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BABYCH, Antonina, Tymofii LYPSKY et Anna RADIKOVA. « MODERN METHODS AND ANCIENT TECHNOLOGIES OF RESTORATION AND RESTORATION OF SHOES ». Herald of Khmelnytskyi National University. Technical sciences 311, no 4 (août 2022) : 204–8. http://dx.doi.org/10.31891/2307-5732-2022-311-4-204-208.
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Restoration and restoration of shoes – a delicate, complex, often jewelry. It requires professionalism, experience, creative and creative approach and innate artistic taste of the master. In addition, restoration work often requires special equipment and materials for a number of rare and complex operations to completely restore the product and give it its original appearance or, conversely, “aging” of new shoes at the request of the customer. Shoe restoration allows a specialist to create using standard and non-standard materials, classic and advanced methods and techniques for replacing worn parts in the product, and also allows you to experiment with finishing compositions to give the product the appearance of “wear” and “abrasion”, creating a “faded” “Color of the material and its” aged “structure, the effect of attrition or patina, metallic luster or vice versa giving the product a look of” rejuvenation “by updating the color, giving it strength, shine, overall finish and strengthening the structure of the material as a whole. Thanks to such methods of restoration it is possible to achieve not just the desired, but also almost unique result of work. The features of the stages of shoe restoration are investigated in the article. Technological stages of restoration of footwear and step-by-step technology of finishing of finished products have been developed. A full cycle of restoration works was carried out on samples of men’s shoes worn. Tested according to the requirements of the standards and experimentally proven high wear resistance of the surface of the materials of the restored shoes, namely: the ability of the material to repeated bending, stretching, wet and dry friction. Experimental wearing of restored shoe samples was carried out. The high operational characteristics of the studied products have been confirmed. The expediency of these works has been proved experimentally.
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Miyawaki, Akira. « Creative Ecology : Restoration of Native Forests by Native Trees. » Plant Biotechnology 16, no 1 (1999) : 15–25. http://dx.doi.org/10.5511/plantbiotechnology.16.15.
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Shlykova, Tat’yana Viktorovna. « Restoration motifs in creative works of contemporary ceramics artists ». Vestnik of Saint Petersburg State University of Culture 4 (décembre 2018) : 178–81. http://dx.doi.org/10.30725/2619-0303-2018-4-178-181.
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Altynbilek, Ismail. « ROLE DEVELOPMENT OF STUDENT’S CREATIVE ABILITIES ». Alatoo Academic Studies 20, no 2 (30 avril 2020) : 61–68. http://dx.doi.org/10.17015/aas.2020.202.07.
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This article discusses the modern education system, strengthening the requirements for teachers to educate the individual as free, creative, cultural and active, as well as the current role of the development of creative abilities in students. Also, based on scientists’ researches, the meaning and content of concepts such as creativity, creative activity, ability, and the fact that these concepts provide an opportunity to define the concept of “student's creative ability” are written. It was found out that creative ability is a complex of individual psychological features that successfully allow you to implement actions that meet all the requirements for creating material and spiritual values, as well as for inventing new products and findings. In the framework of the study of issues on the restoration and development of students' creative abilities, the components of students' creative abilities development are presented.
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Del Sole, Francesco. « The Architectural Illusion of Edoardo Tresoldi : The Reconstruction of the Basilica of Siponto ». ATHENS JOURNAL OF ARCHITECTURE 7, no 2 (2 mars 2021) : 257–74. http://dx.doi.org/10.30958/aja.7-2-2.
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The Ministry of Tourism commissioned Edoardo Tresoldi in 2016 to restore the Basilica of Siponto (Puglia, Italy), of which only ruins remain. The project is obtained through metal wefts that intertwine in the air presumably reconstructing the original environments: it is an example of creative restoration. This essay aims to examine the genesis of this artwork that has rekindled the debate on the usefulness of this type of restoration, introduced for the first time by Cesare Brandi (1906-1988) and Renato Bonelli (1911-2004) who gave rise to a critical discussion on the role that restoration must play in reconstructing the original spaces of a lost monument. Creative restoration tends to include in the concept of “restoration” all those actions of reconstruction necessary to restore “truth” to the lost monument in order to guarantee its enjoyment, making the “evocative fantasy” take over. Faced with an architecture that has now lost its face, the added value of Tresoldi’s creative restoration will be highlighted, which is not only the reconstruction of the Basilica but the possibility, through the wire mesh that generates transparency, to understand the monument not only as a historical document but as an artwork that needs to be experienced aesthetically, safeguarding the genius loci, making the site a place to be rediscovered in its link with the territory.
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Makhmudova, Malika. « RESTORATION OF MONUMENTS OF UZBEKISTAN ARCHITECTURE ». JOURNAL OF LOOK TO THE PAST 4, no 6 (30 juin 2021) : 53–59. http://dx.doi.org/10.26739/2181-9599-2021-6-8.
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The article is about restorers who have devoted their lives to the study, restoration and promotion of architectural monuments of Uzbekistan. Also, examples from the experience of restoration are given.Uzbekistan is a country of ancient culture, whose monuments are living witnesses of the creative genius of the people. Since the 1920s, significant works on their restoration are presented here, during which a kind of restoration school was formed, which is more than 100 years old; in this important matter, a special place belongs to two leading specialists -restorers -M.F. Mauer and B.N. Zasypkin. The article tells about the scientific and creative activities and the legacy of these restorers.The significance of the article lies in the application of the results of the conducted scientific research of the activities of restorers and architects of Uzbekistan in the modern practice of the restoration of architectural monuments. Also, the presentation of scientific methods for restoration on the example of the works of M. F. Mauer, B. N. Zasypkin, L. Yu. Mankovskaya, I. I. Notkin contributes to the preservation of the architectural heritage of Uzbekistan
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Gruenwald, Oskar. « Philosophy as Creative Discovery ». Journal of Interdisciplinary Studies 11, no 1 (1999) : 157–74. http://dx.doi.org/10.5840/jis1999111/28.
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At the dawn of the Third Millennium, philosophy is at an important crossroads in its role as paideia—philosophy educating humanity. A major challenge for philosophy today is to mediate the emergmg science-religion dialogue, and enhance understanding of the relationship between science, ethics, and faith. Curiously, the methodological dilemmas and thorny issues of demarcation between science and religion reflect a new awareness regarding metascientific questions posed by science itself. We are at the threshold of a new Golden Age of scientific discoveries and faith-informed, interdisciplinary, and liberal learning interconnecting once more all areas of knowledge with ethics and faith. The likely key to new discoveries is an interdisciplinary approach seeking interrelatedness between all phenomena. This means also that the restoration of philosqphy in the classic sense as sophia or the love of wisdom can only be achieved within the larger framework of dialogue among all disciplines in the quest for truth.
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Meffe, Gary K. « Conservation science – a creative tension ». Oryx 30, no 4 (octobre 1996) : 226–28. http://dx.doi.org/10.1017/s0030605300021712.
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Conservation science is born of an inherent conflict. On one hand it is based in science, an objective, value-free search for truth that leads to general laws, with no a priori desire for particular outcomes. On the other hand it is clearly driven by value–laden goals related to making the human–nature relationship an enduring one. In contrast to an objective science, particular outcomes – such as preservation of biodiversity and protection or restoration of functioning ecosystems – are clearly pursued in conservation. The result is a sometimes uncomfortable merging of two human endeavours – one objective and one value-laden – that are inherently antagonistic and can result in tension. To make this tension creative, rather than destructive, we need to understand how both components are necessary and synergistic in forming a complete conservation science.
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Vinolina, Noverita Sprinse, Antonio Marro Sipayung, Dardanila et Sondang Pintauli. « Reforestation of ‘Village Forest’ to Improve Sustaiability Creative Industries in Desa Siponjot ». ABDIMAS TALENTA : Jurnal Pengabdian Kepada Masyarakat 5, no 2 (15 mars 2021) : 714–22. http://dx.doi.org/10.32734/abdimastalenta.v5i2.5425.
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This program is conducted to assist Siponjot Village while empowering the people of Siponjot Village to be able to utilize and maximize the benefit of the village forest. Village forest might support the availability of raw materials required for making musical instruments, such as high quality of wood, including how to process wood waste from making musical instruments to be used as creative souvenirs and improve the economic value. The raw material for production determined its results of the production of wood-based musical instruments. Thus, in order to produce a high quality tanginang, hasapi, and gondang, which previously began to be produced by arts crafts in the Sitangkubang area of Siponjot Village, a high quality of raw materials is needed. The community service team surveyed the location of planting seeds for village forest restoration, provided socialization related to the importance of village forest cultivation and the suitability of the Siponjot Village area for the cultivation of these plants. Village forest restoration aims to maintain the beauty and beauty of the village. Implementation of village reforestation activities starting from socializing forest tourism and the strength of village forests to the community, followed by a discussion about village forest management and its economic benefits. Handover of a thousand units of forest plant seedlings given to the villagers of Siponjot as part of the forest restoration program in the area.
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Svydruk, Irena. « CREATIVE APPROACHES TO THE MANAGEMENT OF THE DEVELOPMENT OF THE TOURIST INDUSTRY IN THE CONDITIONS OF A PANDEMIC CRISIS ». Economic discourse, no 4 (30 décembre 2020) : 137–45. http://dx.doi.org/10.36742/2410-0919-2020-4-14.
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Introduction. The success of the creative development of the tourism industry in a pandemic lockdown and in the post-quarantine period is closely related to the quality of a number of factors that shape the level of creative activity of its subjects and provide competitive advantages. Adequate choice and scientific substantiation of strategic alternatives for the development of the tourism industry highlights the need for a targeted study of the parameters of its creative renewal. Methods. Methods of scientific abstraction, analysis and synthesis are used, technologies of structuring and systematization are applied during construction of logical-structural decomposition of creativity of tourist destinations and structural model of management of tourist cluster. The SWOT analysis was used to evaluate strategic alternatives for the development of tourism entities. Results. The generalization of research on the peculiarities of the functioning of the tourism sector in the context of the socio-economic crisis caused by pandemic constraints, suggests that the restoration of effective business entities should be managed, targeted action of all participants. At the same time, ensuring the efficiency of the tourism industry requires the implementation of creative technologies in management algorithms at all stages of overcoming the crisis. Qualitative goals of post-pandemic recovery of the industry can be generalized in the form of two main directions: 1) creation of creative tourist offer (including tourist experience and offer of original tourist product) on the basis of high-quality entertainment industry, introduction of European market trends, with emphasis on authentic values ; 2) building a clear identity of domestic tourism enterprises, which would synergistically connect micro-destinations, emphasizing the creative benefits in the minds of potential tourists. Discussion. Further research on the possibilities of creative management to overcome the crisis in the tourism industry should cover the problems of creating unique tourism products based on authentic values, reducing the seasonality of domestic resorts, modernization of tourism infrastructure and integration of tourist inactive regions in creative projects. Keywords: tourism entities, Covid-19 pandemic, socio-economic crisis, creative management, destination, tourist offer, tourist cluster.
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Loureiro, Leonor, Ricardo Triães et Cláudia Falcão. « Educational tools for involving higher degree students within the Project Creative Conservation ». New Trends and Issues Proceedings on Humanities and Social Sciences 2, no 7 (27 janvier 2016) : 32–40. http://dx.doi.org/10.18844/prosoc.v2i7.1177.
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Background: The Project Creative Conservation was developed at the Conservation and Restoration Laboratory / Polytechnic Institute of Tomar (IPT) as a form to recover, preserve and show in a new way industrial remnants and derelicts, complying with well-defined criteria for collection and selection of those fragments. As a new concept, it needed to be experimented, so students were involved in its practice, which enabled theory demonstrations and maintained a dynamic university learning atmosphere. Purpose: This paper presents the challenges posed to three Conservation and Restoration teachers: different ways to explain new and controversial information, engaging students for the Creative Conservation concept, developing practical extra work, learning and improving hands-on skills, and to practice team-work within a Conservation Laboratory and a Museum environment. Methods: A series of three different workshops were designed as learning tools to allow students to develop conservation skills, discuss problem solving and practice “out of the box†thinking, under the Project Creative Conservation, within the specialties of ceramics, tiles, metal, plastics and paper remnants preservation. It was also provided the chance to create different exhibition methods, installation and exhibition display. Results: A good percentage of students were enthusiastic and complied with the conservation challenges posed by teachers and by remnants themselves. The fragments were properly preserved and differently displayed in exhibitions. Conclusions: The IPT conservation teacher’s competencies and enthusiasm towards teaching a different concept within a practical frame enabled students to broad their view in the conservation field and widen the classical approach to conservation and restoration.
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Araujo Marques de Sá, Alice, et Dianne Magalhães Viana. « Sustainability in Creative Projects : Biophilia Contributions ». Modern Environmental Science and Engineering 8, no 3 (8 mars 2022) : 163–72. http://dx.doi.org/10.15341/mese(2333-2581)/03.08.2022/003.
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The field of biophilia focuses on the innate connection between humans and nature, seeking to promote well-being and quality of life. With this definition in mind, a literature review was undertaken to investigate its contributions to stimulating sustainability in creative projects. Therefore, the descriptors “biophilia” and “sustainability” were used to search the Scopus database from 2003 to 2020. After applying multiple filters, 22 articles were identified covering the themes of urban green spaces, urban biodiversity, gardens, green infrastructures, management of space resources, sustainable policies and certifications, and community environmental projects. It was concluded that the application of biophilic principles stimulate new projects in design, architecture, and urbanism that provide opportunities for the “restoration” of the body and mind, and that can also converge with sustainable aspects. Investigations in other databases are suggested for further understanding the subject, namely in the Brazilian scenario. Key words: biophilia, bioinspiration, sustainability, regenerative design, creative projects
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주재하. « The Restoration of Feminine Subjectivity through Creative Art Activity in Cat’s Eye ». Feminist Studies in English Literature 22, no 2 (septembre 2014) : 269–95. http://dx.doi.org/10.15796/fsel.2014.22.2.010.
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Yan, Guo, et Hong Xin. « Practical Research on Artificial Intelligence Algorithms, Paleontology, Data Mining, and Digital Restoration of Public Information ». Computational Intelligence and Neuroscience 2022 (28 septembre 2022) : 1–7. http://dx.doi.org/10.1155/2022/3068686.
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This paper discusses the method of fossil digitization combining paleontology and art by using data mining. The aim of the study is to increase the creativity and vitality of museum exhibits and promote scientific exchange. The purpose of the study is to discuss how the interdisciplinary approach will benefit the communication of science and to realize the cooperative development of creative science popularization, art science popularization, dialogue science popularization, and communication science popularization through the cooperation between museums and institutions disseminating and researching science. The research method takes the Jehol Biota in western Liaoning Province of China as an example to explore the methods and approaches to transform museum resources into creative products. Through artificial intelligence data mining and digital reconstruction, data can be used for archaeological research but also for scientific popularization and scientific dissemination of the resources of art transformation. Research results: as the cornerstone to consolidate the digital development of society and economy, “the new infrastructure of artificial intelligence” will start a comprehensive digital transformation. Through the integration of multiple fields and disciplines, museums will change from resource dependence to focus more on market creation, which will promote museum’s industry development.
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Margolin, Indrani. « Breaking Free : One Adolescent Woman’s Recovery from Dating Violence Through Creative Dance ». American Journal of Dance Therapy 41, no 2 (4 novembre 2019) : 170–92. http://dx.doi.org/10.1007/s10465-019-09311-9.
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Abstract Dating violence against adolescent women can devastate their health and long-term quality of life. While high school programs have been developed to address this worldwide epidemic, somatic antidotes are still not widely utilized despite evidence from the psychophysiology of relational violence trauma that there is an inextricable link between the body and mind and effective recovery requires a holistic approach. Creative dance, derived from dance education, can support female adolescent trauma victims of dating violence to reconnect with physical, mental, and emotional experiences that were severed during traumatic exposure. This qualitative arts-based case study narratively explores one adolescent woman’s experience of creative dance as an intervention for survivors of dating violent relationships. Conceptually, I draw from dance education, Authentic Movement, and Amber Gray’s Restorative Movement Psychotherapy. A feminist lens is utilized in an attempt to address calls to action from previous DMT researchers to tackle oppressive structural forces and increase activism in dance/movement therapy. Findings show that inner-directed dance can therapeutically facilitate restoration after trauma by recovering the social engagement system and decision-making capacity, reducing social isolation, and increasing bodily self-awareness, and self-esteem.
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Hurh, Paul. « “The Creative and the Resolvent” ». Nineteenth-Century Literature 66, no 4 (1 mars 2012) : 466–93. http://dx.doi.org/10.1525/ncl.2012.66.4.466.
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Beginning with the influential readings by Jacques Lacan and Jacques Derrida, poststructuralist fascination with Edgar Allan Poe's detective tales has treated them as fables of analytical method and exposed them as posing an insoluble challenge to totalizing frameworks of interpretive analysis. These studies overlook an excised paragraph from Poe's first detective tale in which Poe displays the debt his model of analysis owes to historical sources. This essay discovers the origins of Poe's model of analysis by recovering its discursive context and argues that the poststructuralist conclusions are anticipated in part by Poe's deliberate attempts to translate that model into narrative. This model, inherited from scientific debates in Renaissance history, defines analysis as comprised of two reciprocal processes—the process of resolution and the process of composition. The first part of this essay addresses the original first paragraph of “The Murders in the Rue Morgue” (1841) and the definition of analysis that its restoration enables. The discoveries there lead to a reading of “The Man of the Crowd” (1841) as a failed first attempt to translate the dynamic processes of resolution and composition into a narrative system. By recovering a first paragraph that the poststructuralist criticism misses, this study finds “The Man of the Crowd” central to Poe's strategies of narrative deferral and yields an important pre-history of the deconstructive critical aporia that is their legacy.
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Remizovsky, І. М. « Little-known facts of the creative way of the outstanding Ukrainian restorer OI Minzhulin : to the problem of restoration of objects of underwater archeology ». Science and Education a New Dimension IX(258), no 47 (25 septembre 2021) : 15–18. http://dx.doi.org/10.31174/send-hs2021-258ix47-03.
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The article highlights little-known facts from the biography and scientific restoration activities of O. Minzhulin, related to the restoration of underwater archeology. The paper describes the first methodology of restoration and conservation of materials of underwater archeological researches of Ukraine initiated by Minzhulin. This methodology involves: This methodology gradually included: placing the lifted objects in an alkaline aqueous solution, applying the method of intensive washing in deionized water, the method of desalination with sesquicarbonate, the method of alkaline-sulfite treatment of iron, the involvement of an ultrasonic device with frequency wave control and more. Innovative were the methods of restoration of underwater archaeological ferrous metal. An underwater volcano is named after the outstanding restorer.
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McGuinness, Breffni, Niamh Finucane et Amanda Roberts. « A Hospice-Based Bereavement Support Group Using Creative Arts ». Illness, Crisis & ; Loss 23, no 4 (29 juin 2015) : 323–42. http://dx.doi.org/10.1177/1054137315590734.
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There is evidence of the value of individual creative arts (art, drama, music, etc.) in helping people to cope with bereavement. However, there is a gap in the research on the effectiveness of the intentional, combined use of creative arts activities in bereavement support group intervention for adults. This article describes an exploratory study which assessed the effectiveness of using creative arts activities in an eight session support group intervention. A waiting list, randomized control trial supplemented by limited qualitative data was used. Evidence was found that the intervention did help participants’ ability to move between loss and restoration coping when they attended at least six of the eight sessions. However, the use of creative arts activities appears to be more suitable for some people than for others.
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Cherevichko, Tatiana V., et Tatiana V. Temyakova. « Creative tourism and digitalization of society ». Izvestiya of Saratov University. Economics. Management. Law 22, no 2 (23 mai 2022) : 145–51. http://dx.doi.org/10.18500/1994-2540-2022-22-2-145-151.
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Introduction. The substantiates the relevance of the study of creative tourism and the digitalization of society. The increasing digital needs of citizens are noted. The answer to the consumer’s request is the digitalization of the economy. It is indicated that creative tourism, using digital technologies, is able to ensure the restoration of the tourism industry, which was most severely affected during the pandemic. Theoretical analysis. The concept of “creative industries” is considered in detail from an economic and legal point of view. Groups of creative industries are distinguished. It is noted that creative industries are being transformed into tourist niches, which together make up creative tourism. Empirical analysis. The analysis of retrospective data and the forecast of future values indicates a growing share of the contribution of creative industries to both global GDP and Russian GDP. However, it is noted that digital exclusivity is becoming an obstacle in the development of creative industries. The paper focuses on digital products of domestic and foreign museums. The possibility of introducing digital avatars into the activities of performing arts as components of the creative tourism industry is indicated. Results. In conclusion, it is noted that the processes of digitalization affect the development of creative tourism. Innovation and experimentalism inherent in creative industries and digital technologies will determine the directions of transformations of creative tourism in the future.
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Martinez, German. « Catholic Liturgical Reform ». Theology Today 43, no 1 (avril 1986) : 52–62. http://dx.doi.org/10.1177/004057368604300106.
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Since liturgical reform, through a controlled process of historical restoration, has failed to revitalize the communal life of the church, a new creative liturgical movement, christologically founded, is imperative in order to bridge the gap between worship and people's experience of faith in our present culture.
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Panova, I. O., et V. I. Stepanenko. « Creative Economy as a Factor in the Formation of the International Touristic Image of the Country ». Business Inform 3, no 530 (2022) : 72–78. http://dx.doi.org/10.32983/2222-4459-2022-3-72-78.
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The relentlessly growing relationship between tourism and creativity contributes to the search for alternatives to the development of the creative economy. The combination of concepts such as creativity and tourism has become a common diversification strategy, especially in the field of cultural tourism around the world. The creation and introduction of new events and festivals, the restoration of old buildings and the addition of animation to static attractions have become commonplace. Tourist destinations are looking for quick ways to become special and unique in the global economy, and therefore increasingly seek assistance from the creative industries. It is worth noting that architecture, as a variable phenomenon, and event tourism are of the most important cultural catalysts for the generation of originality and identity of a local area and, as a result, increased interest on the part of creative people and tourists. Next, the development of the cultural sector is directly proportional to the growth of the importance of digital technologies, which deserves attention from the authorities, emphasizing intellectual property rights. The Government of Ukraine has recognized the potential scale of the industry’s contribution to the national economy and has taken concrete steps to ensure its further growth. In particular, following global trends, Ukraine has integrated the cultural and creative dimension into its political program, including the political plan «Long-term strategy for the development of Ukrainian culture – strategy of reforming». In addition, the sector is identified as a priority in the framework political document – the Export Strategy of Ukraine. Advertising, crafts, design, film industry, fashion, performing arts and visual arts were singled out as key drivers of creating additional added value and producing innovations in the sector, which will contribute to the development of small and medium-sized enterprises and entrepreneurship in general. The concept of balanced development «Ukraine 2030» is aimed at achieving 10% of annual economic growth and determines that the development of the creative economy is one of the key mechanisms for sustainable development.
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de Miguel Molina, Blanca, José-Luis Hervás-Oliver et Rafael Boix Domenech. « Understanding innovation in creative industries : knowledge bases and innovation performance in art restoration organisations ». Innovation 21, no 3 (15 janvier 2019) : 421–42. http://dx.doi.org/10.1080/14479338.2018.1562300.
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Synieokyi, O. « The study of sessional recordings of 1962-1972 from the BBC radioarchive (The Beatles, Pink Floyd, Deep Purple) ». Visnyk of Kharkiv State Academy of Culture, no 59 (16 juillet 2021) : 19–32. http://dx.doi.org/10.31516/2410-5333.059.02.
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Due to the recent increase in research interest in phono documents, which were created specifically for radio, a documentary analysis of the creation of music programs of the British Broadcasting Corporation is provided. Particular attention is paid to an overview of the chronology of recording sessions for a number of selected bands from the BBC’s archival collection (1962–1972). The role of John Peel in the creation of creative music programs within the framework of “Radio 1” was noted. The study showed that the digitalization of archival space has brought new opportunities for finding lost rarities that were at the origins of rock music. Both positive and negative trends in the restoration and use of archived musical phonograms from radio storages are noted.
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Pichueva, A. A. « Creative Examinations in Modern Dance Culture in Russia (to the Problem of Preserving the Classic Heritage) ». Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 27, no 1 (2021) : 163–71. http://dx.doi.org/10.15826/izv1.2021.27.1.018.
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The article is devoted to the problem of traditions and innovations in modern dance culture. It analyzes the forms of work of contemporary Russian choreographers with classical ballet performances. Particular attention is paid to such phenomena as reconstruction and restoration. The conclusion is made about the need to preserve the classical cultural heritage in ballet and its new disclosure for the modern audience.
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Шевцова, Г. В. « Contemporary Japanese strategies of small historical towns’ revitalization : system approach and creativity ». СОВРЕМЕННАЯ АРХИТЕКТУРА МИРА, no 2(11) (4 février 2020) : 204–25. http://dx.doi.org/10.25995/niitiag.2019.11.2.024.
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Статья посвящена анализу комплексного опыта ревитализации исторического города Канадзава, достигшего успеха благодаря многолетней продуманной инициативе мэрии города, развернувшей ряд оригинальных стратегий. А именно: реставрация исторической застройки на основе воспитания местных кадров, новое строительство по уникальным проектам, креативная модернизация местных ремесел, учреждение «Деревни искусств» - комплекса зрелищных и выставочных залов с возможностью дешевого найма площадей под местные и международные инициативы. Немалую роль в успехе ревитализации Канадзава сыграл также выход города на мировую арену, достигнутый благодаря участию в международной сети Творческих городов ЮНЕСКО. The article is devoted to the analysis of historical Kanazawa town complex experience that was successful thanks to the longtime considerable initiative of municipality implying several original strategies. Some of them are: the historical architecture restoration based on the local specialist education, modern construction of unique design, creative modernization of local crafts, creation of “Art village” - the complex of cheap hired exhibition and auditorium spaces for international and local activities. Significant step in Kanazawa revitalization success was also entering in UNESCO Creative Cities network that helped the town to achieve an international level of collaboration.
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SHEAIL, J., J. R. TREWEEK et J. O. MOUNTFORD. « The UK transition from nature preservation to ‘creative conservation’ ». Environmental Conservation 24, no 3 (septembre 1997) : 224–35. http://dx.doi.org/10.1017/s0376892997000313.
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A half century has elapsed since the appointment of an official body, the Nature Conservancy, in 1949, and the beginnings of what might be described as the modern nature conservation movement in the UK. Whilst ecologists perceived the 'heritage of wild nature' to be largely the outcome of past land use, and that the nature reserves would have to be managed consciously if their wildlife interest were to be sustained, there was only the most rudimentary understanding of how this might be achieved. Drawing for the most part on projects affecting wetlands, the paper illustrates the early steps taken to bring greater scientific rigour to reserve management. Whilst the potential for habitat restoration was recognized, there was little opportunity for its practice in the intensively-farmed countryside until grant aid was made available for such purpose from the agricultural budget in the 1980s. Where nature conservation had begun to subsume nature preservation, some fifty years ago, notions of 'creative conservation' have similarly encouraged reassessment of the purpose and practice of wildlife-resource management. This time however the challenge is being met in both the wider countryside and the built environment.
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Ma, Ling, Orlando Woods et Hong Zhu. « Restoration of an ancestral temple in Guangzhou, China : re-imagining history and traditions through devotion to art and creation ». cultural geographies 26, no 1 (29 août 2018) : 141–49. http://dx.doi.org/10.1177/1474474018796649.
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Rapid modernization has brought about massive changes in the urban and rural landscapes of China. While many old places and ancient buildings have been pulled down and replaced with more modern alternatives, others have been protected and restored. These include ancient ancestral temples, an important cultural space in China. Previous research has shown how different level governments and rural communities work together to restore ancient temples, but didn’t bring to light artistic and non-government financed and patronized cases of restoration projects. This article adopts a bottom-up perspective to examine a case in Guangzhou how an individual artist transforms an ancient ancestral temple into a new cultural space. Through an ethnographic-style exploration of the practice of restoration, we unfold the interconnections between an individual’s social memory of the past, their love of place, and their enthusiasm for restoration work. Differing from the government’s ‘standardized’ and functionalist restoration of ancestral temples, this case study shows an individual’s emotional and material devotion to transforming a neglected ancestral temple into an eclectic cultural space where the art works are a result of freedom of creative expression.
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Rivas, Víctor Gerardo. « El mito humanístico del letrado y la antropovisión renacentista ». Theoría. Revista del Colegio de Filosofía, no 8-9 (31 décembre 1999) : 181–88. http://dx.doi.org/10.22201/ffyl.16656415p.1999.8-9.233.
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The essence of the XVth century Renaissance humanism was the apology of the creative person. This idea was completely original then, for during the Antiquity and the Middle Ages, man was thought of as being subject to the immutable laws of Nature. Because of this it is possible to identify Renaissance and humanism, specially in works such as Pico de la Mirandolla’s Oration on the Dignity of Man, which puts personal dignity on the same level than freedom. To Pico the simultaneous restoration of the culture of Antiquity and the praise of the creative person culminates and constitutes the origin of a new myth, that of the learned man whose words reveal his inner being.
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De Miguel-Molina, Blanca, José L. Hervás-Oliver, María De Miguel-Molina et Barbara Hedderich. « Do Museums Innovate in the Conservation and Restoration of Artwork ? Differences between Countries ». Dirección y Organización, no 51 (1 décembre 2013) : 17–30. http://dx.doi.org/10.37610/dyo.v0i50.428.
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This paper examines the types of artwork restoration innovation that museums undertake, and how their knowledge bases influence these innovations. The study is based on a sample derived from a survey of 167 museums in 43 countries, with 90 of the museums having a restoration and conservation department. The sample selected for this paper includes 59 museums from nine countries: South Africa, the United States, Austria, Germany, Norway, Poland, Spain, Switzerland and the United Kingdom. Two important conclusions can be inferred from the results obtained in this paper. The first is that museums in these nine countries do innovate in the restoration and conservation of artwork. The second is that innovation performance, and the works that museums are able to restore, depend on the combination of symbolic, analytical and synthetic knowledge bases.Keywords: creative industries, innovation, artwork restoration, museums.¿Innovan los museos en la Conservación y Restauración de obras de arte? Diferencias entre paísesResumen: Este artículo examina los tipos de innovación que llevan a cabo los museos en la restauración de obras de ar te, así como la influencia de las bases de conocimiento en dichas innovaciones. Los datos proceden de una encuesta respondida por 167 museos de 43 países, de los que 90 tienen departamento de conservación y restauración. La muestra para este artículo incluye a 59 museos de 9 países: Sudáfrica, Estados Unidos, Austria, Alemania, Noruega, Polonia, España, Suiza y Reino Unido. El artículo ofrece dos conclusiones importantes. La primera es que los museos de estos nueve países innovan en la restauración y conservación de obras de arte. La segunda, que los resultados de la innovación, así como los trabajos que los museos restauran o son capaces de restaurar, dependen de la combinación de las bases de conocimiento simbólica, analítica y sintética. Esta segunda conclusión representa un avance importante en el análisis de las industrias creativas y culturales, en las que el conocimiento simbólico es visto como una característica distintiva.Palabras clave: industrias creativas, innovación, obras de arte, restauración, museos.
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Sorda, Bruna La. « Adopt a Record : a Shared and Participated Project Model Concerning the Legal Protection and the Communication of the State Archives of Genoa Holdings ». Atlanti 26, no 2 (25 octobre 2016) : 189–96. http://dx.doi.org/10.33700/2670-451x.26.2.189-196(2016).
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The purpose of the report is to make the international archival community aware of the creative project of the State Archives of Genoa as an example of communication and legal protection of records through the active involvement of citizens, associations, private institutions and companies. The project started in 2008 and was designed to remedy the lack or the insufficiency of ministerial funds to be devoted to restoration, drawing on public attention a small part of medieval documentation concerning Ancient Republic of Genoa. The purpose of the project is focused on the need to repair the considerable damages caused by inactive moulds or by nonprofessional restoration work of the past. The genesis, the achievement of the project and the retrieval of Genoese community will be illustrated.
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이민혜 et 이재규. « A Case Study on Creative Corporation's Work Place of Green Refresh Area Using Attention Restoration Theory ». Journal of Korea Intitute of Spatial Design 9, no 3 (septembre 2014) : 51–61. http://dx.doi.org/10.35216/kisd.2014.9.3.51.
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Reinharz, Eli, Robin Rorick, Dale Young et Lisa Pelstring. « COOPERATIVE NATURAL RESOURCES DAMAGE ASSESSMENT AND RESTORATION WORKSHOP : WORKING TOGETHER TO RESTORE INJURED NATURAL RESOURCES ». International Oil Spill Conference Proceedings 2005, no 1 (1 mai 2005) : 89–93. http://dx.doi.org/10.7901/2169-3358-2005-1-89.
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ABSTRACT When natural resources and their services are injured by hazardous substances or oil, how can affected stakeholders expeditiously and effectively restore these resources and services? How can the damage assessment and restoration process be streamlined? What does it take to bring affected interests to the table—and keep them at the table—to resolve liabilities and ensure development of a common restoration vision? These questions and more were the focus of a workshop on Cooperative Natural Resource Damage Assessment and Restoration held on June 9 and 10, 2004, in San Diego, California. The workshop included participants from federal and state government, industry, American Indian tribes, and environmental groups. Workshop planners included the National Oceanic and Atmospheric Administration, the U.S. Department of the Interior, the Association of State and Territorial Solid Waste Management Officials, the American Petroleum Institute American Chemistry Council, the Environmental Law Institute, the Center for Public Environmental Oversight, and Scenic Hudson. This paper and presentation presents innovative and creative ideas and solutions discussed at the workshop that may serve to facilitate and further promote the cooperative damage assessment process.
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Mayton, Brian, Gershon Dublon, Spencer Russell, Evan F. Lynch, Don Derek Haddad, Vasant Ramasubramanian, Clement Duhart, Glorianna Davenport et Joseph A. Paradiso. « The Networked Sensory Landscape : Capturing and Experiencing Ecological Change Across Scales ». Presence : Teleoperators and Virtual Environments 26, no 2 (1 mai 2017) : 182–209. http://dx.doi.org/10.1162/pres_a_00292.
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What role will ubiquitous sensing play in our understanding and experience of ecology in the future? What opportunities are created by weaving a continuously sampling, geographically dense web of sensors into the natural environment, from the ground up? In this article, we explore these questions holistically, and present our work on an environmental sensor network designed to support a diverse array of applications, interpretations, and artistic expressions, from primary ecological research to musical composition. Over the past four years, we have been incorporating our ubiquitous sensing framework into the design and implementation of a large-scale wetland restoration, creating a broad canvas for creative exploration at the landscape scale. The projects we present here span the development and wide deployment of custom sensor node hardware, novel web services for providing real-time sensor data to end user applications, public-facing user interfaces for open-ended exploration of the data, as well as more radical UI modalities, through unmanned aerial vehicles, virtual and augmented reality, and wearable devices for sensory augmentation. From this work, we distill the Networked Sensory Landscape, a vision for the intersection of ubiquitous computing and environmental restoration. Sensor network technologies and novel approaches to interaction promise to reshape presence, opening up sensorial connections to ecological processes across spatial and temporal scales.
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De-Miguel-Molina, Blanca, Maria De-Miguel-Molina, María-del-Val Segarra-Ona et Angel Peiro-Signes. « National And International Knowledge Transfers When Using Technology On The Conservation & ; Restoration Of Paintings ». International Business & ; Economics Research Journal (IBER) 11, no 13 (19 décembre 2012) : 1493. http://dx.doi.org/10.19030/iber.v11i13.7452.
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This paper analyses whether there is national and international knowledge transfer in the creative industry of conservation and restoration of paintings. A comparison between American and European museums is exhibited, distinguishing collaboration with research institutes and universities. A bibliometric measurement was used to obtain the data and a factor analysis to examine them. Results show that European and American museums tend to cooperate in knowledge development with other museums, institutes and universities located in its geographical area.
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Kekeghe, Stephen. « Creativity and the Burden of Thoughts ». Matatu 49, no 2 (20 décembre 2017) : 293–306. http://dx.doi.org/10.1163/18757421-04902004.
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Abstract The art of creative expression is a mentally tasking endeavour which requires intense probing of the creator’s inward states. Since writers create in solitude and and engage in dialogic strategies in shaping their imagery, they manifest ‘normal’ neurotic episodes, which are privileged as markers of artistic genius. Despair has thus been acknowledged as a significant feature of the creative imagination. Many writers script out their distressed moods, a paradoxical catharsis, in artistic mentation, that has become a major issue in contemporary studies of scriptotherapy, especially in Europe and North America. Studies of psychotherapy have revealed that the art of re-creating agonizing experiences brings mental restoration to the writer. Due to the emotional commitment and spontaneity required, poetry is clearly a convenient literary genre for the exploration of despondency and melancholic depression. However, this subject of poetry therapy has not been given adequate attention in Nigerian literary scholarship. The present study attempts an exemplary ‘poetic-diagnosis’ of melancholia in Wumi Raji’s Rolling Dreams. The article relies on psychoanalysis, a theory of the mind, deployed for the analysis of the abject imagery of the poems, and on deconstructionist theory, for autonomous and polysemous investigation of the melancholic poetic canvas of the collection.
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Avramović, Zoran. « The role of culture in the restoration and dissemination of the national spirit ». Napredak 3, no 3 (2022) : 19–30. http://dx.doi.org/10.5937/napredak3-39302.
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The paper determines the basic and related concepts of culture. It points to the narrower and broader understanding of culture. The outstanding concepts are as follows: cultural patter, media culture, electronic culture, Serbian culture and foreign cultures, and Serbian cultural space. The second part is dedicated to major actors in culture, creators/authors, their works, the audience, institutions and organizations, cultural groups, state institutions with divided competences. The third part speaks of the restoration and dissemination of the national spirit (values) through two foundation pillars of culture - tradition (cultural heritage) and creative work. The fourth part casts light on the conflict nature of culture. The concluding part presents the attitude about the democratic struggle for cultural values.
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Pastukh, Olga, Timothy Gray et Svetlana Golovina. « RECONSTRUCTION AND RESTORATION OF HISTORICAL MONUMENTS : INTERNATIONAL EXPERIENCE ». Architecture and Engineering 6, no 1 (2021) : 40–49. http://dx.doi.org/10.23968/2500-0055-2021-6-1-40-49.
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Introduction: In addition to recognizing and taking into account the vital need for the maintenance and repair of historical structures, this study will focus on their inherent design potential at the intersection of the new and the old. Purpose of the study: The study aims to review the approach to restoring such landmarks as the library in Vyborg and the Arsenal building in the Nizhny Novgorod Kremlin. We will also focus on the restoration of more mundane structures. In addition to historical monuments, this study will look at instances when there is no attempt to return the buildings to some idealized version of the past, but instead, the restoration process is used to celebrate the qualities of the buildings’ age in the here and now, and to recognize that they are living, evolving, and constantly changing entities. Methods: The study uses the method of analysis, which we apply to the standard solutions for various purposes and objects, in the form of structural and technological protection of cultural heritage sites during their restoration and adaptation. The use of modern restoration materials and protective structures’ construction technologies will help protect the environment while taking into account LEED, BREEAM, the Energy Star program (the USA), and the GREEN ZOOM standards. Results: We offer selected examples from contemporary practice in Europe, the United States, and Russia to illustrate these approaches to restoration, including two student-led architectural installations that explore the creative intersection between the new and the old. Discussion: Discussing the execution of specific restoration and reconstruction projects reveals the importance of international cooperation in the development of educational strategies and practices in the field of conserving and restoring the cultural heritage. The growing volume of conservation and restoration work is putting pressure on the development of research approaches and methodologies aimed at solving practical problems. At the same time, the restorer must be mindful of continuity with the past when reconstructing the more mundane and utilitarian structures that can benefit from less restrictive approaches to the intersection of the old and the new.
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Samarin, I. V., A. V. Kryuchkov et A. Yu Strogonov. « The calculation of the regulated number of remote sensors of gas analyzers surrounding rectangular outdoor facilities at oil refineries ». Pozharovzryvobezopasnost/Fire and Explosion Safety 31, no 2 (3 juin 2022) : 33–40. http://dx.doi.org/10.22227/0869-7493.2022.31.02.33-40.
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Introduction. The authors emphasize the importance of pre-explosive concentration sensors, that ensure the required fire safety (FS) at fire/explosion hazardous facilities of oil refineries. The authors substantiate the importance of maintenance procedures for first-level alarming devices that are part of automated process control systems (APCS) installed around outdoor facilities of refineries.Theoretical fundamentals. The authors argue that two counter-running subprocesses (destructive and creative (restorative)), that ensure fire safety, can describe a decrease in the efficiency of APCS subsystems in the FS monitoring, as well as their restoration at refinery facilities. The proper maintenance of gas detectors is presented as a discrete creative subprocess. The authors demonstrate a relation between the spatial location of sensors of stationary gas analyzers and the computability of their number, depending on the outdoor facility perimeter.Research results. To mathematically describe the maintenance procedure applied to stationary gas analyzers, the authors assess the dependence between the number of remote detectors, the perimeter of the rectangular outdoor unit, around which they are installed at a refinery, and the prescribed distance between the sensors.Conclusion. This assessment conveys the features of installation of gas detectors of any type depending on their classification based on physical methods of analysis. A conclusion is drawn that the perimeter data can help to calculate the number of rows for the installation of devices, the length of each row, the prescribed number of gas detectors in each row.
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Ferrando Ortiz, A. « CHALLENGES AND OPPORTUNITIES IN RESTORATION WORK MANAGEMENT IN CULTURAL HERITAGE. THE CASE OF THE CHURCHES OF SAN MANUEL COLOHETE AND SAN SEBASTIÁN (HONDURAS) ». ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (24 juillet 2020) : 615–22. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-615-2020.
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Abstract. The restoration work management in cultural heritage presents lots of difficulties according to the context where it takes place. Some of them are the precarious communication network and civil infrastructures, the absence of specialised local labour or sensitized with cultural heritage whom work with or the need to import suitable materials to develop the project correctly. In the case that arises, the churches of San Manuel de Colohete and San Sebastian (Honduras) converge, among others, all of these difficulties involve the heritage management directly. Besides, the planned work budget is usually reduced and needs the implication of all the actors involved in the project. Therefore, the objective of this work is to identify the difficulties around the development of these restoration works and possible solutions that allow them to achieve the purpose planned. The methodology applied for this article is based on the practical experience and the comparative analysis of cases in similar situations. All of it, in a broad context of citizen participation, in international cooperation actions which takes place in remote and inhospitable geographical areas, where any action is complex. The results refer to the way to solve problems that arise and to the solutions, sometimes creative, which finally make possible the cultural heritage restoration.
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Havlick, David G. « Opportunistic conservation at former military sites in the United States ». Progress in Physical Geography : Earth and Environment 38, no 3 (26 février 2014) : 271–85. http://dx.doi.org/10.1177/0309133314522281.
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Recent military base closures and realignments in the United States have opened dozens of former training and testing sites to new uses and priorities. One common transition is to designate these lands as national wildlife refuges. This presents conservation opportunities on hundreds of thousands of hectares previously under military control, but the ecological restoration and subsequent reuse of these lands is complex and fraught with challenges. Unexploded ordnance, soil and water contamination, reinforced structures, and other military remainders exist on many of these sites, and wildlife refuge managers typically receive little funding or training to contend with such relicts. This paper acknowledges some of the real conservation opportunities provided by military-to-wildlife (M2W) refuges, but emphasizes that restoration and conservation measures at these sites remain bounded by physical and sociopolitical constraints. One outcome of these constraints is ‘opportunistic conservation’, where habitat and wildlife goals are shaped or constrained by the lingering presence of prior military uses. Working from case studies and interviews conducted at M2W sites in the United States, this research suggests that opportunistic conservation represents a limited vision for restoration and conservation at these places that also potentially obscures these limitations. At many of these same sites, however, more affirmative opportunistic conservation efforts exhibit creative responses given the conditions that exist.
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Veselova, Natalia Sergeevna. « Study of painting restoration as an effective method of developing professionalism and creative abilities of an art student ». Secreta Artis 5, no 1 (9 juin 2022) : 82–87. http://dx.doi.org/10.51236/2618-7140-2022-5-1-82-87.
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Mironova, Anna, Frederic Robache, Raphael Deltombe, Robin Guibert, Ludovic Nys et Maxence Bigerelle. « Digital Cultural Heritage Preservation in Art Painting : A Surface Roughness Approach to the Brush Strokes ». Sensors 20, no 21 (3 novembre 2020) : 6269. http://dx.doi.org/10.3390/s20216269.
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There is a growing interest in cultural heritage preservation. The notion of HyperHeritage highlights the creation of new means of communication for the perception and data processing in cultural heritage. This article presents the Digital Surface HyperHeritage approach, an academic project to identify the topography of art painting surfaces at the scale at which the elementary information of sensorial rendering is contained. High-resolution roughness and imaging measurement tools are then required. The high-resolution digital model of painted surfaces provides a solid foundation for artwork-related information and is a source of many potential opportunities in the fields of identification, conservation, and restoration. It can facilitate the determination of the operations used by the artist in the creative process and allow art historians to define, for instance, the meaning, provenance, or authorship of a masterpiece. The Digital Surface HyperHeritage approach also includes the development of a database for archiving and sharing the topographic signature of a painting.
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Drūlytė-Butkevičienė, Jolita. « CONSERVATION OF ARCHITECTURAL HERITAGE DURING THE SOVIET PERIOD : BETWEEN SCIENCE AND CREATION / SOVIETINIŲ METŲ PAVELDOTVARKOS DARBAI : TARP MOKSLO IR KŪRYBOS ». JOURNAL OF ARCHITECTURE AND URBANISM 36, no 1 (23 avril 2012) : 22–32. http://dx.doi.org/10.3846/20297955.2012.679780.
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The research focused on problems pertaining to restoration of missing parts of rebuilt and reconstructed buildings in Lithuania during the Soviet period. Solutions to such problems very much depended on the amount of available authentic data. The most accurate solution is to use scientific research information, which is based on architectural research or objective visual material. This type of restoration reveals the previous view of a fragment. As a result, application of this method allows restoration of the missing parts and helps rebuilding the destroyed composition. In the case of logical interpretations inspired by scientific research,scientific information is not sufficient for complete restoration of fragments; thus, the missing data is received by mathematical counting. This type of restoration makes it impossible to strongly state the degree, to which the restored information coincides with the previous view and whether it fulfils the rules of international conservation. In the case of a mixture of scientific research and creative interpretation, remains of authentic fragments are insufficient to restore an object. As a consequence, the missing fragment parts are created seeking for the composite unity. Similarly, when creative interpretation is used, authentic information only shows that there has been a specific detail, but there are no data about its exterior, therefore, the lost detail has to be created. The last two ways contradict to the rules of international conservation. It is important to emphasize that observers often concentrate their criticism around the lack of information objectivity. In buildings, it is not possible to distinguish between repetitions of authentic forms and the 20th century interpretations. Thereby, one of the most important values, the cognitive one, loses its meaning. Santrauka Atlikus tyrimą nustatyta, kad sovietiniais metais restauruojant ir rekonstruojant pastatus Lietuvoje trūkstamų dalių atkūrimo problemos priklausomai nuo autentiškos medžiagos kiekio buvo sprendžiamos keliais būdais. Mokslinių tyrimų informacija – pats tiksliausias architektūros tyrimais ar objektyvia vaizdine medžiaga pagrįstas atkūrimas atskleidžiant tikslų buvusį fragmento vaizdą. Taip atkurtos trūkstamos dalys padeda sugrąžinti sunaikintą kompoziciją. Mokslinių tyrimų inspiruotos loginės interpretacijos atveju fragmentui visiškai atkurti mokslinės informacijos neužtenka, trūkstami duomenys gaunami atliekant matematinius skaičiavimus. Šiuo atveju negalima tiksliai nustatyti, kiek atkurtoji informacija atitinka buvusį vaizdą ir kiek toks veiksmas atliepia tarptautines paveldotvarkos nuostatas. Kiti du naudoti būdai akivaizdžiai prieštarauja tarptautinės paveldotvarkos nuostatoms. Mokslinių tyrimų ir kūrybinio interpretavimo derinio atveju išlikusių autentiškų fragmentų neužtenka objektui visiškai atkurti, todėl, siekiant kompozicinės vienovės, trūkstamos fragmentų dalys sukuriamos. Kūrybinės interpretacijos atveju autentiška informacija tik parodo, kad konkrečios detalės būta, tačiau duomenų apie jos išvaizdą nėra, – tada toji detalė sukuriama. Reikia akcentuoti, kad pastatuose, kuriems buvo atlikti paveldotvarkos darbai, vizualiai neįmanoma atskirti autentiškų formų pakartojimų ir XX a. pab. interpretacijų, dėl to savo prasmę praranda viena iš svarbiausių – pažintinė – vertė.
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Zakharchenko, V. I. « RESTORATION OF UKRAINE FROM THE CONSEQUENCES OF THE WAR BY MEANS OF NEO-ECONOMY : SECTORAL AND SPATIAL APPROACHES ». Ukrainian Geographical Journal, no 4 (janvier 2023) : 23–36. http://dx.doi.org/10.15407/ugz2022.04.023.
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The purpose of the study is to show the need to strengthen the neo-economic component in the Recovery Plan of Ukraine. It is based on the projects available in the plan and proposed by us. The article also suggests the choice of relevant processes and forms of spatial organization in various neo-economy sectors for the abovementioned projects. The article uses such research methods as theoretical analysis and synthesis, logical and historical, structural analysis, spatial analysis (the main one is to distinguish processes and forms of the spatial organization of the neo-economy), typological, and forecasting. As a result of the studies, the necessity of switching to the neo-economic model of Ukraine’s recovery and development was substantiated. The priority sectors of neo-economics are IT-sphere; Industry 4.0; military-tech; renewable energy; bioeconomics; transport-tech; e-commerce; “green” economy; creative economy; EdTech; MedTech; FinTech; InsurTech. 15 programs of the plan to the development of neo-economic sectors, distribution of processes of its spatial organization (location, relocation, localization), and creation of forms such as business incubators, startups, innovative enterprises, innovative concerns, innovative networks, innovative ecosystems of the “triple spiral” type, innovative clusters, innovative parks (industrial, technological, scientific), technopolis, competitiveness poles, smart cities, and C-regions. The novelty of the study is to prove the necessity to restore Ukraine from the consequences of the war on the basis of the development of neo-economics. The Plan for Ukraine Restoration, its national programs, and key projects are analyzed regarding the development of neo-economics sectors, dissemination of processes, and creation of forms of its spatial organization.
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Radler, Charlotte. « The Dirty Physician : Necessary Dishonor and Fleshly Solidarity in Tertullian's Writings ». Vigiliae Christianae 63, no 4 (2009) : 345–68. http://dx.doi.org/10.1163/157007208x389884.
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AbstractThis article examines Tertullian's multifaceted notion of physician and his views of illness and redemptive healing, particularly his arresting re-appropriation of dirt and dishonor as the basis for restoration against Marcion's alleged conception of a pure and spiritual salvation. Tertullian inverts the dominant value paradigm by rendering the shameful and dishonorable circumstances of the flesh as the necessary signifiers of truth and redemption. His creative reconfiguration of healing through filth and shame redraws early Christian discourse on embodiment and corrects facile typologies about purity and impurity, body and soul, incarnation and salvation, and individual and society.
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Kennedy, Allan. « State Formation, Criminal Prosecution and the Privy Council in Restoration Scotland* ». English Historical Review 135, no 572 (février 2020) : 29–62. http://dx.doi.org/10.1093/ehr/ceaa004.
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Abstract Historians have begun to think about the emergence of the early modern ‘state’ in complex and creative ways, far from the conventional focus on overweening central bureaucracies. One component of this discourse is the role of criminal law and criminal prosecution, which, it has been argued (particularly by English scholars), assisted state-forming processes by providing a universal interface between ruler and ruled, and by demarcating common patterns of behaviour. This paper attempts to apply these ideas to the case of early modern Scotland—whose decentralised legal system and reputation for judicial barbarity has tended to discourage research—through detailed analysis of the judicial activities of the Privy Council. Focusing on the reigns of Charles II and James VII & II, the paper assesses the Council’s theoretical competence as a criminal court, and also reconstructs its day-to-day activities in terms of the kinds of cases tried, the varieties of punishment imposed, and the use of alternative mechanisms such as judicial commissions. The paper argues that the Restoration Privy Council was clearly able to utilise its judicial powers as a state-building tool, despite the general diffuseness of judicial authority in Scotland. It is suggested, therefore, that the Scottish data confirms the utility of criminal prosecution in early modern projects of state formation, underlining historians’ need to conceptualise the process in broad, multi-faceted terms.
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Bessonova, Albina S., et Vladimir A. Victorovich. « Let us Call in Dostoevsky for an Expert Advice (Perspectives for the Darovoe Estate) ». Dostoevsky and world culture. Philological journal, no 1 (2021) : 16–41. http://dx.doi.org/10.22455/2541-7894-2021-1-16-81.
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Third paper on the topic. The formation of the restoration project of the Darovoe Museum is reaching a turning point. Bringing the creative laboratory of the museum construction into public space allows the scientific community to influence the process of establishing a new museum of the writer and sets a precedent for transparency in the restoration process. The combination of museum design, natural landscape, and architectural research with the achievements of philologists and historians are forming a new kind of interdisciplinary cooperation between scientists and practitioners. In fact, the process is now facing a conflict, ultimately of axiological nature. The article includes proposals of famous scholars to the General Directorate of the Cultural Heritage for the Moscow Region and the Protocol of the meeting of the section of the Council for the Cultural Heritage of the Ministry of Culture of the Russian Federation; it presents the contradictions causing conflict. The concept of a natural museum of Dostoevsky’s childhood, defended by the academic community, is winning the right to implement with great effort.
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Mohanu, Dan. « The possibility and failure of reconstruction : two case studies of Văcărești and Cotroceni ». CaieteARA. Arhitectură. Restaurare. Arheologie, no 9 (2018) : 175–96. http://dx.doi.org/10.47950/caieteara.2018.9.07.
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Accepted as part of the methodological structure of restoration, the reconstruction of the work of art, in its widest sense, from architecture to objects of mobile heritage, was legitimised either by the recovery of the memory of the destroyed heritage, or by the need of integrity of the image, with its many connotations. Also, the reconstruction has been assimilated, more or less abusively, with the act of fanciful reconstruction, of creative remaking or anastylosis. Stimulated today by the possibilities of endless, performant reconstitutions, by means of virtual space, reconstruction seems to get further and further away from one of the fundamental principles that governs the existence of heritage: the principle of authenticity understood as indestructible relationship between the image and the historicized matter in which it survived. This article analyses the dramatic destiny of the two monuments which were destroyed during the communist regime, the church of the Cotroceni Palace and the Văcărești monastic ensemble, in relation to the genesis of the concept of conservation-restoration of historical monuments in the Romanian space.
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Thiessen Martens, Joanne. « Restoring social and ecological relationships in the agroecosystems of Canada's prairie region ». Outlook on Agriculture 51, no 1 (1 février 2022) : 55–66. http://dx.doi.org/10.1177/00307270221077356.
Texte intégralRésumé :
Ecosystem restoration is proposed as one aspect of the transformative changes required to meet global sustainability goals. In the prairie region of Canada, where the widespread and relatively recent conversion of natural ecosystems to farmland displaced Indigenous peoples and made way for a thriving agricultural sector, I propose that ecosystem restoration requires two intertwined transition processes: reorienting worldviews to embrace the social and biophysical contexts of local ecosystems, and taking practical steps to restore ecosystem functioning and integrity. Attention to ecosystem functioning—the relational processes that undergird the desired outcomes—can promote the design and implementation of agricultural landscapes that mimic key features of natural ecosystems while maintaining a mix of land uses. Human ingenuity and thoughtful integration of traditional and scientific knowledge are needed to develop locally adapted land use that supports synergetic relationships within and among farm fields and other landscape features. Integrating social goals into the design of agricultural landscapes can spawn creative solutions but will require a shift toward a more open and collaborative approach, especially regarding the use of privately owned lands.
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Bessonova, Albina S., et Vladimir A. Victorovich. « Let us Call in Dostoevsky for an Expert Advice (Perspectives for the Darovoe Estate) ». Dostoevsky and World Culture. Philological journal, no 1 (2021) : 16–81. http://dx.doi.org/10.22455/2619-0311-2021-1-16-81.
Texte intégralRésumé :
Third paper on the topic. The formation of the restoration project of the Darovoe Museum is reaching a turning point. Bringing the creative laboratory of the museum construction into public space allows the scientific community to influence the process of establishing a new museum of the writer and sets a precedent for transparency in the restoration process. The combination of museum design, natural landscape, and architectural research with the achievements of philologists and historians are forming a new kind of interdisciplinary cooperation between scientists and practitioners. In fact, the process is now facing a conflict, ultimately of axiological nature. The article includes proposals of famous scholars to the General Directorate of the Cultural Heritage for the Moscow Region and the Protocol of the meeting of the section of the Council for the Cultural Heritage of the Ministry of Culture of the Russian Federation; it presents the contradictions causing conflict. The concept of a natural museum of Dostoevsky’s childhood, defended by the academic community, is winning the right to implement with great effort.