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Livres sur le sujet « Catholics – England – Poetry »

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Auteur : Grafiati

Publié le 25 juillet 2024

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1

Roberts, Gerald. Gerard Manley Hopkins : A literary life. Houndmills, Hampshire, U.K : Macmillan, 1994.

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2

Roberts, Gerald. Gerard Manley Hopkins : A literary life. New York : St. Martin's Press, 1994.

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3

Bernard, Bergonzi. Jerādo manrī hopukinzu den. Tōkyō : Hokuseidōshoten, 1985.

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4

Muller, Jill. Gerard Manley Hopkins and Victorian Catholicism : A heart in hiding. New York : Routledge, 2003.

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5

Joaquin, Kuhn, et Feeney Joseph J, dir. Hopkins variations : Standing round a waterfall. Philadelphia : Saint Joseph's University Press, 2002.

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6

Edmund Campion : Memory and transcription. Aldershot, Hants, England : Ashgate, 2005.

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7

Flon, Nancy Marie De. Edward Caswall : Newman's brother and friend. Leominster, Herefordshire [England] : Gracewing, 2005.

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8

McKenzie, Tim. Vocation in the poetry of the priest-poets George Herbert, Gerard Manley Hopkins, and R.S. Thomas. Lewiston, N.Y : Edwin Mellen Press, 2003.

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9

Mariani, Paul L. Gerard Manley Hopkins. New York : Penguin Group USA, Inc., 2008.

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10

Mariani, Paul L. Gerard Manley Hopkins : A life. New York : Viking, 2008.

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11

Edgecombe, Rodney Stenning. Two poets of the Oxford Movement : John Keble and John Henry Newman. Madison [N.J.] : Fairleigh Dickinson University Press, 1996.

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12

Gardiner, Anne Barbeau. Ancient faith and modern freedom in John Dryden's The hind and the panther. Washington, D.C : Catholic University of America Press, 1998.

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13

Roy, William. Rede me and be nott wrothe : Jerome Barlowe and William Roye ; edited by Douglas H. Parker. Toronto : Buffalo, 1992.

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14

1942-, Travitsky Betty, et Cullen Patrick 1940-, dir. The early modern Englishwoman : A facsimile library of essential works. Series I, Printed writings, 1500-1640 : part 2. Aldershot, England : Ashgate Pub. Co., 2000.

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15

Prowse, Anne, ca. 1534-ca. 1590., Russell, Elizabeth Cooke Hoby, Lady, ca. 1540-1609., Beilin Elaine V. 1948-, Calvin Jean 1509-1564, Prowse, Anne, ca. 1534-ca. 1590., Taffin Jean 1529-1602 et Ponet John 1516?-1556, dir. Protestant translators : Anne Lock Prowse and Elizabeth Russell. Aldershot, Eng : Ashgate, 2001.

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16

Helmling, Steven. The esoteric comedies of Carlyle, Newman, and Yeats. Cambridge [England] : Cambridge University Press, 1988.

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17

Lichtmann, Maria R. Contemplative Poetry of Gerard Manley Hopkins. Princeton University Press, 1989.

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18

Lichtmann, Maria R. Contemplative Poetry of Gerard Manley Hopkins. Princeton University Press, 2016.

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19

Lichtmann, Maria R. Contemplative Poetry of Gerard Manley Hopkins. Princeton University Press, 2014.

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20

Lichtmann, Maria R. Contemplative Poetry of Gerard Manley Hopkins. Princeton University Press, 2014.

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21

Roberts, Gerald. Gerard Manley Hopkins : The Critical Heritage. Taylor & Francis Group, 2013.

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22

Gerard Manley Hopkins : The Critical Heritage. Taylor & Francis Group, 2013.

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23

Roberts, Gerald. Gerard Manley Hopkins : A Literary Life. Palgrave Macmillan, 1994.

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24

Roberts, Gerald. Gerard Manley Hopkins : The Critical Heritage. Taylor & Francis Group, 2013.

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25

Gerard Manley Hopkins : The Critical Heritage. Routledge, 2013.

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26

Gerard Manley Hopkins The Major Works. Oxford University Press, USA, 2009.

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27

Gerard Manley Hopkins. Collier, 2003.

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28

Muller, Jill. Gerard Manley Hopkins and Victorian Catholicism : A Heart in Hiding. Taylor & Francis Group, 2004.

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29

Muller, Jill. Gerard Manley Hopkins and Victorian Catholicism : A Heart in Hiding. Taylor & Francis Group, 2004.

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30

Rickey, Mary Ellen. Rhyme and Meaning in Richard Crashaw. University Press of Kentucky, 2014.

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31

Rickey, Mary Ellen. Rhyme and Meaning in Richard Crashaw. University Press of Kentucky, 2021.

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32

Rickey, Mary Ellen. Rhyme and Meaning in Richard Crashaw. University Press of Kentucky, 2014.

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33

Muller, Jill. Gerard Manley Hopkins and Victorian Catholicism : A Heart in Hiding. Taylor & Francis Group, 2014.

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34

Muller, Jill. Gerard Manley Hopkins and Victorian Catholicism : A Heart in Hiding. Taylor & Francis Group, 2004.

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35

Alexander, Pope. Rape of the Lock : (Annotated Edition). Independently Published, 2021.

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36

Rape of the Lock. Taylor & Francis Group, 2003.

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37

Rape of the Lock. Penguin Random House, 2010.

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38

Rape of the Lock. Creative Media Partners, LLC, 2022.

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39

Cooper, Helen. Poetic Fame. Sous la direction de James Simpson et Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0020.

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Poetry is intertwined with fame: it needs to be known, and to be associated with a named poet. In their dramatization of Geoffrey Chaucer’sKnight’s Tale, William Shakespeare and John Fletcher declare that Chaucer is more famous than Petrarch or any contemporary English poets. Shakespeare’s attitude to Chaucer thus highlights the contrast between the high admiration with which he was received in the sixteenth century and the widespread refusal in modern times to recognize him as England’s laureate poet. Numerous other poets, including Edmund Spenser and Ben Jonson, paid tribute to Chaucer throughout the sixteenth and early seventeenth centuries. This article examines Chaucer’s fame as a poet, his own attitude to fame, and its relation to humanism, Catholicism and Protestantism.

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40

Brooks, Francesca. Poet of the Medieval Modern. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198860136.001.0001.

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The early Middle Ages provided twentieth-century poets with the material to reimagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895–1974), and represents the first extended study of the influence of early medieval culture and history from England on Jones and his novel-length late modernist poem The Anathemata (1952). The Anathemata, the second major poetic project after In Parenthesis (1937), fuses Jones’s visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones’s Library, Poet of the Medieval Modern reads with Jones in order to trouble the distinction we make between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in modernist and medieval studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages—including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography—to re-envision British Catholic identity in the twentieth-century long poem. In The Anathemata Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponized in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore up and challenge English hegemonies across modern British culture.

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41

Gilley, Sheridan. Keble, Froude, Newman, and Pusey. Sous la direction de Stewart J. Brown, Peter Nockles et James Pereiro. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199580187.013.7.

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The Oxford Movement, influenced by Romanticism, was rooted in the inheritance both of an older High Church tradition and of the Evangelical Revival. The Movement was characterized by an effort to recover the Catholic character of the Church of England. Its genius was John Henry Newman, who redefined Anglicanism as a via media between Protestantism and Roman Catholicism. John Keble had earlier opened the way to a new Anglican sensibility through his poetry in The Christian Year. The Oxford Professor of Hebrew, Edward Bouverie Pusey, brought to the Tracts his massive scholarship. Newman’s dearest friend, Hurrell Froude, gave the Movement a radical edge, which continued despite his premature death in 1836.

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42

Redrawing The Map Of Early Modern English Catholicism. University of Toronto Press, 2012.

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43

Kuhn, Annette, et Joseph Feeney. Hopkins Variations : : Standing Round a Waterfall. ST.JOSEPH'S UNIVERSITY PRESS, 2002.

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44

Collini, Stefan. Whig History and the Mind of England. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198800170.003.0002.

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This chapter explores the surprisingly extensive engagement with history and historiography in T. S. Eliot’s early literary criticism. It shows Eliot challenging the ‘Whig interpretation of English history’ as he simultaneously sketched a revised version of literary history. It traces his unsteady and ambivalent relationship with history and historians, especially in his Clark Lectures on the varieties of metaphysical poetry. It situates his celebrated remarks about a seventeenth-century ‘dissociation of sensibility’ in the framework of these engagements, emphasizing the remarkable influence of this gnomically unclear conception. The chapter also provides a briefer account of Eliot’s later historical thinking, especially the ways in which his ‘Anglo-Catholic’ perspective embodied a historical interpretation of ecclesiastical development and political history.

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45

Ezell, Margaret J. M. The ‘Glorious Revolution’ and the Court in Exile. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780191849572.003.0015.

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The birth of an heir to King James and Mary of Modena led to a crisis, with allegations that the child was not legitimate. Whig politicians were alarmed by the promotion of openly practicing Catholics in the army and at the court. Upon the invasion by William, the court fled into exile in France, establishing a rival court at St. Germain. While in exile, Jacobite poets including Jane Barker created manuscript volumes of verse and fiction to be published later. In England, supporters of King James including Heneage and Anne Finch retreated from London into a quiet exile in the countryside, and John Dryden was removed from his post as Poet Laureate.

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46

Spurr, Barry. The Twentieth-Century Literary Tradition. Sous la direction de Stewart J. Brown, Peter Nockles et James Pereiro. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199580187.013.43.

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This chapter explores significant aspects of the Tractarian tradition, surviving into the twentieth century, in the works of T. S. Eliot, John Betjeman, W. H. Auden, Rose Macaulay, Charles Williams, Dorothy Sayers, and Barbara Pym. By the twentieth century, virtually every reference in literature to Anglican faith and practice reflected the Oxford Movement, but the most concentrated influence of Tractarianism is to be found in the writers discussed here. All of them, at various periods in their lives, were deeply immersed in the Catholic movement of the Church of England and their poetry and prose must be appreciated in light of that commitment and tradition.

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47

Kilroy, Gerard. Edmund Campion : A Scholarly Life. Taylor & Francis Group, 2016.

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48

Kilroy, Gerard. Edmund Campion : Memory and Transcription. Taylor & Francis Group, 2016.

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49

Kilroy, Gerard. Edmund Campion : A Scholarly Life. Taylor & Francis Group, 2017.

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50

Hamrick, Stephen. Catholic Imaginary and the Cults of Elizabeth, 1558-1582. Taylor & Francis Group, 2018.

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