Littérature scientifique sur le sujet « Contemporary Bengali Theatre »
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Articles de revues sur le sujet "Contemporary Bengali Theatre"
Bhuyan, Abul Basher MD Ziaul Haque. « The synthesis of tradition in contemporary theatre of Bangladesh : “The theatre of roots” ». ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no 4 (2022) : 84–104. http://dx.doi.org/10.35852/2588-0144-2022-4-84-104.
Texte intégralSilva, Neluka. « Women, culture and nation-building : Contemporary Sinhalese and Bengali theatre ». Contemporary South Asia 9, no 3 (novembre 2000) : 339–53. http://dx.doi.org/10.1080/713658751.
Texte intégralDutta Gupta, Aabrita. « Crossings with Jatra : Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth ». Multicultural Shakespeare : Translation, Appropriation and Performance 23, no 38 (30 juin 2021) : 91–108. http://dx.doi.org/10.18778/2083-8530.23.06.
Texte intégralGooptu, Sarvani. « Memory and the written testimony : the actresses of the public theatre in Calcutta in the 19th & ; 20th century ». Letrônica 11, no 3 (19 octobre 2018) : 113. http://dx.doi.org/10.15448/1984-4301.2018.s.30663.
Texte intégralGupta, Tanika. « As Long as the Punters Enjoy It ». New Theatre Quarterly 24, no 3 (août 2008) : 260–69. http://dx.doi.org/10.1017/s0266464x08000316.
Texte intégralSINHA ROY, MALLARIKA. « The Forgotten History of Our Times : Revisiting Utpal Dutt's Titu Mir in Contemporary India ». Theatre Research International 48, no 3 (octobre 2023) : 264–83. http://dx.doi.org/10.1017/s0307883323000172.
Texte intégralGhoshal, Shubhra, et Nirban Manna. « Theatre for Sustainable Development : Jana Sanskriti’s Participatory Ideologue and Practice ». Problemy Ekorozwoju 15, no 1 (1 janvier 2020) : 221–27. http://dx.doi.org/10.35784/pe.2020.1.23.
Texte intégralAra, Arzuman, et Sib Sankar Majumder. « Theatre as Social Critique in Select Nineteenth-Century Indian Plays ». SCHOLARS : Journal of Arts & ; Humanities 5, no 1 (15 février 2023) : 71–79. http://dx.doi.org/10.3126/sjah.v5i1.52480.
Texte intégralMukherjee, Madhuja. « Little cinema culture : Networks of digital files and festival on the fringes ». Studies in South Asian Film & ; Media 10, no 1 (1 octobre 2019) : 23–40. http://dx.doi.org/10.1386/safm_00003_1.
Texte intégralAhmad, Aasif, et Mrinal Srivastava. « Portrayal of Society and Hardships in Badal Sircar’s Plays ». International Journal of Reviews and Research in Social Sciences, 31 mars 2023, 48–52. http://dx.doi.org/10.52711/2454-2687.2023.00008.
Texte intégralThèses sur le sujet "Contemporary Bengali Theatre"
Kanjilal, Amitava. « Politics of gender in performance : study of group theatre reductions during left front rule in West Bengal ». Thesis, University of North Bengal, 2018. http://hdl.handle.net/123456789/2796.
Texte intégralGIRARD, DAVID M. « DIRECTING BENGAL TIGER AT THE BAGHDAD ZOO : CONTEMPORARY MYTH ON A POST-MODERN STAGE ». Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/315506.
Texte intégralM.F.A.
As a director and theatre artist, I want my creative work as a storyteller to illuminate myth. The beauty of myth transcends all cultural boundaries by revealing, through the art of storytelling, the universal within the particular, thus illuminating the foundation of our common experience. Playwright Rajiv Joseph is a consummate contemporary mythmaker. Whether rooted in the troubled desires of adolescence (Gruesome Playground Injuries,) or in our fascination with classical antiquity and our own contemporary nightmares, (Monsters at the Door), or Bengal Tiger at the Baghdad Zoo - a fantastic war-torn tale of a broken world adrift and lost in translation, his vision is muscularly metatheatrical. Stylistically, Bengal Tiger at the Baghdad Zoo delves into what Joseph himself describes as magical realism, and in my thesis production, I was wanted to explore how magical realism could be deployed as a theatrical convention, particularly in relation to space. The Tiger is a character that is written in the spirit of the epic, and I used similar conventions in style and clarified actions with my cast. By using video projection mapping as a design concept, I attempted to juxtapose Joseph's hyperrealism with his vision of the fantastic. By fracturing the contemporary imagery of the day - the remnants of our myths driven the media and technology impress false needs that can only be fulfilled through consumerism and - and reconstruct them, I wanted to engender a objective reaction from the audience. In Bengal Tiger at the Baghdad Zoo, Rajiv Joseph has artfully conjured a caustic and cautionary tale that provocatively questions the very end of faith. This is a story of our time and all time; a postmodern theatrical myth that powerfully transcends the broken landscape of its exotic cultural boundaries. It is difficult to view Iraq today, and fail to view Joseph's play as frighteningly prescient. As a nation, we have fractured ourselves; as a species, we have forgotten our prayers; as a planet, we are all lost in translation. Those ideas are at the heart of my interpretation of the play.
Temple University--Theses
Livres sur le sujet "Contemporary Bengali Theatre"
Regional Centre for Strategic Studies (Colombo, Sri Lanka), dir. Politics and theatre : A comparative study of the construction of nation and gender in the contemporary Sinhalese and Bengali theatres. Colombo : Regional Centre for Strategic Studies, 1999.
Trouver le texte intégralRichman, Paula, et Rustom Bharucha, dir. Performing the Ramayana Tradition. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197552506.001.0001.
Texte intégralChapitres de livres sur le sujet "Contemporary Bengali Theatre"
Banerji, Arnab. « The evolution of Bengali group theatre ». Dans Contemporary Group Theatre in Kolkata, India, 21–38. London ; New York : Routledge, 2020. : Routledge, 2020. http://dx.doi.org/10.4324/9780429261954-4.
Texte intégralBanerji, Arnab. « The materialist semiotics of Bengali group theatre ». Dans Contemporary Group Theatre in Kolkata, India, 157–59. London ; New York : Routledge, 2020. : Routledge, 2020. http://dx.doi.org/10.4324/9780429261954-14.
Texte intégralBanerjee, Sumanta. « Feminine Experiences in the Bengali Stage ». Dans Women Performers in Bengal and Bangladesh, 101–15. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871510.003.0004.
Texte intégralMukhopadhyay, Arijita. « Labour, Infrastructure, Division of Labour, and the Position of the New Generation Women Performers in Kolkata ». Dans Women Performers in Bengal and Bangladesh, 169–79. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871510.003.0008.
Texte intégralDe, Madhubanti. « Survival, Agency, and the Politics of Compromise ». Dans Women Performers in Bengal and Bangladesh, 180–95. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871510.003.0009.
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