by an innovative methodological framework combining the theories and metaphors of Antonio Gramsci (including hegemony and wars of position as well as his linguistic writings) with the theories of Stein Rokkan on cultural-political cleavage structures and the relationships between centres and peripheries. These constructs and relationships are thereafter documented as ideologically defining strands running through the history of the movements studied, through reference to activist periodicals and party newspapers. In Italy, the focus of the research is on the Lega Nord (Northern League), a far-right populist autonomist political movement. The Lega has sought to legitimise its imagination of a northern nation (‘Padania’) by portraying the dialects of northern Italy as minority languages, emphasising the hegemonic relationship between the Italian national language and northern dialects. The movement has also used this perception of northern dialects as peripheral and suppressed by Italian to bolster its depiction of ‘Padania’ as a wealthy periphery allegedly held back by central and southern Italy. Although this campaign has achieved some successes in increased visibility of dialects in public spaces, dialects largely remain restricted to ‘low’-status domains. In Norway, the thesis devotes special attention to the post-war efforts of the counter-hegemonic campaign for the Nynorsk standard of Norwegian, which was devised as a common denominator for Norwegian dialects, as opposed to the hegemonic standard Bokmål, which is a Norwegianisation of written Danish. In opposing the challenges of globalisation and centralisation, the Nynorsk movement has retained a radical character and is generally associated with a left-wing variant of nationalism, a key part of the Norwegian cultural cleavage structure. The social argumentation of the Nynorsk movement was instrumental in its successful promotion of dialects, now seen as an unstigmatised means of spoken communication in all social contexts.

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Nerich, Laurent. « Les New Zealand Wars : la culture guerrière maorie face à l’impérialisme britannique ». Thesis, Université de Lorraine, 2020. http://docnum.univ-lorraine.fr/ulprive/DDOC_T_2020_0248_NERICH.pdf.

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Les New Zealand Wars sont les conflits ayant opposé les Britanniques à différentes tribus maories pour la possession de la Nouvelle-Zélande au XIXe siècle. Ces conflits trouvent leur origine dans l’interprétation divergente du traité de Waitangi, signé en 1840 avec les principaux chefs maoris, qui est en fait une prise de possession par le Royaume-Uni. Ces conflits - épisodiques - s'étendent de « l'incident » de Wairau en 1843 à la fin de la résistance du chef Te Kooti en 1872 et se déroulent quasi exclusivement dans l’Ile du Nord de la Nouvelle-Zélande. Période de crise parmi les plus longues de l’ère victorienne, les New Zealand Wars sont le premier véritable conflit, et le seul de cette ampleur, entre une nation européenne et un peuple polynésien. À cet égard, ces conflits sont révélateurs, car les deux camps ont dû transformer profondément leur stratégie au cours du conflit. Les Maoris firent preuve de capacités d’adaptation hors du commun en utilisant leur culture guerrière et l’expérience acquise au cours des guerres intertribales du début du XIXe siècle. Par exemple, les pa (fortifications traditionnelles maories) évoluent de manière drastique et vont progressivement figurer au cœur de la stratégie maorie. Les Britanniques, quant à eux, doivent sortir des schémas tactiques utilisés au cours des autres conflits coloniaux et utiliser la puissance de leur empire pour l’emporter. Cette recherche s’intéresse en particulier à l’étude des mécanismes d’adaptation mutuelle lors des conflits coloniaux et leur héritage, puisque les pa préfigurent le développement des tranchées et des abris enterrés
The New Zealand Wars are the conflicts in which British fought Maori tribes for the control of New Zealand in the XIXth Century. Their origin can be traced back to the divergent interpretation of the Treaty of Waitangi, signed in 1840 with most prominent Maori chiefs. This treaty is in fact a taking of control of New Zealand by the United Kingdom. From the « Wairau Incident » in 1843 to the surrender of chief Te Kooti in 1872, these conflicts were fought almost exclusively in New Zealand’s North Island. One of the longest crises of the Victorian era, these conflicts were also the first open conflict between Europeans and a Polynesian people, and the only one with such a large scale. In this regard, these conflicts are meaningful because both sides had to implement deep changes in their strategy. Capitalizing on their warrior culture and the experience acquired during the intertribal wars of the beginning of XIXth Century, Maori adapted outstandingly. For example, the pa (Maori traditional fortifications) changed drastically and became the center of Maori strategy. As for British, they had to adapt the tactical procedures used in other colonial conflicts while using the might of their empire to prevail. This research focuses in particular on mutual adaptation processes in colonial conflicts and their legacy, since pa heralded trench warfare and dug out shelters

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Hamilton, Tom. « Pierre de L'Estoile and his world in the Wars of Religion, 1546-1611 ». Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:848fc095-05a9-48e0-8633-76d63d06b663.

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Pierre de L'Estoile (1546-1611) kept an extraordinary diary and collection in Paris during the Wars of Religion, recording everything from high-political scandals to low-life criminality during this crucial turning point in early modern history. The first extensive study of L'Estoile in any language, this thesis demonstrates how he negotiated and commemorated the conflicts that divided France as he engaged creatively with the rumours, ephemeral prints, poems, pictures, and books that he assembled in his diary and cabinet. It argues that the story of his life and times is the history of the civil wars in the making. While historians and literary scholars depend on L’Estoile’s diaries as an essential source of information, citing him as a mere passive observer, this thesis instead explores his subjectivity and interprets a wide range of hitherto unseen or neglected manuscript evidence that situates him in the Parisian society of royal office-holders and demonstrates his significance in the republic of letters. It follows a microhistorical approach to L'Estoile and his world in order to challenge established interpretations of his sources as evidence of a widespread mentality of eschatological anxiety in sixteenth-century France, instead focusing on L’Estoile’s personal responses to pieces in his collection. In this way, it critiques a common trend in cultural history to roam freely among ‘collective representations’ and argues for the importance of a precise analysis of social context, materiality, and individual subjectivity in reception studies.

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Sraka, Anthony M. (Anthony Mirko). « "Peasant Concord" between the wars : an examination of the cultural wing of the Croatian Peasant Party with special reference to the 1920s ». Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61339.

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Between the two World Wars the Croatian Peasant Party emerged as the largest political party among the Croats. It consistently received between seventy and ninety per cent of the Croatian vote and it ranked as the largest party in Croatia, and the second largest in Yugoslavia.
In 1925 Rudolf Herceg, a leading party ideologue, created the CPP's cultural wing: Peasant Concord (Seljacka Sloga): which worked to promote peasant culture as separate from and superior to that of modern industrial society elsewhere in Europe.
Although the political aspects of the Croatian Peasant Party have been well-covered, its cultural wing has been comparatively neglected. This thesis presents an account of Peasant Concord: its aims, activities and influence.

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Jenks, Timothy David. « Naval engagements : patriotism, cultural politics, and the Royal Navy 1793 - 1815 / ». Oxford [u.a.] : Oxford Univ. Press, 2006. http://www.loc.gov/catdir/toc/ecip0616/2006021302.html.

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Livres sur le sujet "Cultural wars"

1938-, Reed Ishmael, dir. MultiAmerica : Essays on cultural wars and cultural peace. New York : Penguin Books, 1998.

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1938-, Reed Ishmael, dir. MultiAmerica : Essays on cultural wars and cultural peace. New York : Viking, 1997.

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Whitehead, Fred. Culture wars : Opposing viewpoints. Sous la direction de Whitehead Fred. San Diego, CA : Greenhaven Press, 1994.

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Nancy, Scheper-Hughes, et Sargent Carolyn Fishel 1947-, dir. Small wars : The cultural politics of childhood. Berkeley : University of California Press, 1998.

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1953-, Aberbach David, dir. The Roman-Jewish wars and Hebrew cultural nationalism. New York : St. Martin's Press, 2000.

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1978-, Hoyles Anna, Kerr Andrew 1986- et Sherif Adam, dir. Comics and the world wars : A cultural record. New York, NY : Palgrave Macmillan, 2015.

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Lebovics, Herman. True France : The wars over cultural identity, 1900-1945. Ithaca : Cornell University Press, 1992.

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Brennan, Timothy. Wars of position : The cultural politics of left and right. New York, NY : Columbia University Press, 2004.

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H, Williams Rhys, dir. Cultural wars in American politics : Critical reviews of a popular myth. New York : Aldine de Gruyter, 1997.

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Becerra, Felipe, et Sócrates Silva. The Hispanic Institute between the wars : The making of cultural networks. Sous la direction de Columbia University Libraries. New York, NY : Columbia University Libraries, 2021.

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Chapitres de livres sur le sujet "Cultural wars"

Malik, Kenan. « Cultural Wars ». Dans The Meaning of Race, 178–216. London : Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24770-7_8.

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Livingstone, David N. « Science Wars ». Dans The Wiley-Blackwell Companion to Cultural Geography, 371–83. Chichester, UK : John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781118384466.ch32.

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Brzozowska, Dorota, et Władysław Chłopicki. « Cultural Wars in Polish Political Humor ». Dans The Language of Politics, 117–38. Singapore : Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-8490-9_7.

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Torrès, Olivier. « Cultural Differences at the Heart of Failure ». Dans The Wine Wars, 121–37. London : Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230624917_9.

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Berger, Arthur Asa. « Ocean Cruise-Line Wars or Selling the Seas ». Dans Brands and Cultural Analysis, 119–26. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24709-6_12.

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Beck, Peter J. « British international football between two world wars ». Dans International Football as Cultural Diplomacy, 7–48. London : Routledge, 2024. http://dx.doi.org/10.4324/9781032649900-2.

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Mendlesohn, Farah. « The Cultural Landscape of the Civil Wars ». Dans Creating Memory, 49–70. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54537-6_4.

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Rosoux, Valérie. « Memory, cultural heritage, and legacies of wars ». Dans Routledge Handbook oF Peace, Security and Development, 226–38. Abingdon, Oxon ; New York, NY : Routledge, 2020. : Routledge, 2020. http://dx.doi.org/10.4324/9781351172202-21.

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Morgan, W. John. « Cultural and Intellectual Internationalism between the Wars ». Dans Cultural Cold Wars and UNESCO in the Twentieth Century, 9–25. London : Routledge, 2024. http://dx.doi.org/10.4324/9780367859961-3.

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Taylor, Tony, et Stuart Macintyre. « Cultural Wars and History Textbooks in Democratic Societies ». Dans Palgrave Handbook of Research in Historical Culture and Education, 613–35. London : Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-52908-4_32.

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Actes de conférences sur le sujet "Cultural wars"

Mokshin, Sergey I. « Information wars in sports journalism. Discourse analysis ». Dans Communication and Cultural Studies : History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-309-314.

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Tang, Zhuorong. « The True Effects of Winning Wars ». Dans 2021 3rd International Conference on Economic Management and Cultural Industry (ICEMCI 2021). Paris, France : Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211209.041.

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Wang, Yijie. « An Analysis of Pastiche of Old Styles in Star Wars (1977) ». Dans 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France : Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.096.

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Pavliukh, M. V. « Gender dimensions and challenges in Ukraine during the Russian-Ukrainian war. Parallels of women’s gender roles during the Yugoslav wars (1991‒1995) ». Dans INTERACTION OF THE EXPERIENCE OF POST-YUGOSLAV AND UKRAINIAN AREAS : CULTURAL, LINGUISTIC, LITERARY, ARTISTIC, HISTORICAL, AND JOURNALISTIC ASPECTS. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-393-4-32.

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Kuzmin, D. O. « Videogames as an Instrument of Cultural Trauma Experience : the Case of Serious Games Dedicated to the Yugoslav Wars of 1991-2009 ». Dans Судьбы национальных культур в условиях глобализации : между традицией и новой реальностью. Челябинск : Челябинский государственный университет, 2022. http://dx.doi.org/10.47475/9785727118559-05.

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Slíz, Mariann. « Cultural, social and political influences on the frequency of saints’ names ». Dans International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/25.

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The paper outlines some phenomena that may influence the popularity of saints’ names in Christian societies. The diachronic overview focuses on the Hungarian given name stock and its changes and alternations in time, space and society. The multidisciplinary approach is mainly based on historical and onomastic literature and large databases of given names from the Middle Ages to modern days. Among the religious factors, the study presents the impact of religious taboos, the interference between cults of saints of the same name, and the collective veneration of saints. Political factors are also introduced: the effects of the Reformation, Catholic Revival, and wars against the Ottoman Empire in the 16th–18th centuries.

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Inês Pinho, Maria, Sérgio Veludo et Maria Fátima Lambert. « CULTURAL HERITAGE AS A TARGET IN CONFLICT SCENARIOS ». Dans European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/hlzp8057.

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The focus of this paper is on increasing challenges that Europe faces when it comes to the defense and security of cultural heritage under the legal framework developed by the United Nations (UN) and the United Nations Educational, Scientific and Cultural Organization (UNESCO), and based on the Hague Convention of 1954. Cultural heritage has been, for a long time and in diverse circumstances, both a strategic war target and a hostage in conflicts such as the Balkan Wars and conflicts in the Middle East, and now in Ukraine. Heritage has been intentionally destroyed or threatened, among others, by sophisticated military technologies such as drones, thermobaric explosive devices and in ultima ratio the nuclear weapons threat, which has had severe psychological and physical effects on the people. The growth of the asymmetrical military conflicts in Europe is observed due to the new technologies of war. How does this make cultural heritage a desirable target? Are there mechanisms created by international organizations to act in defense of heritage in the event of an armed conflict? In order to answer these research questions, the research methodology used in this paper will start with a review of literature about threatening processes in European conflicts, and continue with the collection of data on institutional platforms in order to create the basis for a proposal, an observatory for this theme. The final conclusion is that cultural heritage is in itself powerful, but also deeply symbolic and fragile at the same time. This power becomes an identity enforcer of a nation and can be considered as a morale booster.

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Pilar, Martin. « EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE ». Dans 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizien in German) in the very West of Ukraine and the South- East of Poland used to be a centre of Jewish culture using mainly Yiddish and inspired by local folklore. The poems of Ewald Murrer are deeply rooted in the imagery of Jewish and Rusyn fairy tales and folk songs. While Marc Chagall, the famous French painter (coming from today�s Byelorussia), discovered these old sources of Jewish art for European Modernism, Ewald Murrer uses the same sources but his approach to literary creation can be seen as much more post-modern: he uses but at the same time also re-evaluates old myths and archetypes of this region with both a lovely kind of humour and more serious visions of Kafkaesque absurdity that are probably unavoidable in Central Europe. The fictional and highly poetic diary of Mr. Pinke is highly significant as a sophisticated revival of the almost forgotten culture of a Central European region that almost definitely stopped existing after the tragic times of the Holocaust and Stalinism.

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Cviklova, Lucie. « STUDY EXPERIENCE OF GERMAN STUDENTS AT CZECH UNIVERSITIES ». Dans 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s09.093.

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German students at Czech universities, studying interpreting translation or Czech studies, can be determined as one subgroup of those students of Member states who have been influenced by gradual European integration of higher education institutions, resulting in their decision to complete their degree in different European country. An analysis of unstructured interviews, conducted with the segment of German students who have studied in Prague, brought about information about various reasons of their motivation to move and study in the Czech republic; e.g. Czech origin, material aspects of study such as low cost of living or opportunity to receive scholarship, diverse cultural interests in material and immaterial aspects of Czech culture; e.g. Czech literature and arts, remote history of Czech-German relations such as the Czech National Revival or the two world wars. On the other hand, among the most important obstacles of studies German students listed difficulties of university entrance exams in the Czech Republic, the impact of COVID-19 pandemic on learning process and inefficient aspects of administration such as problems related to access learning materials by means of information technologies, etc. Cultural shock and problems during acculturation German respondents related to issues of different rules of nonverbal communication, exposure to Czech dialect and jargon in casual conversations and also authoritarian conduct of Czechs not only in the university environment but also in administration and in services.

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Rapports d'organisations sur le sujet "Cultural wars"

Ferreira Dias, João. How Populism and Culture Wars Affect Fundamental Rights. European Center for Populism Studies (ECPS), décembre 2024. https://doi.org/10.55271/jps000112.

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This paper examines the intricate relationship between populism, culture wars, and fundamental rights. It explores how the rise of populist movements and the intensification of culture wars reshape the interpretation and implementation of fundamental rights, often polarizing societal values and threatening democratic principles. By delving into the mechanisms underlying these phenomena, the paper highlights how populism amplifies ideological divides, leveraging culture wars to contest principles of equality, freedom of expression, and social justice. The study categorizes populism into economic, political, and cultural strands, analyzing their combined effects with culture wars on the discourse and practices of democracy. Using examples such as the rollback of reproductive rights in the United States and the use of nationalist narratives in Brazil and India, the paper underscores the tangible consequences of these dynamics. This exploration reveals the challenges these contentious forces pose to the principles of democracy, human rights, and social cohesion, as well as their influence on competing democratic models: liberal, majoritarian, and minoritarian. Keywords: populism, culture wars, fundamental rights, democracy.

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Pavlyuk, Іhor. HUMANІTARІAN CONTROVERSY ІN THE WESTERN UKRAІNІAN PRESS DURІNG THE PERІOD BETWEEN THE TWO WORLD WARS. Ivan Franko National University of Lviv, mars 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12139.

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The artіcle hіghlіghts the humanіtarіan polemіcs іn the Western Ukraіnіan press іn the іnterwar (1920-30s) perіod іn three aspects: the polemіcs of Ukraіnіan-language magazіnes among themselves, the polemіcs of the Ukraіnіan-language press wіth the Polіsh and Russіan press, the place of the Ukraіnіan press іnvolved іn the polemіcs іn the colonіal and global cultural – іnformatіonal contexts, іts representatіve relatіons wіth the judіcіal, executіve and legіslatіve authorіtіes іn the process of changes іn the socіal and polіtіcal atmosphere іn thіs tіme-space. The purpose of thіs artіcle іs to hіghlіght the humanіtarіan polemіcs іn the Western Ukraіnіan press іn the іnterwar (1920-30s) perіod іn three aspects: the polemіcs of Ukraіnіan magazіnes among themselves, the polemіcs of the Ukraіnіan press wіth the Polіsh and Russіan press, the Ukraіnіan press іn the global cultural and іnformatіonal context; dіfferentіatіon of polemіcal publіcatіons accordіng to genre-thematіc affіlіatіon to the socіo-polіtіcal dіscourse of the struggle of іdeas, symbols, sіgns, іmages, the struggle of relіgіous doctrіnes through the medіatіon of Ukraіnіan-centrіc іnformatіon (press) flows, whіch іn turn were fought by the then colonіal, іn partіcular Polіsh, polіtіcal power, subjectіng theіr censorshіp, confіscatіon, closure, harassment of edіtors and journalіsts. The basіc feature of іnter-magazіne relatіons of varіous Ukraіnіan and Ukraіnіan-language magazіnes of the іnterwar perіod was polemіcs, the topіcs of whіch were: polіtіcs (antі-Polіsh, pro-Polіsh, respectіvely – antі-Russіan, pro-Russіan); relіgіon (language of worshіp, hіerarchіcal subordіnatіon of the church); culture (problems of language, theatrіcal productіons, etc.); school busіness; cooperatіon; the sіtuatіon of the peasantry. That іs, all spheres of socіal lіfe, the representatіves of whіch were the mіrrors of magazіnes, patented by us for research іn thіs (spherіcal) structure: cooperatіve press, relіgіous press, etc. At the same tіme, the magazіnes that were publіshed іn the tіme-space determіned by us dіd not only “quarrel” wіth each other, but also often supported each other, prіntіng letters of support, advertіsіng each other durіng subscrіptіon campaіgns, takіng joіnt partіcіpatіon іn court hearіngs, etc. Keywords: controversy; press; colonіal dіscourse; confіscate; censorshіp.

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Pavlyuk, Ihor. MEDIACULTURE AS A NECESSARY FACTOR OF THE CONSERVATION, DEVELOPMENT AND TRANSFORMATION OF ETHNIC AND NATIONAL IDENTITY. Ivan Franko National University of Lviv, février 2021. http://dx.doi.org/10.30970/vjo.2021.49.11071.

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The article deals with the mental-existential relationship between ethnoculture, national identity and media culture as a necessary factor for their preservation, transformation, on the example of national original algorithms, matrix models, taking into account global tendencies and Ukrainian archetypal-specific features in Ukraine. the media actively serve the domestic oligarchs in their information-virtual and real wars among themselves and the same expansive alien humanitarian acts by curtailing ethno-cultural programs-projects on national radio, on television, in the press, or offering the recipient instead of a pop pointer, without even communicating to the audience the information stipulated in the media laws − information support-protection-development of ethno-culture national product in the domestic and foreign/diaspora mass media, the support of ethnoculture by NGOs and the state institutions themselves. In the context of the study of the cultural national socio-humanitarian space, the article diagnoses and predicts the model of creating and preserving in it the dynamic equilibrium of the ethno-cultural space, in which the nation must remember the struggle for access to information and its primary sources both as an individual and the state as a whole, culture the transfer of information, which in the process of globalization is becoming a paramount commodity, an egregore, and in the post-traumatic, interrupted-compensatory cultural-information space close rehabilitation mechanisms for national identity to become a real factor in strengthening the state − and vice versa in the context of adequate laws («Law about press and other mass media», Law «About printed media (press) in Ukraine», Law «About Information», «Law about Languages», etc.) and their actual effect in creating motivational mechanisms for preserving/protecting the Ukrainian language, as one of the main identifiers of national identity, information support for its expansion as labels cultural and geostrategic areas.

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Khomenko, Tetiana, et Yuriy Kolisnyk. Втрати української культури у російсько-українській війні : культурно-інформаційний спротив. Ivan Franko National University of Lviv, mars 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, namely: fixation of losses, propaganda of the Ukrainian culture in the world, expert evaluation of the restitution possibilities, and filling of the culture material with patriotic sense. The full-scale invasion of Russia into Ukraine on the 24th of February 2022 led to the numerous loss of life, ruination of the military, civil and infrastructure objects. But the state-aggressor destroys and robs our culture in this war. Since the beginning of the war mass media have been actively informing about the situation in the regions, which happened to be at the line of the Russian troops attack. The information was in particular about the fact that different educational establishments, libraries and their funds, museums with valuable collections, theatres, religious buildings and historic buildings had been ruined. To tell the truth the information was incomplete due to the limited opportunities to monitor the situation. However, later it has been systematized. The work of journalists and experts contributed to this since they stated the criminal acts of Russia, informing about the ruination facts of historic, sacral, cultural monuments, devastation of many museum collections, destruction of library and archive funds. Digitalization of the Russian war crimes against Ukrainian culture became one more important work aimed at preservation of the Ukrainian cultural heritage. It was done by means of interactive maps of the Ukrainian cultural losses and it enables documenting crimes of the occupant army and spreading this information at the international level. Key words: culture, cultural front, cultural losses, cultural values, cultural heritage, war, media.

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Donnithorne, Jeff. Culture Wars : Air Force Culture and Civil-Military Relations. Fort Belvoir, VA : Defense Technical Information Center, juin 2010. http://dx.doi.org/10.21236/ad1019162.

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Thunø, Mette, et Jan Ifversen. Global Leadership Teams and Cultural Diversity : Exploring how perceptions of culture influence the dynamics of global teams. Aarhus University, octobre 2018. http://dx.doi.org/10.7146/aul.273.

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In the 21st century, business engagements are becoming increasingly global, and global teams are now an established form of organising work in multinational organisations. As a result, managing cultural diver-sity within a global team has become an essential part of ensuring motivation, creativity, innovation and efficiency in today’s business world.Global teams are typically composed of a diversity of experiences, frames of references, competencies, information and, not least, cultural backgrounds. As such, they hold a unique potential for delivering high performance in terms of innovative and creative approaches to global management tasks; however, in-stead of focusing on the potentials of cultural diversity, practitioners and studies of global teams tend to approach cultural diversity as a barrier to team success. This study explores some of the barriers that cultural diversity poses but also discusses its potential to leverage high performance in a global context.Our study highlights the importance of how team leaders and team members perceive ‘culture’ as both a concept and a social practice. We take issue with a notion of culture as a relatively fixed and homogeneous set of values, norms and attitudes shared by people of national communities; it is such a notion of culture that tends to underlie understandings that highlight the irreconcilability of cultural differences.Applying a more dynamic and context-dependent approach to culture as a meaning system that people negotiate and use to interpret the world, this study explores how global leadership teams can best reap the benefits of cultural diversity in relation to specific challenging areas of intercultural team work, such as leadership style, decision making, relationship building, strategy process, and communication styles. Based on a close textual interpretation of 31 semi-structured interviews with members of global leader-ship teams in eight Danish-owned global companies, our study identified different discourses and per-ceptions of culture and cultural diversity. For leaders of the global leadership teams (Danish/European) and other European team members, three understandings of cultural diversity in their global teams were prominent:1)Cultural diversity was not an issue2)Cultural diversity was acknowledged as mainly a liability. Diversities were expressed through adifference in national cultures and could typically be subsumed under a relatively fixed numberof invariable and distinct characteristics.3)Cultural diversity was an asset and expressions of culture had to be observed in the situationand could not simply be derived from prior understandings of cultural differences.A clear result of our study was that those leaders of global teams who drew on discourses of the Asian ‘Other’ adherred to the first two understandings of cultural diversity and preferred leadership styles that were either patriarchal or self-defined as ‘Scandinavian’. Whereas those leaders who drew on discourses of culture as dynamic and negotiated social practices adhered to the third understanding of cultural di-versity and preferred a differentiated and analytical approach to leading their teams.We also focused on the perceptions of team members with a background in the country in which the global teams were co-located. These ‘local’ team members expressed a nuanced and multifaceted perspective on their own cultural background, the national culture of the company, and their own position within the team, which enabled them to easily navigate between essentialist perceptions of culture while maintain-ing a critical stance on the existing cultural hegemonies. They recognised the value of their local knowledge and language proficiency, but, for those local members in teams with a negative or essentialist view of cultural diversity, it was difficult to obtain recognition of their cultural styles and specific, non-local competences. 3Our study suggeststhat the way global team members perceive culture, based on dominant societal dis-courses of culture, significantly affects the understandings of roles and positions in global leadership teams. We found that discourses on culture were used to explain differences and similarities between team members, which profoundly affected the social practicesand dynamics of the global team. We con-clude that only global teams with team leaders who are highly aware of the multiple perspectives at play in different contexts within the team hold the capacity to be alert to cultural diversity and to demonstrate agility in leveraging differences and similarities into inclusive and dynamic team practices.

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Richardson, William C. Culture Warfare : A War Against Culture. Fort Belvoir, VA : Defense Technical Information Center, mars 2011. http://dx.doi.org/10.21236/ada547314.

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Editors, Intersections. When Cultural Demolition is an Objective of War. Intersections, Social Science Research Council, décembre 2023. http://dx.doi.org/10.35650/int.4015.d.2024.

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This piece describes "The Destruction of Memory" documentary as well as the book on which it was based by Robert Bevan. Both the book and documentary examine how the destruction of civilian infrastructure and cultural sites contributes to the destruction of people.

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Anzillotti Zamorano, Marta. ECMI Minorities Blog. The Cultural Appropriation of Flamenco : Views of Gitanos from Jerez de la Frontera. European Centre for Minority Issues, mai 2023. http://dx.doi.org/10.53779/aapl9656.

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With discussions surrounding cultural appropriation ongoing in numerous spheres including music, fashion, and language, this blogpost explores the ever-changing nature of culture through the first-hand accounts of Gitanos from Jerez de la Frontera. The presence of the Gitano minority in Jerez has historically had – and continues to have – a significant impact on the city. This is especially true regarding flamenco, an artform encompassing centuries of history and culture. In this blogpost, the author uses interviews and a survey conducted for her MA thesis, as well as two case studies (namely that of Lola Flores and Rosalía), to explore the various ways of approaching and contextualizing theoretical understandings of cultural appropriation.

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Fedorchuk, Liudmyla. Культура в ефірі Суспільного : телевізійний контент і перспективи розвитку. Ivan Franko National University of Lviv, mars 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11729.

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Main objectives of this article are changes in the programming principles of the “Suspilne Culture” TV channel, the peculiarities of the program content in the period 2020-2022, as well as potential for further channel development from the content perspective. Methodology of the analysis includes processing primary sources of information, synthesis, induction and deduction, problem-thematic analysis of television programs. Results. During 2017-2021, the specialized public channel about culture increased the number of its own programs, and the ratings of the channel increased. “UA: Culture” produced their own daily information program and several analytical programs about various types of art. Although even now, a significant part of the channel content consists of not relevant and not adapted for the Ukrainian audience purchased serials and educational cycles. After analyzing “Suspilne Culture” TV channel program grid for October 3-7, 2022, significant part of not typical for declared program policy content was discovered. During the present period only 2 programs corresponded to the specifics of the channel and were developed by “Suspilne” production. Conclusions. In general, thematic blocks such as cultural policy of Ukraine and institutions, religious practices, economy of creative industries and representation of Ukrainian culture in the world are not broadcasted. Significance. The conducted research allowed us to actualize the need for a scientific approach to the content and programming policy of the “Suspilne Culture” TV channel. The collected material gives reasons to testify that the mission of the public channel and the declared program principles are implemented only partially. The channel lacks in-depth analytics on a whole range of current cultural issues. The share of self-produced programs is minimal. Instead, purchased content often does not represent the specifics of the channel and does not fulfill the mission of the public broadcaster. The channel program managers should focus on the change in cultural discourse that has been taking place since the beginning of the full-scale war of the Russian Federation against Ukraine. In battles, our army and people defend, first of all, our right to own identity, our right on culture and own voice to tell the world about ourselves. The air of the TV channel “Suspilne Culture” should be filled with exactly such ideas. Keywords: culture; public television; television content; journalism of the culture.

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