Articles de revues : « Career in nursingborden, mary »

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Pascoe, Judith. « Mary Robinson and Your Brilliant Career ». Romanticism on the Net, n^o 19 (2000) : 0. http://dx.doi.org/10.7202/005937ar.

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Clapp, Jeffrey. « Undisguised alter ego : Mary McCarthy’s autofictional career ». Life Writing 17, n^o 1 (2 janvier 2020) : 27–43. http://dx.doi.org/10.1080/14484528.2020.1710556.

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Hooper, Carole. « The unsaintly behaviour of Mary Mackillop : her early teaching career at Portland ». History of Education Review 47, n^o 2 (1 octobre 2018) : 186–96. http://dx.doi.org/10.1108/her-10-2017-0019.

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Purpose Mary Mackillop, the only Australian to have been declared a “saint” by the Roman Catholic Church, co-founded the Institute of the Sisters of St Joseph, a religious congregation established primarily to educate the poor. Prior to this, she taught at a Common School in Portland. While she was there, the headmaster was dismissed. The purpose of this paper is to examine the extent to which the narrative accounts of the dismissal, as provided in the biographies of Mary, are supported by the documentary evidence. Contemporary records of the Board of Education indicate that Mary played a more active role in the dismissal than that suggested by her biographers. Design/methodology/approach Documentary evidence, particularly the records of the Board of Education, has been used to challenge the biographical accounts of Mary Mackillop’s involvement in an incident that occurred while she was a teacher at the Portland Common School. Findings It appears that the biographers, by omitting to consider the evidence available in the records of the Board of Education, have down-played Mary Mackillop’s involvement in the events that led to the dismissal of the head teacher at Portland. Originality/value This paper uses documentary evidence to challenge the account of the Portand incident, as provided in the biographies of Mary Mackillop.

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Hedrick, Elizabeth. « The Early Career of Mary Daly : A Retrospective ». Feminist Studies 39, n^o 2 (2013) : 457–83. http://dx.doi.org/10.1353/fem.2013.0043.

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Kanner, Barbara Penny, et Gary Kelly. « Revolutionary Feminism : The Mind and Career of Mary Wollstonecraft. » American Historical Review 99, n^o 1 (février 1994) : 229. http://dx.doi.org/10.2307/2166227.

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Godlewski, Susan Glover. « Warm Ashes : The Life and Career of Mary Reynolds ». Art Institute of Chicago Museum Studies 22, n^o 2 (1996) : 102. http://dx.doi.org/10.2307/4104317.

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Clarke, Norma. « Revolutionary Feminism : the mind and career of Mary Wollstonecraft ». Women's History Review 3, n^o 1 (1 mars 1994) : 119–39. http://dx.doi.org/10.1080/09612029400200095.

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Newberry, Mary. « A retrospective of a scholarly indexer ». Indexer 42, n^o 1 (mars 2024) : 65–71. http://dx.doi.org/10.3828/index.2023.58.

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From time to time this journal has featured articles on the career progression of particular indexers, sometimes looking at the experiences of those starting out in the profession, at other times taking a longer view. Here Mary Newberry reflects on her long career as an indexer and her approach to the indexing of scholarly books.

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Baxter, Ryan. « Shelley's Frankenstein ». Pedagogy 23, n^o 2 (1 avril 2023) : 405–8. http://dx.doi.org/10.1215/15314200-10296162.

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Tyra, Steven W. « “Mary puts us all to shame” ». Church History and Religious Culture 98, n^o 3-4 (12 décembre 2018) : 367–86. http://dx.doi.org/10.1163/18712428-09802002.

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AbstractThis article examines Martin Luther’s interpretation of Saint Mary Magdalene throughout his career, from his Psalms lectures of 1513 to his sermons on John’s Gospel in 1529. In particular, it will be argued that Luther both adopted and reshaped the exegetical tradition flowing from the twelfth-century theologian, Bernard of Clairvaux. The final result was a Reformation reading of the Magdalene that was neither fully medieval nor “Protestant” as the tradition would later develop. Luther’s journey with the saint thus illumines his ambiguous place in the history of biblical interpretation, as well as his fraught relationship to the medieval past.

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Williamson, Arthur, et Pamela E. Ritchie. « Mary of Guise in Scotland, 1548-1560 : A Political Career ». Sixteenth Century Journal 35, n^o 1 (1 avril 2004) : 293. http://dx.doi.org/10.2307/20476917.

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Tankard, Paul. « An Art to Depict ‘the Noble and the Heroic’ : Tolkien on Adaptation, Illustration and the Art of Mary Fairburn ». Journal of Inklings Studies 9, n^o 1 (avril 2019) : 19–42. http://dx.doi.org/10.3366/ink.2019.0025.

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Mary Fairburn is an English-born artist and illustrator of whose long career there is little published trace. However, in 1968, aged 34, she almost become the illustrator of the century's best-selling novel, The Lord of the Rings. To understand both how this did not happen—but also how it almost happened—this essay firstly puts on record Mary Fairburn's life and career, in the context of Tolkien's many other dealings with illustrators. The second half of the essay shows why Tolkien was so drawn to Mary Fairburn's pictures, by examining his own visual aesthetics and what he expected from adaptation, and by considering his comments in correspondence with and about the illustrators whose work he saw, but who ran foul of his insistence on a decisive distinction between art and illustration. Not only did Fairburn respect Tolkien's text, in both atmosphere and detail, which was for him a vital consideration, she also shared many of his own artistic influences and painted in an idiom he found intelligible. The essay draws on unpublished correspondence.

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Legette, Roy M. « Here Am I, Send Me : The Life, Career and Legacy of Mary Frances Early ». Journal of Historical Research in Music Education 43, n^o 2 (avril 2022) : 228–47. http://dx.doi.org/10.1177/15366006221084156.

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The purpose of this article is to chronicle the life and contributions of Mary Frances Early (b. 1936), the first African American to graduate from the University of Georgia in 1962. After suffering many indignities and being forgotten for more than three decades, Early became one of the University’s most celebrated graduates. Teaching music in segregated schools in Atlanta, Mary Frances Early worked tirelessly to provide her students with a high-quality music education, and she developed excellent music programs wherever she went. Throughout her long and distinguished career in the public schools, in higher education, and in service to the profession, Mary Frances Early dedicated her life to music teaching. She believed that all students deserved to have engaging and meaningful music education experiences, that music is an essential component of a well-rounded education, and that music would play a role throughout life. Primary and secondary sources include interviews, Miss Early’s personal papers, documentary film footage, and newspaper articles and clippings.

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Al-Zubidi, Haitham Kamil, et Noor Hassan Radhi. « Spirituality in Mary Oliver’s Poetry ». Al-Adab Journal 2, n^o 137 (15 juin 2021) : 19–28. http://dx.doi.org/10.31973/aj.v2i137.1626.

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Mary Oliver is an American poet who has been so much fascinated by the natural world since her childhood. Natural world occupies a very large space in her poetry, if not her entire poetic work. She was born in Ohio 1935, and she spent her childhood there surrounded by Nature. She graduated from high school and went to Vassar college and Ohio State University, yet she could not get a degree. She moved to New York where she met the sister of Edna St. Vincent Millay, the famous American poet and playwright. She got a closer look to Edna’s works by organizing her papers for almost seven years. As for career, she held the position at Bennington College by being the Catherine Osgood Foster Chair for Distinguished Teaching. Later on she settled in Provincetown, Massachusetts for almost forty years inspired by the natural scenes there which are conveyed in her collections.

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Kaplan, Robert M. « Mary Barkas : a New Zealand pioneer at the Maudsley ». Irish Journal of Psychological Medicine 34, n^o 3 (1 mars 2016) : 205–8. http://dx.doi.org/10.1017/ipm.2016.10.

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ObjectiveAn account of the life of pioneer New Zealand psychiatrist Mary Barkas.ConclusionAt a time when women were rare in psychiatry, New Zealand-born Mary Barkas excelled. A pioneer in the early years of the Maudsley Hospital, Barkas demonstrated her versatility in organic psychiatry, psychoanalysis and child psychiatry. Her career was terminated at an early stage and her life took a puzzling turn after she returned to New Zealand in 1933. Many questions about this intriguing and accomplished psychiatrist need to be explored.

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Goodare, Julian. « Ritchie, Mary of Guise in Scotland, 1548–1560 : A Political Career ». Scottish Historical Review 83, n^o 2 (octobre 2004) : 235–36. http://dx.doi.org/10.3366/shr.2004.83.2.235.

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Smyth, Elizabeth. « A tale of two Sister-Principals : Mother Mary Edward (Catherine) McKinley, Sisters of Providence of St Vincent de Paul (Kingston, ON) and Mother Mary of Providence (Catherine) Horan, Sisters of Providence of Holyoke, MA ». Encounters in Theory and History of Education 14 (29 octobre 2013) : 119–32. http://dx.doi.org/10.24908/eoe-ese-rse.v14i0.5040.

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This paper analyzes the career of two Sister-Principals who began their religious life in the same congregation: Mother Mary Edward (Catherine) McKinley and Mother Mary of Providence (Catherine) Horan. Depending on whose version of history you read, these women were rival religious or virtuous sisters in habit. Drawing on archival sources and their own writings, the paper analyzes the perceptions, in their own words, of the experiences Mother Mary Edward McKinley and Mother Mary of Providence Horan as Sister-Principals. It also provides an assessment of the historical significance of their careers as case studies of Sister-Principals. The careers of the two Sister-Principals reveal much: both members of the Sisters of Providence of Vincent de Paul (Kingston), both committed to the social welfare of the poor, both forced unwillingly to be Sister-Principals; both elected as congregational leaders; both memorialized in the public domain as powerful women leaders.

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Horton, Peter, Wah Soon Chow et Christopher Barrett. « Joan Mary Anderson 1932–2015 ». Historical Records of Australian Science 30, n^o 1 (2019) : 19. http://dx.doi.org/10.1071/hr18017.

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Joan Mary (Jan) Anderson pioneered the investigation of the molecular organisation of the plant thylakoid membrane, making seminal discoveries that laid the foundations for the current understanding of photosynthesis. She grew up in Queenstown, New Zealand, obtaining a BSc and MSc at the University of Otago in Dunedin. After completing her PhD at the University of California, she embarked on a glittering career at the Commonwealth Scientific and Industrial Research Organisation (CSIRO) and then Australian National University (ANU) in Canberra. Not only a gifted experimentalist, Jan was a creative thinker, not afraid to put her insightful and prophetic hypotheses into the public domain. Her many notable achievements include establishing the details and the physiological significance of lateral heterogeneity in the distribution of the two photosystems between stacked and unstacked thylakoid membranes and the dynamic changes in the extent of stacking that occur in response to changes in the light environment. Her investigations brought her into collaboration with prominent researchers throughout the world. Recognised with many honours as a leading scientist in Australia, international recognition included Lifetime Achievement Award from the International Society of Photosynthesis Research, and Honorary Fellowships at Universities in the UK and USA.

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Stokes, Claudia. « The Mother Church : Mary Baker Eddy and the Practice of Sentimentalism ». New England Quarterly 81, n^o 3 (septembre 2008) : 438–61. http://dx.doi.org/10.1162/tneq.2008.81.3.438.

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“The Mother Church” analyzes the influence of literary sentimentalism on the writings and doctrine of Mary Baker Eddy, the founder of Christian Science. Having attempted a career as a sentimental poet in her early life, Eddy imported sentimental notions of motherhood and parent-child separation into Christian Science belief and iconography.

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Conger, Syndy McMillen. « Revolutionary Feminism : The Mind and Career of Mary Wollstonecraft (review) ». Eighteenth-Century Fiction 6, n^o 1 (1993) : 94–95. http://dx.doi.org/10.1353/ecf.1993.0029.

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Appleby, J. H. « Woronzow Greig (1805–1865), F.R.S., and his scientific interests ». Notes and Records of the Royal Society of London 53, n^o 1 (22 janvier 1999) : 95–106. http://dx.doi.org/10.1098/rsnr.1999.0065.

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In March 1998 the Royal Society acquired on loan a bust of Woronzow Greig, the eldest son of Mary Somerville by her first marriage. This paper outlines his Anglo–Russian connections, his career as a barrister and his scientific interests, before describing how the portrait bust came to be made of him.

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Moskowitz, David. « The History of the Ferryboat Mary Murray : The Staten Island Ferry That Became a NJ Turnpike Landmark ». New Jersey Studies : An Interdisciplinary Journal 6, n^o 2 (9 juillet 2020) : 23–55. http://dx.doi.org/10.14713/njs.v6i2.212.

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The Mary Murray ferry was launched in 1937 on Staten Island, NY and would end her storied career seventy-three years later beached and rotting away in East Brunswick, NJ. For thirty-seven years, she plied the waters between Manhattan and Staten Island, NY as part of the Staten Island Ferry system. She was funded by the New Deal during the Depression and was the first New York City ferry named after a woman. Her namesake was Mary Murray, a patriot-heroine during the Revolutionary War. The Mary Murray was purchased at an auction in 1976 by George Searle, a Merchant Mariner with his own storied past who towed the ferry up the Raritan River to NJ with plans to convert it into a floating restaurant. It would remain there for the next thirty-four years until ultimately being scrapped, visible from the NJ Turnpike just north of Exit 9. Despite never achieving a second useful life, the Mary Murray would become a NJ cultural landmark and arguably NJ’s most famous ferry.

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Dodson, Guy. « Dorothy Mary Crowfoot Hodgkin, O.M. 12 May 1910 – 29 July 1994 ». Biographical Memoirs of Fellows of the Royal Society 48 (janvier 2002) : 179–219. http://dx.doi.org/10.1098/rsbm.2002.0011.

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Dorothy Hodgkin was an X-ray crystallographer whose scientific career began in the 1930s and finished in the 1990s; her research had a deep influence on modern crystallography, chemistry and biochemistry. She had a profound grasp of crystallography and a genius for applying its methods. Her research was driven by the conviction that the X-ray image was the best basis for understanding the chemistry and function of molecules.

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Aslet, William. « Situating St Mary-le-Strand : The Church, the City and the Career of James Gibbs ». Architectural History 63 (2020) : 77–110. http://dx.doi.org/10.1017/arh.2020.3.

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ABSTRACTJames Gibbs's church of St Mary-le-Strand has often been interpreted as an expression of his training in Rome, his Tory politics and his Roman Catholic faith. These factors, as well as the growing clout of the Palladian movement, all supposedly contributed to the architect's dismissal from the Commission for Fifty New Churches. In fact, the design was discovered slowly and by compromise, and Gibbs's dismissal was brought about by a change of monarchy, the demise of his original patrons and by the cost-cutting agenda of the new Whig regime. Rather than recent Italian sources, St Mary-le-Strand derives many of its features from the architecture of London, particularly St Paul's Cathedral. The siting of the church on the royal processional way from Westminster to St Paul's Cathedral explains many of Gibbs's design choices. Queen Anne, under whose reign the church was conceived, used the route frequently.

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Alchon, Guy. « Mary Van Kleeck and Social-Economic Planning ». Journal of Policy History 3, n^o 1 (janvier 1991) : 1–23. http://dx.doi.org/10.1017/s0898030600004486.

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“We are, most of us,” Mary Van Kleeck said in November 1957, “getting too old to talk.” Near the end of more than two hours of interrogation by officials of the State Department's Passport Office, Van Kleeck tried to impress upon her questioners the commitment to social research and to social justice that underlay her career. The Passport Office, however, was more concerned about her Communist front and party affiliations, and she was in their offices that Thursday morning appealing their refusal to renew her passport. She was seventy-three years old and retired from public life. She wanted to travel, as had been her practice, to Holland, her ancestral home and the home of her closest friends. “I date way back of you young people,” she told her two interrogators. “I think the work of my generation and our attitudes in international affairs is one of sympathy … to developments in other countries.” But, she continued, “I don't think you people who don't know the period prior to the First World War can possibly see how deep our concern is.”

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Dennison, Lynda. « An Illuminator of the Queen Mary Psalter Group : The Ancient 6 Master ». Antiquaries Journal 66, n^o 2 (septembre 1986) : 287–314. http://dx.doi.org/10.1017/s0003581500028092.

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This study traces the career of a single illuminator (the Ancient 6 Master) who was active in England from c. 1310 to 1335. For much of this time it can be shown that he worked in collaboration with the artist of Queen Mary's Psalter, one of the most profusely illustrated English manuscripts in existence Although a large number of books have been grouped under the heading of the ‘Queen Mary’ style, they have never received a proper classification, nor has any detailed attention been given to the problem dating. This paper attempts both to isolate the works in which the two artists participated and to propose a sequence ofproduction. Since most of these manuscripts are devoid of internal documentary evidence for dating, a chronology has been devised on the basis of the Ancient 6 Master's artistic development; this has involved an investigation of minor aspects of style. As a result, it has been possible to learn about the career of the Queen Mary Artist, and by virtue of the few firmly datable manuscripts, viewed in the light of the chronology proposed, dates have been suggested for the others within this group.

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Lini Radhakrishnan. « Mary Cassatt’s portraits of her sister, Lydia ». Athanor 39 (22 novembre 2022) : 53–64. http://dx.doi.org/10.33009/fsu_athanor130984.

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In the 1880 portrait, Lydia crocheting in the Garden at Marly, I argue that Mary Cassatt visually recorded symptoms of the malady that ultimately consumed her sibling. When compared with earlier portraits of Lydia, there is evidence of startling weight loss and signs of insomnia. In this paper, I explore Cassatt’s images of her sister painted in the final years of Lydia’s life to identify potent, but overlooked signifiers of disease and death on her form. Taking care of her sister allowed Cassatt to develop a deeper intimacy with the vulnerable body and honed her eye to recognize corporeal traces of disease. Her educated gaze rendered Lydia’s skin almost translucent, revealing symptoms that are no longer subtle once brought to the surface. These images showcase the trauma of Cassatt’s caregiving experience and serve as a precursor to a remarkable shift in her subject, marking a turning point in her career when she began to paint pictures of children held by their caregivers. I draw upon archival sources such as the Cassatt family’s correspondence and papers to establish that her oeuvre serves as a repository of the trauma of her lived experience.

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Stecher, Gabrielle. « Examining the legacy of Disney artist Mary Blair ». Alphaville : journal of film and screen media, n^o 27 (2 juillet 2024) : 9–23. http://dx.doi.org/10.33178/alpha.27.02.

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Few women working as illustrators, designers, and animators in the golden age of American animation are as memorable and recognisable as Mary Blair (1911–1978). Today, she is best remembered for her unique style and design work captured in the It’s a Small World park attraction, as well as her concept art for films including Cinderella (1950) and Alice in Wonderland (1951). While this article contextualises Blair’s artistic development and her contributions to various Disney projects, I primarily interrogate how Blair’s career and legacy have been narrativised, particularly in the decades following her death, by Disney-sanctioned writers and for readers of all ages. This paper invites us to consider why Mary Blair, more than any other woman active at Disney during the mid-twentieth century, has achieved more fame and fan recognition since her death than she did in life. The answer, I argue, lies in how Blair is positioned in writing.

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Unwin, M. « Significant Other : Art and Craft in the Career and Marriage of Mary Watts ». Journal of Design History 17, n^o 3 (1 septembre 2004) : 237–50. http://dx.doi.org/10.1093/jdh/17.3.237.

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Frenkel, Michal. « Book Review : Mary Blair-Loy : Competing Devotions : Career and Family among Women Executives ». Organization Studies 27, n^o 1 (janvier 2006) : 147–50. http://dx.doi.org/10.1177/0170840606061832.

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Danaher, Shelley. « Career and College Readiness : A Summary of Two Sessions at the AFB Leadership Conference on Orientation and Mobility and Transition Services for Students with Visual Impairments ». Journal of Visual Impairment & ; Blindness 113, n^o 2 (mars 2019) : 205–10. http://dx.doi.org/10.1177/0145482x19847046.

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Editor’s Note: This commentary is based on the conference sessions, “Orientation and Mobility Career, College and Community Readiness Standards,” by Kathryn Botsford and Mary Tellefson, and “Engaging Students, Families and Teams for Success After High School,” by Sheila Koenig, which took place on Thursday, February 28, 2019, and Friday, March 1, 2019, respectively, at the American Foundation for the Blind Leadership Conference in Arlington, VA.

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Kaplan, Robert M. « Mary Barkas at the Maudsley : 1923–1927 ». Journal of Medical Biography 28, n^o 2 (26 octobre 2017) : 68–75. http://dx.doi.org/10.1177/0967772017733127.

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The Maudsley Hospital, reopened in January 1923, became the centre of British psychiatric research and achieved a world-wide reputation. At a time when women were rare in psychiatry, New Zealand-born Mary Barkas was the only woman (and psychoanalyst) among the first four psychiatrists appointed. This paper looks at her role in the early years at the Maudsley. The letters she wrote to her father, often on a daily basis, provide a unique insight to the earliest years of the hospital that was to have such an influence on British psychiatry. It is the only insider record we have of this crucial time. Barkas demonstrated her versatility in psychiatry and child psychiatry. She used psychoanalysis to treat her patients, receiving recognition from her colleagues. Her work in this field proved to be an exception as analysis was not practiced after she left the Maudsley. Her problem was the institutionalised prejudice against women in psychiatry, which caused her to leave. Her career was terminated at an early stage and her life took a puzzling turn after she returned to New Zealand in 1933. We can remember Mary Barkas as a forgotten psychiatric pioneer whose life and work deserves to be more widely known and recognised.

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Pascual, José María, et Ruth Prieto. « Harvey Cushing and pituitary Case Number 3 (Mary D.) : the origin of this most baffling problem in neurosurgery ». Neurosurgical Focus 41, n^o 1 (juillet 2016) : E6. http://dx.doi.org/10.3171/2016.2.focus1592.

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From the very beginning of his career, Harvey Williams Cushing (1869–1939) harbored a deep interest in a complex group of neoplasms that usually developed at the infundibulum. These were initially known as “interpeduncular” or “suprasellar” cysts. Cushing introduced the term “craniopharyngioma” for these lesions, which he believed represented one of the most baffling problems faced by neurosurgeons. The patient who most influenced Cushing's thinking was a 16-year-old seamstress named “Mary D.,” whom he attended in December 1901, exactly the same month that Alfred Fröhlich published his seminal article describing an adiposogenital syndrome in a young boy with a pituitary cyst. Both Cushing's and Fröhlich's patients showed similar symptoms caused by the same type of tumor. Notably, Cushing and Fröhlich had met one another and became good friends in Liverpool the summer before these events took place. Their fortunate relationship led Cushing to realize that Fröhlich's syndrome represented a state of hypopituitarism and provided a useful method of diagnosing interpeduncular cysts. It is noteworthy that Cushing's very first neurosurgical procedure on a pituitary tumor was performed in the case of Mary D.'s “interpeduncular cyst,” on February 21, 1902. Cushing failed to remove this lesion, which was later found during the patient's autopsy. This case was documented as Pituitary Case Number 3 in Cushing's masterpiece, The Pituitary Body and Its Disorders, published in 1912. This tumor was considered “a teratoma”; however, multiple sources of evidence suggest that this lesion actually corresponded to an adamantinomatous craniopharyngioma. Unfortunately, the pathological specimens of this lesion were misplaced, and this prompted Cushing's decision to retain all specimens and documents of the cases he would operate on throughout his career. Accordingly, Mary D.'s case crystallized the genesis of the Cushing Brain Tumor Registry, one of Cushing's major legacies to neurosurgery. In this paper the authors analyze the case of Mary D. and the great influence it had on Cushing's conceptions of the pituitary gland and its afflictions, and on the history of pituitary surgery.

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Skwire, Sarah E. « Swept up by Scandal : Francis Kirkman and his counterfeit Lady ». Recherches anglaises et nord-américaines 36, n^o 3 (2003) : 27–34. http://dx.doi.org/10.3406/ranam.2003.1701.

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Francis Kirkman’s 1673 text The Counterfeit Lady Unveiled is an ideal example of the tendency of scandal to overwhelm its recorders. Kirkman's account of the notorious con artist Mary Carleton notes that her career relied on her seductive appeal. Carleton's charming account of her own escapades conveys that charm, and Kirkman includes much of that record within his own text. Carleton's charm overcomes Kirkman's thinking about her case. His continued insistence on her malleability serves as an acceptance of Carleton's own confidence game of constantly changing nationalities, names, and personalities as she seduces and robs each new victim. Carleton seems to have succeeded in gulling not only her marks, but also Kirkman himself. At every turn Mary Carleton resists Kirkman’s assertions about her malleability and asserts her own consistent self.

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Cody, Susan R. « Book Review : Competing Devotions : Career and Family among Women Executives by Mary Blair-Loy ». NWSA Journal 19, n^o 1 (avril 2007) : 223–25. http://dx.doi.org/10.2979/nws.2007.19.1.223.

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Horton, Peter, Wah Soon Chow et Christopher Barrett. « Joan Mary Anderson. 12 May 1932—28 August 2015 ». Biographical Memoirs of Fellows of the Royal Society 65 (25 juillet 2018) : 7–29. http://dx.doi.org/10.1098/rsbm.2018.0006.

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Joan Mary (Jan) Anderson pioneered the investigation of the molecular organization of the plant thylakoid membrane, making seminal discoveries that laid the foundations for the current understanding of photosynthesis. She grew up in Queenstown, New Zealand, obtaining a BSc and MSc at the University of Otago in Dunedin. After completing her PhD at the University of California, she embarked on a glittering career at CSIRO and then the Australian National University in Canberra. Not only a gifted experimentalist, Jan was a creative thinker, not afraid to put her insightful and prophetic hypotheses into the public domain. Her many notable achievements include establishing the details and the physiological significance of lateral heterogeneity in the distribution of the two photosystems between stacked and unstacked thylakoid membranes and the dynamic changes in the extent of stacking that occur in response to changes in the light environment. Her investigations brought her into collaboration with leading researchers throughout the world. Recognized with many honours as a leading scientist in Australia, international recognition included the Lifetime Achievement Award from the International Society of Photosynthesis Research and honorary fellowships at universities in the UK and USA.

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Moen, Kristian. « Expressive Motion in the Early Films of Mary Ellen Bute ». Animation 14, n^o 2 (juillet 2019) : 102–16. http://dx.doi.org/10.1177/1746847719859194.

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Between 1935 and 1938, Mary Ellen Bute began her career as a filmmaker with a series of mostly animated films, including Rhythm in Light (1935), Synchromy No. 2 (1936), Parabola (1938) and Escape (1938). This article examines how these films offered an innovative, subtle and purposeful investigation of the potentials of animation to create artistic and expressive motion. Paying close attention to Bute’s own writing, the article explores how these films related to Bute’s expansive vision of cinema as a new form of kinetic art that was both composed and free-flowing. Drawing upon painting, music, sculpture and chronophotography, Bute’s work was highly intermedial, investing these arts and media with the dynamic potentials of filmic and animated motion. Tracing how Bute composed motion, displayed motion and used motion expressively, this article aims to develop our understanding of a pivotal 20th-century filmmaker, while at the same time investigating the distinctive ideas of the aesthetics, forms and effects of animated motion that were articulated in her filmmaking practice and theoretical writing.

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Martin, Brian. « Forthcoming : The Roger L. Stevens Collection at the Library of Congress ». Theatre Survey 38, n^o 2 (novembre 1997) : 159–61. http://dx.doi.org/10.1017/s0040557400002118.

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Roger Stevens has always been a visionary. His career began in real estate, where he gained national recognition for buying the Empire State Building for $51.5 million—at the time the highest price ever paid for one building—and selling it three years later for a ten-million dollar profit. As he expanded into theatre, he quickly became one of the nation's foremost producers on Broadway, producing more than 200 shows over the last half century, including West Side Story, A Man for All Seasons, Bus Stop, Cat on a Hot Tin Roof, Deathtrap, and Mary, Mary. He “discovered” playwrights such as Tom Stoppard, Peter Shaffer, and Terence Rattigan for New York audiences, and he has worked closely with others, already established, such as Eugene O'Neill, Tennessee Williams, Harold Pinter, Jean Giraudoux, and T.S. Eliot Three United States presidents have depended on Stevens for their arts and humanities policy, and the American theatrical community has benefitted from his intuitive vision.

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Palmer, Caroline. « Colour, Chemistry and Corsets : Mary Philadelphia Merrifield's Dress as a Fine Art ». Costume 47, n^o 1 (1 janvier 2013) : 3–27. http://dx.doi.org/10.1179/0590887612z.00000000012.

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The Victorian writer Mary Philadelphia Merrifield (1804–1889) exploited her considerable knowledge of art and science in order to validate the study of fashion and to raise it in seriousness as a topic. Merrifield covered a broad range of topics in her publishing career, ranging from fresco and fashion to flora and fauna; she was an important contributor to debates about the materials and techniques of painting, the diffusion of colour theory and the aestheticization of dress. This article will demonstrate how her Dress as a Fine Art (1854) challenged prevailing stereotypes, not by denying women's fascination with fashion, but by associating it with higher intellectual principles. In particular it will show how her scholarly approach to fashion countered the long-standing notion that women were interested only in ‘idle fripperies’.

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Pivato, Joseph. « Fuga e ritorno : Italian-Canadian Narratives ». Italian Canadiana 35 (18 août 2021) : 191–200. http://dx.doi.org/10.33137/ic.v35i0.37227.

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Many Italian-Canadian authors have been stimulated to explore their dual identity after a return trip to Italy. They confront the myth of nostalgia as an emotional blind-spot to the harsh realities of past miseria and present-day conflicts in Italian society. Women writers such as Mary di Michele, Caterina Edwards, Licia Canton and Rina Cralli are particularly critical of the position of women in Italy and the whole nostalgia sentimentality promoted by Italian popular culture and music. Pasquale Verdicchio’s whole writing career has been a systematic rejection of the thematics of nostalgia.

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Morrison, John F. B., et John A. Russell. « Lillian Mary Pickford. 14 August 1902—14 August 2002 ». Biographical Memoirs of Fellows of the Royal Society 67 (21 août 2019) : 371–400. http://dx.doi.org/10.1098/rsbm.2019.0008.

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Mary Pickford was an experimental physiologist who carried out pioneering work on the actions of the hormones (oxytocin and vasopressin [ syn. antidiuretic hormone, ADH]) secreted by the posterior pituitary gland, which is part of the brain. She provided understanding of how the secretion of these hormones is controlled to regulate body fluid composition, specifically the maintenance, through actions on the kidneys, of normal osmolarity and Na + concentration, and hence blood volume and pressure. Using the water-loaded dog model she showed that vasopressin is the only hormone that regulates the excretion of water, by stimulating the kidneys to concentrate urine; she found that oxytocin could stimulate excretion of Na + . She showed that acetylcholine is an excitatory neurotransmitter in the hypothalamus, stimulating the neurons that produce vasopressin to secrete—the first evidence for acetylcholine action in the brain. The principles that Mary established have been extensively confirmed; hence, she was important in the establishment of the concepts and discipline of neuroendocrinology, which is about the bidirectional interactions between hormones and the brain. Using human and animal models, in her later work Mary focused on possible roles of interactions between female sex hormones and vasodilating actions of oxytocin in the perimenopausal problem of ‘hot flashes’ (or ‘hot flushes’) experienced by many women. She faced, but overcame, entrenched gender prejudice during her career; she was the first woman to be elected to the Pharmacological Society, and the first woman appointed to a chair in the Edinburgh Medical School.

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Lumsden, Alison. « Walter Scott and Blackwood's : Writing for the Adventurers ». Romanticism 23, n^o 3 (octobre 2017) : 215–23. http://dx.doi.org/10.3366/rom.2017.0336.

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The significance of Scott as a literary and cultural critic is little understood. Yet Scott was a lively participant in journal culture and contributed to it throughout his publishing career, writing for Blackwood's from its inception in 1817 until near the end of his life in 1829. Scott established himself as one of the finest critics and reviewers of his day, offering pertinent remarks on, among others, Byron, Mary Shelley, and Austen. This article explores Scott's contributions to Blackwood’s, his reasons for publishing in this often combative space, and the ways in which it offers Scott an opportunity to explore new aspects of his creativity. It pays attention to Scott's pieces on Scottish gypsies and to his iconic review of Frankenstein. It also examines his forays into the genre of ‘tale’, the ways in which they facilitate the development of the short story, and how they contribute to the development of Scott's career.

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Niederberger, Erin, Sarah A. Buchanan et Hali Allen. « Mary F. Lenox : Library and Information Science Connector and Poet of Justice ». Libraries : Culture, History, and Society 6, n^o 1 (1 mars 2022) : 187–210. http://dx.doi.org/10.5325/libraries.6.1.0187.

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ABSTRACT Mary F. Lenox, born 1944, is a notable scholar, library school leader, Kellogg National Fellow 1982, school librarian in Chicago (MLS Rosary College), and ardent poet. Best known as the first Black dean at the University of Missouri, Dr. Lenox has many accomplishments before, within, and after that post meriting parallel recognition. She is a role model for Black students and faculty across the campus, and for her compeers nationwide – colleagues in ALA’s then-Young Adult Services Division and readers of her poetry in two books (2015, 2019), spoken at TEDx San Diego, or on the airwaves anew after the killing of George Floyd in May 2020. In our study of Dr. Lenox’s LIS educator career we draw together her leadership of the school librarianship study program and grants, her successful organizing against proposed budget cuts and selection as dean, and her scholarship on libraries in African American life, youth services, and cooperative multimedia-collection building.

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CHANDLER, JOHN. « Supporting Women's Career Advancement : Challenges and Opportunities - Edited by Ronald J. Burke and Mary C. Mattis ». Gender, Work & ; Organization 15, n^o 1 (7 décembre 2007) : 108–10. http://dx.doi.org/10.1111/j.1468-0432.2007.00384_1.x.

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Haagsma, Margriet J. « Alan Kaiser. Archaeology, Sexism and Scandal. The long-suppressed story of one woman’s discoveries and the man who stole credit for them. pp. 272 with ills. 2015. Lanham : Rowman & ; Littlefield. ISBN 978-1-4422-7524-9, paperback $28. » Journal of Greek Archaeology 5 (1 janvier 2020) : 630–40. http://dx.doi.org/10.32028/jga.v5i.471.

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This well-researched and very readable book tells the story of a young woman who started her professional career in Classics and Classical archaeology in the late 1920s when she enrolled as an undergraduate student in the Department of Classics at the University of Alberta, where I currently teach. It charts how, after obtaining her BA, Mary Ellingson (née Ross), was admitted as a graduate student in archaeology at Johns Hopkins University in Baltimore, Maryland, in 1931. There, she wrote an MA and PhD dissertations on the terracotta industry in Olynthus, based on the excavations in which she participated in 1931 under the guidance of the famous and distinguished David Moore Robinson, professor of archaeology and director of the Olynthus project. The author of this book, Alan Kaiser, professor in archaeology at the University of Evansville where Mary Ross-Ellingson taught for many years, became inspired to tell her story by leafing through her bequest to the university after her death. It consisted of a scrapbook, which had been sitting on a shelf in his department and in which she reports her experiences during the 1931 season at Olynthus in text and images. Based on this treasure trove of photographs and letters to family, Kaiser discovered a long known but inconvenient truth: that Mary Ross-Ellingson’s MA thesis and part of her PhD were published under Robinson’s name as volumes VII and XIV in the Olynthus series without giving credit to the real author.

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Bowden, Caroline M. K. « The Abbess and Mrs. Brown : Lady Mary Knatchbull and Royalist Politics in Flanders in the late 1650s ». Recusant History 24, n^o 3 (mai 1999) : 288–308. http://dx.doi.org/10.1017/s0034193200002521.

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The letters of Mary Knatchbull, abbess of the English Benedictine Convent in Ghent between 1650 and her death in 1696, are of considerable interest. They reveal a woman operating with significant influence in two discrete spheres: the enclosed cloister and the royalist court in exile. This article will consider briefly the religious career of Mary Knatchbull and her importance to the Benedictines of Ghent, before examining in detail her part in the restoration of Charles II. It examines the unexpressed dichotomy of seemingly irreconcilable rôles performed by a member of an enclosed Order who on the one hand, in fulfilling her vows, was submissive and obedient, and yet on the other, was able to communicate with senior royalist advisers confidently and involve herself in the strategic planning of the campaign for the return of Charles II to England. As abbess, Mary Knatchbull led her community effectively at a difficult time. Under her leadership the convent survived an expensive building programme, established a successful new house and maintained high standards of practice in the religious life of the convent. From conventual records, it is clear that she was considered one of the outstanding abbesses of the seventeenth century in the English Benedictine community. Her correspondence with the royalists ministers in exile shows her opinions were taken seriously. She was regarded as a competent organiser and she had extensive links covering Flanders, France and England that kept her in touch with developments of interest to the king. Hitherto her life has been little known and published writing has been largely devoted to her rôle as an abbess. Mary Knatchbull’s life challenges categorisation and shows the importance of flexibility of approach to understanding the rôle of women in the early modern period.

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Murray, M. K., et D. Parrott. « James Henry Michael 1920–2001 ». Historical Records of Australian Science 25, n^o 1 (2014) : 84. http://dx.doi.org/10.1071/hr14001.

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Professor James Henry ('Jim') Michael 1920–2001 was elected to the Australian Academy of Science in 1973. Born in Port Augusta, Jim saw active service during the Second World War. Returning to Adelaide, he completed a PhD in pure mathematics and began a distinguished career as an international expert in mathematical analysis. As well as being a mathematician, Jim was a keen golfer and shooter. Jim is remembered as a quiet, gentle man of few words but great integrity. A devoted family man, he is survived by his wife Pat, his daughter Mary Jane, his son Philip and his two grandchildren Ian and Tim Michael.

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Goldstein, Brian D. « Modernism as Liberation : J. Max Bond Jr. at Mississippi’s Mary Holmes College ». Journal of the Society of Architectural Historians 83, n^o 2 (1 juin 2024) : 209–32. http://dx.doi.org/10.1525/jsah.2024.83.2.209.

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Abstract From early in his career, J. Max Bond Jr. (1935–2009) brought the civil rights movement to bear on architecture, insisting that modernism live up to its promise to build a better world. Exemplary of this effort was the first completed work of Bond Ryder Associates, the Neigh Dormitory (1968–70) at Mary Holmes College in West Point, Mississippi. This article offers a close reading of this overlooked project in the context of Bond’s own encounters with modern architecture as an African American, the realities of Mississippi in the 1960s, and the experiences of the students who made this dorm their home. It contends that Bond Ryder shaped a liberatory modernism here especially focused on the freedom and self-determination of the dorm’s Black residents amid ongoing racial violence. In doing so, the article provides a novel perspective on the role that architecture played as a force for racial equality and that, in turn, the long civil rights movement played in shaping architectural modernism. While modern architecture had caused much harm by midcentury, this dorm’s history reveals an unexpected source for the rejuvenation of modernism’s social promise: the long struggle for racial justice.

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Horton, D. Seth. « Critical Regionality and(Mis-)Translation : The Modernist Elision of Pueblo Source Material in Mary Austin’s Later Career ». Western American Literature 58, n^o 2 (juin 2023) : 121–42. http://dx.doi.org/10.1353/wal.2023.a904151.

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Arblaster, Paul. « The Infanta and the English Benedictine Nuns : Mary Percy's Memories In 1634 ». Recusant History 23, n^o 4 (octobre 1997) : 508–27. http://dx.doi.org/10.1017/s003419320000234x.

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In 1598 Philip II, King of Spain since 1559 and ruler of many other dominions, granted the ‘Burgundian’ segment of his inheritance (the Low Countries and the County of Burgundy) to his daughter Isabella as a dowry, and gave her in marriage to her cousin Albert, Archduke of Austria. The couple governed that part of the territory effectively under their control — the northern provinces having formed the Dutch Republic — as ‘sovereign princes’, essentially enjoying domestic autonomy under the protection of the Spanish army. They were responsible for the ‘northern’ policy of the Spanish monarchy, including day-to-day relations with England and the protection of the British Catholics. As sovereign princes they rebuilt the Church in the Southern Netherlands, patronised the reformed religious orders, and did much to establish the particular South Netherlandish identity which was eventually to lead to an independent Belgian state. In 1621 Albert died, and his childless widow's dowry reverted to her nephew Philip IV. Isabella remained in Brussels as Governess-General, enjoying greater independence than the title might suggest, both from her long career as co-sovereign and from the trust and admiration of her nephew the king. She died in 1633, the governship passing to another of her nephews, the Cardinal-Infant Don Ferdinand (1635–1641).

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