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Articles de revues sur le sujet « Classic tale »

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Auteur : Grafiati
Publié le 26 juillet 2024

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1

Bobodzhanova, Lola, et Mariya Nikolaevna Sosnina. « Diachronic Overview оf European Classic Fairy-Tale Evolution ». Litera, no 11 (novembre 2023) : 185–205. http://dx.doi.org/10.25136/2409-8698.2023.11.69007.

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The paper elaborates on the European fairy tale literature as an outstanding literary phenomenon This genre has evolved for a long time, and it is considered within the national cultural code. A fairy tale is an inexhaustible source that allows us to realize the national and cultural identity within various linguistic cultures; to deliver the ethnic, historical, and national flavor. The paper provides a diachronic consideration of the evolution of the European fairy-tale literature, exemplified by Italian, French, German, English, and Spanish magical stories. A special emphasis is made on Italian folk tales and fables as a prototypical genre of the European fairy-tale literature. The research describes the development stages of the European fairy-tale literature, the history of its generating, and resulted in identifying specific features of this genre in European literature, in discovering national differences in the European fairy tale, in defining development patterns for European magical story plots. The authors have specified the role of a fairy tale as a unique sociocultural phenomenon, its contribution to the development of European society. As a result of the research there have been analyzed similarities and differences between European literary fairy tales. It has been proven that European magical stories have a lot in common, which make them accessible and understandable to people of other linguistic cultures. The obtained results confirm the fact that a fairy tale mirrors the language picture of the world and cultural identity of the nation.
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Ignacio, Lourdes D. « It’s All Because of the Classics : Yesterday’s Today’s Inspiration Cinderella Wore A Modern Dress ». International Journal of Multidisciplinary : Applied Business and Education Research 4, no 2 (17 février 2023) : 554–70. http://dx.doi.org/10.11594/ijmaber.04.02.21.

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The Classics remain to be an inspiration for modern works of art. One typical example is the Classic fairy tale Cinderella which has been retold and reimagined in various ways but has maintained its Classic flavor that blends well with its modern recipes. In our highly digitized world, the Classics are depicted in a modern format called the visual novel. This study tackled Victor Shklovsky’s defamiliarization to show the familiar and unfamiliar in a modern recommunicated version of Cinderella known as Cinders, a visual novel digital platform demonstrating how this contemporary work of art is inspired by the Classics. Likewise, this paper is hinged on Stephen Jay Greenblatt’s New Historicism framework to investigate the historical developments of a Classic tale like Cinderella evolving into its eponym Cinders who wears the modern dress of a visual novel in conformity with the Millennial fashion of digitized fairy tale writing’s format, platform, and presentation. The use of Karl Marx’s and Friedrich Engel’s Cultural Materialism in this study proves how perspectives about material wealth are being differently viewed by key characters as they vigorously pursue their personal goals. Melding with these literary frameworks is the researcher’s improvisation of three (3) guiding stars as the compass that helped uncover Cinders’s Classic spark, Classic vestiges, and Millennial or Contemporary Differences from its Classic inspirer Cinderella. Finally, this undertaking discussed the contrasts between book reading of a Classic work including the digital reading and playing of a Classic reincarnated version to cap this researcher’s scholarly journey.
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Herndon, Lynne. « DNA : A Classic Tale in Context ». Cell 151, no 6 (décembre 2012) : 1147. http://dx.doi.org/10.1016/j.cell.2012.11.033.

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Zhang, Kun. « A new study on the birth tale of ». Research of the Korean Classic 32 (8 décembre 2015) : 491–513. http://dx.doi.org/10.20516/classic.2015.32.491.

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Berlianti, Anisa Dyah. « The stereotypical representation of women in the classic fairy tales Snow White, Cinderella, and Sleeping Beauty ». Indonesian Journal of Social Sciences 13, no 1 (15 juin 2021) : 21. http://dx.doi.org/10.20473/ijss.v13i1.26352.

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The stereotype that emerges from some classic fairy tales is a princess who has a beautiful face and an angelic heart, a prince on a white horse who is handsome and charming, and a happy ending forever. These three sweet things are generally always the main menu served in bedtime fairy tales, including the classic fairy tales Snow White, Cinderella, and Sleeping Beauty. Besides sounding beautiful, the plot and characterization presented in the classic fairy tale represent a woman through feminine standards packaged through stereotypes. This research uses qualitative research methods and narrative analysis. The research results found details of the seven functional characters of the characters in the fairy tale. It can then be seen that various stereotypical representations aimed at women in the three tales, ranging from the obsession with natural beauty, misconceptions about the meaning of ambition, and marriage, are the solution for all the problems of a woman.
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Kang, Sung-sook. « A Study on the de-sanctity of Female Deification The Tale of ». Research of the Korean Classic, no 36 (18 février 2017) : 41–76. http://dx.doi.org/10.20516/classic.2017.36.41.

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Lee, Ji-hwan. « Critical Analyses on Sexual Economy and Penis-capitalism of Literary Erotic-tale ». Research of the Korean Classic 46 (31 août 2019) : 241–88. http://dx.doi.org/10.20516/classic.2019.46.241.

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Kirsten Møllegaard et Mary Oliver. « Crafty Kids : "Hansel and Gretel" and the Survival of the Cleverest ». Modern Journal of Studies in English Language Teaching and Literature 2, no 2 (29 décembre 2020) : 42–56. http://dx.doi.org/10.56498/222020100.

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Parental abandonment, starvation, and exposure to predators are well-known motifs in The Brothers Grimm's "Hansel and Gretel" (1812), which belongs to the ATU 327 tale type. ATU 327 tales pit young, vulnerable protagonists against the cruelty of parents and the brutality of strangers. These stories are usually framed as a celebration of children's craftiness and resourceful use of language. With the central theme of the power of language to persuade, various versions of the fairy tale "Hansel and Gretel" offer multiple ways to engage students as literary scholars and critical thinkers. This paper compares five classic ATU 327 versions with three contemporary retellings: Emma Donoghue's "The Tale of the Cottage" (1997), Megan Engelhardt "A Mouth to Speak the Coming Home" (2013), and Louise Murphy's novel The True Story of Hansel and Gretel (2003). In analyzing how the absence of home, food, and parental love and protection force Hansel and Gretel to become self-reliant in the classic versions, it is evident that contemporary retellings take a much more critical look at what parental neglect may mean for the child protagonists. Discussion of Bruno Bettelheim's interpretation of "Hansel and Gretel" in conjunction with more recent scholarship on this tale type provides perspectives on how students interpret ATU 327 stories in historical and social contexts.
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Burge, Marjorie. « The Tale of Genji : A Japanese Classic Illuminated ». Japanese Language and Literature 55, no 1 (21 avril 2021) : 383–90. http://dx.doi.org/10.5195/jll.2021.192.

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McCormick, Melissa. « The Tale of Genji : A Japanese Classic Illuminated ». Korean Journal of Art History 301 (31 mars 2019) : 98–100. http://dx.doi.org/10.31065/ahak.301.301.201903.006.

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Gil, Geoff. « Always beware the weakest link— a classic tale ». Loss Prevention Bulletin 160, no 1 (1 août 2001) : 13. http://dx.doi.org/10.1205/026095701750387343.

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Fan, Yingying, Hardev Kaur, Diana Abu Ujum et Hasyimah Mohd Amin. « From “The Snow Child” to “Snow White” : Angela Carter’s Inheritance from Classic Fairy Tales ». Interdisciplinary Literary Studies 25, no 2 (juin 2023) : 149–62. http://dx.doi.org/10.5325/intelitestud.25.2.0149.

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ABSTRACT This article is aimed at developing a Foucauldian power criticism to examine Angela Carter’s inheritance of classic fairy tales. Carter’s “The Snow Child,” inspired by the Grimms’ “Snow White,” has been considered a feminist rewriting in subverting a classic. By establishing a connection between the classic fairy tale “Snow White” and “The Snow Child,” this article examines the two as intertextual in terms of characters and plots, and echoes in the core of subversion as well. With the application of Michel Foucault’s concepts of discipline and punish, the article reveals patriarchy’s operating mechanism in the classic fairy tale—that is, how patriarchy manipulates and tames women. Through punishing the body and disciplining the mind, Carter’s “The Snow Child” explicitly presents the male’s manipulation of power on the female through body production, destiny control, and overt incest, while in the Grimms’ “Snow White,” a hidden clue exposes the operation of the patriarchal power mechanism over women, but in a more subtle way, revealing that patriarchal power disciplines women through brainwashing the mind and punishing the body. Research findings show that rather than being a tool to maintain patriarchal culture, classic fairy tales actually subvert patriarchy implicitly by exhibiting the patriarchy’s operating mechanism in producing “angels.”
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Kim, Youme. « A Study of Stories on Exemplary Subjects : Focusing on Yi Ok’s “Tale of Such’ik” ». Research of the Korean Classic, no 34 (18 août 2016) : 115–39. http://dx.doi.org/10.20516/classic.2016.34.115.

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Čechová, Mariana. « The typology of backstory inter-character conflicts as a core action in the plot ». Ars Aeterna 11, no 2 (1 décembre 2019) : 81–90. http://dx.doi.org/10.2478/aa-2019-0012.

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Abstract Using material from classic fairy tales, the author defines three fundamental types of conflict between literary characters in the text model of the fairy-tale world: overt, covert and potential. Their attributes are evidenced and demonstrated via specific texts and their universal (transcultural) analogues are shown in the archnarratives, which go beyond the classic fairy tale genre. At the end of the interpretation, the author proposes a (hypo)thesis that the presented typology could be a starting point for creating a backstory of conflicts as an action-formative factor also in other art genres, and that it can be used as a source for a much broader and modern (and current in contemporary art) diapason of “dramatic” storylines.
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Bobby, Susan Redington. « The Teller’s Tale : Lives of the Classic Fairy Tale Writers ed. by Sophie Raynard ». Children's Literature Association Quarterly 38, no 3 (2013) : 370–72. http://dx.doi.org/10.1353/chq.2013.0033.

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Tang, M., S. I. Odejinmi, H. Vankayalapati, K. J. Wierenga et K. Lai. « Innovative therapy for Classic Galactosemia — Tale of two HTS ». Molecular Genetics and Metabolism 105, no 1 (janvier 2012) : 44–55. http://dx.doi.org/10.1016/j.ymgme.2011.09.028.

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Grayston, Donald. « Antisemitism in a Russian Spiritual Classic : The Pilgrim's Tale ». Spiritus : A Journal of Christian Spirituality 3, no 1 (2003) : 110–26. http://dx.doi.org/10.1353/scs.2003.0011.

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Kim, Kuk-hee. « The Literary Imagery and Meaning of Nohgu-eop in the oral narrative ». Research of the Korean Classic 58 (31 août 2022) : 63–94. http://dx.doi.org/10.20516/classic.2022.58.63.

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In this study, the perception and meaning of Nohgu, who appears as a helper in the relationship of the main character, was analyzed using the folktale “A short-lived man gets a wife and lives well” and “an ousted daughter-in-law and a charcoal-grilling bachelor” as texts. In the tale Nohgu arranges an undesirable relationship between men and women to help the main character overcome his fate. Nohgu in the tale “A short-lived man gets a wife and lives well” is in a position to arrange a meeting with the daughter of the Jeongseung family so that the protagonist in danger of short-lived life can survive, and in the tale “an ousted daughter-in-law and a charcoal-grilling bachelor” is in a position to mediate the relationship between the expelled baekjeong daughter-in- law and a bachelor who sells charcoal. The hardships faced by the main characters in the narrative can be divided into the results of natural fate and social contradiction. When helping to overcome the former, Nohgu is recognized as a divine being, but when helping to overcome the latter, Nohgu is recognized as a realistic and reflective person. Those who carried out Nohgu-eop in the late Joseon Dynasty were severely punished by torture hitting shins and exile to the island. From the perspective of the ruling class, strong regulation would have been needed because the Nohgu-eop was ostensibly contrary to the ethics and threatened the hierarchical order of status. However, in the story, Nohgu is a neighbor without a means of living, and is a divine being related to the faith of Grandmother. The inappropriate relationship between men and women which she arranged, was considered an interest in a class deviation. On the other hand, for the socially disadvantaged storytellers, Nohgu is not subject to punishment, but it brings social and economic empathy, which can be seen through the relationship between Nohgu and the main character in the story. Nevertheless, it is difficult to escape the discourse of control over Nohgu, so the performance of Nohgu is reduced, and the Nohgu-eop is decorated as if it were a coincidence.
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Park, Jai-in. « The Literary Therapeutic Function of Folk Tale of Recovering Parents for the Problem of Family Relationship Breakdown ». Research of the Korean Classic 64 (28 février 2024) : 189–219. http://dx.doi.org/10.20516/classic.2024.64.189.

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This study focuses on ‘the Problem of Family Relationship Breakdown’ of Jangmadang Generation North Korean refugees. I designed what kind of psychotherapeutic effect Korean Folktale could have. Because the Jangmadang Generation chose to defect from North Korea to overcome social and personal limitations, they are experiencing more complex conflicts regarding their relationship with their North Korean family. Therefore, I proposed a literary therapy plan to them to think about ‘how do I understand my parents’ life, and what kind of life do I want to live now?’ In this literature therapy, stories of Recovering Parents can be applied. These works contain the epic structure of ‘support after growth’ and special Motifs that enable emotional connection with parents. North Korean refugees can imagine ways to relieve the pain of broken family relationships through emotional connection without giving up the advantages gained through parental pushing away. Further more, this study presented a case of literary therapy using the folktales 〈Live in My Fortune〉 and 〈The Prayer of Past Life Parents〉. North Korean refugees deeply understood the two folktales and reinterpreted the meaning of the works by connecting them to their own lives. In this case, it was confirmed that the two folktales played a role in representing their lives and imagining a positive future.
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Zhang, Baiduo. « From "Bildungsroman" to "World Classic Fairy Tale" : The Translation and Reception of "Bambi" in Modern China ». Journal of Social Science Humanities and Literature 6, no 6 (29 décembre 2023) : 129–38. http://dx.doi.org/10.53469/jsshl.2023.06(06).22.

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The translation and reception of "Bambi" in modern China have transformed a "Bildungsroman" into a "World Classic Fairy Tale." In different historical periods of modern China, "Bambi" has played roles in "Bildung education", "inspiring national spirit", and "projecting ideals of love and peace". With changes in historical contexts and the adaption of the film, "Bambi" has ultimately been shaped into a world classic fairy tale and widely accepted.
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Zańko, Aldona. « ”In Memory of the Snow Queen” – Hans Christian Andersen Recalled and Retold ». Folia Scandinavica Posnaniensia 27, no 1 (1 décembre 2019) : 35–50. http://dx.doi.org/10.2478/fsp-2019-0006.

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Abstract The main focus of the present paper is the so-called “intertextual revision”, explored as one of the most recent and innovative strategies employed while reviving the legacy of the Danish fairy-tale classic Hans Christian Andersen. In order to illustrate this practice, I discuss a short story entitled Travels with the Snow Queen (2001), by an American writer Kelly Link, which is a reworking of Andersen's worldfamous fairy tale The Snow Queen (1844). Link’s take on Andersen’s tale represents one of the leading directions within revisionary fairy-tale fiction, inspired by feminism and gender criticism. The analysis is centered around the narrative strategies employed by the author in order to challenge the gender logic incorporated into Andersen’s account, as well as the broader fairy-tale tradition it belongs to.
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Hoffmann, Simone. « Lend an ear to a classic tale of mammalian evolution ». Nature 590, no 7845 (27 janvier 2021) : 224–26. http://dx.doi.org/10.1038/d41586-021-00064-5.

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Hirota, Akiko. « The Tale of Genji : From Heian Classic to Heisei Comic ». Journal of Popular Culture 31, no 2 (septembre 1997) : 29–68. http://dx.doi.org/10.1111/j.0022-3840.1997.00029.x.

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Dittmar, Jim, et John Stanko. « A LEADERSHIP CAROL : A CLASSIC TALE FOR THE CONTEMPORARY WORKPLACE ». Leader to Leader 2018, no 87 (janvier 2018) : 23–27. http://dx.doi.org/10.1002/ltl.20339.

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Nasa, Prashant, Omender Singh et Deven Juneja. « Toxicoepidemiology of Acute Poisoning : A Classic Tale of Two Indias ». Indian Journal of Critical Care Medicine 28, no 4 (30 mars 2024) : 315–16. http://dx.doi.org/10.5005/jp-journals-10071-24692.

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George, Sigy. « How Disney Altered the Original ‘Sleeping Beauty’ ». Indian Journal of Social Science and Literature 2, no 2 (30 décembre 2022) : 1–6. http://dx.doi.org/10.54105/ijssl.a1033.122222.

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Fairy tales have been associated with story time at home, in schools and libraries, and bedtime reading rituals for a long time. From Hans Christian Anderson to Brothers Grimm, fairy tales have been part of every generation, and each child has their favorite. Disney’s version of fairy tales has become the accepted version among people. This variation of the famous classic fairy tales and alteration of the original tale to a white man’s tale of love and glory is called Disneyfication. The domination of Disney over these fairy tales has pushed the original lesser-known tales to the background. The old original tales have vintage and rich historical records, and it is sad to see that the Disney interpretation is what everyone remembers in reality. The fairy tales were first told orally to groups of peasants worldwide, and their true beginnings are unclear. The stories were likely first recorded in the 14th century (Zipes, 2001,[13]). The stories evolved from being a kind of amusement for uneducated peasants to being embraced by the middle classes and the nobility as more and more authors started to write their versions of the classics. Each time an author/s altered the fairy tales, it was to match the preferences and deliver what was acceptable. This paper examines one such fairy tale ‘Sleeping Beauty’ and how Disney has altered it. Disney’s adaptation of the fairy tale reflects the company’s domination and how it took over the general psyche of people. This paper seeks answers to the questions: Does Disney’s animated version of fairy tales change the perception of fairy tales like Sleeping Beauty? Is the influence of Disney so dominant that their version is more recognizable to people than the original stories?
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Jeon, Ju-hee. « A Study on the Bricoleur Conversion in the Culture of Agriculture and the meaning of Cooperation in the tale of 〈A Red bean Soup Granny and a Tiger〉 ». Research of the Korean Classic 63 (30 novembre 2023) : 261–85. http://dx.doi.org/10.20516/classic.2023.63.261.

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This article is focused on the culture of agriculture and the characters’ cooperation in the tale of 〈A Red Bean Porridge Granny and A Tiger〉. These characters’ conflicts in the whole story can be sorted out into two types which are the conflict of a granny and a tiger, and one of a tiger and several non-human characters who lived in the granny’s home. This second conflict involves the cooperation of the granny and non-human characters. The potter, here, is triggered by the laboriousness of farming that the granny feels, and the latter is induced by sharing the red bean porridge that the granny made. These conflicts have significant meaning because both of them are universal experiences humans have gone through in history and the laboriousness of farming is eventually connected to the joy of redbean crops. This study is, especially interested in the behavior of cooperation because it can occur only with those whom you want and choose, and cooperation relationship also always visualize their relation and its effects unlike conflict relationship is not always visualized in their relations that can be with anyone. That is, cooperation has a reasonable background and purpose. With these perspectives, the story can be analyzed as revolving around the aspect of characters’ cooperation in the second chapter, and showed that their cooperation set can be considered ‘bricoleur conversion’. In the third chapter, this article suggested that the granny’s laboriousness seemed to recall non-agriculture which symbolizes a tiger, however, it paradoxically verifies the power of agriculture that involves cyclical living culture, diversity, specialization, and cooperation of communities. The tale of 〈a red bean porridge granny and a tiger〉, therefore, is a metaphor featuring characters’ conflicts and cooperation and solar term, that about humans’ culture of agriculture that they have gone through with nature, labor, threat of enemies and their communities’ driving force to prevent themselves against any threats.
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Schuckman Matthews, Emily. « Folk Elements in Aleksei Balabanov’s Brat and Brat 2 : A Morphological Analysis ». Baltic Screen Media Review 3, no 1 (1 novembre 2015) : 64–83. http://dx.doi.org/10.1515/bsmr-2015-0024.

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Abstract The article uses Vladimir Propp’s Morphology of the Folktale (Морфолоƨuя сказкu, 1928) as a framework to illustrate the way in which Aleksei Balabanov masterfully creates a modern folk tale using classic motifs and structures in his 1997 film Brother (Браm, Russia) and its sequel Brother 2 (Браm 2, Russia, 2000). The paper argues that Brother and Brother 2 are post-Soviet retellings of classic tales of Russian folklore and that Danila is a modern hero, an unlikely saviour of the Russian nation and the Russian soul. Danila’s journey is formulaic, predictable and straightforward, yet nevertheless makes for a powerfully new take on concepts of Russian nationalism and heroism. The underworld to which our hero must journey is located in the heart of Russia’s ‘Peter’, and possession of the Russian nation and soul are the object of his quest in the volatile post-Soviet period.
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Service, R. « Biochemistry. New angle for classic tale of respiratory protein and oxygen ». Science 269, no 5226 (18 août 1995) : 921–22. http://dx.doi.org/10.1126/science.7638612.

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ARAKI, Hiroshi. « ‘Literary Heritage’ and ‘Character’：On the Development and the Presentness of the Image of the Classics ». Border Crossings : The Journal of Japanese-Language Literature Studies 17, no 1 (28 décembre 2023) : 43–58. http://dx.doi.org/10.22628/bcjjl.2023.17.1.43.

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In this paper, I analyze the cultural contents of Japanese Classics and their images with adapting the two key terms ‘character’ and ‘literary heritage’, both of which I have become interested in recently. I co-edited Volume 4 of the five volumes’ handbook Nichibunken Popular Culture Research Series (2020-2021), The Popular Culture of ‘Characters’：Tradition, Performing Arts, Worlds. In the preface of that book, I wrote on ‘The Popular Culture History of “Characters” and “Worlds”’, where I re-examined the key concept of “characters”. In other academic context, I studied the concepts of ‘cultural heritage’ and ‘textual heritage’ in some joint researches, with a particular focus on ‘literary heritage’. By introducing and adopting both these key terms, here I attempt to analyze the development and the presentness of the classic image and its cultural contents in premodern Japanese literature. As some examples of the above, I shed the light on The Tale of Genji, The Tale of Heike and the work of the poet Bashō in order to identify their relationship with their surrounding literary heritage. As a result, and by reconstructing the concept of ‘readers’, I outline the imaging and development of Japanese classic literature and its modernity.
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Rana, Poonam RL. « The Classical Tale from the Markandeya Purana (Ritudwaj and Madalasha) ». Nepalese Culture 17, no 1 (7 mai 2024) : 1–11. http://dx.doi.org/10.3126/nc.v17i1.64393.

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This paper sheds light on the intriguing ancient love story of Ritudwaj and Maladsha that is recounted in the Markandeya Purana, this paper investigates the classical account of the Purana. The Eastern world today is more familiar with Western classical love stories like Romeo and Juliet, Pride and Prejudice, Sense and Sensibility, Wuthering Heights, and Gone with the Wind, But Eastern readers have forgotten their classical legends. Ritudwaj and Madalasha's profound love is depicted in this undersea fantasy tale that delves into the classic love tale. This Pauranic tale is lovelier than Snow White or Cinderella. The researcher wishes to draw attention to the fact that our Puranas and other religious texts contain such beautiful love stories lost within the pages of such texts. This research aims to a) Highlight the ancient classical tale from Markandeya Purana. b) To open a venue for further research on such tales. The methodology used is exploratory based on the qualitative approach. This research is based on content study.
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Banerjee, Priyanka, et Rajni Singh. « Challenging Hegemonic Gender Norms in Emma Donoghue’s “The Tale of the Rose” and Disney’s Beauty and the Beast ». Folklore : Electronic Journal of Folklore 84 (décembre 2021) : 77–96. http://dx.doi.org/10.7592/fejf2021.84.banerjee_singh.

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While heteronormativity remained at the core of the classic fairy tale, a queer subtext existed in the form of subtle symbolic codes. By reflecting the changing socio- cultural discourses about sexuality and gender in time, the representation of queer sexuality in fairy tales has also developed. This paper attempts a queer reading of the revisioning of Madame Beaumont’s “Beauty and the Beast” in Emma Donoghue’s “The Tale of the Rose” and the 2017 Disney version. This paper demonstrates how Emma Donoghue’s adaptation deconstructs the heteronormativity of Beaumont’s tale by dismantling the binaries of Beauty/Beast and man/woman and represents queer sexuality and desire through multi-layered language. This paper also examines how in the Disney version the story takes a new dimension in close proximity to twenty-first century media culture and lends itself to queer interpretation.
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Han, Yu-jin. « A study on the similarity of inter-regional transmission trends of oral tales using text mining ». Research of the Korean Classic 64 (28 février 2024) : 157–88. http://dx.doi.org/10.20516/classic.2024.64.157.

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This paper analyzed the similarities in the inter-regional transmission trends of oral tales handed down in nine regions using two data collections, 『Comprehensive Korean Oral Literature』 and 『Complementary Edition of Comprehensive Korean Oral Literature』. To this end, we used text mining techniques to go through the analysis process of “data collection → local information pre-processing → regional narrative analysis → visualization”. First, 26,542 tale title data were collected from the digital archive of 〈Comprehensive Korean Oral Literature〉, and regional information that was not organized into administrative districts at the “province” level was preprocessed. The data was then divided into nine regions, and these data were again classified based on the year of recording. Next, the corpus morphemes created by collecting only titles from the preprocessed data were analyzed to extract the top 100 frequencies of nouns by region. Then, the extracted noun frequencies were normalized to accurately compare the proportion of oral speech between regions. The distribution of stories between regions was compared by calculating the cosine similarity between regions using the normalization value calculated here. This targeted 384 nouns extracted from 『Comprehensive Korean Oral Literature』 and 435 nouns from 『Complementary Edition of Comprehensive Korean Oral Literature』. The results derived through the analysis process were presented through a word cloud for each of the nine regions, the numbers of cosine similarity values ​​between regions, and data visualizing the cosine similarity values ​​on a map. The results indicate that, excluding Jeju, narratives transmitted in the Gyeonggi region show relatively low similarity with those of other regions, making it the most heterogeneous in terms of transmission tendencies across the nation in 『Comprehensive Korean Oral Literature』. On the other hand, in the 『Complementary Edition of Comprehensive Korean Oral Literature』 the regions of Chungcheongbuk-do and Jeollabuk-do exhibit the most heterogeneous transmission tendencies, with Gyeonggi region showing a relatively higher similarity with other regions.
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Jorgensen, Jeana. « A Tale of Two Trans Men : Transmasculine Identity and Trauma in Two Fairy-Tale Retellings ». Open Cultural Studies 5, no 1 (1 janvier 2021) : 181–93. http://dx.doi.org/10.1515/culture-2020-0128.

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Abstract Transgender identities in fairy tale retellings are rare, but can reveal much about gender fluidity. Helen Oyeyemi’s novel Boy, Snow, Bird conflates transgender identities with mirrored falsehoods and fairy-tale spells, pathologizing a trauma victim who turns out to also become an abuser, while Gabriel Vidrine’s novella “A Pair of Raven Wings” depicts a queer transgender man with dignity, making it clear that the trauma he suffers is at the hands of bigots rather than being an invention of a sick mind or the cause of his transition. Pairing these fairy-tale retellings illuminates the topic of gender fluidity in fairy tales by demonstrating that gender is indeed fluid, but that representations of gender fluidity due to trauma are misguided at best and harmful at worst, while those representations that assert the dignity of transgender people, even as they face trauma at the hands of bigoted people, are another stellar example of the genre’s potential to represent people who are culturally marginalized, connecting identity to power in a classic magical fairy-tale move.
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Marinis, A. « Diagnosis of Acute Appendicitis : Revival of an Old-Time Classic Fairy Tale ? » Hellenic Journal of Surgery 90, no 3 (mai 2018) : 110. http://dx.doi.org/10.1007/s13126-018-0453-3.

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Pickering, Lucy. « Bourgois’ 1995 classic In Search of Respect : a tale of three readings ». Addiction 114, no 7 (16 décembre 2018) : 1309–12. http://dx.doi.org/10.1111/add.14513.

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Stroganova, E. N. « ON M.E. SALTYKOV-SHCHEDRIN’S FAIRY TALE “WILD LANDOWNER” ». Culture and Text, no 44 (2021) : 6–13. http://dx.doi.org/10.37386/2305-4077-2021-1-6-13.

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M. E. Saltykov-Shchedrin’s classic fairy tale “Wild Landowner” is considered in two aspects. First, it is viewed from the point of view of satirical tradition in the depiction of the “silly” landowner, which is found in the magazines of N. I. Novikov “Truten” and “Children’s reading for heart and mind.” The article also shows that in his subsequent work, Saltykov repeatedly returns to the intended imagery, which is used not only to denounce noble conservatism, but also in a wider sense.
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Kim, Jung-eun. « A study on narrative principles of exploring and a question and answer in the folktale, Kkongji dat bal judung-i dat bal(The long tale and long mouth) ». Research of the Korean Classic 38 (30 août 2017) : 117–51. http://dx.doi.org/10.20516/classic.2017.38.117.

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Anjirbag, Michelle Anya, et Vanessa Joosen. « “You Have to Set the Story You Know Aside” : Constructions of Youth, Adulthood and Senescence in Cinderella Is Dead ». Humanities 11, no 1 (10 février 2022) : 25. http://dx.doi.org/10.3390/h11010025.

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As with other twenty-first-century rewritings of fairytales, Cinderella is Dead by Kalynn Bayron complicates the classic ‘Cinderella’ fairytale narrative popularized by Charles Perrault and the Brothers Grimm for new audiences, queering and race-bending the tale in its decidedly feminist revision of the story. However, as we argue here, the novel also provides an interesting intervention in the construction of age as related to gender for its female protagonists. Drawing on Sylvia Henneberg’s examination of ageist stereotypes in fairytale classics and Susan Pickard’s construction of the figure of the hag, we explore the dialogic between the fairytale revision, traditional fairytale age ideology and the intersection of age and gender in this reinvention of the classic narrative. By focusing on constructions of age, particularly senescence, we demonstrate how complex constructions of older characters might aid in overall depictions of intergenerational relationships, and how these intergenerational relationships in turn reflect historical and cultural impetuses of retelling fairytale narratives.
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Mainil, Jean. « The Classic Fairy Tales/The Great Fairy Tale Tradition, from Straparola and Basile to the Brothers Grimm ». Féeries, no 1 (1 février 2004) : 209–12. http://dx.doi.org/10.4000/feeries.91.

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Mazzoni, Cristina. « "Cristina Campo’s Visions and Revisions : The essay ‘Una rosa' between 1962 and 1971" ». Quaderni d'italianistica 33, no 2 (9 février 2013) : 151–70. http://dx.doi.org/10.33137/q.i..v33i2.19422.

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A comparative analysis of the 1962 and the 1971 versions of Cristina Campo’s essay “Una rosa”—an interpretation of the French classic fairy tale, “Beauty and the Beast”—reveals several small but significant changes. These can be most usefully understood in the context of Campo’s conversion to traditionalist Catholicism: in every instance, the later version of “Una rosa” underscores and increases the spiritual significance of Beaumont’s fairy tale.
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Lamers, Elizabeth P. « Children, Death, and Fairy Tales ». OMEGA - Journal of Death and Dying 31, no 2 (octobre 1995) : 151–67. http://dx.doi.org/10.2190/hxv5-wwe4-n1hh-4jeg.

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This article examines the evolution and transformation of themes relating to death and dying in children's literature, using illuminating parallels from historical demographics of mortality and the development of housing. The classic fairy tale “Little Red Riding Hood” is used to draw these trends together.
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Artico, Tancredi. « Per una grammatica del sogno nel «Decameron». Forme e strutture delle novelle a tema onirico ». Italianistica Debreceniensis 24 (1 décembre 2018) : 96–109. http://dx.doi.org/10.34102/italdeb/2018/4664.

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This paper takes into account the oneiric issue in Giovanni Boccaccio Decameron, with the aim of defining Boccaccio’s overall “grammar of dreaming”: besides an accurate investigation on Decameron’s sources, which range from classic to Medieval literature, it retraces the narrative constructions of the short-novels with oneiric subjects, hypothesizing the existence of two main schemes. In the short-tales on a vision (which are the most known), it is almost always replied the scheme of the “tale in the tale”, due to the creation of a imaginary world with its own rules. Meanwhile, in the short tales of deceiving, the dream is useful to trick the naive antagonist, making him believe something unbelievable. In both cases, it has a deep influence on the so-called “statute of reality” (Amedeo Quondam): in the first, there is the invention of a new reality; in the second it is deconstructed instead.
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Zatloukal, Aleš, Anton Pelikán et Peter Ihnát. « Laparoscopic or classic splenectomy ? » Gastroenterologie a hepatologie 75, no 2 (30 avril 2021) : 134–37. http://dx.doi.org/10.48095/ccgh2021134.

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Introduction: With current development of mini-invasive techniques, laparoscopic splenectomy also gained its place under the sun. The goal of this study is to compare the results of open and laparoscopic splenectomy performed at Clinic of Surgery of University Hospital Ostrava in the period 2010–2019. Materials and Methods: A retrospective cohort study during the period 2010–2019 were counted: an operation time, a need of blood transfusions, weight, complications and duration of hospital stay. A group of patients with laparoscopic operation was compared to a group with an open operation, using the t-test. Results: During the period 2010–2019, we performed 23 laparoscopic splenectomies and 15 classic operations. Unfortunately, the comparison of both groups is difficult. The splenic weight differs in both groups statistically significantly (P = 0.0001). The patients in the classic laparotomy group had much bigger spleens and in four cases, the splenectomy was performed together with metastasectomy of the liver, diaphragmatic resection and resection of the tale of pancreas. Even then the operative time was significantly shorter than the operative time of laparoscopic operation – the operative times differ in both groups statistically significantly (P = 0.0001). The need of blood transfusion and operative complications appear to be comparable in both techniques. The duration of hospital stay was shorter in the patients with laparoscopic operation. Conclusion: Laparoscopic splenectomy off ers all the general benefi ts of mini-invasive operative techniques and is suitable method for patients undergoing elective splenectomy especially for spleens smaller than 20 cm in diameter. We consider portal hypertension and severe comorbidities of the patient to be a contraindication. It seems to us that the main problem of this method lies in a very small number of operated patients and thus in a limited possibility to obtain sufficient surgical erudition, which is probably the case of some complications and insufficient use of this method in practice. It is highly desirable to concentrate these services in the centers.
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Lawrence, Novotny. « A Tale of Two Shafts : Considering the Blaxploitation Classic and the 2000 Remake ». Journal of Popular Culture 52, no 4 (août 2019) : 817–38. http://dx.doi.org/10.1111/jpcu.12824.

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Kazantzidou, Dimitra, et Konstantinos T. Kotsis. « Representations of the celestial bodies in fairy tale texts ». Aquademia 7, no 2 (1 juillet 2023) : ep23005. http://dx.doi.org/10.30935/aquademia/13442.

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This work identifies and records the errors and inaccuracies in representing celestial bodies in fairy tales. It also presents the alternative ideas that may arise in children due to these inaccuracies and errors. The qualitative content analysis examined the texts of 55 classic fairy tales by authors Andersen, Perrault, and the Brothers Grimm. The results showed that the Moon, the Sun, and the Stars are not represented based on the scientific standard. Finally, the common characteristics of errors and inaccuracies and ways of using these fairy tales in teaching sciences are presented.
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Abele, Elizabeth. « Guillermo del Toro’s Political Fairy Tales ». REDEN. Revista Española de Estudios Norteamericanos 3, no 1 (11 novembre 2021) : 4–19. http://dx.doi.org/10.37536/reden.2021.3.1408.

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While critical attention has largely focused on Del Toro’s overt fairy tale Pan’s Labyrinth (2006), Del Toro’s Hollywood films similarly incorporate the mythic, moral and gothic qualities of classic fairy tales. His new fairy tales present vital contemporary lessons embedded in these archetypal journeys – and their audience’s memories. His free borrowings from fairy tales and popular culture deliberately connect the familiar to his uncanny worlds. This construction is most evident in his films Hellboy II: The Golden Army (2008) and The Shape of Water (2017). The contemporary politics of race, sexuality, gender and environmentalism are embedded within these original Hollywood fairy tales. This essay focuses on the intersecting political messages woven into Hellboy II: The Golden Army and The Shape of Water, messages amplified not obscured by their fairy tale delivery. Through rich textual references, intersections, and hidden subtexts, Del Toro creates new gothic fairy tales, with original protagonists, emerging from the margins. By resisting previous patriarchal and racial boundaries, these films challenge their audiences to embrace new paradigms.
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Verma, Richa, et Gauri Soni. « An Expression of Complex Psychology in the Character of Aunt Patience : As a Gothic Component of Jamaica Inn ». International Journal of English Literature and Social Sciences 9, no 2 (2024) : 252–57. http://dx.doi.org/10.22161/ijels.92.38.

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Daphne Du Maurier builds a fairy tale narrative in Jamaica Inn, with a classic villain and a conflicted damsel-in-distress in gothic romances, brought together within a toxic marital bond. This paper aims on scrutinizing the character of ‘Aunt Patience’ as an inspiration behind ‘marriage’ motivating an exercise of patriarchal control, through invasion of female psychology. Recurring instances of terror, crime, incest and domestic violence, still celebrate the triumph of female strength and undying passion for freedom. ‘Aunt Patience’, in the face of psychological and bodily threat, falls prey to a classic tragedy, with ‘supernatural’ as an integral part of her life. Horror and unrest consume her psyche, manipulating important aspects of her life to a degree of becoming ‘normal’. Home and family become synonymous to danger, compromising female sanity, with special focus on problematic social categorization of women. The aim here is to portray gothic events of Jamaica Inn, leading to mystery and social dilemma, considered as strong voices in Du Maurier classics, largely based on toxic marriages, consummation, desire and female intellectuality.
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Han, Yu-jin. « Narrative interest and meaning of oral folktales transmission group using text mining technique : For the digital archive of 〈Korea Oral Literature Daegye〉 ». Research of the Korean Classic 58 (31 août 2022) : 95–120. http://dx.doi.org/10.20516/classic.2022.58.95.

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This paper examines the aspect and meaning of narrative interests of the whole tradition group and the tradition group according to gender by using text mining technique targeting each 26,542 oral narratives in the digital archive of 〈Korea Oral Literature Daegye〉. For this purpose, the nouns were extracted by analyzing the morphemes from the titles of 26,542 oral narratives using the Mecab class of the KoNLPy package, and then the high frequencies were extracted using the Counter class of the collection package. As a result, looking at the 30 nouns occupying the highest frequency, the oral folktale tradition group consists of ‘the story of the origin of the place name’, the tale of the ‘tiger’, the story of the ‘goblin’, the narrative showing the ‘relationship of family relationships’, ‘wealth, filial piety, fortune, it is confirmed that he mainly told stories about the values pursued by humans’, such as famous places. The result of the most oral tales of ‘place name origin’ shows that the narrators perceive ‘story that is worth investigating’ as a place name origin story. The story of ‘Tiger’ brought laughter to the enjoyment class and revealed the value of ‘filial piety’. The story of ‘Goblin’ is a means to satisfy ‘story pleasure’ by conveying the fictional situation in the story as if it were a real event and arousing interest to the enjoyment class to feel ‘creep’ or to solve problems that are difficult to explain in reality. it became. Among the stories that show ‘family relations’, in particular, the story about ‘daughter-in-law’ was overwhelmingly told, which shows that the family relationship that causes the most conflict in reality is that surrounding the daughter-in-law. Nouns such as ‘son’, ‘myeong-dang’, ‘filial piety’, ‘rich man’, ‘grave’, ‘blessed’, ‘filial piety’, etc. It shows that he cares about ‘filial piety’ above all other ideologies. The character’s earnest wish for this is shown to be realized through ‘Myeongdang’, and it can be interpreted in this context that many stories about ‘myongdang’ and ‘grave’ are handed down. Meanwhile, narrative interest according to gender was examined through 15,088 stories told by 2,916 male narrators and 7,467 stories narrated by 2,004 female narrators. Male narrators recounted many stories about the origin of the place name, and female narrators enjoyed telling stories that showed problems between families. This shows that the lives of female speakers are focused on ‘in the home’ with a ‘family’, which is different from male speakers who enjoy telling stories about ‘Park Moon-soo’, ‘Middle’, and ‘Jeong-seung’ and expand their area of interest outside the house. will be.
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Д.В., Сокаева,. « CONTEXTUAL FUNCTION OF THE IMAGE OF FANYKGUYZ IN THE OSSETIAN FAIRY TALE ». Известия СОИГСИ, no 46(85) (19 décembre 2022) : 169–76. http://dx.doi.org/10.46698/vnc.2022.85.46.015.

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Осетинская волшебная сказка представляет собой архаический пласт осетинского фольклора и вполне может служить мифологическим источником, так как, несмотря на то, что по структуре представляет собой классическую волшебную сказку, в ней сохранились недесакрализованные мифологические элементы различного уровня повествования. В представленном сказочном тексте хорошо сохранены структура повествования сказки, описания сакральных элементов (чудесных объектов), сказочные формулы. The Ossetian fairy tale is an archaic layer of Ossetian folklore and may well serve as a mythological source, since, despite the fact that it is a classic fairy tale in structure, non-desacralized mythological elements of various levels of narration have been preserved in it. In the presented fairy tale text the structure of the narration of the fairy tale, descriptions of sacred elements (wonderful objects), and fairy formulas are well preserved.
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