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Thèses sur le sujet « Chiens – Fiction »

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Publié le 25 juillet 2024

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1

Shen, Ruihua. « New woman, new fiction : autobiographical fictions by twentieth-century Chinese women writers / ». view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113028.

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Thesis (Ph. D.)--University of Oregon, 2003.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 339-366). Also available for download via the World Wide Web; free to University of Oregon users.

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2

Wang, Hao. « Dunhuang xiao shuo ji qi xu shi yi shu = Dunhuang xiaoshuo jiqi xushi yishu / ». Hefei Shi : Anhui ren min chu ban she, 2005. http://www.loc.gov/catdir/toc/chi0701/2006430115.html.

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3

Cole, Cathy. « Private dicks and feisty chicks : an interrogation of crime fiction / ». Fremantle (Australia) : Curtin university books, 2004. http://catalogue.bnf.fr/ark:/12148/cb399906011.

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4

Wan, Pin P. « Investiture of the gods (Fengshen yanyi) : sources, narrative structure, and mythical significance / ». Thesis, Connect to this title online ; UW restricted, 1987. http://hdl.handle.net/1773/11125.

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5

Shi, Shumei. « Writing between tradition and the West Chinese modernist fiction, 1917-1937 / ». online access from Digital dissertation consortium, 1992. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9301519.

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6

Lü, Yongjia. « Xi Xi xiao shuo zhong de "cheng shi kong jian" = "Urban space" in Xi Xi's novels / ». click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b2020842xf.pdf.

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7

Chen, Lifen. « Fictionality and reality in narrative discourse : a reading of four contemporary Taiwanese writers / ». Thesis, Connect to this title online ; UW restricted, 1990. http://hdl.handle.net/1773/6624.

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8

Chui, Mai-hing. « A study of the Ming and Qing historical novels related to Yue Fei Yi Yue Fei wei ti cai de Ming Qing yan yi yan jiu / ». Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record/B38803835.

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9

Lu, Pei'er. « Xu shu "jiu qi" : Xianggang xiao shuo zhong de shi jian yu xu shi = Narrating "1997" : time and narrative in Hong Kong novels / ». click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b19843926f.pdf.

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10

Starr, Chloe. « The late Qing courtesan novel as text and fiction ». Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311310.

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11

Wong, Chi-hung. « Space in Taiwan urban novels a study of fiction by Huang Fan, Lin Yaode, Zhu Tianwen and Zhu Tianxin = Taiwan du shi xiao shuo de kong jian : Huang Fan, Lin Yaode, Zhu Tianwen, Zhu Tianxin zuo pin yan jiu / ». Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B35808068.

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12

Mai, Shujian. « Wan Qing Shanghai xiao shuo de cheng shi shu xie = City writing in late Qing Shanghai fictions / ». click here to view the fulltext click here to view the abstract and table of contents, 2004. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b17982091f.pdf.

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13

Stuckey, George Andrew. « Memory, tradition, history ties to the past in modern Chinese fiction / ». Diss., Restricted to subscribing institutions, 2005. http://proquest.umi.com/pqdweb?did=954000301&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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14

Yuen, Wai-kuen Jeannie. « Crisis and negotiation : a study of modern chinese fiction in the eighties / ». [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13671704.

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15

Lam, Bonita Mei-Hua Soohoo. « HONG MAI AND THE "YI JIAN ZHI" (SUNG LITERATURE, CHINA, CHIH-KUAI) ». Thesis, The University of Arizona, 1986. http://hdl.handle.net/10150/292094.

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16

CHAN, Wai Yee. « 香港小說中的空間 ». Digital Commons @ Lingnan University, 2006. https://commons.ln.edu.hk/otd/10.

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從來小說中的環境描述，都是小說創作中一項具體而重要的細節與象徵。小說作者往往藉由對場所/環境的選取與陳述，建構舖陳出小說中的情調與氛圍，其中蘊涵著作者個人對現實的感懷與情緒的投射。在不同的年代裏，都有作者以香港為小說的場景，他們透過不同的主題與角色，或頹靡，或抒情，或狂亂，或純真，或虛或實；所帶出的香港故事，與時俱變。如果都會的變貌是香港這座城市的本命，那麼它是如何影響及反映在以香港作為場景的小說之中？而這些以香港為場景的小說，又如何呈現了香港的氛圍與面貌？本論文嘗試以小說的「空間」及「場景」──也就是香港──為探索主題，從文本中歸納勾勒出「文學中的香港」的面貌，並對照不同作者的共通描述。論文共分六章。第一章為導論，主要介紹論文的研究範圍、方法及目的。第二章討論香港小說中的豪宅、半山洋房與大酒店；這些「空間」呈現了上流社會和中產階級，主要來自「外來作家」的描述。第二章討論香港小說中的木屋區、板間房和床位；四、五十年代從國內南來的作家，他們的小說總離不開他們對現實生活的憤慨與生存的苦苦掙扎，木屋區、板間房與床位就成為他們描寫現實生活的重要場景。第三章討論香港小說中的大廈；居住環境的擠迫，已經成為香港社會裏無法逃避的一種現實狀態，這樣的題旨都曾經出現在劉以鬯、也斯和西西的小說裏，不過他們態度迴異，構成了不一樣的城市氛圍。第五章討論香港小說中正在消失的城市；九十年代的小說作者有意無意地，把小說中城市的面貌意象化，現實從具體變得抽象，而其中的焦慮不安與不捨卻因而顯得更加真實。第六章為總結及檢討。

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17

CHEN, Xijing. « 舒巷城的小說研究 ». Digital Commons @ Lingnan University, 2002. https://commons.ln.edu.hk/otd/13.

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香港作家舒巷城（1923-1999）被文學史家稱為香港的「鄉土作家」。「鄉土文學」在中國內地及台灣有不同的定義及發展，香港特殊的地理環境、政治因素，令香港文學的發展吸收、融合多方面的思潮、技巧，形成跟中國內地、台灣的文學同中有異、異中有同的特色。本文主要把舒巷城放在時代背景中，分析香港「鄉土文學」和其他兩地作品特色之異同，同時對舒巷城的作品按時序作一整理，嘗試整理出作家在特定寫作環境下，作品所呈現的特色及作者文學觀的轉變。

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18

Chan, Wai-ying, et 陳惠英. « Chinese lyrical fiction in the period 1919-1989 ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212864.

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19

Li, Shuangyi. « Proust and China : translation, intertext, transcultural dialogue ». Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/28694.

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The thesis primarily engages with Proust and China from the following three aspects: the Chinese translations and retranslations of Proust’s A la recherche du temps perdu, contemporary mainland Chinese writers’ intertextual engagement with Proust, and the transcultural dialogue between Proust and the Franco-Chinese author, François Cheng. Part I Chapter I compares and contrasts different – integral and selective – Chinese translations of La Recherche, and explores their different emphases as well as negligence of Proustian themes, e.g. time and memory over anti-Semitism and homosexuality, due to the former’s strong resonance with Chinese philosophical and aesthetic traditions. The chapter is further substantiated by a close examination of various strategies employed to translate passages on sadomasochism and homosexuality in Proust’s work, which reflect changing discourses on and attitudes to the subjects in China. Chapter II focuses on the creative reception of Proust’s work in China. It explores how three mainland Chinese writers’ intertextual engagement with Proust is influenced by the first integral translation of La Recherche, and how they cite Proust partly to enhance the cultural prestige of their own works, while creating a horizon of expectations and a favourable climate of reception of Proust’s work in China. With a shift of focus to the Chinese diaspora in France, Part II explores Cheng’s French-language novel Le Dit de Tianyi as the author’s intellectual and artistic dialogue with Proust’s work. In addition to the intertextual relations, this part particularly examines Cheng’s conceptual and structural engagement with Proust’s novelistic conceptions of Bildungsroman and Künstlerroman, his approach to the fine arts, and finally his use of mythological motifs. Through the case of Proust, the thesis tries to gain a better understanding of the interaction between literatures and cultures, and particularly, the phenomena of cultural appropriation and dialogue in literature. More specifically, it demonstrates how the cultural heritages of China and the West can be re-negotiated, re-thought, and put into dialogue through the fictional and creative medium of literature.

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20

Yeung, Mei-yee. « Searching for a cultural identity : Hong Kong fiction from the fifties to the nineties / ». Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19605389.

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21

Chung, Hilary. « The portrayal of women in Mao Dun's early fiction 1927-1932 ». Thesis, Durham University, 1991. http://etheses.dur.ac.uk/6244/.

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It is the prevailing critical assessment of Mao Dun's early creative writing that he displays a singular insight in his portrayal of women. This thesis seeks not only to challenge this assessment by a predominantly male body of criticism but also the assumptions on which it is based, namely that an intellectual sympathy for the women’s cause necessarily implies a transcendence of the patriarchal attitudes with which society is imbued. The major short stories and novellas written between 1927 and 1932 are analysed systematically to identify Mao Dun's underlying attitudes towards women. His portrayal of women is assessed from the following perspectives:~ his autobiographical accounts of his encounters with women in his political and personal life and his deliberate association of his female comrades with his creative inspiration;- traditional Chinese perceptions of women and gender roles as these are manifested in the classical tradition;-- Mao Dun's numerous articles and essays on the women's question written during the nineteen twenties and his work in the women's section of the Party in Shanghai;- Mao Dun's attempt to reconcile his conflicting sympathies for feminism and socialism. This thesis relies for its methodology on Western feminist criticism. While the approach is maintained, in its application to the context of early twentieth century China, its eurocentrism in terms of cultural assumptions and perceptions of gender has been replaced by a definition of Chinese values. Since a fundamental prerequisite, of feminist criticism is the assessment of the writer in his/her own cultural context, a historical survey of the portrayal of women in traditional literature is provided to serve as a standard against which to measure Mao Dun’s portrayal.

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22

Reynolds, Hannah C. « The Electric Era : Science Fiction Literature in China ». Wittenberg University Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1617805441166436.

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23

Kockum, Keiko. « Japanese achievement, Chinese aspiration a study of the Japanese influence on the modernisation of the late Qing novel / ». Löberöd : Plus Ultra, 1990. http://catalog.hathitrust.org/api/volumes/oclc/24703921.html.

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24

Wanning, Sun, et n/a. « The literature of fact : a study of the representations of Chinese society in some Australian fiction and non-fiction writings ». University of Canberra. Communication, 1991. http://erl.canberra.edu.au./public/adt-AUC20061109.174027.

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The present study argues for a generic approach to the study of the representation of Chinese society in a selection of Australian fiction and non-fiction writings, based on the assumption that how China is represented is as important as what is represented. The three works that will be used to represent travel literature, journalism and the novel are: The East Is Red by Maslyn Williams, Real Life China by Richard Thwaites, and the Avenue of Eternal Peace by Nicholas Jose, all of which have been written by contemporary Australian writers. The study re-examines the obligations and meanings inherent in each of these genres, and discusses .these writers' individual ways of experimenting with the genres in which they write in order to cope with the complexity, ambiguity, and the fictionally of reality. These works are analysed in detail within two frameworks: the writers' relationships to their writings, and the relationship between the text and the external world, leading to the realization of the increasingly important role writers' consciousness plays in reshaping and fictionalizing their personal experience, as well as the recognition of the increasingly important role fictionalization plays in the representation of Chinese society in both fiction and non-fiction writings.

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25

Wang, Baorong, et 汪宝荣. « Shaoxing Dialect in English translations of Lu Xun's fiction ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40887698.

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26

Wang, Baorong, et 汪宝荣. « Lu Xun's fiction in English translation : the early years ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46969081.

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27

Mills, Deborah Susan. « Images of chaos : a study of metaphor and myth in the fiction of Lu Xun ». Thesis, University of Newcastle Upon Tyne, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386757.

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28

Fang, Zhihua White Ray Lewis. « Twentieth century Chinese and American short fiction a comparative analysis / ». Normal, Ill. Illinois State University, 1993. http://wwwlib.umi.com/cr/ilstu/fullcit?p9411037.

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Thesis (D.A.)--Illinois State University, 1993.
Title from title page screen, viewed February 21, 2006. Dissertation Committee: Ray Lewis White (chair), William Bohn, Irene Brosnahan, Douglas Hesse, Curtis White. Includes bibliographical references and abstract. Also available in print.

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29

Ge, Liang, et 葛亮. « A thematic study of the immigrants' fiction of Yan Geling ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B26652845.

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30

Lou, Sabrina. « Paradise girls : contemporary realistic young adult fiction / ». Access resource online, 2009. http://scholar.simmons.edu/handle/10090/12593.

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31

Dilley, Whitney Crothers. « The Ju-lin wai-shih : an inquiry into the picaresque in Chinese fiction / ». Thesis, Connect to this title online ; UW restricted, 1998. http://hdl.handle.net/1773/6620.

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32

Wu, Yingni. « Zhang Dachun xiao shuo lun = Research on Zhang Da Chun's fiction / ». click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15941218a.pdf.

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33

阮佩儀 et Pui-yee Yuen. « A study of the Art of Mu Shiying's fiction ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31222134.

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34

李仕芬 et Shi-fan Lee. « The male characters in the fiction of contemporary Taiwanese women writers ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31235979.

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35

程雲峰 et Wan-fung Ching. « The images of peasants in modern Chinese fiction ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31209166.

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36

李仕芬 et Shi-fan Lee. « Love and marriage ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31208721.

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37

Cheng, Po-suen. « The theme of alienation in modern Chinese and Anglo-American fiction / ». [Hong Kong : University of Hong Kong], 1985. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12317135.

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38

Hao, Ji. « "Double" in traditional Chinese fantastic fictions ». online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1438396.

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39

Kozar, Seana. « Deliberations between the covers : an audience-centred ethnography of Chinese popular fiction readers / ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ34716.pdf.

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40

Marling, Thomas Oliver. « The magician of reason, the plaything of enlightenment : grotesque fantasy and tabloid speculative fiction, 1900-1911 /Marling Thomas Oliver ». HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/375.

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The final decade of the Qing Dynasty, 1901-1911, witnessed a proliferation of works of fiction that incorporated, to a large extent for the first time, themes and images relating to material and technological progress. These "science fantasies" of global and interplanetary peregrination and travel across epochal time have typically been situated along various degrees of confederacy with the values and ideology of modernising China at large. This study however addresses the complex and oft-obfuscated relationship between much of this speculative fiction and the late-Qing tabloid press, which is more closely associated with the satirical, grotesque, narcotic and libidinal. By investigating the subverting and distorting of nominally positivist images like imagined futures, space travel and utopia, the dissertation explicates the possibility for these works of fiction to express a cynical and critical subjectivity toward the ideology of "modern China" that was taking shape at this time. The study incorporates new perspectives on oft-encountered novels, like Wu Jianren's New Story of the Stone, alongside more marginal texts, like the popular sequels to the classics authored by Lu Shi'e, and several unattributed pseudonymous works of short experimental fiction. Through close analysis of these texts, I argue that the arena of "tabloid speculative fiction" was thematically united at the level of their "grotesque fantasies," in which the images of fantasy and the values of modernity were subverted by sexuality, lassitude and boredom. In highlighting this critical grotesquery, the study stresses the internal discontinuities that undergird the superficial homogeneity often attributed to late-Qing speculative fiction.

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41

Chunjing, Liu. « Seeking identity between worlds : A study of selected Chinese American fiction ». University of the Western Cape, 2011. http://hdl.handle.net/11394/5176.

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Magister Artium - MA
The literature of the Chinese diaspora in America is marked by a tension between ancestral Chinese traditional culture and the modernity of Western culture. This thesis explores diaspora theory, as elaborated by Stuart Hall, Homi Bhabha, Gabriel Sheffer and others to establish a framework for the analysis of key Chinese American literary works. Maxine Hong Kingston's seminal novel, The Woman Warrior (1975), will be analysed as an exemplary instance of diasporic identity, where the Chinese cultural heritage is reinterpreted and re-imagined from the point of view of an emancipated woman living in the West. A comparative analysis will be undertaken of Jade Snow Wong's The Fifth Chinese Daughter (1950) and Amy Tan's The Joy Luck Club (1989) to identify links between the writers who have grappled with various forms of diasporic identity in their works. An important part of this analysis is the representation and adaptation of Chinese folklore and traditional tales in Chinese American literary works.

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42

Lin, Xiangcheng. « "San yan" gu shi de jie gou fen xi = The San-yen stories : a structural analysis / ». click here to view the abstract and table of contents, 1999. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15646440a.pdf.

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43

Zheng, Ruiqin. « Xi Xi "Tong hua xie zhen" xiao shuo yan jiu = Research on the fairy realism in Xi Xi's writings / ». click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15722624a.pdf.

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44

Fong, Sing-ha. « Continuity and transcendence of Jing School a critical study of Wang Zengqi's fiction = Jing pai de cheng chuan yu chao yue - Wang Zengqi xiao shuo yan jiu / ». Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39558228.

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45

Cai, Zheng. « Cold literature on Gao Xingjian's novels and stories / ». online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?MR29875.

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46

Shen, D. « Literary stylistics and translation : With particular reference to English translations of Chinese prose fiction ». Thesis, University of Edinburgh, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.379342.

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47

Wang, Baorong. « Shaoxing dialect in English translations of Lu Xun's fiction Lu Xun xiao shuo zhong Shaoxing fang yan ying yi yan jiu/ ». Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B40887698.

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48

Luo, Meng. « Chong du "Hai shang hua lie zhuan" : kong jian, xu shi yu xian shi zhu yi / ». View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20LUO.

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49

Wong, Hoi-sing. « A critical study of the evolution and context of the sequels of Water Margin = Shui hu zhuan xu shu yan jiu ». Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43278668.

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50

齊曉楓 et Hsiao-feng Chi. « Patterns of husband selection in traditional Chinese fiction and drama ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238312.

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