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Thèses sur le sujet « Chinese Mass media »

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Auteur : Grafiati

Publié le 26 juillet 2024

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1

Zhu, Lin. « Media effects on Chinese and American stereotypes in college settings ». online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1442800.

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Zhou, Yuanzhi. « Capitalizing China's media industry : the installation of capitalist production in the Chinese TV and film sectors / ». online access from Digital Dissertation Consortium, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3290456.

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Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007.
Source: Dissertation Abstracts International, Volume: 68-11, Section: A, page: 4535. Adviser: Daniel Schiller. Includes bibliographical references (leaves 250-259) Available on microfilm from Pro Quest Information and Learning.

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3

Cheng, Qijin, et 程绮瑾. « Suicide and the media in the Chinese contexts ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B49617606.

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The suicide and the media research field are generally concerned with the effect, content, and production of mass-disseminating suicide information. Most of the previous studies in the field were conducted in western countries. This dissertation is devoted to extending the research map to the Chinese contexts and moving the field forward into the new media era. It proposes a conceptual framework based on the social construction of reality theory and refines the framework through a combination of five studies. Study 1 might be the first investigation on mass-disseminating suicide information’s effect on suicide occurrences in Mainland China, using the Foxconn suicides as a case study. It finds that the Foxconn suicides were temporally clustered and influenced by inter-person contagion within the company, as well as the newspapers’ reporting about the topic in Beijing, the nation’s capital. Study2 examines the prominence and representation patterns of reporting the Foxconn suicides in Mainland China, Hong Kong, and Taiwan in 2010 calendar year. It demonstrates that the media coverage of the Foxconn suicides in the three societies generally experienced a three-phase evolving process in 2010. Meanwhile, within every phase, the media in different societies showed differences in their representations. Furthermore, the study investigates how the representation can be influenced by news sources and social contexts and explores possible explanations why the Beijing media’s reporting influenced the occurrences of the Foxconn suicides. Study3 compares representation of suicides in case-control psychological autopsy studies with representation of the same suicides in Hong Kong media. Considering the psychological autopsy as relatively more rigorous and validated, the comparison examines the suicide news representation’s accuracy and stereotyping tendencies. It finds a strong homogenisation of the Hong Kong newspapers in accurately reporting suicide methods but inaccurately reporting suicide risk factors, and that their reporting was problematic in stereotyping of gender-and method-specific suicides. Study 4 is a qualitative study of 33newspaper journalists’ experiences with producing suicide news from representative daily newspapers in Mainland China, Hong Kong, and Taiwan. Utilising the grounded theory method, it extracts how the journalists construct media reality of suicide within a social context. The study summarises criteria of suicide news values, identifies three types of key agents which are often engaged by the journalists in constructing suicide news, and also generates a comparative framework of suicide news production in the Chinese contexts. Study 5 examines what suicide-related information is easily accessible online in Mainland China and Hong Kong and compares it with its counterparts in English. It explores how the comparative framework proposed by Study 4 can also be applied to understand the nature of the online suicide information and serves as a bridge connecting the thesis with future studies on suicide and the new media. The five studies collectively contribute to understanding the nature and mechanism of constructing media reality of suicide in the Chinese contexts. By applying the research findings, suicide prevention professionals would be able to develop context-sensitive strategies to cooperate with the media and prevent suicide.
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Social Work and Social Administration
Doctoral
Doctor of Philosophy

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Tian, Yufeng. « Chinese National Identity and Media Framing ». Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6965.

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This study explored the relationship between Chinese national identity and media framing and priming effect by combining the two paradigms, the literature of group identity and the discourses of media cognitive effect. Extending social identity theory (Tajfel, 1981), self-categorization theory (Turner, et al., 1987) and subjective group dynamics theory (Marques, Paez, & Abrams, 1998), the current study drew the distinction between descriptive (cognitive/perceptual) and prescriptive (affective/subjective) fit of the social norms that contributed to social identity. After deliberating the macro concept (the ascribed vs. acquired) of a national identity (Westle, 2014), as well as the social, political, economic and cultural conditions in China, the structure of Chinese national identity (CNI) were delineated by three content-based categories: the meta-structure of the ethnic-cultural (MEC), the flexible ethnic-cultural (FEC), and the civic-institutional (CI) component, with each of which possessed the dichotomy of psychological dimension. The 3×2 matrix of Chinese national identity was hypothesized to have an impact, with structural variation, on evaluative judgments of alternative media frames of stories involving international disputes in China. To maximize internal and external validity, the empirical data had been collected through an online survey experiment with a sample size of 738. The theoretically argued relationship between the CNI, media framing, and the evaluative judgment was in accordance with the results derived from a series structural equation modeling analyses.

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Chen, Xi. « Mass Media as Instruments for Political and Social Control in China : Media Role in Chinese Politics ». Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/35389.

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Under the influence of Soviet media theory, Chinese media have been held under the control of the Communist Party of China ever since the Party was established in 1921. However, this practice of control was subject to change as a result of rapid economic development and many social changes brought about by economic reform after 1978. This thesis explores the current situation of media control in China. Although the mass media in China began to enjoy more autonomy and diversity after the nation adopted its policies of reform and opening up to the outside world, given that political reform did not keep pace with economic reform, this study hypothesizes that the degree of government control varied according to the nature of the issues involved. It is expected that there would be tighter government control over the media in reporting political issues than reporting economic and social issues. The result of these case studies confirmed the original hypothesis. This study demonstrates that the relaxation of media control only happened in the non-political sphere. For those issues with political implications, there remained tight government control. In other words, the media are still used as instruments for political and social control in current day China. This study also explores the detailed approaches adopted by the government in controlling media content, management and operation. Furthermore, based on the study of both the historical development and the current situation of media control in China, this research points out the possible future developments for media control in China.
Master of Arts

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6

Ma, Qing. « Chinese media coverage of and public attitudes toward the 2008 Beijing Olympic Games ». [Ames, Iowa : Iowa State University], 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1443100.

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7

Abbott, Henry R. « Chinese Urban Youths and Hollywood Blockbusters ». The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1367590914.

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8

Li, Xiaomeng. « Surviving in between Neoliberalism and “Socialism with Chinese Characteristics” : Chinese Women in Negotiation with the Nation and Public Culture ». Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1588172263089764.

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9

Lui, She-lin. « News magazines in the PRC in the new millennium : issues of constraint and performance Zhongguo xin wen zhou kan de jing ying zhuang kuang he yun zuo / ». Click to view the E-thesis via HKUTO, 2001. http://sunzi.lib.hku.hk/hkuto/record/B31972536.

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10

Zhang, Yun, et 張贇. « Gendered writing, the women's press, and modernity : the making of Chinese new women, 1898-1918 ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/208564.

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The burgeoning of a new print form—the women’s press—in early twentieth-century China signaled a radical transformation in the ways of women’s literary and cultural production. This dissertation focuses on the discursive and imaginative space afforded by the women’s press. It explores in the women’s journals the processes of knowledge production and circulation that re/formulated the notions of gender and national identity. I examine writings by women and also by men writing in a feminine voice or assuming a female identity. In addition, I include writings that deploy “woman” as a trope through which authors express concerns of national salvation, social transformation, or Chinese modernization. The dissertation shows how experiences and expressions of “modernity” intersect with women’s print culture, and how the women’s press mediates a mixed gendered space for both women and men authors to bring into light a wide range of concerns at a critical historical juncture as Chinese modernity unfolded. How and why did women collaborate, reconcile, or contest with men in their writings or debates on themes related to feminine literary tradition, nationalism, feminism, ethnicity, and the female body to envision and construct “modern” Chinese women? In order to answer these questions, this thesis examines in the women’s press the multifarious writings by various groups of women, including “traditionally” literate women, “progressive” feminist activists, “ethnic” Manchu women reformers, “new-style” urban professionals, and “modern” female students. By reexamining prevailing assumptions regarding the relationship between Chinese feminism and nationalism, the “modern” production of women’s literature, and the masculinist formation of the New Woman, this analysis seeks to both highlight women’s agency and subjectivities in their political and cultural engagements and to illustrate the complexity and multivalence in the imaginings of modern Chinese women. Throughout, I argue that the women’s press provides a productive site for us to understand gender, women’s writing, and modernity in late Qing and early Republican China.
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Modern Languages and Cultures
Doctoral
Doctor of Philosophy

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Qiang, Wen. « Cultural resistances in Chinese cyberspace ». Thesis, University of Macau, 2010. http://umaclib3.umac.mo/record=b2150205.

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12

Lai, Yang. « After March 14 Tibet Riots : A New Wave of Chinese Nationalism ». Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1275673218.

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13

Diao, Ming Ming. « Research into Chinese television development television industrialisation in China / ». Phd thesis, Australia : Macquarie University, 2009. http://hdl.handle.net/1959.14/42473.

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Thesis (PhD)--Macquarie University, Division of Society, Culture, Media and Philosophy, Department of International Communication, 2009.
Bibliography: p. 431-447.
Introduction -- Literature review -- Methodology -- The development and the actual situation of television industry in China -- Commercial television in the U.S. and public television in the U.K. -- Results and discussion -- Conclusions and recommendations -- Bibliography.
Over the past five decades, China's television industry has gone through various historical periods, which have seen marked changes in China's political and economic spheres, indeed in Chinese society overall. Over the last thirty years, since the reform and opening up of China in 1978, transformation of the original television systems, structure and industrial market chain has been attempted concomitant with the gradual relaxation of the restrictions applicable to China's television industry. Within these circumstances, the Chinese government, media practitioners, and scholars are actively exploring long-term, feasible and sustainable approaches to the further development of the television industry in China. The research examines China's approaches to the development of its television industry, using McQuail's political, economic and social framework, the relevant political economy traditions involving the neoclassic paradigm and the heterodox approach, and the principles of media economics and the 'market chain' theory of the television industry. This thesis first presents a concise review of how television developed in China: it then seeks to map perceived changes and to ascertain the problems throughout the process. Research methods employed are secondary data analysis, in-depth interview and focus group. Chinese scholars, officials and media practitioners are the participants of interviews and focus groups. The discussion draws on previous analyses and discussions, to assess the overall picture of television industrialisation reformation in China, additionally drawing on discourses surrounding commercial television in the United States and public television in the United Kingdom for valuable reference material that will support China's television development. The significance of this research lies in its providing an insight into China's television reformation and adding, to the field of communication and development, the Chinese experience. The research expects to propose a television development pathway with Chinese characteristics, drawing on Chinese as well as Western theories.
Mode of access: World Wide Web.
xix, 461 p. ill

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Yuan, Jingtao. « Chinese Newspaper Coverage of the Beijing Olympics Games : A Comparative Framing Study of Chinese Media ». Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10190.

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viii, 89 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.
The Olympics games are not only a sport but also a media event. In 2008, China hosted the Olympics Games for the first time. The coverage of the Beijing Olympics Games in the Chinese media can reflect the characteristics of media and societal development in today's China. The study examines qualitatively the use of frames in coverage of the Beijing Olympics Games in 11 dailies and 2 weeklies in China. Four new issue-specific frames are found in the Chinese newspapers. The use of the existing six generic and five issue-specific frames are discussed in the Chinese context. The study finds that the Chinese media get more freedom in some areas that do not have direct links with politics. In the areas related to politics, the government is still controlling the media.
Committee in Charge: Patricia Curtin, Chair; John Russial H. Leslie Steeves

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Matanji, Frankline Bradly. « Framing the Chinese Investment in Africa : Media Coverage in Africa, China, United Kingdom, and the United States ». Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1562652784093464.

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16

Xu, Xia Ying. « Chinese audiences & ; US sitcoms : the case of friends ». Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b1874204.

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17

Li, Yuen. « Media Influence and News Production Centralization| The Role of China News Service in Overseas Chinese Affairs ». Thesis, The George Washington University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10278974.

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After the bloody Tiananmen crackdown in 1989, the legitimacy of the Communist Party of China (CCP) suffered a devastating blow among the overseas Chinese (OC). The CCP responded to the challenge by implementing transnational outreach policy in the OC community, which includes substantial efforts to increase the Party’s influence in the overseas Chinese-language media (OCLM). By conducting a qualitative analysis of the evolution of the CCP's OC policy, this thesis finds that the Party has made tremendous progress in achieving the policy’s strategic goals: modernization and transnational legitimacy. The CCP’s increased influence in the OCLM has made crucial contributions to the Party's success in restoring transnational legitimacy in the OC community. This thesis finds that the China News Service (CNS), China's second-largest news agency operating under the Overseas Chinese Affairs Office of the State Council, plays a major role in the CCP's attempt to influence the OCLM and centralize the production of Chinese-language news.

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呂書練 et She-lin Lui. « News magazines in the PRC in the new millennium : issues of constraint and performance ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31972536.

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Wang, Yue. « Cultural nation versus political state : media construction of national identity : the case of China Daily ». HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/785.

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20

Lin, David Gang. « How do Chinese print media in New Zealand present ideas of Chinese cultural identity a research of Chinese print media in New Zealand : a thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Communication Studies (MCS), 2007 ». Click here to access this resource online, 2007. http://hdl.handle.net/10292/411.

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21

Liu, Zhaoxi. « Journalism culture in Kunming : market competition, political constraint, and new technology in a Chinese metropolis ». Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3492.

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This study explores the occupational culture of journalism in a Southwestern China metropolis, Kunming, answering the questions of what and how journalists there give meaning to their work through analyzing the substance and form of the journalism culture. Over three months of fieldwork in four different local newspapers revealed a gap between the meanings these journalists aspire and the meanings they can materialize through practice, due to political and economic constraints. As a result, the journalists felt conflicted and deeply frustrated but at the same time tried to push the boundaries in different ways, including active use of digital technology and social media. The study also found that the journalism culture was intrinsically intertwined with the social, cultural and global environment within which it resided, as social conflict, widespread mistrust and global influences played important roles in shaping the meanings the journalists gave to their work. The journalism culture was also one of contradictions and uncertainties, still in the making and changing at a rapid pace. It is a journalism culture of a particular transitional era and place, with Chinese characteristics.

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Yu, Xun. « I observe media, I learn a mediated culture a framing study of media's influence on American and Chinese collage [sic] students' perception of each other / ». Laramie, Wyo. : University of Wyoming, 2008. http://proquest.umi.com/pqdweb?did=1798967461&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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23

Xiao, Yu. « Feels like at home a study of local Chinese media in New Zealand : a thesis presented in partial fulfillment for the degree of Master of Arts (Communication Studies) at the Auckland University of Technology (AUT), 2007 / Yu Xiao (Michael) ». Click here to access resource online, 2007. http://aut.researchgateway.ac.nz/handle/10292/371.

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Deng, Dan Dan. « Cyber speak : a language as Chinese youth under new media technology ». Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2525510.

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Brooks, Evan Thomas. « The Adaptive Media Strategy of Greenpeace in China ». The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338388499.

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Zhang, Yafei. « Mainstream cultural production and audience citizenship : dispute resolution reality shows in transitional Chinese society ». Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/7052.

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This study explores cultural productions in one television genre in Chinese mainstream media: dispute resolution shows. By applying the theoretical frameworks of Hall’s encoding and decoding and Habermas’ public spheres, this study mainly answers two research questions: 1) how does mainstream production convey politically-preferred cultural and social values to viewers; and 2) how do audience members exercise their citizenship in decoding televised social values and cultural norms? In a specific examination of Oriental Pearl Live Newsroom, mixed-methods are adopted, including unsupervised learning of the Latent Dirichlet Allocation (LDA), content analysis, thematic analysis, focus groups, and interviews. In the findings, the interviewees admitted that they propagated social and cultural values in accordance with the mainstream political ideology of the Chinese Communist Party (CCP) in order to maintain social stability and state order. However, my interviewees also suggested that they had an ambition and willingness to promote a civil society in China, which requires a counterbalanced power from the audience’s side. The results of the audience analysis generally indicated that they challenged the power of legitimate authorities, including the nation-state, the elite class, and the media. This study identified five online public spheres: 1) Government is the core; 2) Request for rule of law; 3) Media is a paradox; 4) The elite class is not the boss; 5) The grass is always greener (adoration of foreign countries). In general, this study supports conceptualizing audience members as citizens. It demonstrates how audience members deconstruct the dominant interpretations of social values and their attempts to elaborate less-favorable voices in Transitional Chinese society. This conceptualization suggests the importance of audience members in creating diverse public spheres and promoting a civil society.

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Liao, Mei. « The Role of the Chinese News Media in the 1989 Pro-democracy Movement ». PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/4378.

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This thesis examines the role of the Chinese news media in the 1989 pro-democracy movement. The three functions of this thesis are: 1) to provide evidence of changes in the pro-democracy movement; 2) to identify corresponding changes in the press coverage of the movement; 3) to examine what relationship exists between changes in the movement and changes in the press coverage of the movement.

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Ling, Qi. « Televising feminism : the Chinese television industry, female television professionals, and neoliberal empowerment ». Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6179.

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Television drama is a crucial site where notions of gender, as well as other cultural issues, are formed. Since 2010, the Chinese television industry has shown a growing interest in representing feminism-inflected content, most evident in cashing in on serials centering on a strong female character. These women-centric dramas mark a departure from previous constructions of gender, women, and feminism due to their narrative centrality of women, portrayal of strong female leads, expansion of women’s spheres of action, and endorsement of female power and independence. This dissertation explores the phenomenon, examining what feminist discourses are being represented by juxtaposing them with the social context of gender in China and interrogating how they are shaped by industrial practices. The factors at play in the serial production that have surfaced in this study mainly include female television professionals, textual and narrative conventions, considerations of audience profile, and party-state cultural leadership. Based on textual analysis and interviews with professionals associated with several representative women-centric television dramas, this dissertation found that these social and industrial forces collaboratively shaped the feminist discourses into various forms including the post-feminist and neoliberal feminist tendency, a common-ground form of feminism shared by various sections of society, and a vision of gender that combines traditional feminine roles and a powerful presence in the public sphere. The research raises issues about the role of the television industry in cultivating public understandings of feminism and the relationship between televisual forms of feminism and feminist politics.

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Gu, Xiaoting. « The influence of social media on chinese college students' social activism ». Scholarly Commons, 2012. https://scholarlycommons.pacific.edu/uop_etds/839.

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Guided by Uses and Gratifications Theory, this study investigated the relationship between Chinese college students' use of social media and their social activism. Data collected from a goup-administered survey of 309 undergraduate students at a large university in eastern China was used to answer four research questions. The results indicated that Chinese college students who used social media for information seeking were likely to participate in individual social activism. Besides, students who used social media for self-status seeking and information seeking were likely to participate in collective social activism. No significant correlation between entertainment motivation and social activism were found. Neither can socializing motivation predict Chinese college students' social activism. In addition, gender had an impact on individual social activism and frequency of social media use could affect both individual and collective social activism.

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Qiu, Ruochen. « Examining the impact of soft news and social media use on political knowledge of the Chinese younger generation ». Thesis, Kansas State University, 2011. http://hdl.handle.net/2097/8769.

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Master of Science
Department of Journalism and Mass Communications
Todd F. Simon
Since the 1990s, much discussion about the rise of the Internet within the People’s Republic of China has focused on the political consequences of the technology on China’s Communist Party. The popularization of Internet access was once regarded as a sign of significant progress in Chinese political democratization. Especially when considering the impact of Internet use on the Chinese younger generation, the importance of political issues spread through Internet should be more amplified. One interesting phenomenon that needs attention is the emergence of political soft news in recent years on the Chinese national social network that never arose before in the history of the People’s Republic of China. Different from any type of solemn formal political news that appeared in Chinese media, the soft news tends to emphasize entertaining aspects of political issues more and engages with high readability. It pays more attention to the gender, personality, and appearance--even the daily life of the leaders who were once the most mysterious and paramount group in Chinese political system. One important trait of this kind of news is that most news items emerged in social networks and websites that young adults are frequently exposed to. Along with the rapid rise of Chinese social media, will the major participants, Chinese young adults be strongly influenced by political soft news spread through the Internet? Will the young adults be attracted by the soft news initially and then try to know some further information about the government’s policies? Or, will they only dwell on the soft news? This research tries to explore and provide answers to these questions and focus on the impact of the soft news on Chinese young adults’ understanding of politics.

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Lu, Linqi. « Framing Genetically-modified Foods Communication in China : A Content Analysis of News Coverage of People’s Daily and Southern Metropolis ». Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/7054.

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Grounded in framing theory, this thesis presents a qualitative content analysis of newspaper coverage of genetically modified foods by two Chinese newspapers- People’s Daily and Southern Metropolis, in 2000-2017. The political, economic, public opinion and legal implications involved have made the reports of genetically modified (GM) foods present different framing, themes, and positions between People’s Daily and Southern Metropolis. This study aims to examine the various frames used in the coverage of GM foods in two major Chinese newspapers that operate within different media frameworks. Results of the content analysis illustrated that significant differences existed in the newspapers in their framing of GM foods, the themes of GM foods, the positions, news source, and media attributes. While the frames used by People’s Daily and Southern Metropolis were similar in the emphasis on the importance of “Supervision to GM product”, “Worries & Potential Risk/Safety”, and “International perspective”, Southern Metropolis presented a significance of pluralistic standpoint than People’s Daily whose attitude was likely to neutral and pro-GMO. People’s Daily preferred to use the frames of “Advanced Technology”, “International Perspective” or “Economic Consequences”, whereas Southern Metropolis preferred to produce the framed stories of “Worries & Potential Risk/Safety”.

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張榮顯. « 公眾的想像 : 媒介使用與中國人的國家主義建構 = Public imagination : media use and the construction of the Chinese nationalism ». HKBU Institutional Repository, 2005. http://repository.hkbu.edu.hk/etd_ra/652.

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Helander, Elisabet Maria Erika. « The influence of Chinese news in English on mass media in Sub-Saharan Africa : a case study of Kenyan and South African journalism and media content ». HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/408.

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This thesis conciders the conditions for news reporting in two post-authoritarian African nations, and places focus on Chinese media’s influence on the local journalism and media system. The question of how much influence China’s international media has in Africa, has been brought up by communication scholars, but not yet empirically studied. Based on a theoretical framework of how the structure of the media system dictates the practice of journalism, this research enquiry scrutinises the mass media coverage and framing of the news that involves Chinese engagements in Africa. The research question concerns whether China’s investment efforts in the area of media, culture and education have discernible impact on journalism and mass media content in Kenya and South Africa. The context which gives rise to the research question consists of a collection of sometimes instrumentalist literature, describing the nature and the intention of China’s expanding engagement in Africa, as well as an academic debate about what consequences the relationship has for social and political development in African countries. In such debates it has been discussed whether the Chinese commercial investments or direct aid is benefitting social justice in Africa or rather serve to widen existing inequalities. It is in this debate assumed that while Western countries have, since the end of the Cold War, promoted a democratic development model on the African continent, China is currently advertising an alternative model for development. However, there has not been any study to date, which tests this assumption. This study was conducted to gather empirical evidence for a better understanding of the scope and implications of Chinese international media and cultural exchange in Africa. The research is based on interviews with media practitioners who worked for Kenyan and South African media organisations, and content analysis of newspaper articles in the respective countries. The methodological approach forms two separate parts, which both help to answer the research question. By triangulation of the results from the two-pronged study, some significant findings have been drawn. The media practitioners in the majority display a critical view towards Chinese international media as source of information and forum for debate. The result of the content analysis indicates that any influence of China’s international media on local reporting is limited to certain publications, depending on media funding, ownership, and relation to the government.

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Nute, Kathryn Mary. « The Role of Chinese New Media, Specifically Weibo, in Broadcasting Information Concerning Incidents that Reflect Social Issues, and its Influence on the Consolidation of National Public Attention ». The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1322669900.

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Cheng, ShaoChun. « Popular culture production and exchange in the greater China regional media market a case study of Taiwan symbol creator Chiungyao's Huanzhu gege TV drama trilogy / ». online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3263055.

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Tsang, Chiu-yin Chester. « Development and evaluation of a guideline on the production of Chinese health educational pamphlets ». Click to view the E-thesis via HKUTO, 2003. http://sunzi.lib.hku.hk/hkuto/record/B31971246.

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Feng, Wei. « Male Cosmetics Advertisements in Chinese and U.S. Men’s Lifestyle Magazines ». Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1218147038.

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Zhang, Yao. « Nixon's trip to China and his media policy ». Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1250709340.

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Thesis (M.A.)--Ohio University, August, 2009.
Title from PDF t.p. Release of full electronic text on OhioLINK has been delayed until September 1, 2014. Includes bibliographical references (leaves 120-125)

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Yang, Chen. « The effect of partisan media and news slant on Americans' perception of China and Chinese products : an experimental study in an online news environment ». Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1464455723.

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Chen, Li. « Talking about health and health-related issues : an inquiry into the social media use of Chinese celebrity physicians and their fans ». Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3058.

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Since the beginning of the 21st century, the doctor-patient relationship in China has become increasingly confusing to observers. On the one hand, insiders of the medical discipline believed that the doctor-patient relationship could not even be worse. On the other hand, Chinese health care professionals appeared to be much more popular than they used to be. On the leading social media site, Weibo, many health care professionals managed to transform themselves into celebrities by producing content and interacting with ordinary social media users. These grassroots celebrity physicians have obtained tens of thousands, and even millions, of social media fans on Weibo, and they initiated online conversations about public controversies surrounding health and medicine, such as the doctor-patient relationship, health care reform, the use of Traditional Chinese Medicine, and so on. The seemingly conflicting phenomena reflected the crises Chinese health care professionals were facing and their struggles to free themselves from these crises. Distrusted by the public, health care professionals attempted to repair their reputations and to rebuild a relationship of trust through their efforts in cyberspace. In other words, health care professionals' social media activities were largely a response to the frustrations they had experienced in their professional careers. In turn, being liked by numerous social media users reflected the publics' need to have direct conversations with health care professionals. This study used textual analysis, in-depth interviews, and surveys 1) to explore Chinese celebrity physicians' motivations for and gratifications obtained from establishing a professional presence via social media; 2) to examine the online conversations between celebrity physicians and their social media fans; and 3) to discuss the potential medical, political, and cultural outcomes of their online activities. Results of the study suggested that celebrity physicians in China mainly used social media to achieve three goals: to increase public health literacy, to rebuild their professional identities, and to push the government to make changes to the current health care system. Accordingly, celebrity physicians were found to play multiple roles on Weibo: medical experts, opinion leaders, and celebrities. Each of these roles were performed and recognized by their social media fans in different ways, indicating the complexity of virtual social networks. By analyzing Chinese celebrity physicians' online narratives and examining the factors that shaped their online activities, the project further explored the sociological factors contributing to digital media use, revealed the multiple connections contributing to the formation of virtual social networks comprised of celebrity physicians and their social media followers, and studied the presentation of cultural tension in cyberspace. From the practical perspective, future scholars and advocates could use the findings of this study to better design health and science campaigns. From the theoretical perspective, this study expanded the scope of the uses and gratifications approach, proposed new angles for examining the doctor-patient and the celebrity-fan relationships, and discussed the online presentation of, and inherent nuances contributing to, cultural conflicts.

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Khaira, Simran Kaur. « The Decline and Revival of Chinese Picture Books ». The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338390852.

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Turner, Holly D. « Examining the Concepts, Situation and Inner Contradictions of the Chinese Media Through the News Reporting of Sudden Incidents in 2008 ». The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1237941394.

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Dumm, Elena. « Show No Weakness : An Ideological Analysis of China Daily News Coverage of the 2019 Hong Kong Protests ». Wittenberg University Honors Theses / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1617884910805174.

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Ren, Li. « Imagining China in the Era of Global Consumerism and Local Consciousness : Media, Mobility, and the Spring Festival ». Ohio : Ohio University, 2003. http://www.ohiolink.edu/etd/view.cgi?ohiou1057001670.

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Qu, Sheng. « Cinematic History and Multi-Subcultural Analysis : The Representation of Youth Dreams in Chinese Cinema ». The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405989442.

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Wang, Weirui. « Chinese Governmental Post-Crisis Management of 2003 SARS Epidemic : Evaluation of Governmental Communication Strategies and Frame Correlation between Government and Mass Media ». Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/42731.

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This study used a content analysis and a rhetorical analysis to examine the strategies the Chinese government utilized for handling post-crisis issues of the 2003 SARS epidemic. The content of several media outlets â Chinese Version of Xinhua News Agency, English Version of Xinhua News Agency, The Toronto Star, The New York Times, The Times (London) â were examined on the same issue in the post-crisis period from June 25, 2003 to September 9, 2003. Chinese media and Western media were examined to test the frame correlation between media and Chinese government discourses. The use of Chinese government as information sources in media coverage was explored. Chinese post-crisis management performance was evaluated through analysis of the use of Chinese government frames by mass media and the use of the Chinese government as a trusted information source. The results showed that the Chinese government used a renewal post-crisis communication theme through communication strategies of bolstering and transcendence. The content of Chinese media had a substantial relationship with frames of Chinese government. Chinese government was used as a believable source for Chinese media. The content of Western media had no relationship with frames of Chinese government. Chinese government was employed as a skeptical information source in coverage of Western media.
Master of Arts

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Chen, Zhiyang. « An examination of user generated content value on culturally based consumer groups ». Thesis, Kansas State University, 2013. http://hdl.handle.net/2097/15779.

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Master of Science
Department of Journalism and Mass Communications
Thomas Gould
The consumer value of user generated content was investigated between culture groups. Two groups of survey participants and three groups of interview respondents were utilized to identify the culture value’s influence on people’s reliance and preference in consumption-related UGC information. The behavior pattern of Chinese students and American students on UGC were identified and connected with dimensions of culture value. Some difference in preference and attitude between Chinese users and American users were found in this research. Power distance, individualism, and uncertainty avoidance are considered important cultural factors that influence the consumer-value of UGC in each culture group. Several potential areas for future quantitative and qualitative study as well as suggestions for UGC platform providers were also identified.

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Zhang, Chong. « Cultural citizenship and its implications for citizenship education : Chinese university students' civic experience in relation to mass media and the university citizenship curriculum ». Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7387/.

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A growing body of research has argued that university citizenship curricula are inefficient in promoting civic participation, while there is a tendency towards a broader citizenship understanding and new forms of civic engagements and citizenship learning in everyday life. The notion of cultural citizenship in this thesis concentrates on media practices’ relation to civic expression and civic engagement. This research thus argues that not enough attention has been paid to the effects of citizenship education policy on students and students’ active citizenship learning in China. This thesis examines the civic experience of university students in China in the parallel contexts of widespread adoption of mass media and of university citizenship education courses, which have been explicitly mandatory for promoting civic morality education in Chinese universities since 2007. This research project raises significant questions about the meditating influences of these two contexts on students’ perceptions of civic knowledge and civic participation, with particular interest to examine whether and how the notion of cultural citizenship could be applied in the Chinese context and whether it could provide certain implications for citizenship education in China. University students in one university in Beijing contributed to this research by providing both quantitative and qualitative data collected from mixed-methods research. 212 participants contributed to the questionnaire data collection and 12 students took part in interviews. Guided by the theoretical framework of cultural citizenship, a central focus of this study is to explore whether new forms of civic engagement and civic learning and a new direction of citizenship understanding can be identified among university students’ mass media use. The study examines the patterns of students’ mass media use and its relationship to civic participation, and also explores the ways in which mass media shape students and how they interact and perform through the media use. In addition, this study discusses questions about how national context, citizenship tradition and civic education curricula relate to students’ civic perceptions, civic participation and civic motivation in their enactment of cultural citizenship. It thus tries to provide insights and identify problems associated with citizenship courses in Chinese universities. The research finds that Chinese university students can also identify civic issues and engage in civic participation through the influence of mass media, thus indicating the application of cultural citizenship in the wider higher education arena in China. In particular, the findings demonstrate that students’ citizenship knowledge has been influenced by their entertainment experiences with TV programs, social networks and movies. However, the study argues that the full enactment of cultural citizenship in China is conditional with regards to characteristics related to two prerequisites: the quality of participation and the influence of the public sphere in the Chinese context. Most students in the study are found to be inactive civic participants in their everyday lives, especially in political participation. Students express their willingness to take part in civic activities, but they feel constrained by both the current citizenship education curriculum in universities and the strict national policy framework. They mainly choose to accept ideological and political education for the sake of personal development rather than to actively resist it, however, they employ creative ways online to express civic opinions and conduct civic discussion. This can be conceptualised as the cultural dimension of citizenship observed from students who are not passively prescribed by traditional citizenship but who have opportunities to build their own civic understanding in everyday life. These findings lead to the conclusion that the notion of cultural citizenship not only provides a new mode of civic learning for Chinese students but also offers a new direction for configuring citizenship in China. This study enriches the existing global literature on cultural citizenship by providing contemporary evidence from China which is a developing democratic country, as well as offering useful information for Chinese university practitioners, policy makers and citizenship researchers on possible directions for citizenship understanding and citizenship education. In particular, it indicates that it is important for efforts to be made to generate a culture of authentic civic participation for students in the university as well as to promote the development of the public sphere in the community and the country generally.

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Wang, Weiwei. « Body Image, Self-Esteem and Eating Disturbance among Chinese Women : Testing the Tripartite Influence model ». Scholar Commons, 2018. https://scholarcommons.usf.edu/etd/7591.

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The purpose of the study is to confirm the reasons behind young Chinese women’s eating disturbances and self-esteem. The researcher uses the Tripartite Influence model to illustrate the relationship between internalization and pressures in the form of peer, family, and media pressure. It further reveals the relationship between internalization and self-esteem and eating disorders. Besides conforming with the mode of young Chinese females, it aims at finding out the reasons behind each relevant relationship. One point of the study is the different impact of media pressure on young Chinese females; the influence of media tends to be much lower in China and the reasons have been discussed in their entirety.

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Wu, Gang. « Images of China and the United States in each other's newspapers a visual content analysis of three Chinese and three U.S. newspapers / ». abstract and full text PDF (free order & ; download UNR users only), 2006. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1438940.

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