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Bibliographies thématiques / Carpenter Company / Livres

Livres sur le sujet « Carpenter Company »

Pour voir les autres types de publications sur ce sujet consultez le lien suivant : Carpenter Company.

Auteur : Grafiati

Publié le 26 juillet 2024

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1

Cheape, Charles W. Strictly business : Walter Carpenter at Du Pont and General Motors. Baltimore : Johns Hopkins University Press, 1995.

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2

Ridley, Jasper Godwin. A history of the Carpenters' Company. London : Carpenters' Hall, 1995.

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3

Ridley, Jasper. A history of the Carpenters'Company. London : Carpenters' Company, 1995.

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4

Carpenters' Company of the City and County of Philadelphia. The rules of work of the Carpenters' Company of the City and County of Philadelphia, 1786 : With the original copper plate illustrations. Mendham, N.J : Astragal Press, 1992.

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5

Karsch, Carl G. The Carpenters' Company of the city and county of Philadelphia through the centuries. Philadelphia, PA : Carpenters' Company, 2009.

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6

Company, Greenfield Tool. Illustrated catalogue and invoice price list of joiners' bench planes, moulding tools, handles, plane irons, &c. manufactured by the Greenfield Tool Company, Greenfield, Mass. Mendham, N.J : Astragal Press, 1990.

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7

1906-, Peterson Charles E., et Carpenters' Company of the City and County of Philadelphia., dir. Building early America : Contributions toward the history of a great industry. Mendham, N.J : Astragal Press, 1992.

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8

Skeel, Sharon. Catherine Littlefield. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190654542.001.0001.

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Born in Philadelphia in 1905, Catherine Littlefield first learns dancing from her mother, Caroline (called Mommie), who was an expert pianist, and from a local dancing master, C. Ellwood Carpenter. As a teenager, Catherine becomes a Ziegfeld dancer and takes lessons from Luigi Albertieri in New York. She returns home in 1925 to help Mommie teach at the Littlefield School (among her students is Zelda Fitzgerald) and stage dances for women’s musical clubs and opera companies. William Goldman hires Catherine to produce routines in commercial theaters throughout Philadelphia and becomes her boyfriend. Catherine, Mommie, and Catherine’s sister, Dorothie, travel to Paris so the sisters can study ballet with Lubov Egorova. They become friendly with George Balanchine in Paris and help him establish his first American school and company when he comes to the United States in 1933. Catherine marries wealthy Philadelphia attorney Philip Leidy and founds her Philadelphia Ballet Company in 1935. She choreographs—and her company presents—the first full-length, full-scale production of Sleeping Beauty in the United States as well as popular ballet Americana works such as Barn Dance and Terminal. Her company’s European tour in 1937 is the first ever by an American classical ballet troupe. Catherine loses some of her protégées to the newly formed Ballet Theatre and disbands her company after the United States enters World War II; she then choreographs Broadway musicals, Sonja Henie’s Hollywood Ice Revues, and Jimmy Durante’s NBC television show before dying in 1951 at age forty-six.

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9

Peterson, Charles E. The Carpenters Company 1786 Rule Book. Astragal Pr, 1992.

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10

Wade, Stephen. Pete Steele. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036880.003.0008.

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This chapter describes the recordings of banjoist Pete Steele, who began as a coal miner and then became a carpenter in a southern Ohio paper plant. On March 29, 1938, at his company-owned home on Rhea Avenue a few blocks from the Champion paper mills, Pete Steele first recorded “Coal Creek March” along with twenty-six other songs and tunes. Pete's facility with multiple tunings, combined with his various right-hand picking styles, demonstrates a technical range unsurpassed on the Folk Archive's numerous other disc-era banjo recordings. Surrounded by his wife Lillie and their children, Pete applied these skills either solo or to accompany Lillie, who additionally sang four numbers by herself. Their son Craig joined them on three pieces, playing guitar and sometimes adding his voice to theirs.

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11

Carpenters' Company of the City and C et Henry Armitt 1844-1878 Brown. Carpenters' Company of the City and County of Philadelphia : Instituted 1724. Creative Media Partners, LLC, 2021.

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12

Carpenters' Hall, meeting place of history : With an account of the Carpenters' Company of the City and County of Philadelphia. [Philadelphia] : The Carpenters' Company, 2006.

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13

Jupp, Edward Basil. Historical Account of the Worshipful Company of Carpenters of the City of London. Creative Media Partners, LLC, 2018.

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14

Jupp, Edward Basil, et William Willmer Pocock. An Historical Account Of The Worshipful Company Of Carpenters Of The City Of London. Arkose Press, 2015.

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15

Jupp, Edward Basil 1812-1877. Historical Account of the Worshipful Company of Carpenters of the City of London. Compiled Chiefly from Records in Their Possession. Creative Media Partners, LLC, 2015.

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16

Wahrhaftig, Alexandre de Macêdo. La portada del corregidor. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-060-1.

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This is a preliminary examination related to a portal faced of a public building in the city of La Laguna, Tenerife, Spain, carved in the mid-sixteenth century, of rich lines and architectural symbols characteristic of the Renaissance early stage. It was set up in ashlars, of chemical composition and granulometry that gave to it the classification of toba basaltic volcanic, compact granular, reddish in colour. Its high chemical resistance was not able to withstand the 450 years of exposure and at the time of diagnosis its surface had a high degree of dirt adhered and a profound loss of material by disaggregation and breakdowns, what had partially destroyed valuable elements of its characterization. This preliminary investigation fell exclusively on the stone material that composed the faced, although could be observed other elements like roof tile in the ceiling, and carpentry on the window and door. For that reason, the focus of this work has been directed to the stylistic symbolism and diagnose of the main element, being restricted to the stonework, where was the essence of the centennial facade. Therefore, this previous analysis was performed objecting to prepare the base for a restoration work considering the archaeological line of thought, in order to retrieve and maintain its forms and volumes, working on fundamental architectural elements to rescue and ensure to future generations the true message that was exteriorized.

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17

Eliot, George. The Mill on the Floss : In Half the Time (Compact Editions). Phoenix Press, 2007.

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