Littérature scientifique sur le sujet « Church musician »
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Articles de revues sur le sujet "Church musician"
Tantra, Carolien Eunice, et Mark Peters. « J. S. Bach’s Church Cantatas and Church Music Today ». Veritas : Jurnal Teologi dan Pelayanan 20, no 1 (19 juillet 2021) : 137–52. http://dx.doi.org/10.36421/veritas.v20i1.473.
Texte intégralGroce, Stephen B., Lewis A. Groce et Rebecca L. Young. « Pathways to Becoming a Church Musician ». Sociological Spectrum 33, no 3 (mai 2013) : 276–93. http://dx.doi.org/10.1080/02732173.2013.732907.
Texte intégralDaniel, Daniel, et Octa Maria Sihombing. « Guitar Instrumentalization, Education-Stewardship, and Musician Subject Ethics ». Journal of Student Research 2, no 1 (22 décembre 2023) : 69–93. http://dx.doi.org/10.55606/jsr.v2i1.2460.
Texte intégralPinatih, Ketut Tadeus Max Nurcahya, et I. Made Wiranadha. « CHARACTERISTICS OF HEARING THINGS ON MUSIC PLAYERS AT GPT BAITHANI DENPASAR ». E-Jurnal Medika Udayana 11, no 9 (19 septembre 2022) : 25. http://dx.doi.org/10.24843/mu.2022.v11.i9.p05.
Texte intégralHage, Jan, et Marcel Barnard. « Muziek als missie : Over Willem Mudde en zijn betekenis voor de kerkmuziek ». NTT Journal for Theology and the Study of Religion 66, no 4 (18 novembre 2012) : 283–98. http://dx.doi.org/10.5117/ntt2012.66.283.hage.
Texte intégralPeno, Vesna. « Athens : New capital of traditional Greek music : Testimonies on musical life at the beginning of the twentieth century ». Muzikologija, no 9 (2009) : 15–32. http://dx.doi.org/10.2298/muz0909015p.
Texte intégralMorucci, Valerio. « Music, patronage and reform in 16th-century Italy : new light on Cardinal Carlo Borromeo ». Early Music 47, no 4 (novembre 2019) : 499–513. http://dx.doi.org/10.1093/em/caz071.
Texte intégralBrie, Mihai. « Das Gebet „Vaterunser” in der komponistischen Sicht von Ciprian Porumbescu – theologische und musikologische Aspekte ». Studia Universitatis Babeş-Bolyai Musica 67, no 1 (30 juin 2022) : 229–42. http://dx.doi.org/10.24193/subbmusica.2022.1.15.
Texte intégralDukaļska, Iveta. « MUSIC-MAKING IN A FAMILY – THE LIFELONG LEARNING TRADITIONS AND CHALLENGES OF HOME-LEARNING ». SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (28 mai 2021) : 78–89. http://dx.doi.org/10.17770/sie2021vol4.6424.
Texte intégralORUJOV, İgbal, et Taravat ORUJOVA. « ORTA ÇAĞ DÖNEMİ’NDE NEFESLİ ENSTRÜMANLAR SANATI ». JOURNAL OF INSTITUTE OF ECONOMIC DEVELOPMENT AND SOCIAL RESEARCHES 7, no 26 (20 février 2021) : 85–95. http://dx.doi.org/10.31623/iksad072607.
Texte intégralThèses sur le sujet "Church musician"
Arblaster, Winston Vaughn 1984. « Music Theory and Arranging Techniques for the Church Musician ». Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10831.
Texte intégralThe rising popularity of the use of "contemporary music" for worship in Christian churches has created an ever-growing body of music professionals who, coming largely from a rock-influenced folk idiom, are often untrained in music theory. As the style of music has shifted from the traditional model, stemming from classical genres, to one dominated by popular music, many of these musicians see theory education as impractical or at least unneeded given their particular stylistic approach. In order to address this issue, a method must be developed, departing from standard methods of theory pedagogy to one employing selected concepts and applications pertaining particularly to the context the contemporary worship setting and presenting them in a manner immediately beneficial to these musicians' vocational considerations. This thesis serves as a possible solution by proposing such a method and comparing it to the approaches of three major theory methods on these terms.
Committee in Charge: Dr. Jack Boss; Dr. Timothy Pack; Don Latarski
Henrichs, Michael William. « The life and work of Paul Otto Manz as church musician within the context of American Lutheranism in the twentieth century ». Theological Research Exchange Network (TREN), 1996. http://www.tren.com.
Texte intégralMesplé, Pierre. « Les musiciens d’Église au XVIIIe siècle : acteurs, circulations, réseaux (diocèses de Blois, Chartres, Évreux, Orléans, Rouen) ». Electronic Thesis or Diss., Université Clermont Auvergne (2021-...), 2023. http://www.theses.fr/2023UCFA0135.
Texte intégralThis research defines a social group, the musicians of cathedral and collegiate churches, in a circumscribed space (five dioceses, Blois, Chartres, Évreux, Orléans, Rouen) from the end of the 17th century to the Revolution. We will endeavor to identify their living conditions (by questioning in particular the notions of employment and itinerancy), but also the networks that they can form in relation to the canons who employ them and the rest of society. Finally, we will seek to describe and understand the place that society grants them in the functioning of worship
Stemmermann, Nell. « Church's Musical Visitor, 1871-1897 : Class, Nationalism, and Musical Taste ». University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1407404428.
Texte intégralMunro, Gordon James. « Scottish church music and musicians, 1500-1700 ». Thesis, Connect to e-thesis, 1999. http://theses.gla.ac.uk/882/.
Texte intégralLorenzetti, Michelle Arype Girardi. « Aprender e ensinar música na igreja católica : um estudo de caso em porto Alegre/RS ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/114671.
Texte intégralThe purpose of this study was objective to investigate the educational-musical relations present in the Catholic church of Porto Alegre. The leading question was how the musical formation of people who work in this context occurred and how the musical teaching was executed. To accomplish this research, I opted for a qualitative approach, conducting a case study. The authors Souza (2004; 2014), Setton (2008; 2012) and Petitat (2011) were included in the framework. From a total of 240 people who worked with music in the Church, twelve were selected because they worked as teachers and/or music trainers. Several processes about musical learning were identified, which do not occur isolated and fixed, but in a dynamic and interconnected way, also in relation with other formative instances. It was possible to describe: the process of learning, which occurred in practice (to learn while doing); learning in group; self learning; learning in courses, rechearsals and church festivals. About the teaching and performance, it was possible to analyze conceptions of being a Church musician, the differences between the paid professional and the volunteer; and about being a teacher and/or trainer, highlighting questions related to disclosure and recruitment of pupils, class locations, and selection of didactic activities. This research contributes to the reflection about how these processes of musical education occur in the Catholic Church, thus increasing how to see learning and teaching music.
Cataylo, Vilma May Chavez. « Musical works built on the native language to bring about musical knowledge and cultural development / ». Access Digital Full Text version, 1986. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10624090.
Texte intégralTypescript; issued also on microfilm. Sponsor: Harold F. Abeles. Dissertation Committee: Lenore Pogonowski. Bibliography: leaves 291-295.
Stone, Justin. « The changing fortunes of the organ : the viewpoints of church organists in the Anglican churches of Port Elizabeth ». Thesis, Nelson Mandela University, 2017. http://hdl.handle.net/10948/23502.
Texte intégralBeal, John C. « An introduction to the musical octoechos of the Georgian Orthodox Church ». Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.
Texte intégralPalionis, Solveiga. « Formation of pastoral musicians in Lithuania pastoral project : intensive one week summer course / ». Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.
Texte intégralLivres sur le sujet "Church musician"
Westermeyer, Paul. The church musician. San Francisco : Harper & Row, 1988.
Trouver le texte intégralWestermeyer, Paul. The church musician. Minneapolis : Augsburg Fortress, 1997.
Trouver le texte intégralSouthern Baptist Convention. Sunday School Board. The Church musician today. Nashville, Tenn : Sunday School Board of the Southern Baptist Convention., 1997.
Trouver le texte intégralMusic, David W. William J. Reynolds : Church musician. Macon, GA : Smyth & Helwys Publishing, 2013.
Trouver le texte intégralCave, Donald. Percy Jones : Priest, musician, teacher. Melbourne : Melbourne University Press, 1988.
Trouver le texte intégralGrindle, W. H. Reprise : An Irish church musician looks back. Belfast : Harry Grindle, 2009.
Trouver le texte intégralVoshi, Lois A. Martin Luther, reformer and musician. Silver Spring, Md : Shazco, 1988.
Trouver le texte intégralCommission, Episcopal Church Diocese of Connecticut Music. When a church calls a musician : A handbook for parish churches and pastoral musicians. 2e éd. Hartford, CT (1335 Asylum Ave., Hartford 06105-2295) : Music Commission, the Episcopal Diocese of Connecticut, 1992.
Trouver le texte intégralEpiscopal Church. Diocese of Connecticut. Music Commission. When a church calls a musician : A handbook for parish churches and pastoral musicians. 3e éd. Hartford, CT : Music Commission, the Episcopal Diocese of Connecticut, 1994.
Trouver le texte intégralDakers, Lionel. Places where they sing : Memoirs of a church musician. Norwich : Canterbury Press, 1996.
Trouver le texte intégralChapitres de livres sur le sujet "Church musician"
McCarthy, Daniel, et Ralph Turek. « The Church Modes ». Dans Singing and Dictation for Today#x2019;s Musician, 7–11. New York : Routledge, 2020. : Routledge, 2020. http://dx.doi.org/10.4324/9780367814984-3.
Texte intégralClarke, Martin V. « Church musicians in nineteenth-century Durham ». Dans The Music Profession in Britain, 1780–1920, 90–109. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series : Music in nineteenth-century Britain : Routledge, 2018. http://dx.doi.org/10.4324/9781315265001-6.
Texte intégralHuynh, Tina A. « Musical Childhoods in the Church ». Dans Remembering Musical Childhoods in Vietnam, 115–35. New York : Routledge, 2024. http://dx.doi.org/10.4324/9781003363187-6.
Texte intégralŠárovcová, Martina. « Illuminated Musical Manuscripts in the Bohemian Reformation ». Dans Medieval Church Studies, 281–304. Turnhout : Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.mcs-eb.5.110912.
Texte intégralKujumdzieva, Svetlana. « “Bulgarian” Chants in Musical Manuscripts Revisited ». Dans Studies on Eastern Orthodox Church Chant, 181–96. London : Routledge, 2023. http://dx.doi.org/10.4324/9781003377238-19.
Texte intégralSteward, Theresa Parvin. « A Muslim in a Baptist Church ». Dans The Routledge Companion to Women and Musical Leadership, 509–19. New York : Routledge, 2024. http://dx.doi.org/10.4324/9781003024767-41.
Texte intégralKujumdzieva, Svetlana. « Indications of Musical Performance From the Fifteenth Century ». Dans Studies on Eastern Orthodox Church Chant, 171–80. London : Routledge, 2023. http://dx.doi.org/10.4324/9781003377238-18.
Texte intégralKüster, Konrad. « Protestant Church Cantata : Poetical and Musical Challenges Around 1700 ». Dans Anthropological Reformations - Anthropology in the Era of Reformation, 341–48. Göttingen : Vandenhoeck & Ruprecht, 2015. http://dx.doi.org/10.13109/9783666550584.341.
Texte intégralSENN, FRANK C. « The Pastor and the Church Musician ». Dans Thine the Amen, 241–58. 1517 Media, 2020. http://dx.doi.org/10.2307/j.ctvzcz3q4.17.
Texte intégral« The Pastor and the Church Musician : ». Dans Singing the Church's Song, 89–98. 1517 Media, 2020. http://dx.doi.org/10.2307/j.ctvzcz4kn.11.
Texte intégralActes de conférences sur le sujet "Church musician"
CHIRCEV, Elena. « Reflection of the Other in the Byzantinologist Gheorghe C. Ionescu’s Lexicographic Pursuits ». Dans The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0002.
Texte intégralGomes, Cláudio, Josue Da Silva, Marco Leal et Thiago Nascimento. « 3A : mAchine learning Algorithm Applied to emotions in melodies ». Dans Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10450.
Texte intégralAntić, Vladimir. « KARAKTERISTIKE SRPSKOG BOGOSLUŽENjA I POJANjA NA POČETKU XIV VEKA PREMA NIKODIMOVOM TIPIKU ». Dans Kralj Milutin i doba Paleologa : istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.287a.
Texte intégralAyres, José Eduardo, Pedro Arthur, Vitor Rolla et Luiz Velho. « Procedural Music in Games ». Dans Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10462.
Texte intégralKarelina, Inna B., et Karina A. Smirnova. « Stimulation of speech development in young children with delayed speech development ». Dans Специальное образование : методология, практика, исследования. Yaroslavl state pedagogical university named after К. D. Ushinsky, 2021. http://dx.doi.org/10.20323/978-5-00089-532-0-2021-261-266.
Texte intégralPurba, Berehme, Lidya Kandowangko, Siguti Sianipar et Erwin Sianturi. « The Transformation of Hymn Song in Local Church : a Study of Musical Style in Manado ». Dans Proceedings of the First International Conference on Christian and Inter Religious Studies, ICCIRS 2019, December 11-14 2019, Manado, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.11-12-2019.2302108.
Texte intégralRašković, Ana. « SLUŽBA SVETOM KRALjU STEFANU MILUTINU U RUSKIM BOGOSLUŽBENIM RUKOPISIMA XVI–XIX VEKA ». Dans Kralj Milutin i doba Paleologa : istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.319r.
Texte intégralSzymanska-Stulka, Katarzyna. « SPACE PERFORMS FOR SACRED AMONG MUSIC AND ARCHITECTURE. THE CASE OF STABAT MATER??S MOTIF IN POLISH CONTEMPORARY MUSICAL WORKS BY PAWEL LUKASZEWSKI AND IGNACY ZALEWSKI ». Dans 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.09.
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