Thèses sur le sujet « Church music South Australia »
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Maximova, Galina, et res cand@acu edu au. « Russian Orthodox Music in Australia : The translation of a tradition ». Australian Catholic University. School of Arts and Sciences, 1999. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp217.04092009.
Texte intégralSouthcott, Jane Elizabeth, et mikewood@deakin edu au. « Music in state-supported schooling in South Australia to 1920 ». Deakin University, 1997. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.104134.
Texte intégralHall, Margaret, et N/A. « Todays Song for Tomorrows Church : The Role Played by Contemporary Popular Music in Attracting Young People to Church ». Griffith University. School of Popular Music, 2007. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070912.141700.
Texte intégralTsounis, Demeter. « Rebetika music-making in Adelaide : diaspora musical style and identity / ». Title page, contents and abstract only, 1997. http://web4.library.adelaide.edu.au/theses/09PH/09pht88195.pdf.
Texte intégralMcNamara, Laurence James. « Just health care for aged Australians : a Roman Catholic perspective / ». Title page, contents and abstract only, 1997. http://web4.library.adelaide.edu.au/theses/09PH/09phm1682.pdf.
Texte intégralHammond, Susan J. « Psalms, Hymns, And Spiritual Songs For The Use Of The People Called Christians ». Costa Mesa, CA : Vanguard University of Southern California, 2007. http://dx.doi.org/10.2986/tren.034-0051.
Texte intégralPollard, Susan J. « An investigation of the Catholic Leadership Education Programme in South Australia / ». Title page, contents and abstract only, 1991. http://web4.library.adelaide.edu.au/theses/09EDM/09edmp772.pdf.
Texte intégralAnalyses the Catholic Leadership Education Programme in the archdiocese of Adelaide in terms of the work of Paulo Freire and Carl Jung. Spine title: The Catholic Leadership Education Programme. Includes bibliographical references (leaves 255-260).
Oswald, Murray. « The emergence of new low-fee Protestant independent schools in South Australia since 1972 / ». Title page, summary and contents pages only, 1990. http://web4.library.adelaide.edu.au/theses/09ED.M/09ed.mo86.pdf.
Texte intégralEvans, Ruth Lynette. « Picnics, principles and public lectures : the social, cultural and intellectual role of the Baptist Church in South Australian country towns / ». Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09are919.pdf.
Texte intégral"Extensive use of written records including both minute books and published matter has been supplemented with oral histories." Tapes include conversations with members of various local communities, with an index to these: leaves 41-42. Includes bibliographical references (leaves 41-44).
Dennis, Simone J. « Sensual extensions : joy, pain and music-making in a police band ». Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phd4115.pdf.
Texte intégralStephenson, Mark H. « African music in the Methodist Church of Southern Africa : a case study in the Western Cape ». Master's thesis, University of Cape Town, 1985. http://hdl.handle.net/11427/15673.
Texte intégralBooth, Anna. « Buildings as historical documents : a study of church buildings within the southern inland agricultural area of South Australia / ». Title page, contents and introduction only, 1989. http://web4.library.adelaide.edu.au/theses/09AR/09arb725.pdf.
Texte intégralIllustrations consist mainly of coloured photographs. Figure 9 & 10 are black and white photocopies. Includes bibliographical references (leaves 39-41).
Burley, Stephanie. « None more anonymous ? : Catholic teaching nuns, their secondary schools and students in South Australia, 1880-1925 / ». Title page, contents and abstract only, 1992. http://web4.library.adelaide.edu.au/theses/09EDM/09edmb961.pdf.
Texte intégralHarris, Christine. « An investigation of the content and process of learning Spanish flamenco music at the Flamenco Centre of South Australia / ». Title page, contents and preface only, 1991. http://web4.library.adelaide.edu.au/theses/09MUB/09mubh313.pdf.
Texte intégralCampbell, Colin Archibald 1970. « Music ministry in the missional worship service of the Dutch Reformed Church in South Africa / Colin Archibald Campbell ». Thesis, North-West University, 2013. http://hdl.handle.net/10394/8998.
Texte intégralThesis (PhD (Music))--North-West University, Potchefstroom Campus, 2013.
Neel, W. Stephen. « Evaluating the use of selected performance arts in public worship at South Columbia Baptist Church ». Theological Research Exchange Network (TREN), 1999. http://www.tren.com.
Texte intégralKeenan, Anthony Michael. « The Boys' Reformatory Brooklyn Park : a history, 1898-1941 ». Title page, contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09ED.M/09ed.mk26.pdf.
Texte intégralFoale, Marie Therese. « The Sisters of St. Joseph : their foundation and early history, 1866-1893 ». Title page, table of contents and abstract only, 1986. http://web4.library.adelaide.edu.au/theses/09PH/09phf649.pdf.
Texte intégralJarrett, Jennifer Ann. « Catholic bodies a history of the training and daily life of three religious teaching orders in New South Wales, 1860 to 1930 / ». Connect to full text, 2003. http://hdl.handle.net/2123/5673.
Texte intégralNdlovu, Caesar Maxwell Jeffrey. « Religion, tradition and custom in a Zulu male vocal idiom ». Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002315.
Texte intégralSteley, Dennis. « Unfinished : The Seventh-day Adventist mission in the South Pacific, excluding Papua New Guinea, 1886-1986. (Volumes I and II) ». Thesis, University of Auckland, 1990. http://wwwlib.umi.com/dissertations/fullcit/9100749.
Texte intégralSubscription resource available via Digital Dissertations
Ritchie, Samuel Gordon Gardiner. « '[T]he sound of the bell amidst the wilds' : evangelical perceptions of northern Aotearoa/New Zealand Māori and the aboriginal peoples of Port Phillip, Australia, c.1820s-1840s : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts History / ». ResearchArchive@Victoria e-Thesis, 2009. http://researcharchive.vuw.ac.nz/handle/10063/928.
Texte intégralLagerwall, Renée. « Contemporary attitudes towards music in South African Protestant churches ». Diss., 1996. http://hdl.handle.net/10500/17161.
Texte intégralArt History, Visual Arts & Musicology
M. Mus.
Moses, Roland Hansel. « Pentecostal church music praxis : Indians in the Durban region, 1994-2011 ». Thesis, 2015. http://hdl.handle.net/10500/22677.
Texte intégralArt History, Visual Arts and Musicology
D. Litt. et Phil.
Battams, Craig. « Church and school as community : an ecclesiological study of the relationship between the Adelaide Catholic Archdiocese and its secondary schools ». 2002. http://arrow.unisa.edu.au:8081/1959.8/58168.
Texte intégralVan, de Laar John William. « A theological exploration of the role and use of music for worship in the Methodist Church of Southern Africa ». Diss., 2000. http://hdl.handle.net/10500/16248.
Texte intégralPhilosophy, Practical & Sytematic Theology
M. Th. (Systematic Theology)
Steinert, Claudio. « Towards a "liturgical missiology" : perspectives on music in Lutheran mission work in South Africa ». Thesis, 2003. http://hdl.handle.net/10500/1774.
Texte intégralChristian Spirituality, Church History and Missiology
D.Th. (Missiology)
Papenfus, Anna Francina. « 'n Waardebepaling van die nie-amptelike, informele kerklied soos gesing in die erediens in gemeentes van die Nederduitse Gereformeerde Kerk in die PWV ». Diss., 1994. http://hdl.handle.net/10500/15739.
Texte intégralThe reformed churches have theological and musicological criteria for their hymns, which, however, are not always unambiguous. After the introduction of the Jeugsangbundel (1984) an informal song, with informal accompaniment, entered the worship and forms a prominent part of the singing in Dutch Reformed Churches today. Some congregations compile their own volumes of songs. This study set out to identify these congregations by means of a questionnaire and evaluate the songs. Other relevant information was also required from congregations. 21 % of the respondent congregations sing unapproved songs. They have a larger percentage of young people than those singing official songs. Congregations prefer a balance of formal and informal hymns and both are sung with equal enthusiasm. The melody is the strongest characteristic of the informal song and edification the strongest of the formal hymn. The evaluation, however, shows that a considerable number of songs do not meet the required standard
Art History, Visual Arts & Musicology
M.A. (Musicology)
Calitz, Coenie (Coenraad Josepheus). « The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa ». Thesis, 2011. http://hdl.handle.net/2263/28490.
Texte intégralThesis (PhD)--University of Pretoria, 2011.
Practical Theology
unrestricted
Fourie, Francois Paul. « 'n Geskiedenis van die kerklied in die Nederduitse Gereformeerde Kerk ». Thesis, 2000. http://hdl.handle.net/10500/18047.
Texte intégralDie lied en musiekinstrumente speel 'n baie belangrike rol in die Bybel. Die Moseslied (Eks 15) word in die Psalms aangehaal en kulmineer in die 11 nuwe 11 lied van Openbaring - die lied van die "nuwe" hemel en die 11 nuwe 11 aarde wat verlostes saam sal sing. Die brandende vraag wat "reg" of hoegenaamd standpunt ingeneem moet perspektief (die Woord van God) "verkeerd" is en of daar word, word uit 'n Bybelse beantwoord, gegrond op die beginsel van die Reformasie: ecclessia reformata semper reformandum. Die geskiedenis van die lied van die vroee kerk tot by die Ref ormasie word kursories behandel. Die lied wat in die geskiedenis uit die mond van die gelowige, die lidmaat gehaal is en aan die priesters oorgelaat is, word deur Luther weer teruggeplaas in die mond van die gelowige. Dit blyk dat Calvyn, tsv die Ref ormasie slagspreuk, in sommige aspekte van sy beskouing van die kerklied, steeds 'n Roomse standpunt bly handhaaf en net tot by die vroee kerk "gereformeer" het. Slegs sgn "heilige" liedere, direk uit die Bybel, musiek sender instrumentale begeleiding, kon gebruik word. Saam met ons voorsate, wat van oa Nederland gekom het, het ons liederebundels gekom. Van Riebeeck het met die Datheense Psalter (die amptelike Nederlandse kerklied) wat later deur die 1805- "Evangelische Gezangen" aangevul is, geland. Agv die "cuius regio eius religio"-beginsel het die Hollandse kerklied voorkeur bo Lutherse ea kerkliedere gekry. Die 1805-"Evangelische Gezangen", alhoewel dit hartlik verwelkom is, het gelei tot misnoee in Colesberg en later in Rustenburg, wat op sy beurt gelei het tot kerkskeuring. Die "Evangelische Gezangen" was ook, naas die Bybel en die Psalmboek die metgesel van die Trekkers, kommandolede (Anglo-Boereoorlog) en die krygsgevangenes in die konsentrasie- en krygsgevangenekampe. In die kampe was daar baie tyd vir die sing en skep van gewyde liedere. Nie-goedgekeurde bundels en die vertaling van die Bybel in Afrikaans (1933) het aanleiding gegee dat liederebundels hersien moes word. Die 1937 (Totius-beryming), die 1944 Gesangboek, die 76/78-Psalmboek en die 1978 Gesangboek was die resultaat. 'n Dualistiese standpunt, dat sekere liedere geskik is vir kerkgebruik en ander slegs vir buite-kerkgebruik (die 1984- Jeugsangbundel) het aanleiding gegee tot die publikasie van SOM en Jeugsangbundel 2, 1993. Huidig gebruik talle gemeentes 'eie' bundels tsv sinodale besluite dat slegs SOM en JSB2 naas die Psalm- en Gesangboek gebruik mag word. Die verskyning van die Proefsangbundel 1998 (IKSA) lei 'n nuwe fase van die kerklied in SA in as die Ned Herv Kerk ook begin om "nuwe" liedere op die proef te stel. Vos, Strydom, Huisamen, Konig, Kloppers, ea het in resente jare evaluerings oor die kerklied gedoen. Die "ou", die "nuwe" en die kontemporere kerklied (veral met verwysing na die NG Kerk) m6et almal plek kry in die musiekskat van die 21ste eeu.
The hymn and musical instruments play a cardinal role in the Bible. The Song of Moses (Ex 15) is used in Psalms and in Revelation 15:3. The question with regards to what is acceptable and unacceptable and whether it is at all imperative to take a defendant stance, is clarified from a Biblical point of view. It is based on the Reformation-principle: ecclesia reformata semper reformandum. The History of the 'Song' Hymn in the early church up to the Reformation is shortly mentioned. The "songs" (Hymns) of the believer were in the course of history transferred to the priests and were only in the Reformation once again bestowed on the believer by Luther. It would appear that Calvin, despite the slogans of the Reformation continued to postulate a Catholic point of view with regard to the Hymns and that the Reformation was restricted to the early church. Only socalled holy songs, direct from the Bible and songs without instruments/accompaniment could be usedo The collection of 'songs' (Hymns) of the Dutch Reformed Church is an inheritance from the Netherlands. It was Van Riebeeck who brought in the ''Datheense Psalter'' . Later, the 1805 - "Evangelishe Gezangen" were added to it. Owing to the cuius regio eius religio-principle, the Dutch Church Hymn was given preverance. Although heartily welcomed, the "1805-Evangelische Gezangen" lead to a split in the Church. The "Evangelische Gezangen" (Hymns), and the Psalmbook were used by the 'Trekkers' , the 'Kommando' s' , (Anglo Boer war) and in the Consentration and prisoners of war camps. In the camps was ample time for singing and composing new sacred songs. 'Non-approved' song books and the translation of the Bible in Afrikaans (1933) gave rise to the birth of various Hymn and Psalter books. Youth Praise and Worship books were also published. The Dutch Reformed Church opinion that certain songs in the formal Church inappropriate and should gatherings. struggles with the dualistic are suitable for worshipping service while other are only be used at informal
Theology
D.Th. (Theology)
McLachlan, Christine. « 'Doing hope' : mentoring with people doing care, working and dealing with trauma in a township in South Africa ». Diss., 2007. http://hdl.handle.net/10500/537.
Texte intégralPhilosophy, Practical & Systematic Theology
M.Th. (Pastoral Therapy)
Zdrálek, Vít. « Mapování individuálního hudební zkušenosti v post-apartheidní Jižní Africe. Bio-etnografie obyvatele townshipu Lesiby Samuela Kadiaky ». Doctoral thesis, 2015. http://www.nusl.cz/ntk/nusl-266160.
Texte intégral