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Littérature scientifique sur le sujet « Cosmographia »

Auteur : Grafiati

Publié le 10 mars 2023

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Articles de revues sur le sujet "Cosmographia"

Gaida, Margaret. « Reading Cosmographia : Peter Apian’s Book-Instrument Hybrid and the Rise of the Mathematical Amateur in the Sixteenth Century ». Early Science and Medicine 21, n^o 4 (15 novembre 2016) : 277–302. http://dx.doi.org/10.1163/15733823-00214p01.

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The incorporation of paper instruments, also known as volvelles, into astronomical and cosmographical texts is a well-known facet of sixteenth-century printing. However, the impact that these instruments had on the reading public has yet to be determined. This paper argues that the inclusion of paper instruments in Peter Apian’s Cosmographia transforms the text into a book-instrument hybrid. The instruments and accompanying text in Cosmographia enabled readers to make their own measurements and calculations of both the heavens and the earth. Through the experience of manipulating the instruments, the readers became participants in sixteenth century mathematical culture, and thus mathematical amateurs. I conclude that the presence of these mathematical amateurs contributed to a much broader social base for the cultural shift towards an empirical understanding of nature from 1500 to 1700.

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Carrizo Gómez, María José. « Las ediciones de Pomponio Mela en España : análisis de la tradición incunable ». Epos : Revista de filología, n^o 29 (1 janvier 2013) : 55. http://dx.doi.org/10.5944/epos.29.2013.15182.

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El objeto de este artículo es analizar el patrimonio de la tradición incunable de la Cosmographia de Pomponio Mela conservado en España, centrando la atención en el examen de los ejemplares que se encuentran en fondos bibliográficos españoles con el fin de esclarecer la difusión y las modalidades de recepción de la obra de Mela en España.The purpose of this paper is to analyze the heritage of Pomponio Mela’s Cosmographia incunable tradition preserved in Spain, focusing on the revision of the copies which are kept in Spanish bibliographic reserved collections in order to clarify the diffusion and the different ways of reception of Mela’s work in Spain.

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Galić, Anđelka, et Antonia Došen. « Sebastian Münster Cosmographia as the renaissance mirror of the world ». Geoadria 22, n^o 1 (9 novembre 2017) : 65. http://dx.doi.org/10.15291/geoadria.1336.

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Cosmographey oder beschreibug aller Länder [...]1, famous work by a German cartographer Sebastian Münster is kept among few cartographic works in the Collection of Printing and Bookbinding of the Museum of Arts and Crafts in Zagreb. After its restoration at the Central Laboratory for Conservation and Restoration of the Croatian State Archives in Zagreb, it was determined by using comparative analysis with other editions that the copy of Münster’s work from the Museum of Arts and Crafts, with the missing title page along with the entire contents of the last, Sixth Book, is in fact the German edition of Cosmographia published in Basel in 1567. The established dating is also verified by applying the method of identifying the volume through determining the sequence of maps printed on double pages which precede the main text and are described in detail and analysed in the enclosed table with the text. Münster’s work is a unique endeavour in the history of printing. The knowledge of the world is presented over a thousand text pages equipped with several hundred woodcut illustrations and dozens of maps covering geography, history, ethnography, anthropology, geology and natural sciences. In this paper, Münster’s work on Dalmatia, Istria and Slavonia are especially highlighted as the basis, as well as an incentive, for further research of content and significance of cartographic presentations of a part of Croatian lands during the Renaissance period.

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Jensen, Jürgen. « McLean, Matthew : The Cosmographia of Sebastian Münster ». Anthropos 104, n^o 1 (2009) : 237–39. http://dx.doi.org/10.5771/0257-9774-2009-1-237.

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Dunsby, Peter K. S., et Orlando Luongo. « On the theory and applications of modern cosmography ». International Journal of Geometric Methods in Modern Physics 13, n^o 03 (mars 2016) : 1630002. http://dx.doi.org/10.1142/s0219887816300026.

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Cosmography represents an important branch of cosmology which aims to describe the universe without the need of postulating a priori any particular cosmological model. All quantities of interest are expanded as a Taylor series around here and now, providing in principle, a way of directly matching with cosmological data. In this way, cosmography can be regarded a model-independent technique, able to fix cosmic bounds, although several issues limit its use in various model reconstructions. The main purpose of this review is to focus on the key features of cosmography, emphasizing both the strategy for obtaining the observable cosmographic series and pointing out any drawbacks which might plague the standard cosmographic treatment. In doing so, we relate cosmography to the most relevant cosmological quantities and to several dark energy models. We also investigate whether cosmography is able to provide information about the form of the cosmological expansion history, discussing how to reproduce the dark fluid from the cosmographic sound speed. Following this, we discuss limits on cosmographic priors and focus on how to experimentally treat cosmographic expansions. Finally, we present some of the latest developments of the cosmographic method, reviewing the use of rational approximations, based on cosmographic Padé polynomials. Future prospects leading to more accurate cosmographic results, able to better reproduce the expansion history of the universe, are also discussed in detail.

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Minkova, Milena. « Bernardus Silvestris's Cosmographia and its Optimism (with an appendix of comments and suggestions on the text of the Cosmographia ». Journal of Medieval Latin 13 (janvier 2003) : 127–62. http://dx.doi.org/10.1484/j.jml.2.304195.

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Rudolph, Joseph. « The Narrative Persona in the Cosmographia of Bernard Silvestris ». Mediaevalia 42, n^o 1 (2021) : 63–87. http://dx.doi.org/10.1353/mdi.2021.0002.

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Bondéelle-Souchier, Anne. « Un texte retrouvé : la « Cosmographia Moysi » d'Eustache de Lens ». Scriptorium 50, n^o 1 (1996) : 123–32. http://dx.doi.org/10.3406/scrip.1996.1751.

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Parri, Ilaria. « La nozione di materia nella Cosmographia di Bernardo Silvestre ». Quaestio 7 (janvier 2007) : 265–82. http://dx.doi.org/10.1484/j.quaestio.1.100157.

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Herren, Michael W. « The "Greek Element" in the Cosmographia of Aethicus Ister ». Journal of Medieval Latin 11 (janvier 2001) : 184–200. http://dx.doi.org/10.1484/j.jml.2.304153.

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Thèses sur le sujet "Cosmographia"

McLean, Matthew. « The 'Cosmographia' of Sebastian Münster ». Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/13902.

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The sixteenth century was a time in which knowledge about the world grew exponentially in both its material content and the enthusiasm with which works treating of it were received. One of the most popular, long-lived and influential books of the kind was Sebastian Munster's Cosmographia, printed from 1544 to 1628, in 35 editions and five languages. The Cosmographia attempted nothing less than a geography of the whole known world, an encyclopaedia of its contents and a history of all its peoples. Based upon a close reading of the Latin 1550 edition of the Cosmographia. and supported by Munster's correspondence and other primary texts, this study examines several aspects of Munster's great work. A biographical chapter describes his Hebrew scholarship, the ethos of his humanist community and their influence upon his cosmography. The genre of cosmography, its ancient origins and development, are traced in the following chapter, as too are the alternative formulations favoured by his contemporaries. An account of the means by which Munster assembled the information for his book is next constructed, attending especially to his own empirical surveys and his creation of a learned network of those willing to do likewise. This chapter also surveys the printing, editions and reception of the Cosmographia. The final two chapters examine the contents and values of the book. They describe the organisation of the material and Munster's treatment of geography, history, ethnography, zoology and of prodigies of nature. The understanding of the world which emerges is analysed, addressing tolerance, identity, the high esteem of learning, and the reconciliation of faith with a burgeoning science. Also examined is Munster's concept of providence, which admonished the reader with the lessons of the fallen civilisations described in his Cosmographia, designed as a book of the world, an ark for its knowledge, and a Wunderkammer for its glories.

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Kauntze, Mark. « The science of Bernardus Silvestris : A study of the Cosmographia ». Thesis, University of Bristol, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492450.

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This thesis proposes a new reading of the Cosmographia of Bernardus Silvestris and a reconsideration of the work's place in the intellectual history of the twelfth century. A complex allegory of creation, the Cosmographia depends on a wide variety of scientific, literary and theological traditions. This thesis seeks to identify the classical, patristic and early medieval traditions to which Bernardus was indebted, and it argues that the Cosmographia deployed the resources of these traditions to respond to the changing intellectual conditions of the schools of northern France where Bernardus worked.

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Nilges, William H. « The critic as artist : Lady Nature and medieval philosophical psychology in the Cosmographia, the Romance of the Rose, and The Parliament of Fowls ». The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407410611.

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Lestringant, Frank. « André Thevet, cosmographe ». Paris 12, 1988. http://www.theses.fr/1988PA120045.

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La carriere d'andre thevet (1516-1592), cosmographe des quatre derniers valois, se developpe au moment ou l'hegemonie espagnole sur de l'angleterre et de la france. En relation avec l'europe des humanistes, celebre par les poetes de la pleiade a l'unisson et situe au centre d'un reseau d'informateurs ou l'on rencontre des navigateurs camps, il se heurte a l'hostilite conjuguee du parti protestant, qu'il clastes d'une science liberee du carcan des autorites traditionnelles et proclamant la souverainete de la seule experience. L'etude biographique, fondee sur des documents d'archives inedits, est completee par une reflexion epistemologique sur le genre ephemere de la cosmographie encyclopedie geographique qui anticipe, par les voies de l'imagination et du bricolage mythique, sur la perception totale d'un monde a la fois clos et ouvert. . . Une reflexion epistemologique sur le genre ephemere de la cosmographie, clos et ouvert. . .
Among which we find sailors and "truchements", he was alble to his return from the brazil of the cannibals, when france was engaged as geographical encyclopedia; through the use of imagination and mythological "bricolage", the genre anticipates the total perceptions

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Lestringant, Frank. « André Thevet, cosmographe ». Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376152699.

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Pliam, Steven L. « Cosmographic Origins for a New Classicism ». Thesis, Virginia Tech, 1994. http://hdl.handle.net/10919/35809.

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The spirit of the Latin 'classicus' as a broad ideology has in one sense existed through every age of modern human history. It could begin to be described as an attitude that is resistant to sudden change and is not interested in dramatic breaks with tradition or the avant garde. It embraces the methodical evolution of aesthetic and artistic values that are connected at their origin to a cosmography which is conceived within every given age. This large-scale conception of existence which encompasses all of what is known in the cosmos is a primary manifestation of every culture. Several systems of ideas are given by 20th century theoretical physics. They are the foundation of our science and provide an explicit basis for all branches of scientific endeavor. Taken as a whole, they constitute the current understanding of our universe--our world. What emerges from the ideas given by relativity theory, quantum physics, string theory, and the mathematics of astro-physics is a profound and far reaching cosmography resembling nothing like that of the Renaissance or of classical Greece. Non-Euclidean geometry and the math of higher dimensional space begin to break free of their abstract character as these symbolic disciplines now inform and reconcile the reality of cosmic space. It is therefore appropriate to understand the cosmography of today in relation to the new science paradigm. As cosmic space and conceptual space have always been intimately connected in architecture of the classical spirit, this new cosmography then becomes a viable basis for reestablishing a classical expression.
Master of Architecture

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McConville, David. « On the evolution of the heavenly spheres : an enactive approach to cosmography ». Thesis, University of Plymouth, 2014. http://hdl.handle.net/10026.1/3530.

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The ability to view the world from multiple perspectives is essential for tackling complex, interconnected challenges. Yet conventional academic structures are designed to produce knowledge through ever-increasing specialization and compartmentalization. This fragmentation is often reinforced by tacit dualistic assumptions that prioritize linear thinking and abstract ways of knowing. Though the need for integrated approaches has been widely acknowledged, effective techniques for transcending disciplinary boundaries remain elusive. This thesis describes a practical strategy that uses immersive visualizations to cultivate transdisciplinary perspectives. It develops an enactive approach to cosmography, contending that processes of visualizing and interpreting the cosmos iteratively shape ‘views’ of the ‘world.’ The archetypal trope of the heavenly sphere is examined to demonstrate the significance of its interpretations in this history of ideas. Action research and mixed methods are employed to elucidate the theoretical considerations, cultural relevance, and practical consequences of this approach. The study begins with an investigation into the recurring appearance of the heavenly sphere across time, in which its embodied origins, metaphorical influence, and material embodiments are considered. Particular attention is given to how cosmographic tools and techniques have facilitated imaginary ‘flights’ through the heavens, from the ecstatic bird’s eye view of the shaman to the ‘Archimedean point’ of modern science. It then examines how these cosmographic practices have shaped cosmological beliefs and paradigmatic assumptions. Next, the practical utility of this approach is demonstrated through the development of cosmographic hermeneutics, a technique using visual heuristics to interpret cosmic models from transdisciplinary world views. Finally, the performative practice of cosmotroping is described, in which cosmographic hermeneutics are applied to re-imagine the ancient dream of the transcendent ‘cosmic journey’ within immersive vision theaters. This study concludes that the re-emergence of the heavenly sphere within the contemporary Digital Universe Atlas provides a leverage point for illuminating the complexity of knowledge production processes. It is claimed that this research has produced a practical strategy for demonstrating that the ultimate Archimedean point is the ability to recognize the limits of our own knowledge, a crucial first step in cultivating much-needed multi-perspectival and paradoxical spherical thinking.

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Acebrón, Muñoz Ana. « Cosmography with strong lensing in galaxy clusters ». Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0256.

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Dans le modèle standard de cosmologie ΛCDM, environ 72% de la densité d'énergie totale de l'Univers se présente sous la forme d'énergie sombre qui causerait la présente accélération de l'Univers. Parmi les sondes cosmologiques couramment utilisées, l'effet de lentille gravitationnel forte dans les amas est une technique prometteuse fournissant des contraintes orthogonales sur les paramètres cosmologiques. Le programme HFF a permis une amélioration significative de l'estimation de la distribution de masse des amas. Cependant, la modélisation de l'effet de lentille forte dans les amas semble ne pas atteindre la résolution angulaire des observations HST. Cette thèse fournit une meilleure compréhension de l'impact des erreurs systématiques dans la modélisation paramétrique de l'effet de lentille forte dans les amas de galaxies et, donc, sur la détermination des paramètres cosmologiques. Premièrement, j'ai analysé deux amas de galaxies simulés, ayant les mêmes caractéristiques que les amas du programme HFF, Ares et Hera. J'ai utilisé plusieurs estimateurs afin d'évaluer la qualité de nos reconstructions obtenues, permettant de quantifier l'impact des erreurs systématiques dues, au choix des profils de densité et configurations et, ensuite, de la disponibilité d'images multiples dans la détermination de paramètres cosmologiques. Deuxièmement, en utilisant deux amas de galaxies, j'ai testé quatre modèles cosmologiques pour lesquels l'équation d'état de l'énergie sombre, w(z), est paramétrisée en fonction du redshift. J'ai réalisé plusieurs modélisations pour quantifier l'impact des erreurs systématiques liées à la position des images multiples sur les paramètres cosmologiques
In the standard cosmological model ΛCDM, about 70% of the energy density of the Universe is in the form of a dark energy that would cause the current acceleration of the Universe. Among the extensively used cosmological probes, using strong lensing features in galaxy clusters is a promising technique yielding orthogonal constraints on cosmological parameters. The program HFF has led to a significant improvement of cluster mass estimates. However, strong lensing modelling appears to be still unable to match the HST observations angular resolution.This thesis provides a better understanding of how systematic errors impact the retrieval of cosmological parameters in order to use strong lensing clusters as reliable cosmological probes. Firstly, I have analyzed two simulated HFF-like clusters, Ares and Hera, I use several estimators to assess the goodness of our reconstructions by comparing our multiple models, with the input models. This allows to quantify the impact of systematic errors arising from the choice of different density profiles and configurations and, secondly, from the availability of constraints in the parametric modelling of strong lensing clusters and therefore on the retrieval of cosmological parameters. Secondly, I probe four cosmological models in which the equation of state of dark energy, w(z), is parameterized as a function of redshift using strong lensing features in two galaxy clusters. To quantify how the cosmological constraints are biased due to systematic effects in the strong lensing modelling, I carry out several modelling attempts considering different uncertainties for the multiple images positions

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Simek, Rudolf. « Altnordische Kosmographie : Studien und Quellen zu Weltbild und Weltbeschreibung in Norwegen und Island vom 12. bis zum 14. Jahrhundert / ». Berlin ; New York : W. de Gruyter, 1990. http://catalogue.bnf.fr/ark:/12148/cb35361682w.

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Coppard, Sally A. « The dance between cosmography and chorography : mapping Australia ». Thesis, View thesis, 2005. http://handle.uws.edu.au:8081/1959.7/40258.

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This thesis proposes that maps contain much more than just a depiction of physical space. Focusing on a selection of maps of ‘Australia’, the following attributes are found in some of these maps: myth and imagination, memory, power and the evolution of a people’s relationship with a place. Each attribute is the centrepiece of a separate chapter. The investigation undertaken here begins before ‘Australia’ was a known, named and mapped identity, at least as far as Europe was concerned, and continues up to the present day. It moves from maps of the imagined, the unknown and the theoretical, the science of cosmography, to chorography, which concerns maps of the local and the known. Cosmography operates on the grandest scale attempting to depict the whole world whereas chorography attempts to map details that can be recognised on the land. The words cosmography and chorography have fallen into disuse but the meanings of both were re-examined for this work, allowing for a unique mapping picture to emerge. The dance between these two kinds of mapping is the methodological pivot around which this thesis revolves. Chapter one begins in the theoretical realm of cosmography with the creation of the Antipodes, an idea that arose as a consequence of classical and Hellenistic Greek philosophical and theoretical concepts. This land only existed on maps yet came to harbour myths and imaginary attributes. Although replaced by Terra Australis Incognita, fantasy and myth continued to inhabit this southern part of the mapped world. Explorers eroded the unknown until a European chorographical destination, Botany Bay, was mapped into place. The dance then began all over again across the landmass called ‘Australia’ as the boundary between the known and unknown was crossed and mapped. Chapter two is a detailed study of the minutiae on chorographical maps of the Burragorang Valley and surrounding area. The names used for various geographical features are shown to contain memories of past inhabitants both Aboriginal and European. These memories still exist on maps of this area whereas the land the maps depict has been radically altered by the inclusion of man-made lake that has all but removed the earlier human marks on the landscape. The power embedded in both cosmographical and chorographical maps is examined in chapter three. In 1493 Pope Alexander VI drew a line on a cosmographical map and ‘donated’ half the non-Christian world to Spain and half to Portugal, thus commencing a process whereby a few European Christian nations carved up the rest of the world with the help of the authority vested in cosmographical maps. This culminated, as far as Australia was concerned, with Lieutenant James Cook’s map of the east coast of New Holland, which enabled the British Crown to claim land to the east of the 135th meridian, the line Alexander VI had drawn. Within sixty years this claim had expanded and covered the whole of the Australian landmass. On the ground, chorography recorded each individual parcel of land as it changed from Aboriginal land to European property. In chapter four, the concern is the way maps facilitated an evolving relationship between European Australians and the land they came to inhabit rather than the use of the maps in colonial appropriation. The focus in this chapter is on marginal lands where little European involvement is evident either on the ground or on the map. Because it is here in less trampled areas that any European marker on a map becomes important, and because there are so few of these markers, it is possible to trace the way these key features have evolved and have taken on a new significance over time.

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Livres sur le sujet "Cosmographia"

Spedicato, E., translator, writer of added commentary, Pseudo Aethicus, Pseudo Aethicus et Pseudo Aethicus, dir. Cosmographia. Roma : Aracne, 2013.

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Cohen, Paul E. Ptolemei cosmographia. Greenwich, CT : Privately printed, 2007.

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E, Cohen Paul, Parrot Gray et Smart Andrew, dir. Ptolemy's Cosmographia. Greenwich, Ct : Privately printed, 2007.

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Ptolemy. Cosmographia : Tabulae. Wigston : Magna Books, 1990.

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Ptolemy. Claudii Ptolemaei Cosmographia tabulae. Leicester, England : Magna Books, 1990.

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1938-, Wetherbee Winthrop, dir. The Cosmographia of Bernardus Silvestris. New York : Columbia University Press, 1990.

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Ratkowitsch, Christine. Die Cosmographia des Bernardus Silvestris : Eine Theodizee. Köln : Böhlau, 1995.

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Henshūbu, Kokusho Kankōkai, dir. Shomotsu no uchūshi : Shibusawa Tatsuhiko zōsho mokuroku = Cosmographia libraria. Tōkyō : Kokusho Kankōkai, 2006.

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Schnetz, Joseph, et Marianne Zumschlinge, dir. Itineraria Romana, Vol 2, Ravennatis Anonymi cosmographia et Guidonis geographica. Berlin, Boston : DE GRUYTER, 1990. http://dx.doi.org/10.1515/9783110948516.

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McLean, Matthew. The Cosmographia of Sebastian Münster : Describing the world in the Reformation. Aldershot, England : Ashgate, 2007.

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Chapitres de livres sur le sujet "Cosmographia"

Mitter, Partha. « Cosmographia universalis ». Dans Water Histories of South Asia, 297–308. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series : Visual and media histories : Routledge India, 2019. http://dx.doi.org/10.4324/9780429242694-15.

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Haye, Thomas. « Bernardus Silvestris : Cosmographia ». Dans Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart : J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_885-1.

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Tatiana, Matasova. « Old Russian Translation of Cosmographia, sive De Situ Orbis by Pomponius Mela : Reception of Renaissance Culture in Muscovy (15th-17th Centuries) ». Dans Biblioteca di Studi Slavistici, 37–52. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-198-3.03.

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The article deals with the results of the analysis of the Old Russian translation of the First book of Cosmographia by Pompons Mela. Mela’s Cosmographia was admired and praised by humanists. The research of the way the text was comprehended and interpreted in Muscovy demonstrates the original features of the perception of the Renaissance traditions, ideas and values by Russian intellectuals. The study reveals that the comprehension of Mela’s information was characterized by traditional manner of pursuit of biblical analogy. Thus, even the close acquaintance with the Renaissance culture did not change the essence of the Russian Medieval Orthodox culture.

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Cormack, Lesley B. « The Cosmographia of Sebastian Münster by by M. McLean ». Dans Aestimatio : Critical Reviews in the History of Science (Volume 5), sous la direction de Alan C. Bowen et Tracey E. Rihll, 167–70. Piscataway, NJ, USA : Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463232412-021.

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Shanzer, Danuta. « The Cosmographia Attributed to Aethicus Ister as Philosophen- or Reiseroman ». Dans Publications of the Journal of Medieval Latin, 57–86. Turnhout : Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.pjml-eb.3.891.

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Lamy, Alice. « Silva silvestris. La matière d’une écriture silvaine dans la Cosmographia de Bernard Silvestre ». Dans Latinitates, 267–87. Turnhout : Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.latin-eb.4.00115.

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Li, Tjonnie G. F. « Cosmography ». Dans Extracting Physics from Gravitational Waves, 191–206. Cham : Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19273-4_11.

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Baldasso, Renzo. « Cosmography ». Dans Encyclopedia of Renaissance Philosophy, 1–4. Cham : Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-02848-4_1140-1.

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Axworthy, Angela. « Oronce Fine and Sacrobosco : From the Edition of the Tractatus de sphaera (1516) to the Cosmographia (1532) ». Dans De sphaera of Johannes de Sacrobosco in the Early Modern Period, 185–264. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30833-9_8.

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Gerassi-Navarro, Nina. « Humboldt’s Cosmography ». Dans Women, Travel, and Science in Nineteenth-Century Americas, 27–67. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61506-6_2.

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Actes de conférences sur le sujet "Cosmographia"

Semenov, Boris. « WebGeocalc and Cosmographia : Modern Tools to Access OPS SPICE Data ». Dans 15th International Conference on Space Operations. Reston, Virginia : American Institute of Aeronautics and Astronautics, 2018. http://dx.doi.org/10.2514/6.2018-2366.

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VISSER, MATT, et CÉLINE CATTOËN. « COSMOGRAPHIC ANALYSIS OF DARK ENERGY ». Dans Proceedings of the 7th International Heidelberg Conference on Dark 2009. WORLD SCIENTIFIC, 2009. http://dx.doi.org/10.1142/9789814293792_0022.

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Biteau, Jonathan, Sullivan Marafico, Younes Kerfis et Olivier Deligny. « Cosmographic model of the astroparticle skies ». Dans 37th International Cosmic Ray Conference. Trieste, Italy : Sissa Medialab, 2021. http://dx.doi.org/10.22323/1.395.1012.

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Solís-Sánchez, Hugo, Manuel Ortega-Rodríguez, Luis A. Álvarez, Esteban Dodero, E. Gabriela Barrantes et José M. Gamboa. « Cosmographic analysis as framework to evaluate cosmological models ». Dans Proceedings of the MG15 Meeting on General Relativity. WORLD SCIENTIFIC, 2022. http://dx.doi.org/10.1142/9789811258251_0173.

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AVILES, ALEJANDRO, CHRISTINE GRUBER, ORLANDO LUONGO et HERNANDO QUEVEDO. « CONSTRAINTS FROM COSMOGRAPHY IN VARIOUS PARAMETRIZATIONS ». Dans Proceedings of the MG13 Meeting on General Relativity. WORLD SCIENTIFIC, 2015. http://dx.doi.org/10.1142/9789814623995_0227.

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VITAGLIANO, VINCENZO, JUN-QING XIA, STEFANO LIBERATI et MATTEO VIEL. « HIGH-Z COSMOGRAPHY AT A GLANCE ». Dans Proceedings of the MG13 Meeting on General Relativity. WORLD SCIENTIFIC, 2015. http://dx.doi.org/10.1142/9789814623995_0228.

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Cruz-Dombriz, Alvaro de la. « Limitations of cosmography in extended theories of gravity ». Dans 11th International Workshop Dark Side of the Universe 2015. Trieste, Italy : Sissa Medialab, 2016. http://dx.doi.org/10.22323/1.268.0007.

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Wang, F. Y., Z. G. Dai, Yong-Feng Huang, Zi-Gao Dai et Bing Zhang. « Recent progress on GRB cosmology : cosmography using GRBs ». Dans 2008 NANJING GAMMA-RAY BURST CONFERENCE. AIP, 2008. http://dx.doi.org/10.1063/1.3027950.

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Szántó, Richárd. « Central Asia in the Cosmography of Anonymous of Ravenna ». Dans 7thInternational Conference on the Medieval History of the Eurasian Steppe. Szeged : University of Szeged, 2020. http://dx.doi.org/10.14232/sua.2019.53.309-316.

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DEMIANSKI, M., E. PIEDIPALUMBO, C. RUBANO et P. SCUDELLARO. « HIGH REDSHIFT COSMOGRAPHY : NEW RESULTS AND IMPLICATIONS FOR DARK ENERGY ». Dans Proceedings of the MG13 Meeting on General Relativity. WORLD SCIENTIFIC, 2015. http://dx.doi.org/10.1142/9789814623995_0367.

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