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Abduazizovna, Usarova Dildora. « Creation of Artistic and Lexical Means in Translations of Literary Works ». International Journal of Psychosocial Rehabilitation 24, no 5 (20 avril 2020) : 4946–53. http://dx.doi.org/10.37200/ijpr/v24i5/pr2020204.
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Jo'raqulov, Uzoq. « Decompression Process in Literary Creation ». Uzbekistan : language and culture 1, no 4 (10 décembre 2019) : 30–40. http://dx.doi.org/10.52773/tsuull.uzlc.2019.4/jrdq7416.
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The research study aims to advance the scientific hypothesis that the creative process is not a two-stage but a three-stage phenomenon, as is noted by theorists. The issue is new, complex and not yet explored. For this reason, it is not possible to define all its artistic and aesthetic features, functions and theoretical canons within a small article. It is also worth noting that the universal theories put forward are not just literature, but all types and forms of creativity. This stage of the creative process is not the choice of space, time or person, and is unique to all periods of literary history. At the same time, the study focuses on the practical process of this stage of the creative process, in part on the reflection on the sources of world literature, including Russian and Uzbek literature. In a word, it focuses on the artistic process and the new third phase. The theoretical criteria for this stage, known as the decompression process, are analyzed with examples from works by world and Uzbek writers.
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Shal'nova, Elena Petrovna. « Pattern of the literary work (based on the “formula” of the literary work of S. I. Sukhikh) ». Филология : научные исследования, no 7 (juillet 2021) : 61–72. http://dx.doi.org/10.7256/2454-0749.2021.7.36078.
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The subject of this research is the structure of the literary work. The goal consists in the establishment of correlation between the parts of the literary work, expressed in the research of S. I. Sukhikh “The Theoretical Poetics of A. A. Potebnja”. The author meticulously examines such aspects of the theory of literary work of A. A. Potebnja as the interrelation between the external form, internal form, artistic image, and content of the literary work, as well as outlines the structure of the literary work. The article describes the parts of the literary work (external form, internal form, artistic image, content). The article offers the patter of the literary work, distinguishing the parts and interrelation between them. The author formulates the definitions of external form, internal form, artistic image, and content of the literary work; reveals the characteristics and distinctive features of each part of the literary work. This led to the formation of representation of the literary work as a structure, where each of the parts expresses its own meaning, and serves as a means of creating the meaning for the other part. The result this research consists in the creation of the pattern of literary work that gives an idea on the structure of the literary work. The acquired materials can be used in studying the general concepts of the theory of literature: the form, content, artistic image, definition of artistic merit of the literary work. The offered pattern of the literary work cab be also applied to the analysis of the literary work. The scientific novelty of this study lies in the formation of representation of the literary work as a structure, where each part expresses its own meaning and serves as a means of creating meaning for the other part, as well as in creation of the pattern that conveys this idea.
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Beyrouthy, Damien, et Sara Bédard-Goulet. « Response Events Narratives : Between Research and Creation ». Interdisciplinary Literary Studies 24, no 2 (1 juin 2022) : 188–212. http://dx.doi.org/10.5325/intelitestud.24.2.0188.
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ABSTRACT Artworks and cultural productions affect us in various degrees. In rare occasions, their encounter can trigger a life-changing event. These rare and unexpected individual moments can be shared as narratives, some of which are found in literature. Among these literary accounts, many attribute to texts the prompting of personal events and such narratives have been studied by literary scholars interested in reader–response theory. Less attention has been paid to accounts of such reactions to other types of media, which also require additional theoretical input to study them. To examine these specific events in narratives, we consider them as “response events” and analyse their characteristics through research and artistic means. Adding to the existing contributions in literary theory, we use a methodology originating from the art field, that is research-creation. In this article, we start by presenting our research-creation approach and the interdisciplinary tool that we developed. We then present a brief overview of the results from the literary corpus analysis and of the artistic experimentations that they triggered. We also describe how our research on the response event has led Damien Beyrouthy to think this concept through his artistic practice, from which other concepts emerged.
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Shi, Yingrui. « The End of the Book - the Commonality of Literary Creation and the Specificity of Film Literature ». International Journal of Education and Humanities 11, no 2 (6 novembre 2023) : 10–12. http://dx.doi.org/10.54097/ijeh.v11i2.13521.
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This article discusses the commonalities of literary creation and the special characteristics of film literature, and explores the complementary relationship between the two. In terms of the commonalities of literary creation, it includes the shared characteristics of artistic expression, emotional transmission, and narrative structure. As a form of creation with multiple media, film literature combines the power of images and sound, as well as the special ways of presenting time and space. This article highlights the importance of the mutual influence and promotion between literary creation and film literature, and proposes opportunities for cross-border innovation and collaboration. Overall, literary creation and film literature embody the essence of artistic expression, while the special characteristics of film literature make it a unique form of art. They mutually influence and enrich human cultural creativity.
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Xinyu, Cai. « “Ekphrasis” : A Study of Transmedia Narrative in the Works of A.S. Byatt ». World Journal of Educational Research 10, no 4 (7 août 2023) : p68. http://dx.doi.org/10.22158/wjer.v10n4p68.
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With the development of transmedia research, many writers begin to pay attention to the comparison and transformation between literature and other artistic media, and practice it in literary creation. Contemporary English novelist A.S. Byatt is one of the practitioners of transmedia literary creation. Through the use of “ekphrasis”, she skillfully and naturally integrates the art work into the literary creation, making the text have a visual effect. This paper takes A.S. Byatt’s three short stories Christ in the House of Martha and Mary, Art Work and Rose-Colored Teacup as examples to explore the ekphrarstic re-creation of paintings, sculptures and pottery in her works, and then analyzes the deep connotation brought by the ekphrasis between different artistic media to literary texts.
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Bilbaeva, Gulzada. « RELEVANCE OF ARTISTIC DETAILS IN KYRGYZ PROSE ». Alatoo Academic Studies 2021, no 4 (30 décembre 2021) : 102–11. http://dx.doi.org/10.17015/aas.2021.214.12.
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The actual problem of studying the evolution of art of artistic detail in Kyrgyz prose, which plays an important ideological and aesthetic role in the creation of the artistic world. The researcher gives a chronological overview of the study of artistic detail in Kyrgyz literary criticism, touches upon the issue of the formation and development of professional Kyrgyz literature, its originality and features, the interaction of Russian and Kyrgyz literature over the past centuries. Based on the analysis of the works of Russian and Kyrgyz prose writers, the researcher presents the most striking artistic details that carry a certain semantic and emotional load, proving what significant function it performs in the artist's creative laboratory. The scientific novelty of the research lies in the approach of studying artistic details by Kyrgyz writers from the point of view of genre originality, methodology of their use, revealing their important ideological and aesthetic role in a literary work.
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Nguyen Hong, Hanh. « The aesthetic meaning of ambiguity in literature ». Journal of Science Social Science 67, no 3 (juillet 2022) : 19–30. http://dx.doi.org/10.18173/2354-1067.2022-0037.
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“Ambiguity” was first proposed by W.Empson in his work Seven types of ambiguity (1930). According to him, ambiguity "is an undefined meaning, an intention to express many kinds of things that allow for many interpretations". Ambiguity can be classified into two forms: ambiguously definite polysemy and ambiguously indefinite polysemy. Ambiguity is a characteristic aspect of artistic thinking. it dominates and leaves its mark on the artistic creation process. Ambiguity is an important quality in literary life: it opens the endless field of meaning, making literature the key to helping people open the door to dominate all aspects of human life; It is the aspect that makes the aesthetics of literature; Ambiguity promotes the imagination, cocreation of the reader; it is a measure of the artist's talent in creating a breakthrough of words and a sense of artistic innovation.
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Juraboev, Otabek R. « About the Attention of the Temurid Rulers to the Creation of Manufactured Works ». International Journal of Multicultural and Multireligious Understanding 8, no 4 (3 avril 2021) : 82. http://dx.doi.org/10.18415/ijmmu.v8i4.2562.
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In the cultural aura of the XV century, the Timurid princes, who were the rulers of that time, occupied a place in a number of historical and literary sources of both literary figures and literary personalities. An artistic manuscript in the epoch of Timurides, as well as the other genres of that period, developed on the basis of creative assimilation of the best traditions of masters who had worked in the previous centuries. It is emphasized that this manuscript is a kind of a rare example of calligraphy and artistic design of a Timurid book.
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Darenskiy, Vitaliy. « G. Adamovich’s Literary Criticism as Meaning Creation ». Almanac “Essays on Conservatism” 2 (15 août 2023) : 359–67. http://dx.doi.org/10.24030/24092517-2023-0-2-359-367.
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In the article the author analyzes the creative manner of G. Adamovich in his reception of new literary works. Adamovich’s literary criticism can be defi ned as a specifi c genre of “literary conversation”. It has syncretic character, including elements of genres related to criticism, such as essays, memoirs, philosophical refl ection and proper conversations with the reader. When analyzing individual authors, works or topics, Adamovich avoids methodical reasoning and does not adhere to any defi nite theoretical doctrine. His “method” is a kind of existential “meeting” with the author he is considering, which is deliberately formulated not in direct and rigid characteristics, but in a “roundabout” way through personal impression and some detail of the artistic world.
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Snegireva, M. V. « CREATION OF ARTISTIC IMAGES : PHILOLOGICAL AND LITERARY ASPECTS AND VISUAL POSSIBILITIES ». Vestnik Volzhskogo universiteta im V N Tatishcheva 1, no 1 (2023) : 43–53. http://dx.doi.org/10.51965/2076-7919_2023_1_1_43.
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Прищепа, Т. « МІКРОПОЕТИКА ВІДТВОРЕНОГО : РОЗГАДКА ТЕКСТУ «ФРАНКЕНШТЕЙН, АБО СУЧАСНИЙ ПРОМЕТЕЙ» МЕРІ ШЕЛЛІ ». Journal “Ukrainian sense”, no 2 (6 janvier 2024) : 99–105. http://dx.doi.org/10.15421/462322.
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Background. The article focuses on the study of microelements that affect the artistic structure of the work and its understanding. The key problem is determining the role and importance of these microelements in creating a general artistic impression of the text. In the course of the research, we sought to determine how micropoetic details of reproduction influence the perception of the plot and symbolism in Mary Shelley's novel, revealing their essence in the context of the author's literary skill. The work was aimed at revealing the importance of micropoetics for the study and interpretation of «Frankenstein, or the Modern Prometheus» and determining its influence on the artistic integrity of the work.
The purpose. The purpose of this investigation is to consider and analyze micropoetic elements in the text of the novel «Frankenstein, or the Modern Prometheus» by Mary Shelley. An attempt was made to reveal what specific small details affect the artistic structure of the work and how they are perceived by the reader. The main goal was to reveal the role of micropoetic means in the creation of a literary work, to understand their influence and meaning for the reader.
Methods. Literary analysis, cultural context and psychoanalytic analysis were used to solve the tasks. These approaches and research methods allowed us to reveal the interrelationships of micropoetic elements in the work as a whole and to more deeply understand its semantic nuances.
Results. The successful disclosure of microelements made it possible to determine their importance in creating an artistic structure and influence on the overall narrative of the novel. It was discovered how specific details of the play affect the unfolding of themes and symbolism in Frankenstein. The study revealed how micropoetics influences the creation of Mary Shelley's unique artistic world in this novel. It is determined how these details affect the perception and interpretation of the work by readers, giving them the opportunity to dive deeper into the text. The results indicate the relevance of the study of micropoetics in literary studies and the importance of its study for the understanding and analysis of literary texts. The obtained results are designed to expand our understanding of the role of micropoetics in the work of Mary Shelley and its contribution to the creation of literary masterpieces.
Discussion. Research has confirmed the importance of small elements in creating the overall impression of Mary Shelley's work. The micro-poetic aspects of the rendering revealed the themes and symbolism more deeply, contributing to a more complete understanding of the text. It was revealed how micropoetic means in creating the world of the work contribute to the formation of a unique author's world in the novel. It was emphasized that micropoetics affects the perception of the work by readers, giving them the opportunity to immerse themselves more deeply in the artistic text.
The study of micropoetics can be extended to other works by Mary Shelley and other authors for comparative analysis.
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Xu, Xinhong, et Zhibo Chen. « Breaking the Circle of Parody Art and Exploring its IP Creation ». Highlights in Art and Design 1, no 2 (19 octobre 2022) : 14–17. http://dx.doi.org/10.54097/hiaad.v1i2.1892.
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As a form of artistic creation, parody has both the imitation of previous texts and the aesthetic pursuit of cultural conception. From literary text to film and television text, this article mainly takes the parody of classic texts as an example to study the innovative way of parody to uphold the traditional culture and promote local IPs on the basis of classic literary and artistic works under the influence of the pan-entertainment trend, and to study the innovative path of parody IP. This article also analyzes the successful case of parody IP "breaking the circle" and discusses the new ideas of IP in the cultural industry.
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Pannengpetch, Emeritus Sakda, Raksarn Wannawattawong et Narong Khamwijit. « CHINESE AESTHETIC CHARACTERISTICS, ARTISTIC PERFORMANCE, AND MODERN SIGNIFICANCE OF LITERARY LANGUAGE ». EUrASEANs : journal on global socio-economic dynamics, no 3(46) (30 mai 2024) : 437–46. http://dx.doi.org/10.35678/2539-5645.3(46).2024.437-446.
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Literary language holds a distinct and crucial aesthetic value within literature and art. As a fundamental element of literature, it is an aesthetically refined form of language characterized by rhythm, implication, rhetoric, and strangeness. Its artistic performance is multifaceted, encompassing the creation of indirect artistic images, the depiction of the grand and intricate material world, and the exploration of profound emotional landscapes. Literary language's aesthetics and diverse artistic performance significantly contribute to historical traditions, literature evolution, and individual experience, securing its vital and irreplaceable role in contemporary society
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Zabiyako, Anna A., et Olga E. Tsmykal. « Literary Ethnography in Lyrical Text (Poetic Ethnographism by Larissa Andersen) ». Humanitarian Vector 16, no 1 (février 2021) : 45–55. http://dx.doi.org/10.21209/1996-7853-2021-16-1-45-55.
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The relevance of the study determines the interest of modern literary criticism in various forms of artistic understanding of ethnographic realities by Russian writers in Manchuria in the first half of the 20th century (literary ethnography). The novelty of the research lies in the study of the lyrical experiments of literary ethnography. The research problem is to determine the specificity of the lyrical method of ethnographic reflection and the creation of an image of artistic perception. The research methodology is based on the structural and semantic analysis of prose texts by Larissa Andersen, addressed to ethnographic material. The authors explore the methods of creating her artistic images of perception of China, Korea, and Japan through the analysis of narrative strategies, the system of image-concepts, and archetypal images of a foreign culture. Research methods: historical-literary, structural-semantic, method of mythological reconstructions, comparative analysis of the translation with the original. The authors state that the literary ethnography of the Far East in various genre and stylistic forms is developing in the literature of the Far Eastern emigration. The most convincing experiences of artistic ethnography, scientific and artistic beginnings are balanced, presented in the narratives of scientific writers N. Baikov and P.Shkurkin, and later genre modifications of M. Shcherbakov, V. Mart, B. Yulsky, focused on research and book experience. Lyrical reflection of ethnographic material has its own specifics. The authors compared the experiences of creating ethnographic lyrics and prose by Larissa Andersen and came to the following conclusions: despite the lack of well-founded scientific knowledge, in her ethnographic essays, on the one hand, her individual ability to comprehend the essence of the observed phenomenon and capture the artistic image of the perception of another culture in capacious detail-concept (mythologeme, characteristic, ethno-stereotype, meta-image), on the other hand, there is an interest in Chinese literary sources and ethnographic texts of predecessors (S. Alymova and others). A characteristic technique for creating an artistic image of perception in essays is the form of personal “narration”， bringing the point of view of the perceiving consciousness of the author and the reader closer together. Keywords: literary ethnography, poetic ethnographism, image of perception, literature of the Far Eastern emigration, Russian Harbin
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Brito, Nuno. « Vidro do mesmo vidro : visualidade e transparência na poética de Rosa Maria Martelo Vidro do mesmo vidro : Visuality and Transparency in Rosa Maria Martelo’s Poetic ». Revista do Centro de Estudos Portugueses 41, no 66 (11 février 2022) : 201. http://dx.doi.org/10.17851/2359-0076.41.66.201-208.
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Resumo: Este estudo tem como objeto a criação da imagem poética na produção literária de Rosa Maria Martelo, os seus processos e recursos num amplo diálogo intertextual e interartístico com outras formas de criação da imagem verbal e visual, assim como salientar o seu contacto com a tradição literária e artística do passado, aprofundar a sua relação central Imagem-Velocidade e mostrar o seu forte carácter de experimentação e hibridez de género.Palavras-chaves: Rosa Maria Martelo; imagem poética; matéria.Abstract: This study is aimed at the creation of the poetic image in Rosa Maria Martelo’s literary production, its processes and resources in a wide inter-textual and inter-artistic dialogue with other forms of creating the verbal and visual image. Furthermore, this essay intends to highlight the contact of this creation with the literary and artistic tradition of the past, to deepen its central relationship Image-Speed and to show its strong experimental character and genre hybridism.Keywords: Rosa Maria Martelo; poetic image; matter.
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Liu, Zijie. « The marxist philosophical basis of socialist literature and art ». Trans/Form/Ação 46, no 3 (septembre 2023) : 255–74. http://dx.doi.org/10.1590/0101-3173.2023.v46n3.p255.
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Abstract: Socialist literature and art are constructed on the basis of Marxist philosophy. The “people character” of socialist literature and art is based on the fact that Marxist philosophy abandons individualism and focuses on a wider population’s freedom and happiness. Therefore, socialist literature and art take people rather than individuals as the subject of expression. Realism, the basic principle of socialist literary and artistic creation, is based on the materialism of Marxist philosophy. The “typical environment and typical characters” proposed by Marxist classic writers for socialist literary and artistic creation are the method and principle formed by applying the philosophical concepts of the organic combination of the objective world and human subjectivity, and the organic combination of nature and social history to the concrete literary and artistic creation in Marxist theory. Marxist philosophy regards sensibility and aesthetics as important elements for literature and art to play a practical role. It believes that sensibility and aesthetics are not limited to the subjective world of people, but have the possibility of connecting with the external objective world. Therefore, socialist literature and art must pay attention to aesthetics.
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BYCHKOV, D. M., et D. R. GAYNANOVA. « EXPLICATION OF THE "RELIGIOUS" EMOTIVE "JOY" IN THE ASPECT OF EMOTIONAL LITERACY ». HUMANITARIAN RESEARCHES 4, no 80 (2021) : 139–43. http://dx.doi.org/10.21672/1818-4936-2021-80-4-139-143.
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Modern artistic arrangements of patericon stories are characterized by emotiveness, which is transformed in the author's statement in the form of manifestations of various aspects of human emotionality. The relevance of the study of the emotional literacy of an author retelling patericus stories is due to the fact that emotives play an important role in the implementation of the processes of verbal thinking and communication, as well as the impact on the reader, which requires further analysis, since they are characterized by a high frequency of use in the latest literary and artistic discourse. The universality of emotions provides the subjects of literary communication with the foundation from which the creation and formation of emotional literacy of the «churched» reader can begin. This article aims to identify the pragmalinguistic means of expressing the emotion of joy as one of the most specific in the series of «religious» emotional phenomena in modern Russian religious literature.
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Ivanov, Nikolay Nikolaevich. « The innermost men of Andrei Platonov : the typology of artistic, historical-literary and cultural context ». Vestnik of Kostroma State University 27, no 1 (31 mars 2021) : 192–99. http://dx.doi.org/10.34216/1998-0817-2021-27-1-192-199.
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Types and characters of Andrei Platonov, his skill in creating artistic images, forms and ways of presenting the author's world – a topical historical and literary problem, which is considered in the context of modern research of Russian literature in the 1920s-1930s. This work is devoted to “innermost men” – Platonov author's discovery, certain artistic types, individualised, original and archetypal at the same time. They appeared as the result of Platonov's thought-making and language-making, superimposed on the colour of the epoch, historical, literary and cultural traditions. These and other difficult-to-grasp connections, intersections, and interactions were characterised in the course of research, which is based on the methodology of mythopoetic reconstruction of textual structures and discursive practices. Folklore and mythopoetic archetypes were established, and Platonov's creative motives were systematised. The most significant results of the work are the following. The existing ideas about the type of Platonov's artistic thinking are supplemented; the historical, literary and cultural context of the author's position formation is revealed; the functional side of mythopoetic motifs and archetypes in the creation of images is shown; new assessments of the content and form of a number of well-known works are given. Skill of Platonov is meaningful in the context of contemporary Russian prose of the 20th century, of neonatologists and word creation; augmented scientific understanding of complex phenomena in Russian literature of the first half of the 20th century.
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Starostina, Svetlana A. « Modern writing blogs in the literary, scientific, and educational space ». Neophilology, no 27 (2021) : 475–82. http://dx.doi.org/10.20310/2587-6953-2021-7-27-475-482.
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We consider the phenomenon of network literature as an integral part of the modern literary process. We analyze such a phenomenon as a “writing blog” for its compliance with the basic requirements of the neterature: hypertextuality, interactivity, multimedia, informality and pro-cessuality of the text, as well as its semantic content. We conduct a study of the author’s blogs of D. Glukhovsky, E. Vodolazkin, E. Grishkovets, on the one hand, as methods of creating an artistic work, on the other, as ways of promoting the personality and creativity of the writer. Meanwhile, we identify not only the author’s peculiarities of blogging and communication of writers with the readership, but also the individual approaches of particular artistic individuals to the creation and popularization of their works (collective texts writing, combining an artistic work with multimedia content, etc.). We consider the issue of studying online literature in secondary educational institu-tions, and also develop ways to solve it. In particular, we propose an introduction to the educational process of research project work on topical issues of neterature, modern interactive teaching methods, as well as communication of schoolchildren with modern network writers in the format of forums and blogs.
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Feshchenko, V. V. « From Linguistic Aesthetics to Linguistic Heuristics : Verbal Creativity in Literary and Academic Discourses ». Critique and Semiotics 38, no 1 (2020) : 92–113. http://dx.doi.org/10.25205/2307-1737-2020-1-92-113.
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The article discusses the issue of linguistic creativity in two types of discourse – literary and academic, as well as the linguistic mechanisms of word-making in artistic (experimental) literature in comparison with term- creation in scientific (philological) texts. The analysis distinguishes features that differentiate the scientific-academic and literary-artistic discourse, and those features that assimilate them. The perspective of analysis is the mechanisms of generating new linguistic units or new meanings of existing linguistic units in artistic neologization and terminological creativity. The study considers “strong” expressemes, or heuristemes (in the texts of V. Khlebnikov) in their comparison with concepts and terms in scientific discourse (in the texts of R. Jakobson) from the standpoint of linguistic creativity. Heuristeme as a unit of artistic language turns out to be a bridge between artistic and scientific mentality, between artistic imagery and scientific terminology, between linguistic aes- thetics and linguistic heuristics.
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A, Boomi Selvam. « Modern Tamil Creation Registered A. Madhavan’s Ilakkiya Chuvadukal ». International Research Journal of Tamil 4, S-7 (29 juillet 2022) : 182–89. http://dx.doi.org/10.34256/irjt22s728.
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In the contemporary modern environment, humanity's quest for knowledge openings is spreading wider and deeper. In the contemporary modern environment, humanity's quest for knowledge openings is spreading wider and deeper. Critical trends that are part of modern art-literature texts are universally creating multifaceted openings for intellectual dialogues in everyday life. Today, its ramifications have crossed the western horizons of the world and have begun to settle in Indo-Tamil regions as well. In particular, when it comes to modern art-literary trends, the novel, short story, poem, drama, review, etc., and finally the 'review' section, which is placed in the last place, has become literature in the public space and a kind of art in the private space and is receiving unique attention. In this way, while all the other artistic-literary activities are traveling with only single functions as their characteristics, only this form of review 'perspective' has many characteristics in itself and determines the metabolism of other artistic-literary forms. As such, it deserves special attention among modern Tamil authors and in creative studies. Although the beginnings of criticism in Tamil literature date back to the period of the textualists, it gained momentum only in the early twentieth century. In particular, the marriage Selvakesavaraya Mudaliar is the starting point of modern Tamil literature. However, while he only did original review work, some of his successors have been doing review work as well as creative work. A. Madhavan deserves to be mentioned in this series.
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Tang, Xin. « Creation of Drama Art Based on Deep Learning and Evolution Strategy ». Scientific Programming 2022 (10 août 2022) : 1–9. http://dx.doi.org/10.1155/2022/6217325.
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The rapid development of information technology has promoted the growth of deep learning, artificial intelligence, and big data technology. Nowadays, the artistic form of traditional opera creation is accepted and respected by people—more and more people like the art form. However, the artistic creation of traditional opera needs inspiration. The essence of inspiration creation is to reconstruct its objective structure. The deep learning algorithm’s essence is to extract all of the attributes of sample self-learning input data and use them as inspiration for artistic production. First, this paper briefly introduces the deep learning and evolution strategy and uses these algorithms in opera art creation to construct 1 + λ. With the help of this evolutionary algorithm, an optimal solution is obtained through random evolution. The evolution strategy establishes the evolution function matrix. Starting from the situation of students learning opera art, this article examines the process of creating opera art using an in-depth learning and evolution technique. The results show that 96 percent of the students have contact with opera while watching an opera tour. During this, they were not interested in the performance of literary drama in traditional opera. However, it was noticed that they were deeply interested in martial arts, clown performances, and drama stage performances. Finally, the audience group of opera artistic creation is analyzed in the form of opera animation of “A Journey to the West: The Return of the Great Sage.” It signifies that the opera’s leading audience group is aged 25 to 29. However, they account for only 30 percent.
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Durczak, Jerzy. « Between Pictures and Words : Sally Mann’s Hold Still ». Polish Journal for American Studies, no 11 (Spring 2017) (2023) : 147–62. http://dx.doi.org/10.7311/pjas.11/1/2017.11.
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Sally Mann’s autobiography Hold Still is a rare book which examines from the point of view of a photographer the way literature and photography complement each other in creating complex artistic visions. At the same time, it is not merely a famous artist’s autobiography, but an artful literary creation in its own right. The paper examines the nature of relations between literature and Sally Mann’s photography.
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Yitah, Helen. « Artistic Expression through (Re)Creation : Children’s Play Songs in Ghana ». Utafiti 15, no 1 (23 juin 2020) : 45–64. http://dx.doi.org/10.1163/26836408-15010022.
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Abstract This paper examines rural Ghanaian children’s creative performance of play songs in the context of recent scholarship on children’s rights in children’s literature. This scholarship, which has focused mainly on written literature in western contexts, seeks to give serious literary attention to children’s creative expression and thereby uphold their rights to contribute to the artistic life and culture of their societies. Kasena children of northern Ghana exhibit creative agency in adapting traditional play songs to new situations, as they re-create and reinterpret communal idioms, imagery and symbols, thus generating new forms, new concepts and new meanings. I illustrate the aesthetic qualities and transgressive features of this phenomenon by drawing on relevant indigenous Kasem concepts about art and creative resistance. If taken seriously, this dynamic heritage of children’s poetry can help us see emerging play genres as an affirmation of children’s creativity, and prompt a redefinition of ideas about childhood.
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Matamala, Anna, et Pilar Orero. « Opera co-creation : from collaborative translation to artistic co-creation in audiovisual translation and accessibility ». Hikma 21, no 2 (23 décembre 2022) : 41–63. http://dx.doi.org/10.21071/hikma.v21i2.13836.
Texte intégralRésumé :
Research on collaborative translation has expanded in recent years, with a variety of terms such as community or volunteer translation being used to refer to these practices. This article focuses on the Traction project as an instance of artistic co-creation between professionals and non-professionals in opera, and it suggests that the Traction approach could be usefully utilised in the context of audiovisual translation and media accessibility. After an introduction to the challenges of 21st century opera and their quest for new audiences, the article discusses the concept of artistic co-creation. It also presents how opera co-creation is being assessed in Traction. The co-creation process and its evaluation are then related to translation and accessibility to propose artistic co-creation as a new approach to collaborative practices which can benefit both professionals and non-professionals.
Keywords: Traction project, Opera co-creation, Evaluation, Audiovisual translation, Accessibility
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Gramigna, Valeria. « Literary Concordances in the Twenty-First Century ». Forum for Modern Language Studies 55, no 3 (1 juillet 2019) : 257–68. http://dx.doi.org/10.1093/fmls/cqz024.
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Abstract In the context of the most recent experiments involving dance–literature relations, I would like to focus on Concordan(s)e, a fascinating literary and artistic adventure that has been ongoing since 2007. A collaborative encounter between a writer and a choreographer leads to the co-creation of a new, shared work, which is a sort of prolongation or extension of their individual artistic worlds. This ‘shared artistic act’ invites reflection on a possible transformation that affects not only the novel but also creativity itself. The novel is changed by the ‘mutation’ of the act of writing. This ‘mutation’ both nourishes the reader-spectator and serves as the foundation for thinking about the writer’s creative process; it also gives the literary text another form. Might not this change in the act of writing be the main issue to be considered if we are to understand one of the ways the contemporary novel is developing, and to broaden the scope of studies on the relationship between dance and literature?
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Gulyamova, O. « The Role of the Intensity Category in the Implementation of Artistic Opposition ». Bulletin of Science and Practice 7, no 7 (15 juillet 2021) : 433–36. http://dx.doi.org/10.33619/2414-2948/68/61.
Texte intégralRésumé :
The article examines the phenomena of opposition, contrast ratio, contradictions that form the basis of artistic opposition. The direct (explicit) and indirect (implicit) realization of opposition in a literary text is studied. Seven stages of text creation are covered. An attempt was also made to systematize the ways of expressing the category of intensity that affects the expression of artistic opposition.
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Brzostowska-Tereszkiewicz, Tamara, et Katarzyna Bazarnik. « Przekład eksperymentalny : techniki, formy, metajęzyki ». Przekładaniec, no 43 (31 décembre 2021) : 7–23. http://dx.doi.org/10.4467/16891864pc.21.026.15140.
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Experimental Translation: Techniques, Forms, Metalanguages The aim of the article is to introduce a new series of studies on theoretical, methodological, analytical, and interpretive problems of “translation anomalies”. Functioning as a medium of artistic innovation and creative cognition, experimental literary translation has a laboratory meaning both for translators and translation, literary and cultural scholars. It allows to highlight the fundamental problems of artistic creation, the theory of literature, the theory of artistic translation and the theory of intercultural communication. On the one hand, translation experiments confirm the necessity of using interdisciplinary research instruments; on the other hand, they show translation as a fundamental metaphor that describes the innovative and dynamic nature of technology.
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Brzostowska-Tereszkiewicz, Tamara, et Katarzyna Bazarnik. « Experimental Translation : Techniques, Forms, Metalanguages ». Experimental Translation, no 47 (20 décembre 2023) : 7–23. http://dx.doi.org/10.4467/16891864epc.23.007.18086.
Texte intégralRésumé :
The aim of the article is to introduce a new series of studies on theoretical, methodological, analytical, and interpretive issues concerning “translation anomalies”. Functioning as a medium of artistic innovation and creative cognition, experimental literary translation can be compared to a laboratory, both for translators as well as literary and cultural scholars. It enables us to highlight the fundamental problems of artistic creation, the theory of literature, the theory of artistic translation and the theory of intercultural communication. On the one hand, experiments in translation confirm the necessity of using interdisciplinary research instruments; on the other hand, they show translation as a fundamental metaphor that describes the innovative and dynamic nature of technology.
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GHILAȘ, Ana. « Intermediate ways of creating theatricality in artistic discourse ». Arta 31, no 2 (janvier 2023) : 67–71. http://dx.doi.org/10.52603/arta.2022.31-2.09.
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Th e article addresses the issue of theatricality, especially the way of creating this cultural phenomenon in the dramaturgical text and in the narrative artistic text. Theatricality understood as a cultural and aesthetic aspect is combined in some types of speeches with theatricality in life, especially in prose. If in the dramaturgical text its structure (dialogue — stage directions) constitutes a first element of theatricality, then the theatrical techniques from the show (ad spectatores, the monologue, the actor’s corporeality, etc.) are elements that can also be found in the narrative literary text in the form of authoriality, of various forms of psychology, etc. In this context, an important role in the creation of theatricality is played by intermediality as the interaction of codes specific to certain artistic or non-artistic discourses. We investigate the relationship between theatricality and intermediality from a theoretical and methodological point of view, with some examples from artistic texts or performances.
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Yunusova, Gunel Xanlar. « Functioning of Proper Names in the English Literary Text ». Path of Science 7, no 5 (31 mai 2021) : 3006–11. http://dx.doi.org/10.22178/pos.70-3.
Texte intégralRésumé :
This article discusses the functioning of proper names in a literary text. The primary attention is paid to the study of the essential functions of anthroponyms. This work will focus on studying the origin of anthroponyms and their use in a poetic text. The features of each functional style have long made it possible to contrast the literary and artistic style with everyone else in the presence of exceptional semantic complexity in the literary texts, a multi-tiered composition, and the aesthetic function of the word that organises the entire context of the work. Onomastic units are integral components of the space of a literary text; they are a connecting, constructive element of the meaningful and semantic space and structure of the text. Proper names participate in the creation of semantic multidimensionality of the text, are a means of translating the author's intention and the artistic idea of the work. The article uses descriptive and comparative linguistic methods. It is noted here that the creation of proper names is a practical process and is directly related to the mental-national thinking of the people. The scientific and methodological study of names is theoretical. The proper name in a work of art performs some artistic functions. They include identification, ensuring unity of perception, characterising a character, shaping his image and plot of work, forming subject-object relationships, spatio-temporal and compositional organisation of work, and implementing intertextual connections.
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Bokiniec, Monika. « Artistic Creation and Ethical Criticism by Ted Nannicelli ». Estetika : The European Journal of Aesthetics LIX/XV, no 1 (2022) : 80–84. http://dx.doi.org/10.33134/eeja.323.
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Pavlinchuk, T. « THE PAINFUL EXISTENCE IN THE BOLESŁAW LEŚMIAN’S POEM "AT NIGHT" ». Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no 2(95) (17 décembre 2021) : 76–90. http://dx.doi.org/10.35433/philology.2(95).2021.76-90.
Texte intégralRésumé :
The paper deals with poetic translation analysis of the poem "At Night"of the Polish poet Bolesław Leśmian. The appearance of Bolesław Leśmian’s poetry in Ukrainian translation (the collections of selected works "Садбожий спалахненець" and "Ангели" translated by M. Kiianovska) has become an important event. The researcher focuses their attention on the contextual, poetic, poetical, artistic and stylistic peculiarities of the poem "At Night", in connection with the philosophic and literary views of the poet. The wide range of scientific works on Bolesław Leśmian’s poetry in Polish literary studies allows us to study different aspects of this poet’s poetics: symbolism, peculiarities of the artistic images creation, the appeal to folk sources, the language of his literary works, the image of God in his poetry, the role of rhythm, immediacy of worldview and creating the world anew in "song without words" etc. The poetics of the poem has been studied, its interpretation is based on the unity of compositional, semantic, figurative elements of the poem.
The translation analysis, aimed at the study of structural and semantic features of the poem "At Night" in Ukrainian translation, is concentrated on the author’s peculiarities of creating images and their representation by M. Kiianovska in her translation of the poem. The author of the article focuses on the concept of the original and translation, the overall mood of the poem, its content, figurative system, structure, rhythmic organization, the rhyming system of the translation and the original. Special attention is paid to the analysis of the selection of lexical equivalents, the poetic syntax of the poem and other translation techniques on the way to better understanding of the text, the artistic images creation and grammatical and compositional integrity of the translation of the poem.
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Li Xiaojun. « From Literature to Image : Study on the Literariness of Painting Creation of Books and Periodicals ». European Journal for Philosophy of Religion 13, no 1 (2 mars 2021) : 200–220. http://dx.doi.org/10.24204/ejpr.2021.3858.
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As two different art categories, literature and painting use temporal words and spatial images respectively to convey information and narrative. In addition to the pursuit of visual decoration, the paintings in books and periodicals in the period of the Republic of China were widely and profoundly influenced by the literature of the same period from the aspects of the style of expression, the theme of content and the creative techniques, thus breaking through the limitations of their own media and achieving narrative effects like literary. The reflection of literary thoughts and trends in theme, the translation of classical novels in content and the use of literary techniques such as metaphor, synaesthesia and “Bixing” in the expression techniques that further highlighted the functional value, aesthetic value, and historical value of the images. In the visual information age, only by maintaining the characteristics of their own media and absorbing the narrative advantages of other artistic media, can images break through the limitation of plane static space and achieve a narrative effect with more artistic appeal and ideological and cultural depth.
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Li Xiaojun. « From Literature to Image : Study on the Literariness of Painting Creation of Books and Periodicals ». European Journal for Philosophy of Religion 13, no 1 (2 mars 2021) : 200–220. http://dx.doi.org/10.24204/ejpr.2021.3696.
Texte intégralRésumé :
As two different art categories, literature and painting use temporal words and spatial images respectively to convey information and narrative. In addition to the pursuit of visual decoration, the paintings in books and periodicals in the period of the Republic of China were widely and profoundly influenced by the literature of the same period from the aspects of the style of expression, the theme of content and the creative techniques, thus breaking through the limitations of their own media and achieving narrative effects like literary. The reflection of literary thoughts and trends in theme, the translation of classical novels in content and the use of literary techniques such as metaphor, synaesthesia and “Bixing” in the expression techniques that further highlighted the functional value, aesthetic value, and historical value of the images. In the visual information age, only by maintaining the characteristics of their own media and absorbing the narrative advantages of other artistic media, can images break through the limitation of plane static space and achieve a narrative effect with more artistic appeal and ideological and cultural depth.
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Askarova, Shakhnoza Kamaliddinovna. « The Creation of the Original Text of the Epic "Alpomish" ». European Journal of Higher Education and Academic Advancement 1, no 2 (31 mai 2023) : 243–46. http://dx.doi.org/10.61796/ejheaa.v1i2.194.
Texte intégralRésumé :
In the article, there are many original and translated sources that have come down to us, but the content of which has not been sufficiently studied. The epics of the "Alpomish" series, which are widespread among the Turkic peoples, have attracted the attention of a large number of folklorists, linguists, literary scholars, philosophers, historians, and ethnographers due to their historical significance and artistic value.
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Tairova, F. « The Sociopragmatic Aspects of Literary Discourse ». Bulletin of Science and Practice 10, no 2 (15 février 2024) : 636–39. http://dx.doi.org/10.33619/2414-2948/99/75.
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This abstract is intended as an overview of the sociopragmatic aspects that influence artistic discourse. The paper examines the relationship between language, culture, and society in the context of literary creation. The literature review focuses on research in linguistics, literary studies, and sociology to identify the influence of sociopragmatic factors on artistic discourse. Various phenomena such as the use of different linguistic means to convey sociocultural norms, images, and stereotypes, the influence of characters’ social status on their linguistic behavior, and the specificity of the dialogic nature of a literary text are analyzed. The work also involves a review of methodological approaches to the analysis of sociopragmatics in fiction, as well as a critical reflection on the results obtained and possible directions for further research in this field. The abstract has been prepared with the aim of presenting the importance of studying sociopragmatic aspects in the context of fiction discourse and identifying.
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Vasylenko, Vadym. « LITERARY PUBLICATIONS OF THE UKRAINIAN ARTISTIC MOVEMENT : HISTORY, CONTENT, DIRECTION ». Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no 33 (2023) : 30–37. http://dx.doi.org/10.17721/1728-2659.2023.33.05.
Texte intégralRésumé :
The article analyzes the important literary publications of the Ukrainian Artistic Movement (MUR), devoted to artistic, literary-critical, art history issues (in particular, the collections "MUR", MUR's аlmanac, "Arсh"). The issues of history, content, and direction of these publications are investigated, each of which is considered as a kind of integrity and is considered in the context of the literary activity of the MUR. The historical, cultural and socio-political prerequisites of MUR's publications, their ideological and aesthetic foundations, and functions are clarified. It is argued that the MUR's literary projects reflect general culture and social moods and trends, ideological and aesthetic changes in the Ukrainian emigration literary process of the late 1940s, that these publications present the most important ideas and works of that time. It is noted that the priority of the three Collections of Literary and Artistic Issues "MUR" was programmatic, and the MUR аlmanac aimed to reflect artistic diversity of literary life, in particular stylistic. The main attention is devoted to the "Arch" as an outstanding and unique phenomenon in the history of Ukrainian literary and literary-critical thought, in particular, the history of its creation, changes in editorial policy are revealed, its assessments are recorder in the views of contemporaries. Periodicals published under the auspices of the MUR had a great influence on the cultural and literary process of the late 1940s, contributing, in particular, to the consolidation of creative efforts, the duration and continuity of Ukrainian modernists and Europeanists literary trends. Memoirs, letters, papers of the creators and members of the MUR, in particular, Yuri Sherekh (Shevelov), Ulas Samchuk, Gregory Kostyuk, Yuri Lavrinenko and other became the source base for the study.
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Hou, Shuchun. « On the Nationalized Artistic Creation under Marxist Theory of Literature and Art ». Highlights in Art and Design 3, no 3 (20 juillet 2023) : 76–78. http://dx.doi.org/10.54097/hiaad.v3i3.11250.
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Marxist theory of literature and art is a theoretical result of in-depth analysis and examination of literary and artistic phenomena on the basis of practical materialism philosophy and the basic principles of aesthetics. It is not only a profound revelation of the nature and law of art, but also an advanced theoretical thought with distinct national characteristics and times characteristics, which plays an important role in promoting the prosperity of literature and art. From the perspective of Marxist literature and art theory, this paper summarizes the close connection between nationalized creation and Marxist literature and art theory, and provides a beneficial exploration for the better development of future artistic creation through the in-depth study of China's traditional excellent national spirit and culture.
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Junliu, Xu. « Talking About the “Misunderstanding” in the Process of Literary Accepting ». Lingua Cultura 2, no 2 (30 novembre 2008) : 204. http://dx.doi.org/10.21512/lc.v2i2.311.
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The “misunderstanding” in the process of literary accepting refers to the receiver in the reading text process with the creation main body, creation motive, the work implication, as well as between the works artistic value constitutes the situation which “the dialog” in the complex relations produces contradicts. But, in the concrete reading process, the “misunderstanding” may divide in “the error correction” and “instead harms” kind of situations. Although “the error correction” refers to reader's understanding in line with author's creation original meaning which produces contradicts, but the work itself actually has demonstrated reader’s understood connotation, thus causes this kind of the “misunderstanding” seems cuts with actual and persuasiveness. “Instead harms” refers to the reader unconscious determination to carry on the far-fetched cognition and the appraisal to the literary work, including to literary work non-artistic angle of view twisting. “The error correction” should advocate that “instead harms” should deny, this does not dispute. But, “the error correction” and “instead harms” between has certain fuzzy regions, between them the strict demarcation line, some literary work in such time, possibly has not had “the error correction” in such receiver, but in another time, possibly has the different understanding in other receivers, to “instead harms” direction transformation. The “misunderstanding” is the literature accepts the necessity, because just having the “misunderstanding”, the different sound, between the literature mutual exchanges and collides, the literature only then had prosperously, the vigorous development aspect.
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Jativa, Tomasz. « Robert Musil and the Problem of Thinking. On the epistemological aspects of literary narration ». Tekstualia 1, no 56 (21 juillet 2019) : 93–114. http://dx.doi.org/10.5604/01.3001.0013.3278.
Texte intégralRésumé :
The article analyzes the relations between artistic strategies employed by Robert Musil in his novels: The Confusions of Young Törless and The Man without Qualities, and the philosophical framework developed in his doctoral thesis and essays on the aesthetics and epistemology of literary creation. Specifi c for the philosophy of empiriociticism, the vision of the human subject as volatile and actively participating in cognition through ordering sensual data, is refl ected in Musil’s creation of literary characters devoid of „character” or „qualities” and has been conveyed through both the expressionist and impressionist narrative techniques, based on metaphorical similes, of his debut novel. Musil’s philosophy, which emphasized the notion of possibility and was close to relativism and social co nstructivism, had an effect on the artistic shape of The Man without Qualities; in this novel, the narration is characterized by ironical distance, and the epic story is restrained in favor of essayistic investigations.
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Ghadban, Alaa Abbas. « The Artistic Creation of the Narrative in the Heavenly Books : Yusuf Sura as a Model ». INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & ; HUMANITIES 12, no 02 (2022) : 140–49. http://dx.doi.org/10.37648/ijrssh.v12i02.009.
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In a noticeable artistic-based structure, stories in heavenly books assume fine narrative pieces. The literary construction and various devices employed in the narrative exhibit a fairly noticeable piece of art. In general, the heavenly books follow an allegoric art to emphasize ethical and typical behavioural ends. However, the intended message in the heavenly books have moulded this end in a fine artistic methods. To explore this scope, this paper examines the distinctive narrative form delineated generally in the heavenly books with particular focus on the Holy Quran. The researcher applies the aspects of narrative including form, technique on the text to identify the artistic creation on the basis of the narrative approaches. The chosen sura "Yusuf" is taken from the Holy Quran, which noticeably and artistically traces the development of its protagonist early from childhood up to maturity. It sheds the light on the ups and downs of the central character, in relation to the surrounding characters and circumstances; and their influences on the ultimate outcome. The narrative in Yusuf sura text interweaves various psychological, sociological, familial constrains which ultimately result into a fine literary portrayal. With a fine artistic touch, the narrator follows the allknowing mode whose narration includes the multitude aspects of the characters –the internal and external world. The text, further, gives a panoramic view of the entire world of the narrative which is arranged in an episodic plot with the employment of the cinematic technique of scene shifting. It is observed that the plot-organization, characters and struggle are dynamically presented away from the boredom of the historiography.
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Petrova Ozel, L. P. « TOPONYMS IN THE DISCOURSE OF LITERARY AND ARTISTIC CREATION (LINGUISTIC AND STRUCTURAL-SEMANTIC ASPECTS) ». International Humanitarian University Herald. Philology, no 64 (2023) : 110–13. http://dx.doi.org/10.32782/2409-1154.2023.64.25.
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Ashurova, Gulbahor. « Interpretation of the character of Alisher Navoi in small prose works ». Uzbekistan:language and culture 6, no 2 (10 juin 2023) : 97–110. http://dx.doi.org/10.52773/tsuull.uzlc.2023.2/vipw4347.
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Prolific life and work of Alisher Navoi has been interpreted as the protagonist of literary-historical memoirs since his time. Over the past centuries, these works have served as model lessons about the life path of a great poet, patriot and devotee. The literature of the XX century achieved great results in the artistic interpretation of Alisher Navoi's life, bringing it closer to the life of the people. The novel and drama created about Navoi laid the groundwork for further works and started the creation of many Navoi novels. Urfon Otajon is one of the writers who sought to discover the undiscovered aspects of Navoi's character in the narrative of the independence period. History is reflected in artistic interpretations in his stories about the literary environment, literary and artistic people of Herat, which appeared in his book "Dilkusho Boglar".This article analyzes the ability of Urfon Otajon to create the image of Alisher Navoi in short prose.
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Wang, Xiao-yu. « The Confucian Calligraphy Concept in Jiang Kui's “Xu Shu Pu” ». Korean Society of Calligraphy 43 (28 septembre 2023) : 219–36. http://dx.doi.org/10.19077/tsoc.2023.43.9.
Texte intégralRésumé :
The Song Dynasty created another peak different from the previous dynasties in terms of ideology such as literature, art, and philosophy. In this era of cultural prosperity and development, artistic activities such as poetry, calligraphy, and painting have shown outstanding achievements in both artistic creation and theory. Jiang Kui is one of the representative figures. He not only left rich literary and artistic achievements for future generations in literature and calligraphy creation, but also left precious ideological wealth for future generations in terms of literary and artistic theory, especially calligraphy theory. As an artist with profound attainments and unique insights into calligraphy, Jiang Kui pondered and summarized his many years of writing experience and artistic experience, and conducted a series of basic questions on calligraphy aesthetics, basic techniques, and cultural meanings. “Xushupu” can be said to be one of the works with remarkable achievements and great influence in the Southern Song Dynasty calligraphy theory, and it has been valued by calligraphers of all dynasties. This article intends to focus on “Xu Shu Pu”, by interpreting Jiang Kui's calligraphy theory, and examining his Confucianism-inspired calligraphy concept. Jiang Kui established “Fengshen” as the highest aesthetic standard of calligraphy art in “Continued Books”, and launched his theoretical interpretation with “Fengshen” as the core. Influenced by Zhu Xi's thoughts and Neo-Confucianism, he also showed an obvious tendency to respect “yili” and “gufa” in his calligraphy theory.
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Vasylenko, V. « ARTISTIC UKRAINIAN MOVEMENT AS A PHENOMENON AND FACT OF THE POST-WAR LITERARY PROCESS ». Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no 3(98) (23 décembre 2022) : 18–34. http://dx.doi.org/10.35433/philology.3(98).2022.18-34.
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The paper deals with the most important events and processes in the history of the Artistic Ukrainian Movement (MUR) as a literary and artistic organization of Ukrainian writers and a phenomenon of Ukrainian literary life in the post-war period. The article focuses upon the content of the artistic, aesthetic and ideological foundations on which the MUR was formed, as well as some organizational aspects of its literary activity. The study deals with the role of the MUR in the literary and artistic life of the post-war Ukrainian emigration is analyzed, in particular, the content of three writer’s congresses (1945, 1947, and 1948) and three conferences (1946) devoted to the problems of the development of literary criticism and drama, and their historical and cultural, and intellectual worldview contexts. The rticle touches upon the issues of continuity of the ideological, creative and organizational principles of the MUR, in particular, the orientation of its creators onto the tradition of VAPLITE; there is a continuation of the MUR’s traditions in the association of Ukrainian writers in exile "Slovo" ("The Word"), which arose later, is noted. The topic of the discussion between the MUR and the idealistic group that separated from MUR, which was called "Svitannia" ("The Dawn"), and soon turned into opposition to it, is revealed. The article argues that the MUR played an important role in restoring Ukrainian literary life in emigration, and the congresses and conferences it held demonstrated the productivity of artistic and literary-critical developments of Ukrainian writers and literary critics, the fruitfulness and diversity of their ideological and aesthetic searches. The analysis involved memoirs, letters, articles of Ukrainian writers and literary critics involved in the creation and activities of the MUR.
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Guy-Bray, Stephen. « Beddoes, Pygmalion, and the Art of Onanism ». Nineteenth-Century Literature 52, no 4 (1 mars 1998) : 446–70. http://dx.doi.org/10.2307/2934061.
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Thomas Lovell Beddoes's almost unknown poem "Pygmalion" (1825) is one of the first nineteenth-century treatments of the Pygmalion myth. For his version Beddoes draws on Ovid's Metamorphoses, on Rousseau's Pygmalion, scène lyrique and Confessions, and on Beddoes's father's Hygëia (1802), a work on medicine and public health. Beddoes uses his father's writings on masturbation and its connections with literature to compare the artist's solitary labors with the solitary vice of masturbation. Beddoes's fusion of the discourse of artistic creation and the medical discourse that warned of the dangers of masturbation enables him to suggest that poetic activity drains the artist of his strength and prevents him from achieving any direct relation to the world in which he lives. Beddoes's apparent ambivalence about the value of artistic endeavour can be seen in his own vacillations between a literary and a medical career and his ultimate lack of success in either field.
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Eshniyazova, Ayimkhan Sheripbayevna. « The Issue of Literary Influence in the Writer’s Artistic–Aesthetic Conception ». International Journal of Social Science Research and Review 6, no 6 (8 juin 2023) : 297–302. http://dx.doi.org/10.47814/ijssrr.v6i6.1364.
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This article illustrates information about the influence of Temur Polatov’s work and the importance of eternal impact in determining the artistic and stylistic direction of Khurshid Dostmuhammad as a writer, defining the principles of his creative concept are researched on a comparative–typological basis. As a result of creative dialogue and literary effect, it is demonstrated that the hero, the chosen subject, image skills and paradoxes of T. Polatov’s works motivated the creation of the best works full of signs and symbols in a new direction by Kh. Dostmuhammad. The connection of new methodological principles with the writer’s aesthetic ideal, worldview, T. Polatov’s “Gayib’s second trip”, “Other settlements”, “Libra tortoise”, “Jalaluddin’s Last Interlocutor” by Kh. Dostmuhammad the works “Look”, “Shelter”, “Question”, “Alone” were studied on the basis of comparative analysis.
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Kishchenko, A. M. « INSERTED SYNTACTIC CONSTRUCTIONS AS REPRESENTATIVES OF THE CATEGORY OF ADDRESSABILITY IN ARTISTIC DISCOURSE ». Odessa National University Herald. Series : Philology 26, no 2(24) (22 juillet 2022) : 40–45. http://dx.doi.org/10.18524/2307-8332.2021.2(24).251840.
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The article is devoted to the analysis of syntactic means of representation of the communicative position of the addressee in the modern Ukrainian literary text. One of the means of expressing modality is considered - inserted constructions that are markers of author's speech. The category of addressability is defined as a special parameter of artistic text creation. The relationship between the category of addressability and other categories of literary text is characterized. The peculiarities of the use of inserted syntactic constructions by modern Ukrainian writers, first of all, in the functional aspect are analyzed. Different types of narratives in the literary text are presented and the use of syntactic constructions inserted in them is traced.